Paintings in New York City

Parker Elwood "Woody" Panttila (1924 - 2002, Brooklyn, NY USA) poodle living room vignette including a ceramic urn with sunflowers, a fuchsia drape backdrop and multi-colored rug. Pa...

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Matriarch, by Robert Springfels, 1970

Copy of a seascape painting titled "La Rade de Brest" showing tall ships at sunrise

"Rhapsody #1", a vibrant Abstract Expressionist painting in patinated and engraved bronze and pewter with enamel cloisonne with hand-brazed sculptured frame by Philip & Kelvin LaVern...

This remarkable work of surrealistic art is depicted showcasing the city of Florence, Italy through the eyes of the famed artist,n Titi Salomoni. His vision is beautifully conceived ...

1930s Dutch school of art abstract painting. Signed by artist STM. Newly framed art floating on linen backing. From a large collection of work.

John Lavalle (1896-1971) Verona, 1927. Watercolour of noted staircase in Verona, the “Scala della Ragione” by listed American artist John Lavalle in Italian-style gilt carved wood & ...

Dutch (19th Century) still life oil painting featuring peaches, pears, grapes and melon lushly composed on a table corner, enhanced by a slightly glossy varnish and mounted in an orn...

Edouard Goerg (1893 - 1969) "Le Grain de Beauté" Oil on canvas, signed. The painting has been relined. Provenance: Estate of Nelly Kaplan & Claude Makovski.

Abstract oil painting Education 1994–1996 MFA, University of British Columbia, Vancouver, Canada 1991–1994 BFA, Rockford College, Illinois, USA Solo Exhibitions 2017-20118 Landscape / Still Moving, Rockford Art Museum Annex, Rockford, Illinois, USA 2017 Life Still / In Motion, Kortman Gallery, Rockford, Illinois, USA 2015 Ljósanótt, Keflavik, Iceland 2014 Umbrot, Kaffi Sólon, Reykjavik, Iceland 2012 Brotinn himinn, Kaffi Sólon, Reykjavik, Iceland 2011 Eins og enginn sé morgundagurinn, Listasalur IÐU, Reykjavik, Iceland 2009 Myndbirtingar, B5, Reykjavik, Iceland 2006 ekki endilega hér / hvergi (possibly nowhere), Gallerí List, Reykjavik, Iceland 2006 In Transit, Galeriazero, Barcelona, Spain 2005 Koma og fara, SPH, Garðabaer, Iceland 2001 flökt (taktur einsemd snerting), Café Prestó, Kopavogur, Iceland 1999 Manngervingar (anthropomorphic), The Labour Unions’ Art Gallery, Iceland 1998 hafið bláa hafið, Gallerí smíðar&skart, Reykjavik, Iceland Group Exhibitions 2016 Ljósanótt, Keflavik, Iceland 2002 Anniversary Exhibition, Gallerí List, Reykjavik, Iceland 1998 Brynhildur Gudmundsdottir & Hekla Gudmundsdottir, Bílar&list, Reykjavik, Iceland 1996 Masters of Fine Arts Graduate Exhibition, Belkin Gallery, Vancouver, Canada 1996 XQXQXQX, Skuggi Gallery, Rockford, Illinois, USA 1995 Invitational Drawing Exhibition, OR Gallery, Vancouver, Canada 1995 Annual Erotic Art Exhibition, New-Era Society, Victoria, Canada 1995 Opening Exhibition, Skuggi Gallery, Rockford, Illinois, USA 1995 Gullnáman, Laugarvatn, Iceland 1995 Heart Art, Rockford College Art Gallery, Illinois, USA 1994 TSYQEOPXHBE, BFA Exhibition, Rockford College Art Gallery, Illinois, USA 1994 Just Another One Night Stand, Rockford College Art Gallery, USA 1993 No Icelandic Conversation, Rockford College Student Art...

A Japanese hanging scroll or Kakejiku, circa 1890, depicting bamboo grass and a rabbit, framed by top and bottom ribbons of brocade silk. In ...

