New York - Art

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled La Bete Bleu (The Blue Beast), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lov...

Richard Haas The Hugh O'Neill Building, 655-671 Sixth Avenue, New York City, 1974 Lithograph on Arches paper Signed, titled and annotated "TP" in graphite pencil on the front Edition...

Portrait of Ingrid Bergman as a nun from "The Bells of St. Mary," rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, W...

This is a specially designed poster by the renowned artist Jean-Michel Folon, created exclusively for Poster Originals Limited. Folon, known for his distinctive and imaginative style...

Windowsill Richard Mizdal, American (1944) Date: 1985 Oil on Canvas, signed and dated lower right Size: 54 x 40 in. (137.16 x 101.6 cm)

This is a high-quality reproduction of David Hockney’s Green Valley, originally printed in Bradford, West Yorkshire, England, the artist’s birthplace. The work reflects Hockney’s lon...

This high-quality serigraph reproduction of Two Horses by Giorgio de Chirico is published by the New York Graphic Society Fine Art Publishers and printed in the United States. Captur...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Quai de Bercy (Bercy Quay), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Quai de Bercy captures Chagall’s poetic vision of Paris as a dreamlike landscape where memory, color, and emotion converge. The work’s lyrical composition and radiant palette embody Chagall’s deep affection for the city that shaped his artistic identity, blending reality and reverie in perfect harmony. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Quai de Bercy (Bercy Quay), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 93. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Quai de Bercy 1954, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

The 2019 Roland Garros poster by José María Sicilia is a delicate and abstract work that captures the transience and beauty of the French Open through soft forms and a subtle palette...

Richard Klemm, German (1852 - 1916) - Couple Proposing, Medium: Porcelain Clock, maker's mark stamp verso, Size: 39 x 12 x 6.5 in. (99.06 x 30.48 x 16.51 cm)

David Humphrey Trophy (Museum of Contemporary Art, Chicago), 1983 Oil on Canvas painting Signed Twice: Hand signed and dated verso, also artist has signed his name and written his ho...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

Field and Orchard (Land and Skyscape with Open Field and Dark Treeline) by David Konigsberg 2025, oil on panel, 23.5 x 24 inches Konigsberg is a conceptual realist who works across ...

An exceptional impressionistic painting titled 'The Hay-wagon" depicting an afternoon along the field with workers collecting hay on to a wagon with horses. Here the scene is set on ...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with organic mediums and learning how to craft preserved moss, clay, feathers and other natural elements into beautiful abstract compositions. Primarily inspired by nature, repetition, patterns, texture and geometry are essential elements that are omnipresent in her works. About Lapis and Flos series: Laforey recent ceramic works are unique pieces that alter in patterns to give an illusion of movement and depth by using clay’s potential for building sculptural dimension. The repetitive use of a unique element, the circle is centered to her work. The circle has often been associated with the female and to Mother Earth. It has no beginning and no end, it is the whole, the essence of things. It symbolizes the ongoing energy found in nature. Laforey’s Lapis mural ceramic series...

A masterful oil painting depicting a view of Paris at twilight. This piece is a pertinent example of the works produced during the 20th Century by the artist with use of beautiful co...

George Gách (American, 1909-1996) The Old Tree in Glenwood Landing, 1957 Oil on canvas 23 x 27 in. Framed: 26 x 29 1/2 in. Singed lower right: Gách 1957 Provenance: Garden City Galleries, Garden City, NY Includes brochure. Born in Hungary, George Gách, the son of sculptor Stephen Gách (1880-1962), was noted for sculpture, impressionist painting and teaching. His subjects included animals, people, florals, nudes, cowboys, sports and scenes of Long Island, Bermuda, Mexico, Florida and upstate New York. Among his sculpture subjects are portrait busts of prime ministers, governors, corporate presidents and soccer stars. He served as a commercial pilot from 1939 to 1952. and in 1944, was shot down and given up as dead. He was also in prisoner of war camps twice during World War II and then in 1947, was almost imprisoned by the communists in Hungary. Gách graduated form the Academy of Fine Arts in Budapest in 1939, and then immigrated to the United States. He located his studio in Roslyn Heights Long Island, and at one point set a goal...

Pablo Picasso, Spanish (1881 - 1973) - Gongora (Soneto Burlesco), Year: Circa 1947, Medium: Etching, Size: 15 x 11.25 in. (38.1 x 28.58 cm), Reference: Bloch 476-516, Provenance: Fr...

This vibrant and lush still life titled Linwood was created by Robert Kushner in 1997 as part of the Lincoln Center Poster Program. The composition features a bright and colorful arr...

Original artwork of artist model’s by Julio De Diego using underdrawing of graphite with a watercolor wash. Signed lower left in pencil. Very good original condition. Nicely framed...

Antique American school modernist watermelon still life pastel painting. Pastel on paper. Signed. Framed. Measuring 18 by 22 inches overall and 16 by 20 painting alone.

Hunt Slonem "Allie" Black and Purple Bunny A single rabbit gestured in black on a light purple background in a vintage frame Unframed: 8 x 6 inches Framed: 14 x 12 inches *Painting ...

