Paintings in New York City

Asian Chinese style (19th Cent) watercolor portrait on paper of fat seated figure surrounded by 6 children in a gilt frame

American Victorian gilt framed oval oil portrait painting of man with black tie

Gouache and ink on mat board by Adja Yunkers, signed and dated 1958 on verso. An early work from Yunkers's Abstract Expressionist period, when he was married to art critic Dore Ashton and was part of the circle that congregated at Cedar Tavern. Born in Riga, Russia, Yunkers led a highly cosmopolitan life, studying and working in Leningrad, Berlin, Paris, London, and Stockholm (where he edited and published two art magazines) before settling down in the U.S., primarily in New York City in 1947. A teacher at the New School for Social Research, Yunkers was internationally renowned for his woodblock prints and lithographs, turning to painting--first Expressionist, later Minimalist color fields--in the late 1950's. His work is in the permanent collections of numerous museums, including the Brooklyn Museum, MoMA, the Corcoran Gallery, MFA Boston...

Gilt framed oval inset oil painting portrait of man with Van Dyke in red upholstered chair.  

Copy of a painting by French Fauvist Andre Derain of a harbor showing sailboats docked and people working (Port of Collioure 1905)

This painting is the ordinal art which was reproduced as an illustration for Ballpark: The Story of America's Baseball Fields, a picture book for older kids by award-winning author o...

Tantra series painting by artist and counter-cultural icon Ben Morea. Morea’s exploits during the 1960’s, as co-founder of the anarchist/activist collective ...

American Art Moderne 1940s oil painting of 1930s bar scene with dancing figure (Companion pieces: 054912A-054912C)

American Victorian carved gilt framed oil painting of man with 3 cows and dog by dirt road and bridge. Condition: (Lower left edge of frame damage...

Sepolgro di Agreppina, Neapolitan Guoache, 1790’s Early guoache view of the sepulchre tomb complex of Agrippina along the coast outside Naples. The mother of Nero and wife of Emperor...

Pin prick watercolour. Antique watercolour painting with pin pricking of a street vendor in double-sided glassed frame. Signed Babette Baronne Roth. Germany, 1785, Dimension: 14....

Beautiful colorful large Mid-Century Modern abstract Geometric artwork painting on Canvas frame. No signature. Good Vintage condition a few minor marks/stains from age. Wired to hang...

Memorie, by Italian artist Gianfranco Asveri mixed media on paper, gallery framed in white wood frame and under glass. Depicted are his recurring themes of his favourite subjects: his mother, his dog, his cat, his farm, and his farm animals. Gianfranco Asveri was born in Fiorenzuola D’Arda, Italy, in 1948. The artist lives and works at Gasperini on the hills between Parma and Piacenza with his beloved dogs. He began to paint in 1969. His first work was merely figurative. In the 1980s he moved closer to the “Art Brut” style. Renowned in Italy, Asveri has just finished a solo exhibition in Genoa at the Medioeval “Commenda” and will be presented in Paris next February during the Contemporary Art Fair in Port de Versailles. Recently, the newspaper “Il Sole 24 Ore” (The Italian Economic newspaper) included Asveri among the artists to watch in terms of investment in the Italian Art Market. An appreciable number of famous critics have written essays about his works: Paolo Bledinger, Luca Beatrice, Flaminio Gualdoni and Martina Corgnati. Most Important Exhibitions: 2016 – Sogni dipinti, Galleria Rotaross, Novara. – Lo sguardo nascosto, Galleria Biffi Arte, Piacenza. 2015 – Abracadabra, Galleria Leonardus, Sestri Levante...

Liaisons VI Original painting by Lynn Curlee One of a series of eight painting based upon 17th century French engravings. Each paint...

Large Scale Abstract Painting oil on board depicting what appears to be a barren landscape with a large sun above. Signed lower right. A note attached verso from the 1957 Southwest Artists Annual at the Museum of New Mexico identifies the artist and titles the painting as "Arroyo with Yellow" Sold for $500 in 1957 ($5,190.37) Bill Wiggins...