Oil on linen. "Pit Thea", Study of a pine cone. From the Plant Series 1968-1989. Signed lower left, dated 1974. Signed and titled and dated on back. 20" X 24" (floating frame 21" X 25"). My imagery is rooted in the world of the spirit which manifests itself through ritual, myth and symbol. The monolithic single-image plant forms which I began painting in 1968 are potent symbols of the ancient Great Goddess in Her aspect as ‘Lady of the Plants’, who . . . has been worshipped under a thousand names since the beginnings of prehistory.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of The Language of Symbols, Landmark Gallery, New York City, April 1980.) “... in the ancient world ... such images were perceived as sacred. This sense of divinity inherent in the plant has inspired these icons and through them I hope to evoke a similar magical experience. These forms were created both as metaphors for the spiritual mystery of nature . . . [and] as celebrations of the feminine.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of Buffie Johnson: The Spirit of Plants, Chuck Levitan Gallery, New York City, October 3rd – October 26th, 1997.) BORN: February 20, 1912 New York City DIED: August 11, 2006 at her home and studio , Greene Street, New York City SOLO EXHIBITIONS: 1937 * Jake Zeitlin Gallery, Los Angeles (First Solo Exhibition) 1939 * Galerie Andre J. Rotge, Paris: “Peintures Recentes de Buffie Johnson” (First Solo Exhibition in Paris) 1939 * Wakefield Gallery, NYC: “Buffie Johnson” (First Solo Exhibition in New York) 1941 * James O’Toole Gallery, NYC: “Recent Paintings and Portraits by Buffie Johnson” 1942 * Robert C. Vose Galleries, Boston: “Paintings and Portraits by Buffie Johnson” (First Solo Exhibition in Boston) 1944 * Caresse Crosby's G Place Gallery, Washington, D.C. 1945 * Howard Putzel’s 67 Gallery, NYC: “An Exhibition of Recent Paintings by Buffie Johnson” 1948 * The John and Mabel Ringling Museum of Art, Sarasota: “Buffie Johnson” * Galleria del Cavallino, Venice: “Buffie Johnson” 1949 * The Hanover Gallery, London: “Buffie Johnson” (First Solo Exhibition in London) * Galerie Colette Allendy, Paris: “Buffie Johnson” * The John & Mable Ringling Museum of Art, Sarasota * Galleria del Cavallino, Venice 1950 * Betty Parsons Gallery, NYC: “Recent Works by Buffie Johnson” 1951 * Galerie Bing, Paris * The Paul Mellon Gallery, The Choate School, Wallingford: “Exhibit of Portraits: Buffie Johnson 1936-51” 1956 * Galerie Bing, Paris: “Buffie Johnson: Exposition de peintures” 1960 * Galerie Bing, Paris: “Buffie Johnson: peintures recentes” * Bodley Gallery, NYC: “Buffie Johnson” 1961 * Gallery Thibaut, NYC: Buffie Johnson: “Phases of the Sun” 1963 * World House Gallery, NYC 1964 * Galeria de Antonio Souza, Mexico City: “La exposicion de las obras de Buffie Johnson” * The Granville Gallery, NYC: “Buffie Johnson: Recent Paintings” * World House Gallery, NYC 1966 * Galeria de Antonio Souza, Mexico City 1969 * The New School for Social Research/The New School Associates, NYC: “Buffie Johnson: Creation Myths - Oils” 1973 * Max Hutchinson Gallery, NYC: Buffie Johnson: Paintings 1968-1973” 1975 * Palm Beach Galleries, Palm Beach “Buffie Johnson” 1976 * Andre Zarre Gallery, NYC: “Buffie Johnson: Recent Paintings” 1977 * The Stamford Museum and Nature Center, Stamford: “Two Organic Women: Buffie Johnson / Stella Snead” 1979 * Gallery 700, Milwaukee: “Buffie Johnson: Floral Paintings” 1981 * Ankrum Gallery, Los Angeles: “Buffie Johnson” * Landmark Gallery, NYC: "Retrospective" 1984 * Elizabeth Leach Gallery, Portland: “Buffie Johnson” 1989 * 56, Bleecker Gallery, Ltd., NYC: “Buffie Johnson Portraits 1936-1947” 1991 * Cardiff House at University of California, Santa Cruz: “The Numbering Series” 1992 * PMW Gallery, Stamford: “Buffie Johnson: A Span of Time” Retrospective 1993 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: “Buffie Johnson: Paintings from the 40s and 90s” curated by Director, Alanna Heiss 1995 * Kingsborough Community College Art Gallery of The City of New York, Brooklyn: “Buffie Johnson: Plants” 1996 * Millennium Art Gallery, East Hampton: “Perceptions”: Buffie Johnson – A Retrospective of her work from the 1940s to the 1990s” 1997 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part I) 1998 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part II) 2002 * Anita Shapolsky Gallery, NYC: "Buffie Johnson: Transcendentalist" 2007 * Anita Shapolsky Gallery, NYC: "Buffie Johnson Memorial Exhibition" Group exhibitions: 1938 * Galerie Le Niveau, Paris: “Paysages: Exposition de Groupe” 1939 * Wakefield Gallery, NYC * The Fine Arts Gallery, Balboa Park, San Diego: The Fine Arts Society of San Diego: “The Eleventh Annual Southern California Art Exhibition” * Galerie de Beaune, Paris: “VIIe Exposition de Gravures et Platres Gravés du Groupe de L’Atelier 17” 1940 * Wakefield Gallery, NYC: “Group of Small Paintings” 1941 * Carnegie Institute, Pittsburgh: "International Exhibition of Painting and Sculpture" * Marie Sterner Gallery, NYC: “International Group of Contemporary Painters” * The American British Art Center, NYC: “First ABAC Exhibition: Paintings and Sculpture from England, Canada & America” * The American British Art Center, NYC: “Stage and Circus: An Exhibition of Contemporary Paintings, Designs and Model Stages by American and British Artists” 1942 * Society of the Four Arts, Palm Beach: “Fourth Annual Exhibition by Artist Members” * Parke-Bernet Galleries, NYC: “A Loan Exhibition of Paintings for the Benefit of The American Red Cross representing Happier Days in The United Nations arranged by Marie Sterner” 1943 * Peggy Guggenheim's Art of This Century, NYC: “Exhibition by 31 Women” 1945 * Howard Putzel’s 67 Gallery, NYC: “Preview 1945-1946 Season of Two-man and Group Exhibitions at this Gallery” * Howard Putzel’s 67 Gallery, NYC: “40 American Moderns” 1946 * Walker Art Center, Minneapolis: "136 Americans" * The Springfield Museum of Fine Arts, Springfield, MA: “Sixth Annual Spring Purchase Exhibition: 30 Paintings by 30 Contemporary American Artists” 1948 * Salon des Realites Nouvelles, Paris 1949 * Salon des Realites Nouvelles, Paris 1950 * The Brooklyn Museum, Brooklyn: "Fourth National Print Annual Exhibition" * La Galerie Arnaud, Paris: “sculpteurs et peintres abstraits americains de paris” * The Riverside Museum, NYC: “Creative Art Associates” * Guild Hall, Moran Gallery, East Hampton: 10 East Hampton Abstractionists” 1951 * Guild Hall, East Hampton: “Frankly Romantic” 1953 * Guild Hall, East Hampton: "A Selection from 12 East Hampton Collections" * Guild Hall, East Hampton: "17 East Hampton Artists" * The Brooklyn Museum, Brooklyn: "17th Biennial International Watercolor Exhibition" 1954 * stabile Gallery, NYC * Whitney Museum of American Art, NYC: “The Whitney Annual” * The Baltimore Museum, Baltimore * Hampton Gallery & Workshop, Amagansett: "Group Show: Eight Painters, Two Sculptors" 1955 * stabile Gallery, NYC * Moderna Galerija, Ljubljana, “Exposition Internationale de Gravure” 1956 * Haus der Heimat, Iserlohn: "Junge Amerikanische Kunst" * Group Espace, Paris * Guild Hall, East Hampton: “13 Artists of the Region: Museum Acquisitions and Recent Works” 1957 * Signa Gallery, East Hampton: "Second Exhibition" 1959 * Hirschl & Adler Galleries, NYC: "Works by Gallery Artists" 1960 * Guild Hall, East Hampton: "Monotypes and Prints" * Whitney Museum of American Art, NYC: Friends of the Whitney Museum of American Art: "Business Buys American Art" * Bodley Gallery, NYC * The Philadelphia Art Alliance, Philadelphia: “Monotypes & Prints of Related Techniques” Shown concurrently with the publication of Henry Rasmusen’s Printmaking with Monotype 1961 * Bertha Schaefer Gallery, NYC: "Contemporary Collage" 1964 * Long Island University/The Parrish Art Museum, Southampton: "Long Island Artists" at Long Island University’s Galleries * Guild Hall, East Hampton: “Festival of the Arts Exhibition: Artists of the East Hampton Area Each showing one of his own works along with a favorite work of art or object from his collection.” 