New York - Art

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition embodies Chillida’s exploration of form, balance, and spatial tension. In Sans titre, the artist distills his sculptural sensibility into a two-dimensional plane, using the language of gesture and contrast to evoke mass, gravity, and void. The work exemplifies Chillida’s poetic approach to abstraction, where line and density coexist in perfect equilibrium. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is signed in the plate and unnumbered, consistent with the authorized publication format. The edition captures Chillida’s mastery of minimal means to achieve monumental expression, extending the spatial dialogue that defines his sculpture into the medium of print. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Eduardo Chillida lithograph, Chillida Derriere le Miroir, Chillida Maeght...

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful e...

Artist: Mel Ramos (American, b. 1935) Title: Hav a Havana #6 Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 22.5 in. x 22.5 in. (57.15 cm x 57.15 cm)

Celebrate a piece of New York City's culinary history with this stunning poster by Ken Keeley, featuring the iconic Carnegie Deli. Renowned for its photorealist style, Keeley's artwo...

Limited edition Jean-Michel Basquiat Spray Paint Can 2017: Highly collectible limited edition Jean-Michel Basquiat spray paint can by published ci...

Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Tulips 2 Lowell Blair Nesbitt, American (1933–1993) Date: ...

6059 Marshes,a contemporary abstract painting, oil on canvas displayed in a gilt wood frame,signed by P.Russo.Image size 20 H x 24 w

Raphael Soyer (American, born Russia, 1899-1987), Couple Embracing in an Interior Scene, Oil on Canvas, signed lower left, Associated American Artists label to verso, giltwood frame....

This stunning piece of art titled “Bateaux a Carnac" is a captivating original work by renowned artist Yolande Ardissoner. Ardissoner was mostly known for her playful and sophisticat...

A large landscape painting featuring a boat pulled up on the shore of Dering Harbor. The sky is an intriguing shade of chartreuse that makes the orangey-...

Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, ev...

This reproduction, titled Canto XIV by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertical...

Ed Ruscha America Needs Hart (Hand Signed), 1983 Offset lithograph (Hand signed by Ed Ruscha) 36 inches (vertical) x 24 inches (horizontal) Boldly signed in marker by Ed Ruscha on th...

Artist: Mel Ramos, American (1935 - 2018) Title: Monterrey Jackie Year: 2010 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 32 x 23.5 in. (81.28 x 59.69 cm)

Joan Miro, After, Spanish (1893 - 1983) - Mobile, Medium: Lithograph Poster, signed in the plate, Image Size: 14 x 10 inches, Size: 15 x 10.5 in. (38.1 x 26.67 cm), Frame Size: 2...

This exquisite lithograph by Jean Dubuffet (1901–1985), titled Le Guerrier (The Warrior), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, originates...

John Cordrey (c.1765-1825) A light chaise and four signed 'J.Cordrey/1793' lower left Oil on canvas Canvas Size 13 x 17 in Framed Size 15 1/2 x 20 1/2 in John Cordrey (active c. 179...

Joan Miro, Spanish (1893 - 1983) - Lithographs III (Cover), Year: 1977, Medium: Lithograph, Size: 13 x 10.25 in. (33.02 x 26.04 cm), Printer: Mourlot, Publisher: Maeght Editeur

Large European impressionist seascape sailboat oil painting by Thorolf Holmboe (1866 - 1935). Framed. Oil on canvas. Signed. Image size, 26H by 29L.

"Homage to the Square - P2, F33, I1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Jean-Michel Basquiat Spray Paint Cans 2017: Limited Edition Jean-Michel Basquiat spray paint cans (set of 2), published circa 2017 featuring the Estate trademark of Jean-Michel Basq...

In this black and white monotype, Zalopany has captured a duo of tumblers atop a roof, as onlookers stare in wonder. The artist is able to cap...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/...

Jeff Koons Monkey Train beach towel 2008: A highly decorative limited edition 2008 Jeff Koons Monkey Train towel. Measuring 70x60 inches - this work would look outstanding framed. This outstanding Jeff Koons Monkey Train collectible...

Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...

Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...

Modernist abstract composition signed Geist. Oil on board, circa 1950. Signed lower right. Displayed in a wood frame. Excellent ready to hang condition.

Joan Miro, Untitled, 1981 (from Lithographie IV) Original color lithograph on Rives vellum paper 12 1/2 x 9 3/4 in. (32 x 25 cm), unframed Edition of 4000 (Published by Maeght in 198...

“PEACE” is sentimental to the artist. A painting she refused to sell for quite some time. Her grandmother, an artist herself, gifted ETTE a tube of gold paint before she passed away....

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall II, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...

Robert Kulicke, American (1924 - 2007) - Pear Still Life, Medium: Gouache on paper, monogramed on top in pencil, Image Size: 8 x 6.5 inches, Size: 8.5 x 7 in. (21.59 x 17.78 cm)

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 30.75 x 22.25 inches ( 78.105 x 56.515 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Originally from North London, Cotton received his art education at the prestigious Central St. Martins School of Art in Holborn, London. Being a teenager in North London during the g...

This lithograph by Marc Chagall, created in 1958, appears on page 33 of Chagall Lithographe II, published by André Sauret, Paris, in 1963 with text by Fernand Mourlot. This sheet co...