Night train Original painting by Lynn Curlee This painting was used as an illustration in trains, a picture book for older kids published by Simon & Schuster in 2009. Mr Curlee is...

A painting of an early French dirigible in 1906. This was used as the dedication page illustration in Ships of the Air, a book by award winning children's book author and illustrator...

"Nature 1" by Peter Astrom, Swedish abstract expressionist painter. Acrylic paint and modelling paste on Arche paper Measures: Height 30 in x Width ...

Nijinsky as Till Eulenspiegel Original life-size painting by Lynn Curlee. The great dancer Vaslav Nijinsky in one of his famous roles. This painti...

Spanish Renaissance style (20th Cent) oil painting portrait of Madonna in gold frame

Inuit Hunter Original painting by Lynn Curlee. This was reproduced as an illustration for Into The Ice: The Story Of Arctic Exploration, an award winning children’s book by author...

LIAISONS I Original painting by Lynn Curlee One of a series of eight paintings based upon 17th century French engravings. Each paint...

All Aboard Original painting by Lynn Curlee This painting was used as an illustration in trains, a picture book for older kids published by Simon & Schuster in 2009. Mr Curlee is ...

Liaisons V Original painting by Lynn Curlee One of a series of eight paintings based upon 17th century French engravings. Each painting includes a man, a woman, and a dog. Mr Cur...

Peter Astrom abstract expressionist paper collage entitled, " Bird's Nest #2" Realized in 1990 in the artist's Water Street studio in New York City. Swe...

Created in the 1940s, this painting has an air of nostalgia and foreboding. It depicts a house set against the backdrop of not-so-distant skyscrapers. The city fades into gray in con...

"Danse Macabre," 2014 by artist Kathi Robinson Frank is from her latest series of large 72" x 56" canvases incorporating oil, acrylic, charcoa, l pastel ...

Copy of a seascape painting titled "Steamer Two" showing a three masted ship under full sail off a coast with other sailboats in background

Attributed to Johann Heinrich Feyerabend (German, 1787–1845) Pair of Kitchen Still Lifes Early 19th Century, Gouache on Paper A rare pair of jewel-like gouache still lifes, finely ex...

.Nature #2, Swedish Abstract expressionist painting by Peter Astrom, c. 1994 Gotland, Sweden. Acrylic paint and modeling paste on Arche paper, signed l...

Portrait of a beautiful woman holding a bouquet of flowers, standing on a balcony, signed H Rodeck, the pseudonym for the Austrian artist, Karl Kaufman (1843-c1902), mounted in origi...

Original Peter Astrom abstract expressionist painting entitled: Sea Creature #1 Acrylic paint and modelling paste on Arche paper H 30 in x W 22 in, Unframed Signed Peter Astrom low...

Medusa Shield An original painting by Lynn Curlee The painting is acrylic on canvas stretched upon a circular frame. Painted in 1984. It depicts the severed head of the Gorgon Med...

American Victorian wood framed lithograph of riders on path titled Summer in the Country (Currier & Ives)

Mid Century Oversized Abstract Painting oil on canvas depicting vertical blue and black sinuous lines on a white ground. Dated 1974. Local Pick up in Brooklyn NYC or Kingston NY or ...

Liaisons III Original painting by Lynn Curlee One of a series of eight paintings Based Upon 17th century French engravings. Each pai...

Copy of a painting titled "Nude" showing classical rendering of partially clothed nude on bed with pillows.

Copy of a painting by Marc Chagall titled "Over the Town" (c 1918) showing couple in air above their village.

Copy of an interior scene painting titled "The Connoisseur" showing a woman looking at a book in a drawing room

American Victorian gilt framed oil painting portrait of man in red chair

1930s Dutch school of art abstract painting. Signed by artist STM. Newly framed art floating on linen backing. From a large collection of work.

