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Item Ships From: New York City
Magritte La Page Blanche 1998- Surrealist, Vintage
By René Magritte
Located in Brooklyn, NY
This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...
Category

1990s Surrealist New York City - Landscape Prints

Materials

Offset

Unicorns Behind Bars
By Niko Christian
Located in New York, NY
ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...
Category

2010s New York City - Landscape Prints

Materials

Photographic Paper

Sparire 2, Enzo Cucchi dream scape surreal etching, aquatint and silkscreen
By Enzo Cucchi
Located in New York, NY
Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...
Category

1980s New York City - Landscape Prints

Materials

Etching, Aquatint, Screen

Fred Nagler, (Cows in a Pasture)
By Fred Nagler
Located in New York, NY
Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. He taught at the Connecticut College for Women, and after the death of Grant Wood, the University of Iowa State...
Category

1920s Ashcan School New York City - Landscape Prints

Materials

Etching

"Untitled" by Louise Chase (Expressionist, Trees, Print, Autumn, Nature, Fall)
By Louisa Chase
Located in New York, NY
Louisa Chase’s paintings are romantic in tone, alluding to the power of nature while serving as pictorial metaphors for her own state of mind. Drawing on her distinctive brand of Neo...
Category

1980s Abstract New York City - Landscape Prints

Materials

Screen

Lindblad Cove, Antarctica
By Zaria Forman
Located in New York, NY
Silkscreen, 2022 In collaboration with ArtStar and Marginal Editions H: 30.5” x W: 30” inches Limited Edition of 30 + 5 APs Hand-signed on recto $1,600 This is Zaria Forman’s first-...
Category

2010s New York City - Landscape Prints

Materials

Archival Pigment

Le Charlemagne (Foret de Fontainebleau)- 1991
By Eugene Blery
Located in Brooklyn, NY
This reproduction of Eugène Bléry's etching Le Charlemagne depicts the Forêt de Fontainebleau, a renowned forest located south of Paris. The print is produced by La Calcographie du L...
Category

Late 17th Century Renaissance New York City - Landscape Prints

Materials

Etching

Gibbous Moon Willow
By Susan Derges
Located in New York, NY
Framing Included in Listing Price, Free Shipping, 14-Day Return Policy. Gibbous Moon Willow (2012) by Susan Derges. 24 x 13.5 inches Digital C-Print Edition 9 of 9 *Last print av...
Category

2010s New York City - Landscape Prints

Materials

Photographic Paper

Carmel By the Sea
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category

2010s New York City - Landscape Prints

Materials

Photographic Paper

The Clocktower Exhibition signed inscribed, Rare 1970s poster, 108 Leonard St.
Located in New York, NY
Robert Petersen The Clocktower Exhibition (Hand signed and inscribed), 1979 Offset lithograph poster (hand signed and warmly inscribed) Warmly signed and inscribed "For Marilyn Love ...
Category

1970s Abstract New York City - Landscape Prints

Materials

Lithograph, Offset

Abstract Expressionist Poster (Hand signed and inscribed by Helen Frankenthaler)
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1980s Abstract New York City - Landscape Prints

Materials

Offset, Lithograph

Horseback Rider at the Great Pyramid of Giza, Surrealist Print
Located in New York, NY
Mystery Artist Untitled (Great Pyramid), c. late 20th/early 21st century Possibly C-Print or Lithograph? Sight: 9 1/2 x 9 1/2 in. Framed: 13 x 13 x 1 1/8 in. Signed lower left This...
Category

21st Century and Contemporary Surrealist New York City - Landscape Prints

Materials

C Print

His Family, American Western Art Lithograph by Duane Bryers
By Duane Bryers
Located in Long Island City, NY
Duane Bryers, American (1911 - 2012) - His Family, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 14.5 x 22.5 in., Size: 21.5 in. ...
Category

1970s American Realist New York City - Landscape Prints

Materials

Lithograph

Untitled #2, Surrealist Aquatint Etching by Hans-Georg Rauch
By Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Untitled #2, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 27 in. x ...
Category

1970s Surrealist New York City - Landscape Prints

Materials

Etching, Aquatint

"Windy Hill" Lawrence Beall Smith, Mid-Century Realist Scene, American Life
By Lawrence Beall Smith
Located in New York, NY
Lawrence Beall Smith Windy Hill, 1948 Signed in pencil lower right margin Lithograph on wove paper Image 10 3/8 x 13 1/16 inches Sheet 11 15/16 x 16 inches From the edition of 250 ...
Category

