New York - Prints and Multiples

This exquisite lithograph by Serge Poliakoff (1900–1969), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates from the 1956...

An erotic dalliance between a nude blonde woman lying down, and nude man, on a bed with white sheets. Subtle shades of peach, tan, yellow, and grey and black shadow behind the couple...

Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%) c.2023: A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partne...

This exquisite linocut by Joan Miro (1893–1983), titled Personnage, Oiseau, Etoile (Figure, Bird, Star), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, originates fro...

Hebru Brantley Flyboy, 2018. New in its original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New, never displayed; accompanied by original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Les Trois Musiciens (The Three Musicians), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. Les Trois Musiciens (The Three Musicians) captures Picasso’s Cubist mastery at its height, translating one of his most celebrated compositions into the refined medium of lithograph and pochoir. The scene depicts three abstracted figures—a harlequin, a monk, and a pierrot—arranged in a complex geometric harmony that embodies both the structure and rhythm of modernity. Through vivid color and precise pochoir layering, Picasso’s interplay of form, shadow, and light transforms the musicians into a symphony of shape and sound, reflecting the artist’s enduring fascination with the relationship between visual art and music. Executed as a lithograph and pochoir on velin paper, this work measures 9.09 x 11.38 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Les Trois Musiciens (The Three Musicians), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 9.09 x 11.38 inches (23.1 x 28.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Les Trois Musiciens (The Three Musicians), Picasso 1930, Picasso Desjobert, Picasso pochoir...

Unknown Artist, in the style of Felix Vallotton - The Other Side, Year: 1974, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/80, Image Size: 15 x 21 inch...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 8 (Plate No. 8), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...

John Beerman, American (1958 - ) - Sunset, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: CTP #3, Image Size: 18 x 30 inches, Size: 25.5 x 37 in. (64.7...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this rare offset lithograph was issued as part of an informational set including a printed title sheet listi...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

David Hockney My Mother (Bridlington), 1988 Four Color Lithograph on T.H. Saunders Waterford 250 gram paper. Hand signed. Also accompanied by a separate signed Certificate of Authent...

Reuven Rubin, Israeli (1893 - 1974) - King David, Year: 1971, Medium: Poster, signed in pencil, Image Size: 22.5 x 17.5 inches, Frame Size: 32 x 26 inches

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

This is a monochromatic photogravure, aquatint and drypoint on Hahnemuhle Copperplate warm white paper. Created in 2010, it is signed in pencil lower right and numbered from the edit...

Paper Size: 40 x 22 inches ( 101.6 x 55.88 cm ) Image Size: 40 x 22 inches ( 101.6 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: ...

The Poker Game by Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 27 x 38 inches S...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Anthropology, from the folio George Condo, Drawing Paintings, originates from the 2011...

MEL BOCHNER Kick Against the Pricks (Blah..Blah...Blah...), 2018 Two color silkscreen on boutique silk fair paper with blue-colored back, 350 gsm paper Signed, dated, and numbered 29/30 on the front by Mel Bochner Frame included: elegantly framed in a museum quality white wood frame with UV plexiglass is included Measurements: Framed: 12.5 inches x 30 inches x .5 inch Artwork: 10.5 inches x 28 inches Published by Two Palms Press Bibliography Catalogue Raisonné of Editioned Prints Krakow Witkin...

Al Hirschfeld, American (1903 - 2003) - Fred Astaire, Year: 1989, Medium: Lithograph, signed and numbered in pencil, Edition: 80/125, Size: 28 x 25 in. (71.12 x 63.5 cm), Frame S...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise III (Moses III), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Lit...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Marc Chagall, After, Russian (1887 - 1985) - Fruits and Flowers Medium: Lithograph, facsimile signed and numbered in pencil Edition of 375 Image Size: 18 x 15 inches Frame Size: 3...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Intermesh Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 90 Ima...

Untitled print by Hans Hofmann. Framed in a light wood frame with a front profile of 1/2 inch and a side profile of 1 3/4 inch. The piece is seated behind a 3 1/2 inch mat. Shipping...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Between the years of 1946 and 1956, Pablo Picasso pulled concepts from his earlier creations, a series of drawings and watercolor, in order to form Faune a La Diaule, 1956. Pablo Pic...

Juliana Seraphim, Palestinian (1934 - ) - Asturias II, Year: Circa 1970, Medium: Etching, signed and numbered in pencil by the artist and Miguel Asturias, Edition: 200, Size: 26 ...

Lithograph on Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: Published by Atelier Mourlot, Paris, 1964. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Judith Bledsoe, American (1938 - 2013) - Cats, Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Image Size: 9.5 x 15 inche...

La Belle Hollandaise silkscreen, printed by Wild Hawthorne Press in 1967, is a captivating work by renowned artist Ian Hamilton Finlay. Finlay, known for his poetic and often nautica...

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and HAND SIGNED and annotated by 104 renowned artists, with off...

Keith Haring, Andy Warhol, Basquiat Bearbrick 400%: set of 3 works (c. 2019-2021): Unique, timeless Keith Haring, Andy Warhol, and Jean-Michel Basquiat collectibles, each trademarked...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Baie des Anges (The Bay of Angels), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edi...

