New York - Prints and Multiples

This exquisite lithograph by Henri Matisse (1869–1954), titled Frontispice, Vence 1944–1948 (Frontispiece, Vence 1944–1948), from Verve, Revue Artistique et Litteraire, Vol. VI, No. ...

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Lake Tarryall, a 1941 lithograph by Adolf Dehn (1895-1968) was made while he was teaching in Colorado. A native of Waterville, Minnesota, Dehn attended the Minneapolis School of Art ...

Paper Size: 27.25 x 24 inches ( 69.215 x 60.96 cm ) Image Size: 19.75 x 19.75 inches ( 50.165 x 50.165 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

Jack Brusca, Peruvian (1927 - ) - Revolution, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 30, Image Size: 24 x 24 inches, Size: 27 in. x 26 ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Greta Prozor (Mrs. Greta Prozor), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), or...

This exquisite lithograph by Paul Guiramand (1926–2007), titled Le port de New York (The Port of New York), from the album Prints from the Mourlot Press, exhibition sponsored by the ...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Schwarz und Violett (Black and Violet), from the folio Derriere le miroir, No. 118, originates from the 1960 edi...

Alexander Calder 'La Grenouille et Cie': Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph. Dime...

A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...

Jean-Michel Basquiat, Gagosian Gallery, Los Angeles, 1983: RARE historic Basquiat announcement card published on the occasion of: Jean- Michel Basquiat. Larry Gagosian Gallery, Los ...

Incised signature in aluminum, annotated "Artists Proof" and titled; ink on top smudged If you've ever visited the Guggenheim Bilbao, you should get this stunning mixed media on alum...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

The Coronation of Gala (The Empress) from Visions Surrealiste Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil E...

Set of 12 woodblock prints in colors on handmade, laid mulberry paper, 6 3/4 x 10 1/4 inches (170 x 258 mm), printed in Ka-ei 4 (1851). Each print with minor handling wear, otherwise in excellent condition with bright and fresh color, and with details printed in silver ink. The images themselves contain several illusive characters indicating the publisher which are obfuscated by figures, as intended. Presented loose, as issued. A fine set. The astrological commentary print has a large and meandering blind stamp with a bird and palm frond motif. This print lists various phrases concerning the Twelve Zodiac Animals as historically counted in Japan, and appears to include erotic commentary on the traits of people born under each of the twelve signs. These Shunga images were issued in books that paralleled (in an erotic fashion...

This lithograph in 24 colors on Wove paper was created in 1961. Dated twice by the artist within the original lithograph plate, unsigned as issued. Published by Andre Sauret, Monte C...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

A lithograph based off of an original drawing that was given to Yoko Ono as a wedding gift, published by his estate (Bag One Arts) in 1986 Date: 1986 Lithograph and chine colle on A...

This vintage poster was produced for the 1984 Gary Bukovnik: Monotypes exhibition held at The Brooklyn Museum. It features Bukovnik’s striking floral artwork titled Tulips, rendered ...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Burning Off, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition captures Wyeth’s poetic meditation on atmosphere and transformation. Burning Off depicts a summer morning’s sea fog gradually lifting from the landscape, revealing the tranquil geometry of field and horizon. Through restrained tonal contrasts and delicate textural nuance, Wyeth conveys both the mystery and stillness of the natural world in transition. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal collection to embody the cyclical poetry of the seasons. Each image reflects Wyeth’s profound sensitivity to light, time, and emotion—his ability to evoke the spiritual essence of landscape through quiet realism. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Burning Off, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil l.r. Edition of unk...

Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres I...

Artist: George Clair Tooker, Jr., American (1920 - 2011) Title: Woman with a Sprig of Laurel Year: 1978 Medium: Color Lithograph, signed and numbered in pencil Edition: AP Image: 17....

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep 7 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x 78.74 cm)

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu XII (Blue Nude XII), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 195...

The sailors are still in uniform in this post-World War I print of young people meeting at a semi-secluded park setting, Snug Harbor, along Riverside Drive...

Michael Knigin, American (1942 - 2011) - AL 133, Year: 2006, Medium: Giclee print on paper signed, numbered and dated in pencil, Edition: AP, Image Size: 24 x 17 inches, Size: 2...

