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Item Ships From: New York
Hurricane Danny
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Arc de Triomphe, Paris
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Landmark, Paris, France, landscape, urban. Europe, night, evening, city lights, paris, tree, night, landmark, architecture, arch, europe, european, black & white, b&...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Garment District, New York City
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Urban, New York, City Lights, Night, Cityscape, garment district, nyc, black & white, b&w, light ray, people. city, vignette, noir, walking, city, sunlight, high con...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Ordos City, Inner Mongolia, China
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Urban, City, China, Cityscape, mongolia, china, smoke, landscape, still life, black & white, b&w, high contrast, vignette, noir, urban photography, asia
Listing is ...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Catacombs, Paris
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Paris, France, Landmark, Europe, vignette, black & white, b&w, catacombs, still life, skull, photography, high contrast
Listing is for UNFRAMED print. Inquire withi...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Notre Dame, Paris, 2012
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Paris, France, Landmark, Europe, Architecture, Urban, City, notre dame, b&w, black & white, vignette, still life, photography, art, art photography, nude
Listing is ...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Montmartre, Paris, 2012
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Paris, France, Panorama, paris, landmark, architecture, b&w, black & white, vignette, high contrast, cloudy sky, architecture, street photography, photography, photo...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
California Theater Marquee, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, California, Los Angeles, Panoramic, Landscape, Abstract, American, LA, Californian, Theater, Landscape Photography, Still Life, Sign, California Sign, b&w, black & white, film photography, vignette, high contrast, california, letters
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography.
In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley, LA, where a van is swallowed by a mass of twisted bicycles. The blurred clouds above give the illusion that the broken down vehicle is actually racing down the highway. This interesting paradox of a decrepit van seemingly in lively motion reflects Alleman’s trademark style - quirky, humorous, and often nostalgic.
His love for the ironic and misplaced becomes further evident in the panoramic California Theater Marquee...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Ben
By Mark
Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Blue Roses
By Mark
Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Sonja Day 1
By Mark
Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
No Name
By Mark
Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Simon
By Mark
Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Cardin Hat Over Paris
By Norman Parkinson
Located in New York, NY
Cardin Hat Over Paris, 1960
C print
Estate stamped and numbered edition of 21 on verso
British model Celia Hammond wearing a pink coat by French fashion designer Pierre Cardin for Q...
Category
1960s Modern New York - Black and White Photography
Materials
C Print
Santa Monica
By Gordon Stettinius
Located in Hudson, NY
Black and White, Portrait, Landscape, Women, Sports, Beach, acrobatics, woman, Santa Monica, Los Angeles, LA, acrobat beach, California, B&W, photography,
black and white
Price and...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Lower Manhattan
By Thomas Michael Alleman
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Archival Pigment
Lotus Fire #12
By Kim Reierson
Located in Hudson, NY
Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w
All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.”
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Matthew Krause, Chelsea Hotel
By Mark
Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Human and Animal Locomotion. Plate 715.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion.
Plate 715. Dogs; three, tugging at a towel, Ike, Maggie, etc.
14 x 20 inch original vintage collotype print from 1887
Image size 6.5 x 17.25 inches.
Muy...
Category
1880s New York - Black and White Photography
Materials
Photographic Paper
Tree, 1995
By Todd Burris
Located in Hudson, NY
Black and white, nature, trees, grainy, film, sky, nature, B&W, black and white photography, tree, Todd Burris, outdoors.
Listing is for UNFRAMED print. Inquire within for framing.
...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Ink, Archival Paper
Void within me, India-Pakistan Border
By Haik Kocharian
Located in Hudson, NY
Black and white, landscape, weather, desert, sand, dunes, photography, B&W photography, archival pigment print, film photography
Listing is for UNFRAMED print. Inquire within for fr...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Wanderer From The Train in Southern India
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Silhouette, Bar 81 Les, NY.
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Void Within Me, Ethiopia
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Scary Baby
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Hitchcock
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
$1,000
Frown Face
By Ted Adams
Located in Hudson, NY
Black and White, Abstract, Landscape, New York, Photography, face, marker, drawing, window, abstract, b&w, black & white, american, shades, window, writing, high contrast, vignette, contrast, america
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Ted Adams juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams' work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
“I see photography as a way of cropping the world – selectively taking things out of context – which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create 'narrative' and context rather than discard them.”
While he has exhibited artistic photography in a variety of genres, he has turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4” x 6” to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design – yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer's gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras, preferring the archival qualities of black and white film and primitive analog functionality.
In the invitational image, “Beyond” we see an abandoned building. The eye immediately is drawn to the structure’s one indication of life, a sign reading “Beyond” which glows like platinum in contrast to the forlorn setting. One has to wonder what goes on beyond the shut door. Yet the humor lies in the idea that anything in these surroundings could be in the superlative -- beyond the gritty or merely mundane.
Adams' sarcasm veils an artistic integrity. What seems happenstance and simple, a road sign, a graffiti ridden wall, or a bank of phones, belies the artists uncanny ability to see the interesting in the ordinary. In a second picture, “Solitary”, we see the words “solitarily confined” sprawled across a wall. Just to the side of the wall stands a little girl. One might think of the solitary confinement in terms of a jail term or the graffiti an indictment on society. But the surprise lies with the child at play, seemingly free of any constraints at all.
Born in Louisville Kentucky, Adams spent most of his adult life in Philadelphia after having moved there to work as a professional darkroom printer. In addition to artistic and documentary photography, Adams works as a multi-media artist. He curates the online Abandoned Photo Museum...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Drinker
By Ted Adams
Located in Hudson, NY
Black and White, Abstract, figurative, shadow, b&w, black & white, american, alcohol, drinking, man, high contrast, vignette, wall, suburban, america, restaurant, photograph, photography, contrast, man, alcohol, drinker
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Ted Adams juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams' work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
“I see photography as a way of cropping the world – selectively taking things out of context – which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create 'narrative' and context rather than discard them.”