1940s American Realist New York City - Landscape Prints

Materials

Paper, Lithograph

Wolf Kahn, Memorial Bridge, Springfield, Mass, signed, dated inscribed, Framed
By Wolf Kahn
Located in New York, NY
Wolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed ...
Category

1980s Contemporary New York City - Landscape Prints

Materials

Etching

Sparire I Enzo Cucchi large scale abstract dream scape etching with screeprint
By Enzo Cucchi
Located in New York, NY
Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...
Category

1980s Surrealist New York City - Landscape Prints

Materials

Etching, Aquatint, Screen

Guiding Light, Pop Art Screenprint by Muhammad Ali aka the G.O.A.T.
By Muhammad Ali
Located in Long Island City, NY
An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Guiding Light Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil Edi...
Category

1970s Pop Art New York City - Landscape Prints

Materials

Screen

Artist Book Nine Swimming Pools and a Broken Glass Hand signed by Ed Ruscha LtEd
By Ed Ruscha
Located in New York, NY
Ed Ruscha Nine Swimming Pools and a Broken Glass (HAND SIGNED), 1976 Limited Edition Artist's Book Boldly signed by Ed Ruscha on the first front end page 7 × 5 1/2 inches This is the...
Category

1970s Pop Art New York City - Landscape Prints

Materials

Ink, Mixed Media, Lithograph, Offset

Chelsea Hotel, Sunset
By Richard Haas
Located in New York, NY
Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...
Category

1980s Realist New York City - Landscape Prints

Materials

Offset

Beach scene, Inner Tube: Eric Fischl Aquatint Etching of sunlit nude woman
By Eric Fischl
Located in New York, NY
A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...
Category

1980s Neo-Expressionist New York City - Landscape Prints

Materials

Etching, Aquatint

California 2017
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category

2010s New York City - Landscape Prints

Materials

Photographic Paper

"Winter Wildfowling" Frank Weston Benson, Hunting Scene, Outdoors, Marshes
By Frank Weston Benson
Located in New York, NY
Frank Weston Benson Winter Wildfowling, 1927 Signed lower left Etching on paper Image 8 1/2 x 7 inches Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England. Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.” Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.” In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure. In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth. This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.” The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions. Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member. Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works. Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.” Like the wash drawings before them, Benson’s watercolors proved...
Category

1920s Academic New York City - Landscape Prints

Materials

Paper, Etching

Illuminated Dendrology - Tunneling 2
By Linda Westin
Located in New York, NY
Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned back to photography. No...
Category

2010s New York City - Landscape Prints

Materials

Photographic Paper

The Relocation of Property by Natural Forces, with original colophon envelope
By Joe Zucker
Located in New York, NY
Joe Zucker The Relocation of Property by Natural Forces Rubber stamp print on Arches 88 paper Stamp made by Unity Engraving Company, Inc. Printed by Aaron Arnow Paper size: 8 x 8 in...
Category

1970s Conceptual New York City - Landscape Prints

Materials

Lithograph

Braque Mid-20th Century Unsigned Lithograph of Boat on Brittany Shore
By (after) Georges Braque
Located in Brooklyn, NY
The limited edition lithograph Boat on a Shore in Brittany by Georges Braque is a significant piece for collectors and art enthusiasts. Printed by ARTE in Paris, this lithograph offe...
Category

Mid-20th Century Modern New York City - Landscape Prints

Materials

Lithograph

Perspectives Adventure (1D), Surrealist Aquatint Etching by Hans-Georg Rauch
By Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - Perspectives Adventure (1D), Year: 1975, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 75, Size: 14 in. x 20 in....
Category

1970s Surrealist New York City - Landscape Prints

Materials

Etching, Aquatint

Chosen Journey II, Pop Art Chromogenic Print on Canvas by Michael Knigin
By Michael Knigin
Located in Long Island City, NY
Michael Knigin, American (1942 - 2011) - Chosen Journey II, Year: 2004, Medium: Chromogenic Print on Canvas mounted to board, signed and dated lower left and signed, titled, numbere...
Category

Early 2000s Pop Art New York City - Landscape Prints

Materials

Digital

Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category

1810s New York City - Landscape Prints

Materials

Paper

Confronting the Villain 1094 - Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category

2010s Contemporary New York City - Landscape Prints

Materials

Archival Pigment

Anchored Flotilla Days Gone By, Psychedelic Screenprint by Max Epstein
By Max Epstein
Located in Long Island City, NY
Max Epstein, Canadian (1932 - 2002) - Anchored Flotilla Days Gone By, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP 295, Image Size: 18.5 x 27.5 inc...
Category