1965 * The Parrish Art Museum, Southampton: "Twelve Women Painters of the South Fork” 1970 * Le Salon International de la Femme, Nice. (Medailles d’argent) 1971 * Museum of Modern Art, NYC: "Penthouse Exhibition" * Whitney Museum of American Art, NYC: "American Art of Our Century" 1972 * Kunsthaus Hamburg, Hamburg: "Gedok American Woman Artist Show" * Suffolk Museum and Carriage House, Long Island: “Unmanly Art” 1973 * The New York Cultural Center, NYC: "Women Choose Women" * Whitney Museum of American Art, NYC: “1973 Biennial Exhibition: Contemporary American Art" * Women's Interart Center, NYC: "In the Beginning: Women and Religion" * University of Texas at Austin, "The Ciba-Geigy Collection of Contemporary Paintings" * A .I. R. Gallery, NYC * Brooklyn College, Brooklyn: "New York Women Artists" * Lehigh University, Bethlehem, PA: "New York Women Artists" 1974 * Kresge Art Center Gallery, Michigan State University at East Lansing: “Works by Women from the CIBA-GEIGY Collection” * Weatherspoon Art Gallery, The University of North Carolina at Greensboro: “Works by Women from the CIBA-GEIGY Collection” * Cranbrook Academy of Art, Bloomfield Hills: "Waves: An Artist Selects" * Grand Rapids Art Museum, Grand Rapids: "Waves: An Artist Selects" 1975 * Women's Interart Center, NYC: "Color, Light & Image" * The Pratt Institute Gallery, Brooklyn: "Women's Exchange Exhibitions: Artists from the Women Artist Historical Archives of the Women’s Interart Center" * Ashawagh Hall, Springs: "Women Artists Here & Now" * The Aldrich Museum of Contemporary Art, Ridgefield: "A Change of View" * The Brooklyn Museum, Brooklyn: "Works on Paper: Women Artists" * Whitney Museum of American Art, NYC: "Women from the Permanent Collection" 1976 * Buecker & Harpsichords, NYC: “Recent Portraits of Sari Dienes” * Soho Art Tour: A Benefit for Guild Hall of East Hampton * Guild Hall, East Hampton: "Artists and East Hampton: A 100 Year Perspective" * Landmark Gallery, NYC: “10 Artists" * The Hirshhorn Museum, Washington, D. C.: "A Bicentennial Edition of Banners" * Chuck Levitan Gallery, NYC: "A Bicentennial Edition of Banners" * National Museum Singapore, Singapore: “Artists Celebrate the Bicentennial” * Marion Koogler McNay Art Institute, San Antonio: "American Artists ‘76: A Celebration" * The Bronx Museum of the Arts, Bronx: "The Year of the Woman: Reprise" 1977 * The Bronx Museum of the Arts, Bronx: "The Magic Circle" * Hurlbutt Gallery, Greenwich: The Friends of the Greenwich Library Present: "Contact: Women and Nature” The Works of 30 contemporary women artists selected by New York critic and author Lucy R. Lippard * The Brooklyn Museum Art School, The Brooklyn Museum, Brooklyn: "Contemporary Women: Consciousness and Content" * New York University, Contemporary Arts Gallery, NYC: Visual Artists Coalition Exhibition: “Women Painters and Poets” 1978 * Women’s Interart Center, NYC: Women Artists: Sketch Books 1979 * Elaine Benson Gallery, Bridgehampton: "Five Artists New York/Hamptons" * Connecticut College, Cummings Center, New London: Visual Artists Coalition Exhibition: “Women Painters and Sculptors” * Clayworks Benefit Exhibition, 4 Great Jones Street, NYC 1980 * Landmark Gallery, NYC: "The Language of Symbols" * Fordham University, Lowenstein Library Gallery, NYC: “Evocative Images” * The Tweed Museum of Art, University of Minnesota, Duluth, “Invitational Print Show” 1981 * Landmark Gallery, NYC: "118 Artists" * The Parrish Art Museum, Southampton: "Alive at the Parrish" * American Academy and Institute of Arts and Letters, NYC: "Paintings And Sculpture by Candidates for Art Awards" 1982 * Westbeth Gallery #1, NYC: “Sexuality in Art: Two Decades from a Feminist Perspective.” One of sixteen shows of “Views by Women Artists: Sixteen Independently Curated Theme Shows Sponsored by the New York Chapter of the Women’s Caucus for Art” * The State University of New Jersey Rutgers, Mabel Smith Douglass Library, New Brunswick: Women Artist Series at Douglass College: “Modern Masters: Women of the First Generation” * Frank Merino Gallery, NYC: “Heresies 3rd Annual Art Benefit: Work by 146 Women Artists for Sale at Artists’ Prices” 1983 * Philadelphia College of Art, Philadelphia: “An Exhibition of Work by Artists in the Historical Archives of the Women’s Interart Center of New York City” 1984 * Suzanne Gross Gallery, Philadelphia: "Major Contemporary Women Artists: In Celebration of Simone de Beauvoir" 1985 * The Parrish Art Museum, Southampton: "Looking At Pictures" 1987 * Schick Art Gallery, Skidmore College, Saratoga Springs: "Self-Portraits: The Message, The Material" * Hofstra Museum - Emily Lowe Gallery, Hempstead: "Self-Portraits: The Message, The Material" 1988 * Phoenix II Gallery, Washington, D. C.: “Small Works by Forty-Two Artists 1989 * Anita Shapolsky Gallery, NYC: "Early Abstractions: Painting and Sculpture of the 40’s and 50’s" * Knoxville Museum of Art, Knoxville in conjunction with Bennett Galleries, Knoxville: "American Women Artists: The 20th Century" 1990 * Queensborough Community College Art Gallery, Bayside: "American Women Artists: The 20th Century" * Guild Hall/East Hampton Center for Contemporary Art, East Hampton: "East Hampton Avant-Garde: A Salute to the Signa Gallery 1957-60" 1991 * Harmon-Meek Gallery, Naples, FL: “Gallery Group Exhibition” * Harmon-Meek Gallery, Naples, FL: “Recently Added Artists” * Anita Shapolsky Gallery, NYC: “The Prevailing Fifties” 1992 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: "Slow Art: Painting in New York Now." Curated by the museum’s Director, Alanna Heiss * Stuart Levy Gallery, NYC: “American Vanguard: Jackson Pollack, Lee Krasner and Friends” for the benefit of The Study Center Development Fund of The Pollock- Krasner House and Study Center, East Hampton, New York * Harmon-Meek Gallery, Naples, FL: “Flowers in Art” * Melvin Gallery, Florida Southern College, Lakeland: “Women Artists From the Harmon- Meek Gallery” * Anita Shapolsky Gallery, NYC: “The Americas” 1993 * Richard Anderson Gallery, NYC: “Songs of Retribution.” Curated by Nancy Spero * Snyder Fine Art, NYC: “Out of the ‘50s”: Works Shaped by the Aesthetic of the 1950s * Benton Gallery, Southampton: “Woman!” * The Museum of the Provincetown Art Association, Provincetown: The Art Students League of New York and The Provincetown Art Association and Museum Exhibition of: “The League at the Cape” Part II: Contemporary Invitational Section * Anita Shapolsky Gallery, NYC: “Women of the Fifties” 1995 * The New York Open Center, NYC: “The Creative Call to the Divine: An interfaith art show and healing experience” * Millennium Gallery, East Hampton: "Living Legends" * Anita Shapolsky Gallery, NYC: “Artists of the Fifties” (Part 2) 1997 * Pollock-Krasner House and Study Center, Springs, East Hampton: "Art of This Century: The Women" 1998 * Anita Shapolsky Gallery, NYC: “Earthly Delights” 1999 * Anita Shapolsky Gallery, NYC: “The Immortals” 2000 * Anita Shapolsky Gallery, NYC: “Buffie Johnson, William Scharf, Yvonne Thomas, Rufus Zogbaum, Wilfrid Zogbaum: Feb. 12-April 29, 2000” 2001 * Emily Lowe Gallery, Hofstra University, Hempstead: “Abstract Expressionism, Then and Now” 2003 * Anita Shapolsky Gallery, NYC: "Re-Examining Abstract Art, Part 2" 2004 * Anita Shapolsky Gallery, NYC: "New York School Artists: Work of 50’s & 60’s" 2005 * Anita Shapolsky Gallery, NYC: "Betty Parsons & the Women" 2007 * Anita Shapolsky Gallery, NYC: "Collectors' Choices" * Thomas McCormick Gallery, Chicago: “Suitcase Paintings...