A circa 1960's Italian abstract painting with silver frame. Measurements: Height: 49.25" Width: 65" Depth: 1.5"

American Victorian framed monograph print featuring the architectual blueprint for "Geo. A. Nickerson Residence" (McKim,Mead & White,1897) (1 OF 20) (COMPANION FRAMED: A,B,C,D)

Copy of a landscape painting titled "Newcastle" showing bridge over river with sailboats and people

FLAMENCO Original painting by Lynn Curlee, professional artist and author/illustrator of award winning picture books for children. Acrylic on stretch canvas. The canvas is stretche...

Comic mask Original painting by Lynn Curlee, professional artist and author or illustrator of award winning picture books for children Acrylic on stretch canvas. The canvas is stre...

Parker Elwood "Woody" Panttila (1924 - 2002, Brooklyn, NY USA) poodle living room vignette including a ceramic urn with sunflowers, a fuchsia drape backdrop and multi-colored rug. Pa...

Empire. An original painting by Lynn Curlee. This painting was used as an illustration in skyscraper, an award winning book for children by author/illustrator Lynn Curlee. It i...

Jules Brouwers (1869-1955) Catch of the Day. Oil on panel still life with fresh catch of skate and fish and majolica jug in rich browns and golds and cr...

E Cappiello, La Dolce Vita,  1938. Vintage oil painting by Elena Cappiello depicting a refreshing Amalfi Coast aperitivo of Asti Cinzano, lemons, limes and oranges in an early modern...

Copy of an impressionist landscape painting titled "Watermill at Perigny"

Spectacular painting in acrylic on canvas of a show jumper in action in beautiful vibrant colors by Lynn Curlee, fine artist and author/illustrator of award winning books for childre...

Kayakers escaping from a disaster. Fine art painting by Lynn Curlee, artist, and author/illustrator of many award winning children's books. This large and impressive painting is ac...

Matriarch, by Robert Springfels, 1970

Hand-picked by buyers at Ann-Morris Inc.

Copy of a seascape painting titled "La Rade de Brest" showing tall ships at sunrise

