New York - Black and White Photography

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

Children, Harlem, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 7/10. Provenance: Freed archive. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

Willy Nelson, 1993 by American photographer Leonard Freed is a series of (3) photographs, gelatin silver press RC prints, which are each signed verso (bac...

This work is offered by CLAMP in New York City. Edwardo 1992 Signed, titled, and dated in ink, recto Gelatin silver print 8.5 x 6 inches (21.6 x 15.2 cm), image 10 x 8 inches (25...

This archival pigment print on Canson paper comes directly from the publisher, Lincoln Center Editions. It is signed and numbered en verso by the artist. It is in excellent condition and has never been framed. Note: The image of the framed print is for reference purposes only. Carrie Mae Weems (b. 1953) is an American artist whose extensive body of work investigates cultural identity, sexism, class, political systems, and the consequences of power. Weems is widely recognized for her revolutionary approach to the expression of narratives about women, people of color and working-class communities, “conjuring lush art...

Fashion model Pamela Minchin photographed on the Isle of Wight wearing Fortnum and Mason’s dark burgundy Lastex satin swimsuit with ballet skirt, Harper’s Bazaar, July 1939. 'For ba...

American photographer Burt Glinn photographed the Hollywood star in conversation with Mike Todd and film director John Huston for a “Stop Arthritis” event which took place in New Yor...

George Platt Lynes 1948 Photograph #1 of Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...

Paris, France, 1991 by Leonard Freed is a 14" x 11" vintage print, stamped on verso (back of photo) with Freed's copyright stamp, hand printed by the photographer, and signed on back of photo by artist. A comedic French street scene of a business man with briefcase...

This exquisite heliogravure after Diane Arbus (1923–1971), titled The Junior Interstate Ballroom Dance Champions, Yonkers, N.Y., originates from the 1979 folio Diane Arbus, Electa Ed...

Additional sizes available upon request. As one of Britain’s longest standing press photographers, Greg Brennan has captured some of the biggest news moments of the last 25 years a...

All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two we...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Rudolf Nureyev, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

Comic Book Readers, West Village, NYC by Ruth Orkin is a black and white gelatin silver print of four children standing outside of a bookstore, flipping through their recent purchase...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Solarized Hands, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grup...

Sean Connery on the Moon, 1971 Silver Gelatin Print Estate signature stamped and numbered edition of 50 with certificate of authenticity Re-c...

Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and Mr. America contender MIKE DUBEL. Dubel competed in the 1...

Kate #15, 2002 by American photographer Leonard Freed is in the photographer's series "Kate." This is an 11" x 14" gelatin silver photograph signed verso (back of photo) by the Freed...

Kate #10, 2002 by Leonard Freed is an 8" x 10" hand printed. Signed by the photographer black and white photograph, stamped "vintage" by the Freed estate. Model and yogini Kate remai...

Kate #4, 2002 by American photographer Leonard Freed is a 8" x 10" signed black and white photograph, stamped vintage on verso (back of print). Model Kate remains forever complicit i...

Round Up (B&W Photograph from 1950s of amusement park ride and apartments) by Arthur King, 1958 Silver Gelatin print on Archival paper 24 x 20 in, 28 x 27in framed All prints are Li...

Cy Twombly Earle and Carolyn Brown at the Stevenson's in Brewster, 1955 Identified and inscribed on the reverse by the sitter Carolyn Brown Photograph on paper 8 x 8 inches Provenance Gift of the artist Estate of Carolyn Brown, New York 2025. Cy Twombly gained fame for his art that combined cultural, historical, and poetic elements—particularly those from classical antiquity—with abstract shapes and his distinctive script. Born Edwin Parker Twombly, Jr. on April 25, 1928, in Lexington, Virginia, he began his artistic journey under the guidance of Pierre Daura and Marion Junkin at Washington and Lee University. This initial training was complemented by his formative experiences at the Arts Students League of New York and Black Mountain College, where he established enduring friendships with influential figures like Robert Rauschenberg, John Cage, and Merce Cunningham. A pivotal moment for Twombly was his 1952 trip to Italy and North Africa with Rauschenberg, funded by a grant from the Virginia Museum of Fine Arts. This journey allowed Twombly to engage deeply with the rich cultural history that would inform his future artistic endeavors, leading to the creation of significant early pieces. Twombly made his way back to Italy in 1957 and 1958, during which he presented his first solo exhibition in Italy at Galleria La Tartaruga, owned by Plinio De Martiis. In 1959, he married Luisa Tatiana...

Rare early 1950s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of model DICK LEE. Photograph is an excellent example of Jufeff's mast...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled The Devil's Cross, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Gr...