The title of this original illustration by the artist George Venson is "Jumping Ship: An Illustration of the Way I See Things Right Now". It is a...

English oil on canvas painting of 18th century gentleman holding a portrait of lady within a gilt molded frame (possibly 18th cent).     

New England Coastline. Connecticut shore painting in oil with marsh grasses and sailboats in the distance, and salty ocean air almost palpable this ...

Copy of a seascape painting titled " Venice, the Dogana With The Guidecca" showing ships on the Canal Guidecca inspected by Dogana or Customs

View of Capri. Gold-framed French watercolor views of Capri entitled, "Ville de Capri - 13 Juillet 1846." Dimensions: Sight: 12.5" W x 9" H; overall 18.5" W x...

Silvio Bicchi (1874 Livorno-1948 Florence) La Mucca, The Cow. Pupil of G. Fattori. Charming pastel of a young cow in a gilt gesso and wood carved frame. Italy, first quarter twentie...

Eugene Isabey (1803-1886) Coastal Scene. Signed. Between Romanticism and Impressionism and influenced by Delacroix and Gericault, Isabey spent much time on the Normandy coast sketchi...

Copy of a landscape painting titled "Paysage d'Itale" vertical landscape of ruins with figures in foreground

Under the blanket project, Naomi Clark creates what she titles quilt paintings. She breathes new life into old wool and cotton camping blankets culled from EBay, flea markets and gar...

Domenick Capobianco (American, b. 1928), Surrealist Composition, Oil on Canvas, depicting an injured man with hat smoking with sunshine in background, apparently unsigned, "Studio Do...

Vintage (20th Century) oil painting depicting chickens, ducklings, doves, and pigeons pecking for seed on a hay-covered floor, painted on rectangular, unframed canvas.  

Giuseppe Casciaro, Ischia, 1929. Giuseppe Casciaro (1861-1941) Amalfi coast landscape with watchtower on the island of Ischia. Pastel and gouache on card. Signed and dated 19 Feb VII...

Bring color and an energized feel to your interior with this contemporary Italian Oil Painting on Board. By unknown artist, the abst...

Continental German (18/19th Cent) gilt framed oil painting of a landscape genre scene of a town by a river with boats and people (J C FRIER).  

Pair of American Folk Art (19th Century) mahogany and birdseye maple framed oil painting portraits of man with paper and lady with book (signed).  