Oil on linen. "Pit Thea", Study of a pine cone. From the Plant Series 1968-1989. Signed lower left, dated 1974. Signed and titled and dated on back. 20" X 24" (floating frame 21" X 25"). My imagery is rooted in the world of the spirit which manifests itself through ritual, myth and symbol. The monolithic single-image plant forms which I began painting in 1968 are potent symbols of the ancient Great Goddess in Her aspect as ‘Lady of the Plants’, who . . . has been worshipped under a thousand names since the beginnings of prehistory.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of The Language of Symbols, Landmark Gallery, New York City, April 1980.) “... in the ancient world ... such images were perceived as sacred. This sense of divinity inherent in the plant has inspired these icons and through them I hope to evoke a similar magical experience. These forms were created both as metaphors for the spiritual mystery of nature . . . [and] as celebrations of the feminine.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of Buffie Johnson: The Spirit of Plants, Chuck Levitan Gallery, New York City, October 3rd – October 26th, 1997.) BORN: February 20, 1912 New York City DIED: August 11, 2006 at her home and studio , Greene Street, New York City SOLO EXHIBITIONS: 1937 * Jake Zeitlin Gallery, Los Angeles (First Solo Exhibition) 1939 * Galerie Andre J. Rotge, Paris: “Peintures Recentes de Buffie Johnson” (First Solo Exhibition in Paris) 1939 * Wakefield Gallery, NYC: “Buffie Johnson” (First Solo Exhibition in New York) 1941 * James O’Toole Gallery, NYC: “Recent Paintings and Portraits by Buffie Johnson” 1942 * Robert C. Vose Galleries, Boston: “Paintings and Portraits by Buffie Johnson” (First Solo Exhibition in Boston) 1944 * Caresse Crosby's G Place Gallery, Washington, D.C. 1945 * Howard Putzel’s 67 Gallery, NYC: “An Exhibition of Recent Paintings by Buffie Johnson” 1948 * The John and Mabel Ringling Museum of Art, Sarasota: “Buffie Johnson” * Galleria del Cavallino, Venice: “Buffie Johnson” 1949 * The Hanover Gallery, London: “Buffie Johnson” (First Solo Exhibition in London) * Galerie Colette Allendy, Paris: “Buffie Johnson” * The John & Mable Ringling Museum of Art, Sarasota * Galleria del Cavallino, Venice 1950 * Betty Parsons Gallery, NYC: “Recent Works by Buffie Johnson” 1951 * Galerie Bing, Paris * The Paul Mellon Gallery, The Choate School, Wallingford: “Exhibit of Portraits: Buffie Johnson 1936-51” 1956 * Galerie Bing, Paris: “Buffie Johnson: Exposition de peintures” 1960 * Galerie Bing, Paris: “Buffie Johnson: peintures recentes” * Bodley Gallery, NYC: “Buffie Johnson” 1961 * Gallery Thibaut, NYC: Buffie Johnson: “Phases of the Sun” 1963 * World House Gallery, NYC 1964 * Galeria de Antonio Souza, Mexico City: “La exposicion de las obras de Buffie Johnson” * The Granville Gallery, NYC: “Buffie Johnson: Recent Paintings” * World House Gallery, NYC 1966 * Galeria de Antonio Souza, Mexico City 1969 * The New School for Social Research/The New School Associates, NYC: “Buffie Johnson: Creation Myths - Oils” 1973 * Max Hutchinson Gallery, NYC: Buffie Johnson: Paintings 1968-1973” 1975 * Palm Beach Galleries, Palm Beach “Buffie Johnson” 1976 * Andre Zarre Gallery, NYC: “Buffie Johnson: Recent Paintings” 1977 * The Stamford Museum and Nature Center, Stamford: “Two Organic Women: Buffie Johnson / Stella Snead” 1979 * Gallery 700, Milwaukee: “Buffie Johnson: Floral Paintings” 1981 * Ankrum Gallery, Los Angeles: “Buffie Johnson” * Landmark Gallery, NYC: "Retrospective" 1984 * Elizabeth Leach Gallery, Portland: “Buffie Johnson” 1989 * 56, Bleecker Gallery, Ltd., NYC: “Buffie Johnson Portraits 1936-1947” 1991 * Cardiff House at University of California, Santa Cruz: “The Numbering Series” 1992 * PMW Gallery, Stamford: “Buffie Johnson: A Span of Time” Retrospective 1993 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: “Buffie Johnson: Paintings from the 40s and 90s” curated by Director, Alanna Heiss 1995 * Kingsborough Community College Art Gallery of The City of New York, Brooklyn: “Buffie Johnson: Plants” 1996 * Millennium Art Gallery, East Hampton: “Perceptions”: Buffie Johnson – A Retrospective of her work from the 1940s to the 1990s” 1997 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part I) 1998 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part II) 2002 * Anita Shapolsky Gallery, NYC: "Buffie Johnson: Transcendentalist" 2007 * Anita Shapolsky Gallery, NYC: "Buffie Johnson Memorial Exhibition" Group exhibitions: 1938 * Galerie Le Niveau, Paris: “Paysages: Exposition de Groupe” 1939 * Wakefield Gallery, NYC * The Fine Arts Gallery, Balboa Park, San Diego: The Fine Arts Society of San Diego: “The Eleventh Annual Southern California Art Exhibition” * Galerie de Beaune, Paris: “VIIe Exposition de Gravures et Platres Gravés du Groupe de L’Atelier 17” 1940 * Wakefield Gallery, NYC: “Group of Small Paintings” 1941 * Carnegie Institute, Pittsburgh: "International Exhibition of Painting and Sculpture" * Marie Sterner Gallery, NYC: “International Group of Contemporary Painters” * The American British Art Center, NYC: “First ABAC Exhibition: Paintings and Sculpture from England, Canada & America” * The American British Art Center, NYC: “Stage and Circus: An Exhibition of Contemporary Paintings, Designs and Model Stages by American and British Artists” 1942 * Society of the Four Arts, Palm Beach: “Fourth Annual Exhibition by Artist Members” * Parke-Bernet Galleries, NYC: “A Loan Exhibition of Paintings for the Benefit of The American Red Cross representing Happier Days in The United Nations arranged by Marie Sterner” 1943 * Peggy Guggenheim's Art of This Century, NYC: “Exhibition by 31 Women” 1945 * Howard Putzel’s 67 Gallery, NYC: “Preview 1945-1946 Season of Two-man and Group Exhibitions at this Gallery” * Howard Putzel’s 67 Gallery, NYC: “40 American Moderns” 1946 * Walker Art Center, Minneapolis: "136 Americans" * The Springfield Museum of Fine Arts, Springfield, MA: “Sixth Annual Spring Purchase Exhibition: 30 Paintings by 30 Contemporary American Artists” 1948 * Salon des Realites Nouvelles, Paris 1949 * Salon des Realites Nouvelles, Paris 1950 * The Brooklyn Museum, Brooklyn: "Fourth National Print Annual Exhibition" * La Galerie Arnaud, Paris: “sculpteurs et peintres abstraits americains de paris” * The Riverside Museum, NYC: “Creative Art Associates” * Guild Hall, Moran Gallery, East Hampton: 10 East Hampton Abstractionists” 1951 * Guild Hall, East Hampton: “Frankly Romantic” 1953 * Guild Hall, East Hampton: "A Selection from 12 East Hampton Collections" * Guild Hall, East Hampton: "17 East Hampton Artists" * The Brooklyn Museum, Brooklyn: "17th Biennial International Watercolor Exhibition" 1954 * stabile Gallery, NYC * Whitney Museum of American Art, NYC: “The Whitney Annual” * The Baltimore Museum, Baltimore * Hampton Gallery & Workshop, Amagansett: "Group Show: Eight Painters, Two Sculptors" 1955 * stabile Gallery, NYC * Moderna Galerija, Ljubljana, “Exposition Internationale de Gravure” 1956 * Haus der Heimat, Iserlohn: "Junge Amerikanische Kunst" * Group Espace, Paris * Guild Hall, East Hampton: “13 Artists of the Region: Museum Acquisitions and Recent Works” 1957 * Signa Gallery, East Hampton: "Second Exhibition" 1959 * Hirschl & Adler Galleries, NYC: "Works by Gallery Artists" 1960 * Guild Hall, East Hampton: "Monotypes and Prints" * Whitney Museum of American Art, NYC: Friends of the Whitney Museum of American Art: "Business Buys American Art" * Bodley Gallery, NYC * The Philadelphia Art Alliance, Philadelphia: “Monotypes & Prints of Related Techniques” Shown concurrently with the publication of Henry Rasmusen’s Printmaking with Monotype 1961 * Bertha Schaefer Gallery, NYC: "Contemporary Collage" 1964 * Long Island University/The Parrish Art Museum, Southampton: "Long Island Artists" at Long Island University’s Galleries * Guild Hall, East Hampton: “Festival of the Arts Exhibition: Artists of the East Hampton Area Each showing one of his own works along with a favorite work of art or object from his collection.” 1965 * The Parrish Art Museum, Southampton: "Twelve Women Painters of the South Fork” 1970 * Le Salon International de la Femme, Nice. (Medailles d’argent) 1971 * Museum of Modern Art, NYC: "Penthouse Exhibition" * Whitney Museum of American Art, NYC: "American Art of Our Century" 1972 * Kunsthaus Hamburg, Hamburg: "Gedok American Woman Artist Show" * Suffolk Museum and Carriage House, Long Island: “Unmanly Art” 1973 * The New York Cultural Center, NYC: "Women Choose Women" * Whitney Museum of American Art, NYC: “1973 Biennial Exhibition: Contemporary American Art" * Women's Interart Center, NYC: "In the Beginning: Women and Religion" * University of Texas at Austin, "The Ciba-Geigy Collection of Contemporary Paintings" * A .I. R. Gallery, NYC * Brooklyn College, Brooklyn: "New York Women Artists" * Lehigh University, Bethlehem, PA: "New York Women Artists" 1974 * Kresge Art Center Gallery, Michigan State University at East Lansing: “Works by Women from the CIBA-GEIGY Collection” * Weatherspoon Art Gallery, The University of North Carolina at Greensboro: “Works by Women from the CIBA-GEIGY Collection” * Cranbrook Academy of Art, Bloomfield Hills: "Waves: An Artist Selects" * Grand Rapids Art Museum, Grand Rapids: "Waves: An Artist Selects" 1975 * Women's Interart Center, NYC: "Color, Light & Image" * The Pratt Institute Gallery, Brooklyn: "Women's Exchange Exhibitions: Artists from the Women Artist Historical Archives of the Women’s Interart Center" * Ashawagh Hall, Springs: "Women Artists Here & Now" * The Aldrich Museum of Contemporary Art, Ridgefield: "A Change of View" * The Brooklyn Museum, Brooklyn: "Works on Paper: Women Artists" * Whitney Museum of American Art, NYC: "Women from the Permanent Collection" 1976 * Buecker & Harpsichords, NYC: “Recent Portraits of Sari Dienes” * Soho Art Tour: A Benefit for Guild Hall of East Hampton * Guild Hall, East Hampton: "Artists and East Hampton: A 100 Year Perspective" * Landmark Gallery, NYC: “10 Artists" * The Hirshhorn Museum, Washington, D. C.: "A Bicentennial Edition of Banners" * Chuck Levitan Gallery, NYC: "A Bicentennial Edition of Banners" * National Museum Singapore, Singapore: “Artists Celebrate the Bicentennial” * Marion Koogler McNay Art Institute, San Antonio: "American Artists ‘76: A Celebration" * The Bronx Museum of the Arts, Bronx: "The Year of the Woman: Reprise" 1977 * The Bronx Museum of the Arts, Bronx: "The Magic Circle" * Hurlbutt Gallery, Greenwich: The Friends of the Greenwich Library Present: "Contact: Women and Nature” The Works of 30 contemporary women artists selected by New York critic and author Lucy R. Lippard * The Brooklyn Museum Art School, The Brooklyn Museum, Brooklyn: "Contemporary Women: Consciousness and Content" * New York University, Contemporary Arts Gallery, NYC: Visual Artists Coalition Exhibition: “Women Painters and Poets” 1978 * Women’s Interart Center, NYC: Women Artists: Sketch Books 1979 * Elaine Benson Gallery, Bridgehampton: "Five Artists New York/Hamptons" * Connecticut College, Cummings Center, New London: Visual Artists Coalition Exhibition: “Women Painters and Sculptors” * Clayworks Benefit Exhibition, 4 Great Jones Street, NYC 1980 * Landmark Gallery, NYC: "The Language of Symbols" * Fordham University, Lowenstein Library Gallery, NYC: “Evocative Images” * The Tweed Museum of Art, University of Minnesota, Duluth, “Invitational Print Show” 1981 * Landmark Gallery, NYC: "118 Artists" * The Parrish Art Museum, Southampton: "Alive at the Parrish" * American Academy and Institute of Arts and Letters, NYC: "Paintings And Sculpture by Candidates for Art Awards" 1982 * Westbeth Gallery #1, NYC: “Sexuality in Art: Two Decades from a Feminist Perspective.” One of sixteen shows of “Views by Women Artists: Sixteen Independently Curated Theme Shows Sponsored by the New York Chapter of the Women’s Caucus for Art” * The State University of New Jersey Rutgers, Mabel Smith Douglass Library, New Brunswick: Women Artist Series at Douglass College: “Modern Masters: Women of the First