New York - Art

Engraving by Louise Bourgeois, 2002, hand signed, numbered and inscribed to her longtime printer Judith Solodkin of Solo Impressions, accompanied by an actual horseshoe gifted by the...

From the rare, fully signed edition of One Cent Life - only 100 examples were hand signed by the artists. Exceptional provenance from Robert Indiana's estate. Sam Francis, Karel App...

Robert Cottingham Don't Walk, 1985 Three color Linoleum Cut on Paper Pencil signed, inscribed to Bryan and annotated TP Published by Chip Elwell Fine Prints Trial Proof (unique) This...

This striking poster is a restrike of the original exhibition poster created by Alexander Calder for his celebrated show “Mobiles et Lithographies” at Galerie Maeght. Produced in 201...

Attributed to George Earl (English, 1824–1908) Portrait of a Dachshund Oil on canvas, circular format Circa 1870–1880 Signed left centre (as visible) ⸻ A finely observed Victorian...

This open edition reproduction of Interior with Skyline was published by LEM Italy with the approval of the Lichtenstein Foundation for an exhibition of his work in Rome in 2000. Buy...

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

Robert Longo, Men in the Cities (Rick) , 1984 - unique artist-certified photographic document, 1992 Vintage photographic print on Kodak paper, with unique artist inscription and cert...

Watercolor on heavy gauge watercolor paper, 14 x 9 3/4 inches (352 x 248 mm), the full sheet. Titled in pencil in the lower left margin. With a garden landscape in watercolor on the ...

Rufino Tamayo, Mexican (1899 - 1991) - Paisaje con Luna, Year: 1977, Medium: Mixografia on Arches Paper, signed and numbered in crayon, Edition: 16/100, Size: 19.75 x 27.25 in. (...

“Nude with Blue Hair” by Roy Lichtenstein, from the Nudes series published by Tyler Graphics in 1994. A striking late-period work showcasing Lichtenstein’s signature Pop language — b...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Christo The Wrapped Reichstag at Night (Hand Signed), 1993 Offset Lithograph Hand signed by Christo on lower right front 40 × 25 1/2 inches Unframed and affixed to matting (as it ha...

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Alex Katz - No Kids – Come Into My House album cover (Hand Signed by Alex Katz), 2008, 2013 Offset lithograph album cover (Hand signed in marker by Alex Katz) Album cover designed by...

John Beerman, American (1958 - ) - Joe's View Deep Yellow Sky, Year: 2002, Medium: Lithograph, signed and numbered in pencil, Edition: 4/36, Image Size: 18 x 25 inches, Size: 26...

Medium: Limited Edition Lithograph Style: Pop Art Painting Size: 9 x 6 inches Frame Size: 11.75 x 8.25 inches Condition: This artwork is in great condition for its age. Signature: ...

Salvador Dali, Spanish (1904 - 1989) - Look Not Upon Me..., Portfolio: The Song of Songs of King Solomon, Year: 1972, Medium: Color Etching with Gold Dust on Arches Paper, signed ...

Watercolor on cream wove paper mounted to light weight card stock, 3 3/4 x 5 1/2 inches (94 x 138 mm), the full sheet. In good condition with minor uniform toning. Sophia Beale was...

Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...

This reproduction of Letter on the Blind II by Frank Stella, published and printed by the de Young Museum in 2014, references Stella's original 1974 painting on canvas. Known for his...

Frank Stella (after) Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Photo lithograph and offset litho on thin board (hand signed by Frank Stella) Fra...

Outstanding Quality Spanish School Early 20th Century (circa 1905–1915) Figures at a Public Gathering, Northern Spain Oil on paper, laid down Not Signed Possibly Basque or Catalan re...

Offset lithograph poster featuring Mark Rothko’s No. 37, a powerful example of his signature exploration of color, form, and emotional depth. The artwork is framed in a black wood fr...

This beautifully produced poster features Egon Schiele’s 1912 masterpiece Friendship, an intimate and emotionally charged composition from one of the most pivotal years in the artist...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Jan Balet, German (1913 - 2009) - Adam & Eve, Medium: Offset Lithograph, stamp-signed and numbered in pencil, Edition: 509/1000, Image Size: 24 x 18 inches, Size: 31.25 x 25 in. ...

A charming depiction of St. Patrick's Cathedral on 5th Avenue in the snow with figures and cars. This evocative urban winter scene captures the majestic spires of St. Patrick's Cathe...

An exceptional impressionistic depiction of Ballerinas in an interior scene by Jules René Hervé. Hervé is known as a painter of the scenes of Parisian life. This piece is a pertinent...

