Sculptures in New York City

Top quality, beautiful polished cross-section of Ocean Jasper freeform from Madagascar. Polished to smooth mirror finish and is a perfect addition to any crystal collection. Ocean J...

Pair of iconic Vivienne Westwood rocking horse ballerina shoes, circa 1985 The shoes are in excellent vintage condition and are a size 8.

This well preserved tooth is 40 to 34 million years old from the Late Eocene Period. Basilosaurus was first thought to be a reptile but was later identified as a genus of ancient cet...

Antique (19th century) Italian white marble bust of the Roman Goddess, Diana, aka Artemis in Greek mythology, inspired by the Diana of Versailles, also known as Diana the Huntress, i...

This Genuine Huge Clear Quartz Crystal Cluster Point from Brazil is a versatile addition to any home. With its complete termination and shiny...

Fabulous 1970's modernist large Kinetic aluminum sculpture designed by Charles Taylor Model #450 in vintage original condition with minor wear and patina due to age and use.

Vintage Brutalist abstract metal nail sculpture in the style of William Bowie or Marc Weinstein, but unsigned/unattributed (ca. 1970s, USA). Composed of four panels of welded metal n...

Genuine Muonionalusta Meteorite Slice from Norrbotten, Sweden. The Muonionalusta is a meteorite classified as fine octahedrite, type IVA (Of) which impacted in northern Scandinavia,...

This stunning Black Tourmaline in Smoky Quartz specimen showcases a perfect balance of deep black and translucent smoky hues, creating a striking natural aesthetic. Its sharp, well-d...

Top quality Brazilian Quartz point Crystal Cluster. This translucent crystal cluster has fully terminated quartz point crystals with lustrous highly reflective faces. Clear Quartz e...

French bronze sculpture of Cupid after Auguste Moreau (1834-1917)

Bitossi Kwan Yin Buddha, ceramic, white, black. Medium scale Kwan Yin Buddha finish in a textured white "Cinese" glaze. Aldo Londi's "Cinese" series o...

PAIR of English Victorian small Staffordshire white dog figures with copper lustre trim

Oligocene Turtle Fossil, South Dakota This exceptional mounted turtle fossil originates from the Oligocene period (approximately 23–34 million years ago) and was unearthed in South D...

This cabinet size display piece and combination specimen features huge peach-hued stilbite crystals growing together with beautifully pigmented, moderately sized and fully formed gre...

Midcentury Harry Bertoia Sonambient sculpture featuring seven black monel "cat-tail" tops silvered to beryllium. Copper rods silvered to brass base. In fin...

Gabriela BEJU (1947-2021) sculptor - Artist's interpretation of the horizon, in stone bas-relief. Created in Germany in 1972 Acquired in France from the estate of the artist's studio.

A Highly Important and Very Rare Pair of Italian Life-Sized Carrara Marble Figures of Dancer Sculptures: Danzatrice con le Mani sui Fianchi Danzatrice col Dito al Mento ( Danci...

Jay Strongwater large limited edition enamel peacock figurine hand decorated and hand set Swarovski crystals. Limited edition no. 250/250. Overall excellent condition with normal wea...

This wonderful ceramic sculpture of a Turtledove is by the key Art Deco designer Jacques Adnet and was first shown at the pivotal 'Exposition des Arts Decoratifs et Industriels Moder...

Pre-Columbian Standing Male Nude Figure, probably Aztec, black burnished terracotta, mounted on ebonized wood base. 14.5" H x 7" W x 4.5" D. Provenance: From an Upper East Side Colle...

Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin Trivets bring an Industrial touch to your tabletop....

This extraordinary Cavansite on Stilbite specimen is one of the largest and finest plates ever recovered from the now-closed Wagholi Quarries in Pune, India: long celebrated for prod...

France, early 20th century. Pair of two lifesize sculptures, brother and sister, the boy sitting cross-legged and the girl on a stump holding a pla...

Beautiful coral fan set on a minimalist white stand. We have a collection. Great as a party gift or table setting. All one of a kind. Andrianna Shamaris....

This sharp and angular Mid-Century Modernist Abstract Geometric Sculpture in Cast and Welded Aluminum by Arthur Court originates from the United States, Circa 1975. Features a vertic...

A striking pair of vintage Art Deco ceramic bookends depicting elegant female divers, each poised in a dynamic stance. These sculptural bookends feature women in red bathing suits an...

Petite Art Deco bronze bust of a woman's head by Pal Bel, marked on bottom 'MADE IN ISRAEL' with foundry mark and other Hebrew text.

Fine antique molded plaster bust sculpture of President George Washington after the original model by Jean-Antoine Houdon created in 1785, cast by the widely admired P.P. Caproni of ...