1980s Pop Art New York City - Landscape Prints

Materials

Screen

San Francisco 37° 48’ 30’’ N 2010-10-09 lst 20:58
By Thierry Cohen
Located in New York, NY
Framing included in listing price ($1,500 value), free art transport to the continental U.S., and a 14 day return policy. Please note there is some repaired damage to the frame noted in the images. San Francisco from Thierry Cohen...
Category

2010s New York City - Landscape Prints

Materials

Photographic Paper, Color

Untitled, Surrealist Aquatint Etching by Hans-Georg Rauch
By Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66...
Category

1970s Surrealist New York City - Landscape Prints

Materials

Etching, Aquatint

Dogana, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - Dogana, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 19 x 25 inches, Size: 22...
Category

1970s Modern New York City - Landscape Prints

Materials

Lithograph

Manhattan View from Governor s Island, Photorealist Etching by Richard Haas
By Richard Haas
Located in Long Island City, NY
Artist: Richard Haas, American (1936 - ) Title: Manhattan View from Governor's Island (Color) Year: 1999 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 85 ...
Category

1990s American Realist New York City - Landscape Prints

Materials

Aquatint, Etching

Night at Sandia Mountain, Modern Lithograph by John Beerman
By John Beerman
Located in Long Island City, NY
John Beerman, American (1958 - ) - Night at Sandia Mountain, Year: 2004, Medium: Lithograph, signed, dated, titled and numbered in pencil, Edition: CTP 3, Image Size: 6 x 9 inche...
Category

Early 2000s Modern New York City - Landscape Prints

Materials

Lithograph

International Meeting Plaza, Signed/N 25-color silkscreen, beloved female artist
By Thelma Appel
Located in New York, NY
Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authe...
Category

2010s Contemporary New York City - Landscape Prints

Materials

Pencil, Color, Screen

Battle of Britain, Pop Art Screenprint by Malcolm Morley
By Malcolm Morley
Located in Long Island City, NY
Artist: Malcolm Morley, British (1931 - 2018) Title: Battle of Britain Year: 2005 Medium: Screenprint, signed and numbered in pencil Edition: dedicat...
Category

Early 2000s Pop Art New York City - Landscape Prints

Materials

Screen

Pigeon Feeder, Folk Art Lithograph by Ari Gradus
By Ari Gradus
Located in Long Island City, NY
Ari Gradus, Israeli (1943 - ) - Pigeon Feeder, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, ...
Category

1980s Folk Art New York City - Landscape Prints

Materials

Lithograph

Rainbow: colorful Rosenquist pop art with gold, turquoise, purple, pink, blue
By James Rosenquist
Located in New York, NY
A classic Rosenquist pop art composition with gold, turquoise, purple, pink, blue, green and yellow. Characteristically surreal and graphic, Rainbow incorporates bold geometric forms with painterly washes of color and airbrush texture. Rosenquist's signature gleaming metallic chrome texture can be seen on an inverted fork behind the glass of a golden window. Paper 25.25 x 30.25 in. / 64 x 77 cm Image 17 x 21.5 in. / 43 x 54.5 cm Lithograph with screenprint on cream-coloured Hodgkinson handmade Wookey Hole paper. Edition of 75 with 8 color trial proofs: this impression 8/8. Signed and dated 1972 lower right in pencil; titled, numbered 8/8 and labeled Color Trial Proof lower left in pencil. This graphic, colorful scene is based on Rosenquist’s 1962 oil painting of the same name, collected in the Museum Ludwig in Cologne. The artist used real glass and wood to construct windows for the original painting – here, house siding is abstracted to bold, black horizontal lines, and the window glass is printed in dark gold ink. At the top of the composition, a window with shutters pushed open is colored in turquoise, with sharp black shadows. The left-hand window pane is shattered, and to the right, the outline of an oversized...
Category

1970s Pop Art New York City - Landscape Prints

Materials

Lithograph, Screen

Calvaire de Pierre, Modern Etching and Aquatint by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Calvaire de Pierre, Year: circa 1965, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 64/75, Image Size...
Category

1960s Modern New York City - Landscape Prints

Materials

Etching, Aquatint

Untitled XXVI, Surrealist Lithograph by Wojtek Kowalczyk
Located in Long Island City, NY
Untitled XXVI Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)
Category