While he has exhibited artistic photography in a variety of genres, he has turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4” x 6” to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design – yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer's gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras, preferring the archival qualities of black and white film and primitive analog functionality.
In the invitational image, “Beyond” we see an abandoned building. The eye immediately is drawn to the structure’s one indication of life, a sign reading “Beyond” which glows like platinum in contrast to the forlorn setting. One has to wonder what goes on beyond the shut door. Yet the humor lies in the idea that anything in these surroundings could be in the superlative -- beyond the gritty or merely mundane.
Adams' sarcasm veils an artistic integrity. What seems happenstance and simple, a road sign, a graffiti ridden wall, or a bank of phones, belies the artists uncanny ability to see the interesting in the ordinary. In a second picture, “Solitary”, we see the words “solitarily confined” sprawled across a wall. Just to the side of the wall stands a little girl. One might think of the solitary confinement in terms of a jail term or the graffiti an indictment on society. But the surprise lies with the child at play, seemingly free of any constraints at all.
Born in Louisville Kentucky, Adams spent most of his adult life in Philadelphia after having moved there to work as a professional darkroom printer. In addition to artistic and documentary photography, Adams works as a multi-media artist. He curates the online Abandoned Photo Museum...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Silver Gelatin
$1,000
Blind Date
By Ted Adams
Located in Hudson, NY
Black and White, Suburban, American, Figurative, Landscape, diner, date, low light, high contrast, vignette, suburban photography, restaurant, america, first date, photography, rural photography...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Optimist
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
1980s Contemporary New York - Black and White Photography
Materials
Silver Gelatin
$1,000
Solitary
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
$1,000
Back Head
By Ted Adams
Located in Hudson, NY
Black and White, Suburban, American, Figurative, Abstract, photography, doorway, american, hair, portrait, b&w, black & white, vignette, high contrast, rural, home, brick house, amer...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Silver Gelatin
$1,000
Hat Eiffel
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Bird Walker
By Ted Adams
Located in Hudson, NY
Black and White, Birds, Trees, Landscape, Abstract, bird, rural, america, american, b&w, black & white, landscape, nature, pathway, high contrast, vi...
Category
21st Century and Contemporary New York - Black and White Photography
Materials
Silver Gelatin
The Lineup
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 7.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Free Exercise
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
The Bridge
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 7.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
"To Coastal Walk", Little Dartmouth, Dartmouth, Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
"Cows, Little Dartmouth, Dartmouth, Devon, UK", 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Capucine (Slim Aarons estate edition)
By Slim Aarons
Located in New York, NY
Capucine
1957
Fiber print
40 x 30 inches
Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate.
Slim Aarons (1916-2006) worked mainly f...
Category
1950s Modern New York - Black and White Photography
Materials
C Print
Director And Star, Orson Welles on set of Othello
By Slim Aarons
Located in New York, NY
1952: Orson Welles (1915 - 1985) in Venice during a break from filming 'Othello' which he directed and starred in.
Slim Aarons (1916-2006) worked mainly for society publications ph...
Category
1950s Modern New York - Black and White Photography
Materials
Silver Gelatin
"Chelsea, NYC, April 2004", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
By focusing on pattern instead of the specific object, Alleman brings new life to the commonplace street vendor coffee cup.
Thomas Alleman’s urban landscapes convey the pulsating e...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
"Inglewood", Los Angeles, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Alleman's interesting use of perspective makes this photograph almost collage-like. The angle of his camera completely throws off the scale of the airplane and stop sign, merging the...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
"Hollywood, October 2005", Los Angeles, 2005
By Thomas Michael Alleman
Located in Hudson, NY
An unconventional rendering of the classic Hollywood sign.
Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the vis...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
"West Los Angeles, November 2001", Los Angeles, 2001
By Thomas Michael Alleman
Located in Hudson, NY
The specific film Alleman uses in this photograph draws the viewer in to the eyes painted on the wall, which are paralleled by the two cars sitting directly under each eye.
Thomas ...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
"Diver Series III", Anguilla, 2006
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Ink
Blue Lagoon II
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...
Category
1990s Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Sierra
s Hotel
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
"Tree Runner", Plas Newydd, Wales, 2009
By Pete Kelly
Located in Hudson, NY
A boy runs through a thickly wooded forest that looks fresh out of a fairy tale book. The sky is covered with foliage and the lines of trees seem to go...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
"Midtown Manhattan", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Any commuting New Yorker's worst nightmare- an overturned umbrella. A scene that many people would walk by unaware, Alleman captures the true misfortune and despair portrayed in a si...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Pigment
Sabine et Ruby
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15
If the exhibition piece is sold or the customer orders a different print size, the photograph is produc...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Girl with Mat
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...
Category
1990s Contemporary New York - Black and White Photography
Materials
Silver Gelatin
"Blacks", Dartmoor, UK, 2007
By Patricia Heal
Located in Hudson, NY
Listing is for FRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produce...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Canvas, Mixed Media
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Paper, Pigment
"Cummins Steam Pump", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Paper, Pigment
"Champion Spark Plug", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Paper, Pigment
"Drive Chain", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Paper, Pigment
"Rope Starter", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York - Black and White Photography
Materials
Archival Paper, Pigment
Knee Wig
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...
Category
1990s Contemporary New York - Black and White Photography
Materials
Silver Gelatin
Blue Lagoon
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...
Category
1990s Contemporary New York - Black and White Photography
Materials
Silver Gelatin
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