From Shaba Copper Belt, Katanga (Shaba) Province, Democratic Republic of the Congo (Zaire) A sculptural botryoidal formation of solid velvety green malachite from the famous copper m...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Édouard-Paul Delabrierre (French, 1829–1912), Hind (Deer) Beside a Stump — Fire-Gilt Bronze on White Marble, early 20th century A crisply chased, fire-gilt bronze study of a doe step...

Genuine Muonionalusta Meteorite Slice from Norrbotten, Sweden. The Muonionalusta is a meteorite classified as fine octahedrite, type IVA (Of) which impacted in northern Scandinavia,...

Smoked glass sculpture of a buffalo rearing. Label on the underside “V. Nason & C. Murano Italy”.

This vibrantly contrasting specimen showcases moderately sized emerald-green Dioptase crystals growing atop a matrix of lustrously crystallized Calcite, accented with rare powder-blu...

This cabinet-size specimen from the Pune District of India features a pristine 180-degree explosion of radial mesolite sprays atop a bed of mint-green apophyllite crystals. A true mu...

Very large mid-century period bronze sculpture of a parrot perched on tree branch after after Jules Moigniez (1835-1894), measuring 53 by 24 by 12 inches. Apparently unsigned.

Italian marble sculpture of a lion on the hunt by Joseph Frugoni (1897-1923). In very good condition.

A porcelain flower vase with an organic form and texture, made by casting liquid porcelain in sewn leather molds. Clear glaze applied on interior surface. As a result of the producti...

This Paradoxides trilobite specimen presented as-unearthed in matrix dates back over 499 million years to the Middle Cambrian Epoch. Paradoxides is one of the earliest known genus of...

Antique Chinese Tang Dynasty-style terra cotta figure of a horse commonly used as a tomb figure for wealthy burials in the 7-8th centuries, and crafted with traditional tri-color gla...

Bibendum Michelin man advertising sculpture. Original white painted heavy and sturdy larger cast iron mid-century Bibendum figure. England, circa...

From Mibladen, Atlas Mountains, Khénifra Province, Morocco. Here is an exceptional world class specimen of a cluster of hexagonal crystals of bright red Vanadinites with glassy lust...

William Bowie was a prominent sculptor of the American Mid-Century Modern period. A contemporary of Harry Bertoia, Curtis Jere and Bruce Freidle, Bowie is considered a founding figur...

Charles Masse (French, 1855-1913) Nude Woman Patinated Bronze Sculpture, late 19th century, the standing figure draped with Gingko leaves, on a green serpentine plinth, signed to bas...

From Mibladen, Atlas Mountains, Khénifra Province, Morocco. Here is an exceptional world class specimen of a cluster of hexagonal crystals of bright red Vanadinites with glassy lus...

Patinated bronze sculpture of Emperor Napoleon on horseback after the original model by Henri Louis Levasseur (1853-1934), mounted to the rotating top of a marble pedestal with neocl...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Large, exceptional quality bronze sculpture depicting The Education of Achilles by the Centaur Chiron, after the model by Francois Rude. Ear...

This captivating Mid-Century Modernist spiral hanging sculpture by renowned artist Erwin Hauer is an extraordinary example of modernist artistry and geometric abstraction. Crafted in...

This stunning sculpture of an Art Deco Pouncing Tiger is realized in a pale terra-cotta glaze ceramic .It features a stylized Tiger on a stepped geometric base echoing the design of ...

19th Century Japan Tiger Bronze Sculpture Circa 1860s DIMENSIONS Tiger with base is 33" L x 21" H x 21" D The bronze tiger is 28" L x 15" H ABOUT A finely cast bronze sculpture of a...

From the breathtaking heights of the Himalayas comes this monumental Quartz Cluster – a true museum-grade specimen of remarkable clarity, balance, and scale. Rising dramatically from...

A classic and very attractive specimen of Pyrite from Huanzala Mine, Huanuco Province, Peru. Complex pyritohedron cluster with striated crystal faces and a metallic mirror luster wit...

Impressive Beaded Flower Tulip Arrangement from the 1960's. The rage for beaded flowers started in the 1960's and ornate labor intensive, professiona...

Candelabra of blackened and 24-karat gold gilded steel, with the aspect of an extra-terrestrial or futuristic cityscape. By American artist James Bearden. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

Hand carved white alabaster sculpture of a nude woman reclining inside a clam shell with three winged putti carrying her aloft from shell laden waters. Signed to verso by the Italian...

Asian Chinese (Tang Dynasty) unglazed pottery camel with an open mouth and head turned with a double hump back.

This remarkable freeform specimen combines the deep, sleek elegance of Black Jade with the vivid contrast of Pink Zoisite inclusions. Expertly polished to highlight its natural conto...

A striking vintage black ceramic pottery female face bust sculpture, circa 20th century. A great piece for a column pedestal as shown, shelf, mantle, cocktai...