Copy of a wildlife hunt scene painting titled "Hunting of the Stag" showing hounds running down a stag in a classical setting

English Victorian style maple framed oil seascape painting of clipper ship near white coast (20th Century).  

English Victorian large oil painting of a yachting scene with figures (Edward VII) on a deck in a gilt rope frame. (titled: "On the Brittania" by Thomas Henry).   

Large original acrylic on canvas "Two Protea" by Ben Schonzeit, American 1989, signed and dated on reverse with gallery label that reads: (Ben Schonzeit “Two Protea, Acrylic on canva...

Under the Blanket Project, Naomi Clark creates what she titles Quilt Paintings. She breathes new life into old wool and cotton camping blankets culled from EBay, flea markets and gar...

PAIR of French Victorian style (19/20th Century) green painted and gilt framed oil paintings of a vertical landscape with river. (PRICED AS PAIR) Condition: (Vintage condition)

2021 is a large framed abstract oil painting by Kathi Robinson Frank. This mixed-media painting incorporates oil, acrylic, charcoal, and metallic paint in shades of black, white, gra...

A still life artwork painting of flowers and fruit, circa mid-20th century, USA. Painting is framed in a silver giltwood frame and matted. Piece is ...

Abstract Oil Painting Education 1994–96 MFA, University of British Columbia, Vancouver, Canada 1991–94 BFA, Rockford College, Illinois, USA Solo Exhibitions 2017/18 Landscape / Still Moving, Rockford Art Museum Annex, Rockford, Illinois, USA 2017 Life Still / In Motion, Kortman Gallery, Rockford, Illinois, USA 2015 Ljósanótt, Keflavik, Iceland 2014 Umbrot, Kaffi Sólon, Reykjavik, Iceland 2012 Brotinn himinn, Kaffi Sólon, Reykjavik, Iceland 2011 Eins og enginn sé morgundagurinn, Listasalur IÐU, Reykjavik, Iceland 2009 Myndbirtingar, B5, Reykjavik, Iceland 2006 ekki endilega hér / hvergi (possibly nowhere), Gallerí List, Reykjavik, Iceland 2006 In Transit, Galeriazero, Barcelona, Spain 2005 Koma og fara, SPH, Garðabaer, Iceland 2001 flökt (taktur einsemd snerting), Café Prestó, Kopavogur, Iceland 1999 Manngervingar (anthropomorphic), The Labour Unions’ Art Gallery, Iceland 1998 hafið bláa hafið, Gallerí smíðar&skart, Reykjavik, Iceland Group Exhibitions 2016 Ljósanótt, Keflavik, Iceland 2002 Anniversary Exhibition, Gallerí List, Reykjavik, Iceland 1998 Brynhildur Gudmundsdottir & Hekla Gudmundsdottir, Bílar&list, Reykjavik, Iceland 1996 Masters of Fine Arts Graduate Exhibition, Belkin Gallery, Vancouver, Canada 1996 XQXQXQX, Skuggi Gallery, Rockford, Illinois, USA 1995 Invitational Drawing Exhibition, OR Gallery, Vancouver, Canada 1995 Annual Erotic Art Exhibition, New-Era Society, Victoria, Canada 1995 Opening Exhibition, Skuggi Gallery, Rockford, Illinois, USA 1995 Gullnáman, Laugarvatn, Iceland 1995 Heart Art, Rockford College Art Gallery, Illinois, USA 1994 TSYQEOPXHBE, BFA Exhibition, Rockford College Art Gallery, Illinois, USA 1994 Just Another One Night Stand, Rockford College Art Gallery, USA 1993 No Icelandic Conversation, Rockford College Student Art...

Grand Tour-Style (20th Century) unframed canvas oil painting of a bright, aqua canal crowded with gondolas under passage in front of Doge's Palace with St Mark's Campanile just behind it, and the domes of the Punta della Dogana visible in the distance in the lower left corner. Painting unsigned, noted as coming from a 20th-Century studio that specialized in historic commercial reproduction paintings...