Early 2000s Surrealist New York City - Landscape Prints

Materials

Lithograph

Portal with a View, American Realist Screenprint by Lorna Patrick
Located in Long Island City, NY
Lorna Patrick, American - Portal with a View, Year: 1981, Medium: Screenprint [Signed and Numbered in pencil], Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm), Description: ...
Category

1980s American Realist New York City - Landscape Prints

Materials

Screen

Memory 9/11 1099 - Signed, Limited Edition Contemporary Fine Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category

2010s Contemporary New York City - Landscape Prints

Materials

Archival Pigment

Salute, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - Salute, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 250, AP 30, Image Size: 19 x 25 inches, Size: 23 in. x...
Category

1970s Modern New York City - Landscape Prints

Materials

Lithograph

The bell tower by David Hockney (Six Fairy Tales from the Brothers Grimm)
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...
Category

1960s New York City - Landscape Prints

Materials

Etching, Aquatint

I Can Make Anything Happen 1091 - Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category

2010s Contemporary New York City - Landscape Prints

Materials

Archival Pigment

Running My Fastest, Hugging 1095- Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category

2010s Contemporary New York City - Landscape Prints

Materials

Archival Pigment

French Landscape on River, Modern Screenprint by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - French Landscape on River, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 47/63, Size: 19.5 x 27.5 in. (49.53 x 69.85 cm)
Category

1980s Modern New York City - Landscape Prints

Materials

Screen

Searching for Clues 1097 - Signed, Limited Edition Contemporary Fine Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category

2010s Contemporary New York City - Landscape Prints

Materials

Archival Pigment

Romp and Rollick 1088 - Signed, Limited Edition Contemporary Fine Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category

2010s Contemporary New York City - Landscape Prints

Materials

Archival Pigment

Sailing 4, American Realist Lithograph by John McNulty
By John McNulty
Located in Long Island City, NY
John McNulty, Irish/American (1949 - ) - Sailing 4, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 650, Image Size: 8 x...
Category

1980s American Realist New York City - Landscape Prints

Materials

Lithograph

Harvest, Art Deco Screenprint by Erte
By Erté
Located in Long Island City, NY
Harvest by Erté, Russian (1892–1990) Date: 1987 Embossed Screenprint with Foil, signed and numbered in pencil Edition of 300, HC 8/18 Size: 16 x 29 in. (40.64 x 73.66 cm) Frame Size:...
Category

1980s Art Deco New York City - Landscape Prints

Materials

Screen

Provincetown - The Harbor, Impressionist Lithograph by Marcel Salinas
By Laurent Marcel Salinas
Located in Long Island City, NY
Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Provincetown - The Harbor, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 1...
Category

1980s Impressionist New York City - Landscape Prints

Materials

Lithograph

Lampadario, Modern Linocut by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - Lampadario, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: A/P, Image Size: 12.5 x 10 inches, Size: 23 x 18 in. (58...
Category

1980s Modern New York City - Landscape Prints

Materials

Linocut

3 Miles, Modern Lithograph by Alvin Carl Hollingsworth
By Alvin C. Hollingsworth
Located in Long Island City, NY
Alvin Carl Hollingsworth, American (1928 - 2000) - 3 Miles, Medium: Lithograph, Image Size: 5.75 x 16.5 inches, Frame Size: 14.25 x 24.25 inches, Description: This lithograph by ...
Category

1980s Modern New York City - Landscape Prints

Materials

Lithograph

The Bridge, Modern Linocut by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - The Bridge, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: 21/33, Image Size: 12 x 16 inches, Size: 16 x 21 in. (40...
Category

1980s Modern New York City - Landscape Prints

Materials

Linocut

Immagine Feroce by Enzo Cucchi, portfolio of mythological ocean scene drawings
By Enzo Cucchi
Located in New York, NY
Whimsical, mysterious seascapes, animals, and mythological figures weave throughout this expressive set of black and white Enzo Cucchi lithographs. The complete set of five lithograp...
Category

1980s Symbolist New York City - Landscape Prints

Materials

Lithograph

Dreadnaught After the Storm, American Realist Lithograph by Mel Hunter
By Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - Dreadnaught After the Storm, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 24 x 31 in. (60.96 x 78.74 ...
Category

1970s American Realist New York City - Landscape Prints

Materials

Lithograph

The Couples: Los Angeles Griffith Observatory
By Ludwig Favre
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....
Category

2010s New York City - Landscape Prints

Materials

Photographic Paper

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