KAWS Monster: A highly collectible & super decorative KAWS art toy, featuring the artist’s rendition of the famed cereal character Frute Brute. A playful exploration of KAWS’s love for these timeless pop cultural characters featuring his signature motifs. New / never displayed; accompanied by full original packaging. Medium: Vinyl art toy. Approximately: 11.4 × 6.3 inches. New in original packaging. Published by the artist from a sold out edition of unknown. Further background: “Inspired by classic horror film characters, the Monster Cereals...

Formalist style color still life photograph of five sardine fish on a white marble tabletop with a mint green background "Five Fish", 2007 Archival pigment print, edition of 25 Image size: 11 x 14 inches 17 x 21 inches with light wood frame with non-glare glass and 8-ply white mat Excellent condition, ready to hang as is Halliday captures the beauty of a traditional still life with a contemporary spin. Here 5 fish lay on a table against a light green background. The print is part of an edition of 25, is currently framed in a light wood frame with non-glare glass and an 8-ply white mat. The artist's signature is located on the back and front. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

This serigraph was created by contemporary American artist Hunt Slonem. Slonem is best known for his Neo-Expressionist paintings and bright tropical palette, and his subject matter o...

The vertical Spots 'Gly-Gly-Ala' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edit...

Title: Faraway Mountains Medium: Oil on canvas Size: 23.25 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Acrylic on canvas. Unframed. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foreground and background, center and edg...

Arnaldo Pomodoro Untitled, 1970 Color Lithograph on Wove Paper Hand signed and numbered 15/15 Hand-signed by artist, pencil signed and dated lower right margin, limited edition noted...

This lithograph is ideal for adding a sophisticated and calming presence to various interior spaces. Its abstract and natural qualities make it suitable for living rooms, offices, or...

Vintage American modernist painting. Gouache on board. Signed. Framed. Measuring: 20 by 15 inches overall. Handsomely framed in an antique Italian frame. Excellent condition, read...

WIth a passion for restoring historic houses, one of Slonem's properties is in Lousiana, where he now spends a lot of his time painting and picking up inspiration for his pallet. Thi...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Leger's bold geometric visual language and his celebration of modernity, distilling mechanical rhythm and sculptural clarity into a composition emblematic of his innovative machine-age aesthetic. Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., is a landmark example of mid-century French printmaking, bringing together leading modern artists in a unified portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a substantial edition of numbered and non-commerce impressions, the publication reflects the vitality of postwar Parisian art and the technical excellence of Daniel Jacomet, whose workshop played a central role in the preservation and dissemination of twentieth-century modernist imagery. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism's fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christies New York for Contraste de formes (1913). Fernand Leger print...

Archival pigment print Signed, titled, and inscribed in pencil, recto 17 x 17 inches, sheet 11 x 11 inches, image This artwork is offered by ClampArt, located in New York City. Ro...

Archival pigment print Signed and numbered, verso 30 x 24 inches (Edition of 6) 40 x 30 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

Hunt Slonem "Randy" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed...

'Words Vs Action I' 2025 by Roohi Saleem. Oil and oil sticks on canvas, 66 x 44 in. This pastel painting is constructed as a dense compostition of abstract forms, featuring various s...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Marchand de Mort aux Rats (B121), Year: 1878 (of original 1632), Medium: Heliogravure, Size: 5.5 x 5 in. (13.97 ...

5158 Antique American oil painting straberries in a basket interior scene Late 19th century

KAWS Brown Holiday Companion (KAWS Taipei): This figurine features KAWS' signature character COMPANION in a resting seated position. The piece was published by All Rights Reserved t...

Edward Dufner The Screen Door, 1923 Signed lower left Oil on board 10 x 8 inches Exhibited New York, National Academy of Design, Winter Exhibition, November 17 - December 16, 1923, ...

Vintage American modernist dog portrait oil painting. Oil on board. Framed. Signed in monogram. In excellent original condition. Handsomely framed in a vintage molding. Excellent c...

This silkscreen on tin, titled "Babe Rainbow," is part of a series of 12 paintings featuring fictitious female wrestlers by renowned artist Peter Blake. C...

Robert Rauschenberg's connection to Port Arthur, Texas, is deeply rooted in his personal history. Born in Port Arthur in 1925, Rauschenberg's early life in this coastal city was significant in shaping his artistic sensibilities. The Centennial Celebration Poster...

Alfred Copestick (1837–1859) Coastal Scene: New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower right: A. Copestick NY 1857 Painted at just twenty years of age, Coastal Scene: New York demonstrates Alfred Copestick’s remarkable promise as a marine painter in antebellum America. The scene brims with energy: a single sailboat heels sharply into the wind, its rigging taut against the storm, while foamy waves break against a rugged shoreline. Above, clouds mass and dissolve, illuminated by shafts of storm-lit light. Copestick’s treatment is both romantic and naturalistic, conveying the sublime tension between man, sea, and sky. His confident brushwork captures atmosphere with an immediacy and sensitivity rarely found in so young an artist. The work survives in its original giltwood frame, richly carved in a mid-nineteenth-century American style, which not only underscores its historical authenticity but also heightens the tonal drama of the painting. Alfred Copestick came of age during a fertile moment in American painting, when marine art and landscape were central to cultural identity. Though little is known of his formal training, his works suggest familiarity with and admiration for leading marine painters such as James E. Buttersworth, famed for his racing yachts; Francis Augustus Silva, who later developed a luminist style of coastal painting; and earlier masters like Thomas Birch, whose shipwrecks and storm scenes set a precedent for drama at sea. Copestick also absorbed broader currents in American landscape painting. The Hudson River School, led by Thomas Cole, Asher B...

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Acrylic on canvas - Unframed The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow ...