New York - Color Photography

Slim Aarons Scotti's Yacht, 1981 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Guests on board Italian Count Hannibal Scotti's yacht, 'Scotla...

Artist: Jonathan Singer (American, b. 1949) Title: Two Lilies Year: circa 2010 Medium: Digital Photograph on Aluminum Panel Image Size: 40 x 40 in. (101.6 x 101.6 cm)

Leisure In Antibes 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A woman sunbathing in a motorboat as it tows a ...

An original C-Print from Sean Scully's Pueblo Dzibalchen series (A Suite of 20) created in 2001. This work comes in a fantastic natural wood archival frame presentation. This series was shot by Scully in Campeche, Mexico. Photograph size: 20 x 24 in. Framed Size: 27.5 x 33.5 Painter, photographer, watercolorist, and printmaker Sean Scully roams the world with his camera, capturing its surfaces in places as far-flung as Mexico and the Aran Islands...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Laura Letinsky Untitled #7, Guild Hall, 2013 Archival pigment print Edition of 7 Image: 43 x 33 3.8 inches Paper: 53 x 44 inches

Slim Aarons Sea Drive, 1967 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate Film producer Kevin McClor...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

New York City based travel, wildlife and street photographer Viet Chu, captured this shot of a divine sunset in Ravello, Italy. This fine art print features golden rays of a setting ...

"Casper" Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by artis...

Bathers by the pool at the home of Vanessa Somers McConnell at Cuarton, Costa de la Luz, Spain, September 1970. Slim Aarons Villa at El Cuarton 1970 Chromogenic Lambda print Estate ...

Aerial view with sunbathers and parasols and, dotted with yachts and small boats, the waters off the coast of Porto Ercole, Italy, in July 1991. The image was taken from Hotel Il Pel...

Laura Letinsky Untitled #4, Guild Hall, 2013 Archival pigment print Edition of 7 Image: 37 1/2 x 29 5/8 inches Paper: 48 x 39 1/2 inches

Lillian Crawford poolside, the wife of actor Lee Kinsolving, in Palm Beach, May 1970. Slim Aarons Lillian Crawford Palm Beach, 1970 C print Estate stamped and numbered edition of 1...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

New York City based travel, wildlife and street photographer Viet Chu, captured this mesmerizing shot of the sunset through the sea stacks surrounded by the raging waves in Faraglioni Rock...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980 Hotel Il Pellicano 1980 (printed later) C print Estate stamped and numbered...

Spectators standing next to polo mallets and riding helmets during a polo match in Palm Beach, Florida, 1968. Slim Aarons Palm Beach Polo 1964 C-Print Estate signature stamped and ...

Verbier Skier, 1964 Chromogenic Lambda Print Estate edition of 150 A blonde skier on the slopes at Verbier, February 1964. Estate stamped and hand numbered edition of 150 with cert...

Massimo Listri Palazzo Pitti a Firenze, Sala di Venere, 2018 C print Signed and numbered edition of 5 39.5 x 47 inches (100x120 cm) Edition of 5 47.5 × 59 inches (120x150 cm) Edit...

A player raises his mallet ready to strike the ball during a polo match at the Palm Beach Polo Club, Florida, 1982. Slim Aarons Palm Beach Polo Match 1964 C-Print Estate signature ...

Shaolin Monks Training. Zhengzhou. China, 2004 c print 20 x 24 inches edition of 30 Shaolin monks training Kung Fu from Shaolin Monastery takes martial arts to a brand new level. ...

Framed still life photograph of a pastel orange and pink rose flower on a crisp white background “Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Framed still life photograph of a bright orange Poppy flower on a crisp white background “Untitled 69” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” series be...

This dramatic shot by photographer Viet Chu taken in 2013, features 1960’s super model “Twiggy’s” piercing eyes, peeking out of red velvet. As a world traveler for photographic ass...

New York City based travel, wildlife and street photographer Viet Chu, captured this magical golden shot of surfers surfing through the wild waves of oc...

Slim Aarons Skiing In Seefeld 1985 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of men and women go cross-country sk...

Tennis Guests 1953 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Michael Canfield and Jacqueline Bouvier...

New York City based wildlife and street photographer Viet Chu, captured this street photograph of an Air Pods billboard, with street signs poking out in Paris....

Tennis in the Bahamas, 1957 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Two women stand talking t...

Women of Palm Beach wearing designs by Lilly Pulitzer for a fashion shoot at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Pulitzer is seen back row, third from left, Wendy Vande...