First edition printing of Roy Lichtenstein's poster titled "M...Maybe, 1965" printed in Tel Aviv, Israel. Serigraph measures 54 1/2 x 39 1/2 inches and it is unsigned and unnumbered....

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Formulaire rouge (Red Form), from the folio Derriere le miroir, No. 179, originates from the 1969 edition publis...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...

Created by Surrealist Fanny Brennan from 1992-96, Skyshade is a lithograph in colors on wove paper. Hand-monogrammed in pencil and numbered from the edition of 250, the artwork measu...

Artist: Bernard Buffet Medium: Original Lithograph, 1979 Dimensions: 21.5 x 29.75 in, 54.6 x 75.6 cm classic Poster paper - Perfect Condition A+ This original lithograph by Berna...

Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper, 1994, signed, dated, titled, and numbered 10/40 (each unique) in black and silver i...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...

Jim McCormick, American - Parget in Chaos, Year: 1969, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: 20, Image Size: 17.75 x 14.75 inches, Size:...

This lithograph, Study III, is part of the Derrière le Miroir No. 188 series, featuring the work of French artist Le Yaouanc. Renowned for his geometric and abstract compositions, Le...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled Pont sur la Sarthe (Bridge over the Sarthe), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bernard Buffe...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

Andy Warhol Jean-Michel Basquiat 400% Bearbrick Vinyl Figure c.2021: A unique, timeless collectible trademarked & licensed by the estates of Jean-Michel Basquiat & Andy Warhol. The ...

Keith Haring Into 84 exhibition poster: Vintage original 1980's poster designed by Keith Haring for his well-documented exhibition, 'Keith Haring: Into 84' at...

Paper Size: 11 x 9.25 inches ( 27.94 x 23.495 cm ) Image Size: 11 x 9.25 inches ( 27.94 x 23.495 cm ) Framed: Yes Frame Size: H: 12 x W: 10.25 x D: .875 in. Condition: A: Mint Addit...

Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene XXXIX, Theatre de Poche (Scene XXXIX, Pocket Theater), originates from the 1957 album Jean Cocteau de l'Academie f...

Printed in glossy purple, lavender, and bright yellow, I'll take my life monotonous by Patrick Caulfield depicts a lattice outlined in black, with three small dots of yellow. A garden lattice...

This exquisite lithograph after Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), originates from the 1965 edition published by Andre Sauret, Editeur, Monte Carlo, rendered by Charles Sorlier, Paris, and printed by Mourlot Freres, Paris, October 6, 1965. This radiant and lyrical composition celebrates Maurice Ravel’s ballet Daphnis et Chloe, one of the musical masterpieces represented in Chagall’s monumental ceiling design for the Palais Garnier. Daphnis et Chloe captures the pastoral romance of Ravel’s ballet through a symphony of color and form, as lovers, nymphs, and mythic symbols float amidst a celestial landscape. Chagall translates the musical sensuality and poetic grace of Ravel’s score into a visual harmony that radiates joy, movement, and tenderness. The composition exemplifies Chagall’s genius for merging sound and image, myth and modernity, into a timeless meditation on love and creation. Executed as a lithograph on velin paper, this work measures 13 x 9.5 inches (33.02 x 24.13 cm). Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot Freres atelier and the enduring collaboration between Marc Chagall and Charles Sorlier. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall) Medium: Lithograph on velin paper Dimensions: 13 x 9.5 inches (33.02 x 24.13 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Andre Sauret, Editeur, Monte Carlo Rendered by: Charles Sorlier, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 434. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 61. Condition: Well preserved, consistent with age and medium Provenance: From the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published by Andre Sauret, Editeur, Monte Carlo, October 6, 1965, in an edition of V̅ Notes: Excerpted from the album, This work could not have been made without the valuable collaboration of Madame Marc Chagall to whom we extend our warmest thanks. This work, made by Andre Sauret, was completed to print on October 6, 1965 on the presses of l’imprimerie du Lion in Paris. Jacques Lassaigne’s texts were composed by hand in Romain du Roi in the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s original models. The original lithography and color lithographs were drawn on the presses of Mourlot Freres. The binding is by Maurice Busenhart in Lausanne. About the Publication: Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published in October 1965 by Andre Sauret, Editeur, Monte Carlo, commemorates one of the most ambitious and celebrated artistic commissions of the 20th century. Created under the direction of Charles Sorlier, the album documents Chagall’s magnificent ceiling design for the Palais Garnier in Paris, unveiled in 1964. The publication includes color lithographs based on the artist’s preparatory studies and painted maquettes, executed with exceptional fidelity by Mourlot Freres. Chagall’s ceiling—divided into segments representing musical masters such as Mozart, Wagner, Berlioz, Ravel, and Debussy—blends myth, music, and emotion into a vibrant celestial composition. The album captures this visionary synthesis through luminous lithography, allowing viewers to experience the grandeur and intimacy of the artist’s monumental work. Produced with the collaboration of Madame Marc Chagall, Charles Sorlier, and Fernand Mourlot, and printed with the precision and artistry for which Andre Sauret’s editions were renowned, this publication stands as both a tribute to Chagall’s genius and a celebration of French art’s enduring dialogue between tradition, innovation, and the divine. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...

Paper Size: 22.25 x 33.5 inches ( 56.515 x 85.09 cm ) Image Size: 20 x 30.5 inches ( 50.8 x 77.47 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition print b...