New York - Prints and Multiples

Artist: Leo Maranz, American (1900 - 1988) Title: Adagio Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 300 Paper Size: 30...

Richard Mock, American (1944 - 2006) - Childhood in America, Year: 1999, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size: 14 x 18 in. (35.56 x 45....

Vessel is an original four-color lithograph by José Gamarra, created as part of a limited set of 33 lithographs for the 6th and final edition of The Situa...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

The Dartmouth Portraits aer reworked plates from an earlier drypoint self portrait series done in 1971. For the second set, Dine used the same plates, the same theme and, in most cas...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Orsa Maggiore Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: X/XXV Paper Size: 31...

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: Diamond Composition Year: 1973 Medium: Screenprint, signed and numbered in pencil Edition: 25/50 Size: 22 x 22 inches Frame: 31.5 x 31....

Banksy (after) Walled Off Hotel Boxed Set Assemblage, 2018 Mixed Media assemblage: unique piece of concrete/cement wall with framed lithograph. Accompanied by original embossed rece...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe I Catalogue Raisonne. Nicely framed. Lithograph I (10...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Several parallel beams of grey, white, and black come flying in from every corner of this screenprint to meet in a knot in the center. This print by Paul Arthur Jansen is signed and ...

This three-part work spanning 10 feet was printed from the plates of Francesco Clemente’s mythological landscape Untitled A on the occasion of the 1986 MoMA, New York show of Clement...

Tracey Emin, Billy and Traci in a Pub, 1984 Woodcut in dark blue on Japon paper, signed and inscribed 'lots love Traci xx' in pencil on the backboard, printed by the artist Test prin...

Keith Haring Tony Shafrazi Gallery 1982: The much historic early Keith Haring exhibition poster, illustrated by Haring on the occasion of: 'Keith Haring Drawings' Oct. 9 - Nov. 13 - ...

This official offset lithograph triptych, printed by the Stedelijk Museum, is not a third-party reproduction. Rendered in red, yellow, blue, and black on white wove paper, it reprodu...

Elizabeth Catlett Blues, 1983 Color offset lithograph and lithograph on cream wove paper Signed, titled, dated and numbered (126/130) in graphite pencil on the front Printed and publ...

Overview: "Untitled, 1984" by Sam Francis is a striking artwork that exemplifies the artist's signature style and mastery of color. Created in 2001, this piece showcases Francis's ex...

ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...

Limited edition woodblock print in colors seated in a black metal frame behind glass with a front profile of 1/4 inch and a side profile of 1 1/4 inch. Hand signed and numbered out o...

Pattern Field George Chemeche, Israeli/American (1934) Date: 1979 Screenprint, signed and numbered in pencil Edition of 250, AP 30 Image Size: 20 x 28 inches Size: 22 in. x 30 in. (5...

Keith Haring 1985: Keith Haring off-set illustrated announcement card, NY, 1985: "NY for NY, Help The Homeless" at The Roxy, West 18th St., NYC. Off-set printed, 1985 (folds open in...

This exquisite silkscreen by Faith Ringgold (1930–2024), titled For Whites Only, from the folio Letter from Birmingham City Jail, originates from the 2007 edition published by The Li...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Original exhibition poster published in Japan in 1985 for a special show dedicated to modern and contemporary masters. Printed in Japan, the poster reflects the high-quality standard...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition embodies Chillida’s exploration of form, balance, and spatial tension. In Sans titre, the artist distills his sculptural sensibility into a two-dimensional plane, using the language of gesture and contrast to evoke mass, gravity, and void. The work exemplifies Chillida’s poetic approach to abstraction, where line and density coexist in perfect equilibrium. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is signed in the plate and unnumbered, consistent with the authorized publication format. The edition captures Chillida’s mastery of minimal means to achieve monumental expression, extending the spatial dialogue that defines his sculpture into the medium of print. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Eduardo Chillida lithograph, Chillida Derriere le Miroir, Chillida Maeght...

Artist: Pablo Picasso Medium: Lithographic Poster, 1962 Dimensions: 39.5 x 26 in, 100.3 x 66 cm Classical Poster Paper - Good Condition A- This rare and beautiful lithographic po...

Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Tulips 2 Lowell Blair Nesbitt, American (1933–1993) Date: ...

This interpretive lithograph, masterfully executed by Sorlier, is derived from a small detail of "Triumph of Music," one of two grand decorations originally created for the Metropoli...

Artist: Mel Ramos (American, b. 1935) Title: Hav a Havana #6 Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 22.5 in. x 22.5 in. (57.15 cm x 57.15 cm)

KAWS The Promise (black): A unique KAWS Companion featuring a blue & green globe being affectionately shared between parent & child. This timeless, highly collectible KAWS art toy wa...

Paper Size: 23.75 x 31.5 inches ( 60.325 x 80.01 cm ) Image Size: 18.5 x 27.5 inches ( 46.99 x 69.85 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. Fo...

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful e...

"Homage to the Square - P2, F33, I1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Joan Miro, After, Spanish (1893 - 1983) - Mobile, Medium: Lithograph Poster, signed in the plate, Image Size: 14 x 10 inches, Size: 15 x 10.5 in. (38.1 x 26.67 cm), Frame Size: 2...

Celebrate a piece of New York City's culinary history with this stunning poster by Ken Keeley, featuring the iconic Carnegie Deli. Renowned for its photorealist style, Keeley's artwo...

Limited edition Jean-Michel Basquiat Spray Paint Can 2017: Highly collectible limited edition Jean-Michel Basquiat spray paint can by published ci...

Artist: Mel Ramos, American (1935 - 2018) Title: Monterrey Jackie Year: 2010 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 32 x 23.5 in. (81.28 x 59.69 cm)

This exquisite lithograph by Jean Dubuffet (1901–1985), titled Le Guerrier (The Warrior), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, originates...

Joan Miro, Spanish (1893 - 1983) - Lithographs III (Cover), Year: 1977, Medium: Lithograph, Size: 13 x 10.25 in. (33.02 x 26.04 cm), Printer: Mourlot, Publisher: Maeght Editeur

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Ed Ruscha America Needs Hart (Hand Signed), 1983 Offset lithograph (Hand signed by Ed Ruscha) 36 inches (vertical) x 24 inches (horizontal) Boldly signed in marker by Ed Ruscha on th...

This reproduction, titled Canto XIV by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertical...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall II, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/...

Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...

In this black and white monotype, Zalopany has captured a duo of tumblers atop a roof, as onlookers stare in wonder. The artist is able to cap...

Jeff Koons Monkey Train beach towel 2008: A highly decorative limited edition 2008 Jeff Koons Monkey Train towel. Measuring 70x60 inches - this work would look outstanding framed. This outstanding Jeff Koons Monkey Train collectible...

This serigraph was created by contemporary American artist Hunt Slonem. Slonem is best known for his Neo-Expressionist paintings and bright tropical palette, and his subject matter o...

This lithograph by Marc Chagall, created in 1958, appears on page 33 of Chagall Lithographe II, published by André Sauret, Paris, in 1963 with text by Fernand Mourlot. This sheet co...

Joan Miro, Untitled, 1981 (from Lithographie IV) Original color lithograph on Rives vellum paper 12 1/2 x 9 3/4 in. (32 x 25 cm), unframed Edition of 4000 (Published by Maeght in 198...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 30.75 x 22.25 inches ( 78.105 x 56.515 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Arnaldo Pomodoro Untitled, 1970 Color Lithograph on Wove Paper Hand signed and numbered 15/15 Hand-signed by artist, pencil signed and dated lower right margin, limited edition noted...

The vertical Spots 'Gly-Gly-Ala' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edit...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Leger's bold geometric visual language and his celebration of modernity, distilling mechanical rhythm and sculptural clarity into a composition emblematic of his innovative machine-age aesthetic. Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., is a landmark example of mid-century French printmaking, bringing together leading modern artists in a unified portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a substantial edition of numbered and non-commerce impressions, the publication reflects the vitality of postwar Parisian art and the technical excellence of Daniel Jacomet, whose workshop played a central role in the preservation and dissemination of twentieth-century modernist imagery. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism's fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christies New York for Contraste de formes (1913). Fernand Leger print...