A player raises his mallet ready to strike the ball during a polo match at the Palm Beach Polo Club, Florida, 1982. Slim Aarons Palm Beach Polo Match 1964 C-Print Estate signature ...

Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...

Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...

Tennis in the Bahamas, 1957 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Two women stand talking t...

Newport Tennis Week 1953 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: A view from the umbrella boxes towards the t...

Tennis in the Bahamas, 1957 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Two women stand talking t...

Slim Aarons Skiing at Sugarbush, 1960. C print estate edition of 150 Skiing at Sugarbush, a mountain resort in Vermont, April 1960. Estate stamped and hand numbered edition of 150...

Palm Beach Debutantes 1965 Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Young debutantes in Palm Beach, Flo...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte paper...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background 'Walking Grapes', by David Halliday, 2017 archival pig...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

Color still life photograph of figurative fig branches with green leaves, measuring stick, and colorful nautical rope against a white and light beige background 'Flotsam and Fig Limb...

Listing includes free shipping for unframed prints and a 14-day return policy. Paul Fusco RFK Funeral Train Portfolio, 1968/2008 16 x 24 inch fujiflex print Edition of 10 Signed and editioned on separate certificate Biography - In the middle of 1968, two events shook the nation - the assassination of Martin Luther King on April 4th and the assassination of Robert Kennedy on June 5th. Hastily arranged, Robert Kennedy’s funeral train took place on June 8th – a swelteringly hot early summer day. Paul Fusco, then a staff for LOOK Magazine, was given a place with other journalists on the train. As the train made its progress down the eastern seaboard, hundreds of thousands of mourners came out to line the railway tracks and pay their final respects to Bobby Kennedy and all he stood for. From inside the train, Fusco began to take pictures of the mourners – people from every section of society – black, white, rich, poor, in large groups and on their own. For the eight hours it took for the train to make the usually four-hour journey Fusco never put down his camera except to reload film shooting approximately 2,000 pictures. The resulting images are one of the most powerful and affecting series of photographs ever taken. Shot on Kodachrome film – a film with a particularly vibrant palette favored at the time by photojournalists – Fusco's pictures blend the spontaneous look of snapshots with artistic precision of the decisive moment. If there was ever an example of a photographer being “in the zone” Fusco’s beautifully composed frames are like Zen arrows each hitting their target. Each photograph carries its own weight and tells its own story, but cumulatively the series is an epic vision of America. Because LOOK Magazine's bi-weekly schedule caused it to come out a week after its rival LIFE, the magazine chose to print a retrospective album of pictures of RFK rather than pictures of the funeral, and so Fusco's RFK Funeral Train photographs...

Large panoramic landscape photograph of the Freedom Tower at night One World Trade Center #11 by James Bleecker 50 x 100 inch sheet size, edit...

One World Trade Center #11 by James Bleecker Contemporary color photograph of New York City's downtown skyline and the Freedom Tower as viewed ...

Slim Aarons Faraglioni Rocks, Capri, 1974, Printed Later Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. ...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

Contemporary color still life photograph of a ceramic pitcher with assorted fruits and vegetables Archival pigment print, ed. of 25 15 x 19.5 inches unframed Signed and editioned, verso In this series, Halliday captures the beauty of everyday life with a contemporary still life image of various objects and vegetation arranged on a wooden plank. The imagery calls to mind a Baroque still life, highlighting the beauty and simplicity found in every day objects. Here a sienna colored ceramic pitcher is captured besides an arrangement of yellow lemons, curly green zucchini, black olives, and brown nuts. The pop of white from the napkin in addition to the stark black background accentuates the simplistic color and shapes of the fruits and vegetables. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition of 25 (#153) Image size 19.3 x 29 inches with 2 inch border 27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass Also available in the following sizes (unframed): Image 19.3 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 Image size 40 x 60 inches with 2 inch border $6800 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Slim Aarons Lillian Crawford Palm Beach, 1970 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Lillian Crawford, the wife of actor Lee Kinsolvin...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection ...

American fashion editor Florence 'Flo' Pritchett Smith (left) and American fashion designer Lilly Pulitzer at a poolside luncheon, Palm Beach, Florida, 1961. Slim Aarons Lilly Puli...

An original contemporary wheat pasted photograph from the artist's series "No Plan for the Future". This work is hung inside the gallery space at The Buffalo Center for Arts and T...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...