Paintings in New York City

Spanish Colonial Penitent Mary Magdalene Original oil on canvas painting XIX century Details Original period frame. Painting dimensi...

Triptych in acrylic of abstract geometric squares in cream and black in brushed metallic wooden frames, by Richard Rumi, "Asylum".     

17th/18th century Flemish old master painting of Saint Jerome in a landscape with objects. Oil on copper. Framed. Light inscription on reverse. Sight: 9 x 7in. Overall: 14 x 12in. Co...

"Harbour View, Marseille". Oil on board painting of the port of Marseille with sloops passing the Cathedral “Nouvelle Major” in an associated lemon gold M...

A beautiful example of English family portraits The family of baron Tollemache have owned Helmington hall in Ipswich, England for hundreds of years and served as knights and squir...

Copy of a portrait of a Dutch nobleman in ruffled collar

Copy of an impressionist landscape painting showing a large red barn in field

Copy of a Spanish Cubist still life painting titled "Nature Morte, 1913" showing an abstracted view of a cello, vase and architectural details Conditio...

Copy of a dog portrait titled "The Proud Victor" showing a Terrier standing over a vanguished rodent

French Art Deco mixed-media painting on panel by Vanvinckenray (School: Beaux-Arts of Brussels). Provenance: Daughter of the artist.

A beautiful southwestern pastel on paper painting. In very good condition with brown wood frameand white matte. 37" x 29" x 1"

Monica Perez "Let Them Go #3" Original Acrylic Painting on Canvas 2021. W 40" x 60" Monica Perez’s works are expressions of emotion—impulsive, spontane...

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Thierry Despont, best-known as a very successful architect, was also an accomplished artist. In his painting practice, when not analyzing the smallest, most detailed creatures of the...

American Country (18/19th Cent) oil painting of a woman wearing a black dress & a bonnet with a red bow in a gilt frame (relined canvas).  

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Copy of a portrait painting of a gentleman with a gold hoop earring and wearing a medal

Contemporary French extra extra large abstract painting. White acrylic strokes applied to natural colored paper. Shadow framed in natural wood. Signed on the back by Alexander Clanys.

Copy of Modern Abstract Expressionist painting showing black image on off white ground (Similar piece: NWL2663)

English Victorian gold framed oil painting portrait of lady with red flower in hair (as is)

French Louis XVI style (20th Cent) gilt framed oil painting of 18th Century man with 2 ladies in interior (signed).  

We love paintings and drawings of interiors, as they portray the soul of a room. This vignette is small, but contains so many lovely details of the French salon. The artist, Leo Gr...

French Victorian gilt framed pink matted colored lithographs of French landmarks (Chateau Fontainebleau, Park de St. Cloud, Bois de Boulogne) (3-PRICED EACH)

Copy of a painting titled "Portrait with Hat" Showing a man in a cape with feathered plume in his hat

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

Copy of interior scene painting titled "Women at Cafe"

Italian Neo-classic oil on canvas of a dark landscape with horses and figures in the foreground with a gilt frame. Chips on frame

Set of two 1960s oil paintings by Luzon (San Francisco, CA, USA), showcasing the impasto technique with which he is commonly associated. Features a Trojan warrior and horse, both rec...

Copy of a portrait in a classical manner of the Rospigliosi boy scion dressed as cupid; Four of four in a series

Copy of landscape titled "Edge of the Nile" showing group of men and camel by waters edge under palm tree, sailboat in background

Copy of classical painting showing interior of Paris Opera House boxes full of Royals in formal dress.

Set of 3 Contemporary abstract paintings (triptych) with gouache on rectangular canvas in shades of pink, red and white. (TOM JOHN, 2010)

Copy of a portrait in a classical style of the young Rospigliosi boy scion dressed as a member of the Swiss Guard; Two of four in a series

Copy of a portrait painting of a young woman in a white dress and flowers in a classical landscape

Oil on panel by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's aptitude for creating fantastical landscapes. Contrasting oxen / bulls and flamingos with a castle backdrop creates an imaginary context removed from reality. Del Favero's marriage of fantasy and whimsy beautifully suits his Naïve painting style. Singed on verso. Bio from the Philadelphia Museum of Art: Born Princeton, Michigan, 1910; died Greenwich, Connecticut, 1995 Bruno Del Favero moved from Michigan to northern Italy with his parents at age five, returning in 1928 and settling in Greenwich, Connecticut, where he married and remained for the rest of his days. He made his living as a mason, chauffeur, and landscape gardener. It is not known exactly when or why he began to paint his delicate and mysterious landscapes, but he was exhibiting in local art shows by the early 1970s and took himself seriously enough as an artist to join the Greenwich Art Society. He maintained a studio in the basement of his home, but never shared his art with his wife and five children. After the artist's death his family introduced his work to New York dealers Shari Cavin...

PAIR of English Renaissance style tapestry portraits of a nobleman and lady both wearing large white lace collars in gilt frames (19th Cent)

Copy of a hunt scene painting showing Arabs on horse flying their falcons for sport at water's edge

Sst of 20 Renaissance (17th century) engraved, hand-colored etchings for Johann Bayer's book 'Uranometria', a star atlas, in wooden frames with white mat....