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph paper Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Fra...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and the intimate psychological nuances of the ballet studio. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 17 inches (33.02 x 43.18 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 17 inches (33.02 x 43.18 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches (1945) is one of the earliest and most significant American postwar fine art portfolios devoted to Edgar Degas’s intimate works on paper. Published by The Studio Publications, Inc., New York, and rendered and printed by Albert Carman at City Island, the album sought to faithfully reproduce a group of Degas’s ballet-related drawings through a combination of lithography and hand-applied pochoir coloring. This hybrid technique allowed the edition to preserve the immediacy, tonal subtlety, and gestural delicacy central to Degas’s draftsmanship. Conceived as a fine art publication rather than a commercial book, the portfolio provided American audiences unprecedented access to Degas’s private, spontaneous studies—images that reveal the artist’s fascination with movement, anatomy, and the psychological atmosphere of the rehearsal studio. The album exemplifies the mid-20th-century revival of pochoir as a means of recreating the texture and coloristic nuance of original works on paper, and it remains an important document of how Degas’s legacy was translated into high-quality printed form for collectors, museums, and connoisseurs. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Degas pochoir, Degas lithograph...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur debout de profil (Dancer Standing in Profile), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseur debout de profil (Dancer Standing in Profile), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur debout de profil (Dancer Standing in Profile), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Wild Orchid Pink background with thick use of pai...

This second edition of Henri Matisse’s Blue Nude I is an authorized open-edition print, recreated with the permission of the Estate of Henri Matisse. The exceptional print quality pr...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

An Early 20th Century elegant portrait oil painting by Gordon Stevenson depicting a pensive young woman seated in a serene, indoor setting wearing a l...

Offset lithograph poster featuring Mark Rothko’s Untitled (1950), exemplifying the artist’s iconic color field style and emotive abstraction. The piece is framed in a black wood fram...

Poster advertising the National Gallery of Art, Washington, featuring Mark Rothko’s Blue, Green and Brown. Presented in a refined black wood frame with a 3/4-inch front profile and a...

Poster advertising the National Gallery of Art, Washington, featuring Mark Rothko’s Pink, Black, Orange (1953). This iconic work showcases Rothko's signature use of color and depth, ...

Gloria Vanderbilt Untitled mother and child painting Gouache on paper Signed by the artist on the front Frame included A poignant painting of a mother and child from the 1960s. Whi...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver and gold background with red accents with ...

Watercolor on heavy gauge watercolor, 4 1/8 x 11 3/4 (105 x 299 mm), the full sheet. In good condition with scattered minor surface soiling, and light scattered foxing. Colors slight...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts 2 gestural figures of back bunnies on a Sky Blue background with thick use of paint. Insp...

David Lingwood’s "I Love New York" offers a serene, nostalgic glimpse into the iconic New York City skyline as seen from the artist’s own terrace apartment in the 1970s. Rendered wit...

Raoul Millais (1901–1999) Fox Hunters with Hounds in a Landscape, circa 1931 Oil on canvas Signed lower right: Raoul Millais and dated 1931 Presented in an ornate period gilt frame DESCRIPTION (Dibs-style long format) A fine early 20th-century sporting composition by Raoul Millais, painted in 1931 and depicting the timeless ritual of the English fox hunt...

6131 Blue and white abstract Expressionist painting Image size 18x14"

6119 Parisian street scene Set in a decorative period frame Image size 9.5x7.5"

Watercolor with graphite on heavy gauge watercolor paper, 9 3/4 x 7 1/4 inches (249 x 185 mm), the full sheet. Titled and dated August 27, 1896 in pencil in the lower right margin. I...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Framed dimension 15 x 13 inches (35.6 × 30.5 cm) Signed Verso, titled and dated. ...

This piece depicts two white, long-haired Persian cats in a natural setting. The cats are positioned on a grassy patch adorned with small flowers, including clusters of pink blossoms...

6095 Gold unicorn gold pen painting Signed Paul Breeden Wood frame image size 19.5x15.5"

This exquisite etching by Marc Chagall (1887–1985), titled Attroupement des paysans (Gathering of the Peasants), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, ...

A striking contemporary abstract work that reads as both gesture and apparition, Abstract Canine Form presents a poetic, almost spectral depiction of a dog emerging from a field of l...

A stunning depiction of a lively scene in Paris "Le Dimanche Au Bord De La Marne". There are boats situated on the water docked with sails in the distance on a Sunday on the banks of...

Peter Max, German/American (1937 - ) - Peach Lady, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 224/300, Image Size: 22.25 x 17.25 inches, Size: 26 x ...

First edition exhibition poster for Hockney Paints the Stage, held at the Walker Art Center in 1983. Published by Petersburg Press and mounted on museum board, this original poster i...

Keith Haring, After, American (1958 - 1990) - TV Man, Year: 1990, Medium: Screenprint Poster, signed in the plate, numbered in pencil, Edition: 1000, Image Size: 28.5 x 23 inches...

'Golden' painted by Hudson Valley artist, Jenny Nelson, in 2025 Oil on canvas 30 x 30 inches with white painted sides, unframed Excellent condition, ready to hang Signed, verso T...

Exhibition poster created for the Museum Boymans-van Beuningen in Rotterdam, showcasing David Hockney’s Two Deckchairs, Calvi. With its bold colors and sunlit charm, this image captures Hockney’s unmistakable style and timeless appeal. Original museum posters...

Original exhibition poster featuring the work of Henri de Toulouse-Lautrec, created for the Louisiana Museum in Humlebæk, Denmark. Printed in Paris by Mourlot, the poster captures on...