Under the blanket project, Naomi Clark creates what she titles quilt paintings. She breathes new life into old wool and cotton camping blankets culled f...

Vintage (20th century) oil painting of a black and white hunting dog cornering a badger in the woods outside of a cabin, on a rectangular, unframed canvas.

Cityscape oil on canvas painting by James Coignard, France (1925-2008). Signed and framed. Early period. Canvas size 28.5" x 23.5. Size with frame 35" x 30".

Grotto view of Capri. Gold-framed French watercolor views of Capri entitled, "Grotto a Capri - Le 24 Octobre 1846," Dimensions: Sight: 12.5" W x 9" H; overall 18.5" W x 14.5" H.  

Pierre Bordeaux, Paris View of the Seine, 1934. Vintage April in Paris ambience to this hand-painted watercolour rendered in soft blue, grey, celadon a...

French gilt filigree carved framed oil painting portrait of 18th Century lady wearing pink bow (signed A. BERONER)

Italian Impressionist style seascape depicting a fishing boat pulled up on to the shore line with mountains in the background.

Large Postmodern Abstract composition with mechanical and biomorphic forms. Verso signed , titled , and dated: "Totaliser / Yeni Mao / 2006." Light soil and dust accretion. Art 60....

English Victorian style (20th Century) print of a rooster standing on red clay and looking to the side, in front of a blue pond and autumnal trees, on...

Thanks Copy of a Impressionist style landscape painting by Schindler titled,"Monlandschaft" or "Shaft of Moon Light" showing water lilys in a pond lined with trees under the moon Co...

Vintage oil painting portrait depicting an American Naval officer in uniform seated against a blue and gray background, painted on stretc...

This 1940s, unsigned oil-on-canvas portrait, newly restored and framed, came from the estate of scholar John Githens (1937-2024) and artist Ingeborg ten Haeff (1915-2011). The couple lived and hosted lively dinner parties at their Washington Square bohemian townhouse, where many of the furnishings were designed by ten Haeff’s first husband, the architect Paul Lester Wiener...

English Impressionist Oil on Canvas of a Fishing Scene in a Classical Gilt Frame, c. 1880 (GEORGE SHERWOOD HUNTER)

Rectangular oil on canvas still life painting of a basket of assorted flowers tied with a blue bow against a dark background in a rectangular carved giltwood frame.  

Hand-picked by buyers at Ann-Morris Inc.

Sardine Colazione fish painting. Contemporary blue white and green on black gesso painting on wood panel of breakfast sardines, Italy, 2019. Dimensio...

Copy of a seascape painting titled "Sailing" showing small boats under sail in a strong breeze and choppy seas

This exceptional surrealistic oil painting on canvas depicts Florence through the mind of artist, Tito Salomoni. It is beautifully detailed with vivid colors presenting an unfolding ...

Copy of a seascape painting showing ships under sail in open ocean

Painting. Gouache on board. Signed Bela Kadar (Hungary, 1877-1955) Bela Kadar was born in Hungary in 1877. Amongst his early interests was mural painting. Like many of the artists of his day he was drawn to Paris and Berlin, and by 1910 he had visited both cities twice. In 1923, Kadar showed his paintings in Berlin at the invitation of Herwath Walden. Walden was an important figure in the German avant-garde, being the publisher of the journal Der Sturm which featured the works of Franz Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka. During the group exhibition at Walden's gallery with other artists of Der Sturm, Kadar met Katherine Dreier whose Societe Anonyme was instrumental in bringing the work of the European avant-garde to New York. With her help two major exhibitions of his work were planned for the Brooklyn Museum of Art, the second of whom in September, 1928 Kadar travelled from Europe to attend. Bela Kadar incorporated themes of Hungarian folklore...

"Parrot Chair" - a seemingly quiet oil-on-canvas painting made in 1967 by the American artist Jennett Lam (1911-1985). Muted browns, grays, and beiges contrast with more saturated gr...

One of the most important contemporary French painters is Luciano Di Concetto whose stylized work is becoming famous worldwide. His work displays contrasts of light and dark, richne...