Paul Newman/Sebring 12-Hour Race, Florida by Al Satterwhite is listed as a 36 x 24 inch archival pigment print, available in an edition of 25. This photograph is signed, titled, dat...

David Ogburn, American (1942 - ) - Sade Adu, Medium: Gelatin Silver Print, Size: 10 x 8 in. (25.4 x 20.32 cm)

Douglas Kirkland Brigitte Bardot, Mexico (Cards) 1965 Silver gelatin print Numbered and Signed by Douglas Kirkland Edition of 24 French actress Brigitte Bardot photographed on set o...

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

A much sought after photograph Le Petit Parisien, 1952 by French photographer Willy Ronis is a black and white image, a gelatin silver print, measuring 30 x 23,5 cm 12 x 9in. The w...

Fernando Natalici Patti Astor The Foreigner New York 1977: Actress and legendary downtown NY scenester Patti Astor, photographed during the filming of "The Foreigner" by celebrated N...

This exquisite heliogravure after Diane Arbus (1923–1971), titled A Young Brooklyn Family Going for a Sunday Outing, N.Y.C., originates from the 1979 folio Diane Arbus, Electa Editri...

Gelatin silver print Signed, dated, and numbered, verso 10 x 8 inches, sheet 7 x 7 inches, image (Edition of 10) 14 x 11 inches, sheet 10 x 10 inches, image (Edition of 10) 20 x 1...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...

Black and white still life photograph of a white shell on a simple white background "Shell", photographed by David Halliday in 2003 Sepia toned silv...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Hand in Fire, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edi...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Nude Behind a Wet Veil, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published ...

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

'Bianca and Mick Jagger,' 1976 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 inch photo on 17 x 22 inch on the finest satin photo paper, Ed. of 50...

Boy Jumping into Hudson River, NYC by Ruth Orkin is a black and white gelatin silver print of a child jumping off a building into the water below. Gelatin Silver Print 14 x 11 in. B...

This exquisite heliogravure after Man Ray (1890–1976), titled Untitled, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Mi...

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

Beauty Contest, Harlem, 1963 by Leonard Freed is a 16" x 20" gelatin silver print, signed verso (on back) by the Freed estate. The image appears in Amer...

The black and white photograph from the 1950s captures beatnik hipster writer Jack Kerouac in dark glasses, wearing a beret and friend Barbara Ferrara. Beat Couple, 1959 by Burt G...

1987 Gelatin silver print Signed in black ink, recto 14 x 11 inches, sheet size 10 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Steven K...

Ed. 2/5, includes signed signature label. Additional sizes available upon request. With his passion for formal technique and composition, internationally renowned photographer Nath...

All artworks are Fine Art archival prints on handmade Ise-Washi paper, from the color Analog negative made with a lensless pinhole camera. The proposed framing is a float mount in a deep shadow box frame, where the artwork is hinged inside the frame, for the 2 larger sizes, and matted with an 8 ply museum board for the 2 smaller sizes. We propose a white mat frame or a natural wood frame. Japanese photographer Reiko Yagi...

This exquisite heliogravure after Diane Arbus (1923–1971), titled Child with a Toy Hand Grenade in Central Park, N.Y.C., originates from the 1979 folio Diane Arbus, Electa Editrice P...

The Beatles silver gelatin print 16 x 20 inches edition of 50 Signed and numbered edition of 50 with certificate of authenticity Paul McCartney and John Lennon rehearse for a TV spe...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Profile of Bust, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grup...

Leonard Freed's stamped vintage (verso), 14" x 11," gelatin silver signed and hand-printed by Freed, Kate Standing, is from the Kate series, 2002. A photographer herself, model Kate ...

A portrait of Helen Frankenthaler (1925-2011) in her studio in New York. Glinn captures the celebrated artist, Frankenthaler, in the process of making art - surrounded by paint, mate...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Cross IV, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edition...

Norman Parkinson Jane Birkin 1969 (printed later) Estate stamped and numbered edition of 21 English-French actress, singer, songwriter, and model Jane Birkin photographed wearing a ...

Signed Artist’s Proof — Terry O’Neill, Brigitte Bardot with Cigar, Spain 1971 A rare opportunity to acquire one of Terry O’Neill’s most celebrated and sought‑after images. Captured ...

Image of Sammy Davis Junior, 1959 by American photographer Burt Glinn was shot on Madison Avenue in New York after Sammy Davis Jr.'s last performance at the Copacabana nightclub in T...

Listing includes free shipping for an unframed print in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

David L. Raines masterfully crafts light to create his works. Based in New York City, Raines works with his subjects to bring their stories to life through his eyes. Focusing on the ...