Copy of a painting showing a herd of sheep at feeding time

English Renaissance style (19th cent) ebonized framed oil painting portrait of 17th century lady in brown dress with scroll design.

"Follow The Leader," a large framed blue oil and acrylic painting by Renée Rey, shows that the connection between nature, technology and people are paramount...

Contemporary French artist Perrine Blaise paints on thin slices of wood. Weathered effect in shades of blue with sage green, white and tan slices. Abstract shapes. Newly framed in wh...

The Honorable John Maler Collier (British, 1850-1934) was an important artist who painted portraits, dramatic themes, and landscapes. Maler painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. He was educated at the Eton School and studied art in Munich and Heidelberg, as well as at the Slade School under Poynter and in Paris under Laurens. He also was encouraged by Millais and Alma-Tadema. Presented is a large hillside and river landscape signed oil painting by Collier. Framed it measures 48" wide, 30.5" high and 3" deep. Canvas is 42" wide and 24" high. Frame has very light wear. Painting is in very fine condition. Collier was one of the 24 founding members of the Royal Society of Portrait Painters, of which he became Vice President and was also a member of the Royal Institute of Oil Painters. He exhibited no fewer than one hundred and thirty paintings at the Royal Academy and one hundred and sixty five at the Royal Society of Portrait Painters, as well as many others in galleries throughout the country and abroad. He was the author of The Primer of Art (1882), A Manual of Oil Painting (1886) and The Art of Portrait Painting (1905). He was awarded the O.B.E. in 1920 and he was the subject of The Art of the Honourable John Collier...

"You So Sweet" (2023) by Lowell Boyers is a luminous, high-energy composition-an explosion of color that feels both intimate and cosmic. Against an inky black ground, bursts of hot ...

Copy of an impressionist vertical landscape painting titled "Road with Cypress and Star"

Unframed Collection painted scientific illustrations of various insects from the early 20th century: Each measures approximately: 8" x 6" ...

Copy of an impressionist interior scene painting titled "Private Room at the Rat Mort". Showing a woman seated at dinner in a club

Italian Neo-classic engravings of architecture in a gold frame (18th/19th Cent)

American Victorian style oil painting of Henry David Thoreau in a dark stained frame (part of a series of American 19th Cent writers)

John Hubbard Rich, American, 1876 to 1954, double sided pastel painting on paper, Young Boy Holding Toy Ducks; Young Woman Looking Away. Signed upper right. Framed. Provenance: Herit...

Contemporary (watercolor gouache) of an abstract Black and White design on paper (signed by ED ELLER)

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. She was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Despite the quality of her work and despite the energy and skill with which she worked both to develop her own talent and to further the progressive movement in American art, Weinrich received little recognition during her lifetime and is only recently being recognized for her leadership as an important female artist bringing the modern movement to the USA. The painting shown is an important example of her mature phase of her work. Exhibitions This is a selective list of exhibitions in which she participated during her life. Its main source is Louise Noun's article on Weinrich in Woman's Art Journal, supplemented by contemporary news accounts in The New York Times, the Brooklyn Daily Eagle, the New York Evening Post, The Philadelphia Inquirer, and The Christian Science Monitor. 1915 onward: Provincetown Art Association 1917: Pennsylvania Academy of Fine Arts 1917: Pennsylvania Academy of Fine Arts, Philadelphia 1917-23: Society of Independent Artists, New York 1919: Art Institute of Chicago 1920: Boston Arts Club 1926 onward: New York Society of Women Artists 1928: Grace Horn Gallery, Boston 1929: Pennsylvania Academy of Fine Arts, Philadelphia 1932: Boston Public Library 1936: Harley Perkins Gallery, Boston (solo) 1938: Boston Society of Independent Artists 1938: Washington Public Library, Washington, D.C. 1939: Corcoran Gallery Biennial, Washington, D.C. 1939: Fogg Art Museum Twentieth Century Club, Boston 1939: Witherstine Gallery, Boston 1939: Institute of Modern Art, Boston 1945: Woljeska Gallery, Brooklyn, New York    Detailed Biography: Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others. In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles. On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[ In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

Italian Neo-Classic Style (19th Century) Rust and Black Hand Colored Print 4 corner design in square black and gold trim frame (TABULA XX) (similar...

Copy of a portrait painting of President Theodore Roosevelt in a gold frame

Oil on panel by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's aptitude for creating fantastical backdrop...

Late 19th Century French Victorian oval miniature watercolor on vellum portrait of a woman with a light blue dress in an ebonized frame.  

Oil on canvas. Framed. Image size: 160 x 120 cm. Monogrammed and dated ‘AW’24’ at bottom left. Andreas Wachter was born in Chemnitz in 1951. He studied under Volker Stelzmann an...

English Victorian maple and ebonized framed watercolor of a bird on a branch. (David Kerr)(Companion pieces: 053214C-I)

Copy of painting in Modern Cubist style showing a black ground with yellow, grey, wite and brown collage Condition: Good; Wear consistent with age and use

Copy of an interior scene painting titled "Masked Ball" showing figures dancing in a ballroom.