Generation” * Frank Merino Gallery, NYC: “Heresies 3rd Annual Art Benefit: Work by 146 Women Artists for Sale at Artists’ Prices” 1983 * Philadelphia College of Art, Philadelphia: “An Exhibition of Work by Artists in the Historical Archives of the Women’s Interart Center of New York City” 1984 * Suzanne Gross Gallery, Philadelphia: "Major Contemporary Women Artists: In Celebration of Simone de Beauvoir" 1985 * The Parrish Art Museum, Southampton: "Looking At Pictures" 1987 * Schick Art Gallery, Skidmore College, Saratoga Springs: "Self-Portraits: The Message, The Material" * Hofstra Museum - Emily Lowe Gallery, Hempstead: "Self-Portraits: The Message, The Material" 1988 * Phoenix II Gallery, Washington, D. C.: “Small Works by Forty-Two Artists 1989 * Anita Shapolsky Gallery, NYC: "Early Abstractions: Painting and Sculpture of the 40’s and 50’s" * Knoxville Museum of Art, Knoxville in conjunction with Bennett Galleries, Knoxville: "American Women Artists: The 20th Century" 1990 * Queensborough Community College Art Gallery, Bayside: "American Women Artists: The 20th Century" * Guild Hall/East Hampton Center for Contemporary Art, East Hampton: "East Hampton Avant-Garde: A Salute to the Signa Gallery 1957-60" 1991 * Harmon-Meek Gallery, Naples, FL: “Gallery Group Exhibition” * Harmon-Meek Gallery, Naples, FL: “Recently Added Artists” * Anita Shapolsky Gallery, NYC: “The Prevailing Fifties” 1992 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: "Slow Art: Painting in New York Now." Curated by the museum’s Director, Alanna Heiss * Stuart Levy Gallery, NYC: “American Vanguard: Jackson Pollack, Lee Krasner and Friends” for the benefit of The Study Center Development Fund of The Pollock- Krasner House and Study Center, East Hampton, New York * Harmon-Meek Gallery, Naples, FL: “Flowers in Art” * Melvin Gallery, Florida Southern College, Lakeland: “Women Artists From the Harmon- Meek Gallery” * Anita Shapolsky Gallery, NYC: “The Americas” 1993 * Richard Anderson Gallery, NYC: “Songs of Retribution.” Curated by Nancy Spero * Snyder Fine Art, NYC: “Out of the ‘50s”: Works Shaped by the Aesthetic of the 1950s * Benton Gallery, Southampton: “Woman!” * The Museum of the Provincetown Art Association, Provincetown: The Art Students League of New York and The Provincetown Art Association and Museum Exhibition of: “The League at the Cape” Part II: Contemporary Invitational Section * Anita Shapolsky Gallery, NYC: “Women of the Fifties” 1995 * The New York Open Center, NYC: “The Creative Call to the Divine: An interfaith art show and healing experience” * Millennium Gallery, East Hampton: "Living Legends" * Anita Shapolsky Gallery, NYC: “Artists of the Fifties” (Part 2) 1997 * Pollock-Krasner House and Study Center, Springs, East Hampton: "Art of This Century: The Women" 1998 * Anita Shapolsky Gallery, NYC: “Earthly Delights” 1999 * Anita Shapolsky Gallery, NYC: “The Immortals” 2000 * Anita Shapolsky Gallery, NYC: “Buffie Johnson, William Scharf, Yvonne Thomas, Rufus Zogbaum, Wilfrid Zogbaum: Feb. 12-April 29, 2000” 2001 * Emily Lowe Gallery, Hofstra University, Hempstead: “Abstract Expressionism, Then and Now” 2003 * Anita Shapolsky Gallery, NYC: "Re-Examining Abstract Art, Part 2" 2004 * Anita Shapolsky Gallery, NYC: "New York School Artists: Work of 50’s & 60’s" 2005 * Anita Shapolsky Gallery, NYC: "Betty Parsons & the Women" 2007 * Anita Shapolsky Gallery, NYC: "Collectors' Choices" * Thomas McCormick Gallery, Chicago: “Suitcase Paintings...

Today’s Catch. Oil on panel. Vintage oil painting of pair fish on deep green background in original yellow mustard washed frame. Italy, 20th century Dimensions: 17.25” W x 20.5" H ...

Roland Alf (1929-2020): Model by the window, signed and dated alf 2011, oil on canvas. Approx. 64.5x53.5 cm ( 25" x 21" ). Unframed. History: Roland Alf was born in 1929 in Hö...

Acrylic on canvas Eric is a French painter based in Paris and in Southern France Languedoc region. His inspiration comes from his connection with nature and his passion for wild life...