Ted Lownik, American - Sailboats at Sunset, Year: circa 1980, Medium: Oil on Canvas, Image Size: 17 x 26 inches, Size: 22 x 31 in. (55.88 x 78.74 cm), Frame Size: 23 x 32 inches

This original limited-edition exhibition poster was created for the 1990 show at the prestigious Galerie Lelong in Paris, France. Known for showcasing the works of some of the most ...

"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

David Hockney Grimms' Fairy Tales (Hand Signed), 1996 Offset Lithograph Poster Boldly signed in ink marker on the top front 16 1/2 × 11 1/2 inches Unframed This signed offset lithogr...

Artist: Basquiat, Jean Michel Title: A Panel of Experts Series: Superhero Portfolio Date: 1982-1987/2022 Medium: Screenprint Unframed Dimensions: 40" x 40" Framed Dimensions: ...

A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...

Roberto Matta, Chilean (1911 - 2002) - Raising A Glass, Year: circa 1943, Medium: Etching, Image Size: 9.75 x 8 inches, Size: 15 x 11.75 in. (38.1 x 29.85 cm), Reference: Unrecorde...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Doubl...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Ange (The Angel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litter...

This exquisite lithograph and pochoir by Sonia Delaunay (1885–1979), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates fr...

This exquisite silkscreen by Andy Warhol (1928–1987), titled Birmingham Race Riot, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadswor...

This is a high-quality reproduction of David Hockney’s Green Valley, originally printed in Bradford, West Yorkshire, England, the artist’s birthplace. The work reflects Hockney’s lon...

This poster, printed in Italy by Impronte Edizioni, is based on Roy Lichtenstein’s 1973 painting of the pointed finger, referencing the WWI poster "Uncle Sam Wants You." Published by...

Artist: Le Corbusier Medium: Original Lithograph, 1956/62 Dimensions: 29 x 21.5 in, 73.7 x 54.6 cm Arches Paper with Mourlot watermark - Excellent condition A Le Corbusier’s relationship with Mourlot started as early as the mid thirties. The artist was always interested in editions of all sorts, whether furniture, tablewear or lithographic. It all related to a new modern way of life and intrinsic to his architecture. In fact, the famous Modulor is the iconic image in Le Corbusier’s work as it is the basis for his architectural work. As in many other cases, the Master’s philosophy was very democratic and he felt that while a few proofs should be signed, the others should be signed directly in the plate so that it could be affordable to as many people as possible. He wanted not only collectors, but regular home owners to have access to an artwork of quality but reasonably priced, just as he wanted them to afford his furniture designs. It was all about Modernity ushering a brave new world. This rare Le Corbusier lithograph...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...

This 1974 poster, printed by Mourlot and published by The First National Bank of Chicago, was created to commemorate the unveiling of Marc Chagall’s large mosaic at the Four Seasons...

Original exhibition poster for David Hockney’s retrospective at the Louisiana Museum of Modern Art in Humlebæk, Denmark, held from October 12, 2001 to January 27, 2002. Published by ...

Otono Floral 1995 Hand-painted, 15-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with ...

Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 30.75 x 24.25 inches ( 78.105 x 61.595 cm ) Framed: No Condition: A: Mint Additional Details: Special edition poste...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Jean-Michel Basquiat Skateboard Deck: Limited edition Basquiat skateboard deck licensed by the Estate of Jean-Michel Basquiat in conjunction with Artestar in 2018, featuring offset ...

Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...

This original limited-edition poster by Eduardo Chillida was published by the renowned Galerie Maeght for the artist’s 1968 exhibition. While unsigned and unnumbered, it remains a va...

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...

Etching on antique cream laid paper with a deckle edge, 9 1/8 x 9 3/4 inches (232 x 248 mm); sheet 12 1/8 x 12 3/4 inches (307 x 323 mm), full margins. Signed and dated in pencil in ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle A.N. (Miss A.N.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Giancarlo Impiglia, Italian/American (1940 - ) - At the Bar, Year: 1987, Medium: Screenprint, signed, numbered and titled in pencil, Edition: 45/300, Size: 30.25 x 28 in. (76.84 ...

Artist: Leonard Baskin Title: Chief American Horse - Oglalla Sioux Year: 1973 Medium: Lithograph, Signed and Numbered in pencil Edition: 100 Size: 41 x 30 inches

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...