This exquisite lithograph and pochoir by Sonia Delaunay (1885–1979), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates fr...

A dynamic and highly detailed 1932 oil painting by Allan C. Sawyer, this work captures an exhilarating regatta with a fleet of classic sailboats cutting through wind-whipped waves. P...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Image Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Gary Hume Michael 2002 Screenprint 60 1/8 x 30 inches; 153 x 76 cm Edition of 80 Signed, titled, dated, and numbered in graphite (lower recto) Frame available upon request Gary Hume...

This painting depicts an impressionistic scene of luminous flowers in a white and blue vase. The work reminds us of Claude Monet, with impressions similarly captured, reminiscent of ...

Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and Mr. America contender MIKE DUBEL. Dubel competed in the 1...

This exquisite lithograph by Andre Dunoyer de Segonzac (1884–1974), titled Eden Roc (Eden Roc), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), orig...

Paper Size: 33.75 x 24 inches ( 85.725 x 60.96 cm )?Image Size: 13 x 9 inches ( 33.02 x 22.86 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details: Original exhibition poster for Martin Kippenberger...

Incredible early American modernist portrait by Stephen H Booker (1933 - 2016). Oil on canvas. Signed verso. Finely framed. Measuring 24 by 28 inches overall and 16 by 20 paintin...

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2016. It presents a stylized rabbit in profile, rendered with loose and ex...

American modernist abstract cityscape oil painting. Framed. Oil on canvas. Signed. Image size, 30H by 24L.

This exquisite silkscreen by Ellsworth Kelly (1923–2015), titled Red Blue, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Athen...

Oil on artist board Circa 1930 -1935 Signed verso and dedicated to JF (possibly John Folinsbee, fellow artist and neighbor). Overall size encased in custom 22K gold leaf frame wit...

Vintage American modernist abstract oil painting. Oil on canvas. Framed. Measuring: 21 by 25 inches overall, and 16 by 20 painting alone.. In excellent original condition. Handsomel...

Colin Scott Provincetown Harbor Signed lower right Oil on board 15 x 20 inches

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

This atmospheric 19th-century oil painting by George H. McCord (1848–1909) depicts a wooded riverbank under a dynamic sky, rendered with the crisp naturalism and luminist subtlety as...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 253, 1982. Published by Aim...

Luminary Nights James Hiroshi Suzuki, Japanese/American (1932) Date: 1960 Oil on Canvas, signed lower right, dated and titled on verso Size: 23 x ...

This exquisite lithograph after Rene Magritte (1898–1967), titled Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

Modern impressionist style plein air landscape painting on canvas of path through the forest "Path" oil on canvas 60 x 66 x 1.5 inches Signed, verso The contemplative paintings of ...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

Grabbing the faces of one another, the two women in this Pablo Picasso print tenderly kiss one another. Seen in profile view from the position of the viewer, the scene is loving albe...

"Still Life with Goldfish Bowl" is a reproduction of a painting by Roy Lichtenstein, originally created in 1972. This piece captures Lichtenstein's iconic Pop Art style, making it a ...

Impressive early American impressionist flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 30.5H by 21.5L.

Title: Together Medium: Oil on canvas Size: 11.75 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Very impressive early 20th century impressionist winter landscape. A view of the Palisades. Great color and a panoramic view. Nicely framed.

Impressive early American modernist abstract oil painting. Framed. Oil on canvas.

An original screenprint by Frank Stella from X + X (Ten Works by Ten Painters) published in 1964 by Wadsworth Atheneum, CT. The print was printed by Ives-Sillman, CT and referenced i...

Cy Twombly Galleria La Tartaruga, Rome 1958: RARE 1950’s announcement card illustrated by Twombly, on the occasion of, what is believed to be Twombly’s first ever European Exhibitio...

Artist: Randall Browning, American (1955 - ) Title: Pouring Coffee with Magritte (Magritte says "what, no saucers?") Year: circa 2005 Med...

Tracey Emin Tracey Emin: My Photo Album (Hand signed, inscribed and dated by Tracey Emin), 2013 Hardback monograph (hand signed, inscribed to Kevin and dated by Tracey Emin) Warmly signed, inscribed and dated by Tracey Emin on the title page 9 × 7 1/4 × 1 inches Warmly signed, inscribed to Kevin and dated by Tracey Emin on the title page Tracey signed this for the present owner at an official book signing in New York back in 2013, so provenance is direct. Publisher's blurb: My Photo Album is a journey through the life of British artist Tracey Emin using photographs from her personal collection. Edited from the albums she has kept from an early age, this visual autobiography contains some amazing images: Tracey sharing a pram as a baby with her twin Paul, her bus-pass photo aged 14, a ‘glamour’ shoot as a semi-naked art...

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2016. It presents a stylized rabbit in profile, rendered with loose and ex...

This exquisite lithograph after Marc Chagall (1887–1985), titled Ares und Aphrodite (Ares and Aphrodite), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-langu...

Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...

A wonderful Impressionist winter pastoral scene of colorful quaint homes by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feel...