New York - Animal Prints

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Donald Saff, American (1937 - ) - Alpine Goat, Year: 1978, Medium: Etching with Hand coloring, signed and numbered in pencil, Edition: 38/50, Image Size: 24 x 18.5 inches, Size: ...

Andy Warhol (After) Vintage Large Rosenthal Bowl (Blue Horse), ca. 1991 Large Silkscreen Glass bowl (authorized signature fired onto plate) Warhol's signature is printed on the plate...

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Ge...

Raymond Pettibon Black Flag flyer 1984: A rare flyer for gig by Black Flag, September 27, 1984 at the Indian Center, Salt Lake City, UT with off-set artwork by Pettibon Flea, the R...

Will Barnet The Book, from the 1776 USA 1976: Bicentennial Prints portfolio, 1975 Silkscreen in colors on white Arches wove paper Pencil signed, titled and numbered 65/75 on the fron...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Noel Daggett, American (1925 - 2005) - Roll your own, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 20 x 22 inches, Size: ...

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...

Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

47x71 inches 120x180cm Edition of 10 Archival Pigment Print Mounted and Framed Ask us for framing options. Björn Persson is an internationally renowned artist based in Stockholm, S...

Sunset Goose Allen Friedman, American Date: 1979 Lithograph, signed and numbered in pencil Edition of 200, AP 45 Image Size: 24 x 18 inches Size: 29.5 in. x 22 in. (74.93 cm x 55.88 cm)

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 4/10 i...

Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Robert Rauschenberg Lily Scent, 1981 Lithograph 32 x 24 inches SPIII Signed

Paulo Behar Dyptich PRINT ONLY Feline Look, 2017 Eyes of a Jaguar, 2017 44 x 44 inches - Edition of 7 (each) Archival Pigment Print - Unframed. Signature Label - Certificate of Aut...

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Edition 7/45

Artist: Alexander Calder (after), American (1898 - 1976) Title: Beastie, Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate Size: 20 in. x 26 in. (...

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

Keith Haring New York City Subway Drawings, 1983: Rare early exhibition catalog/pamphlet illustrated by Keith Haring on the occasion of: "Keith Haring / New-York City Subway Drawings...

Paris: Jules Géruzet, 1860. Etching on cream laid paper, 3 1/2 x 5 inches (88 x 121 mm), full margins. Minor uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.24...

Lithograph in colors on cream wove paper, 15 1/2 x 20 1/2 inches (394 x 520 mm); sheet 18 x 23 1/4 inches (457 x 590 mm), full margins. Signed and titled in pencil, lower margin. Som...

ROY DE FOREST Untitled, 1981 Lithograph on Arches paper with four deckled edges. 22 1/2 × 30 inches Hand signed and annotated Trial Proof, aside from the regular edition of 60 Unfra...

Gould, John and Richard Bowdler Sharpe. A Monograph of the Trochilidae, or Family of Hummingbirds. London, 1849-61. This plate: Orthorhynchus Ornatus. Original lithographs hand-co...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Artist: Guillaume Azoulay, Moroccan (1949 - ) Title: Epuise II Year: 1986 Medium: Screenprint with Gold Leafing, Signed and numbered in pencil Edition: 175 Size: 28.5 in. x 35 in. (...

Richard Pettibone Andy Warhol Cow Wallpaper Silkscreen on paper 26 1/2 × 20 3/4 inches Hand Signed and dated in graphite on the front Unframed More about R...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 23/50 ...

Etching with aquatint in colors on white wove paper with a deckle edge, 18 x 15 inches (457 x 381 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 123/...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 38/50 ...

Harry Schaare, American (1922 - 2008) - Trapped, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm), De...

This exquisite lithograph after Rene Magritte (1898–1967), titled Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

Artist: Raymond Jennings Saunders, American (1934 - ) Title: Duck Out of Water Year: 1975 Medium: Lithograph with Screenprint and Collage, signed and numbered in pencil Edition: 200...

Martin Barooshian, American (1929 - 2022) - Hippo, Year: circa 1979, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 50/60, Image Size: 9.25 x 11....

Robert Beauchamp, American (1923 - 1995) - Apple Dream, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 25, Size: 25.5 in. x 33 in. (64.77 cm x 83.82 cm)

Extremely rare when hand signed; the regular limited edition was not signed. Tracey Emin Docket and His Bird Collection plate (uniquely hand signed and inscribed by Tracey Emin), 20...

Listing includes free shipping, and a 14-day return policy. 24 x 30 inch archival pigment print Edition 4 of 5 Signed on artist certificate Also available in 3 other sizes. Arti...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Petit hibou (Little Owl), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, published by Tudor Pub...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled Le Coq (The Rooster), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bernard Buffet, Painters of Today), ...

Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...

Raphael Sanzio da Urbino, Italian (1483 - 1520) - David Brings the Gold Shield to Jerusalem, Year: 1649, Medium: Engraving on laid paper, plate signed, Size: 9.5 x 11 in. (24.13 x...

Artist: Igor Galanin Title: Walking the Rabbit Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: 175 Image Size: 30.75 x 30.5 inches Paper Size: 37 in. x...

El Ultimo Viaje Del Buque Fantasma by Wifredo Lam, Cuban (1902–1982) Year: 1976 Lithograph, signed and numbered in pencil Edition of EA XIII/XX Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Before I left for this trip to take wild horse photography, a friend of mine and I were having dinner at a restaurant in NYC. She asked, “what are you going to do differently this time?” And, ” how will you photograph beautiful wild horses?” It was as though someone stabbed me with a dagger. However, she was right. I was coming back with similar-looking photographs and nothing different as well to have people shop for wild horse photography. So I consciously made a significant effort to change things around to capture my horse pictures...

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

This signed and numbered print is in excellent condition and comes directly from Lincoln Center, publisher of the edition. b. 1933, Brooklyn, NY Joseph Raffael’s paintings are infl...

This exquisite lithograph by Constantin Terechkovitch (1902–1978), titled Cavalier tunisien (Tunisian Horseman), originates from the 1972 edition published by Editions A. C. Mazo et ...

Artist: Ben Shahn, American (1898 - 1969) Title: One Must Know the Animals from the Rilke Portfolio Year: 1968 Medium: Lithograph, signed in the plate Edition: 750 Size: 22.5 x 17.7...

Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and titled in graphite pencil on the front Published by Tamarind Institute, Albuquerque New Mexico with label from Chiaroscuro Contemorary Art, Santa Fe, NM Provenance Tamarind Institute Frame included Measurements: Frame: 18.5" vertical x 15.5" horizontal x .75 inches deth Artwork: 11.5" vertical x 8.5" horizontal Norman Akers (Native American, Osage), b. 1958 Biography Norman Akers was born and raised in Fairfax, Oklahoma. He is a member of the Osage Nation. He received a BFA in Painting from the Kansas City Art Institute in 1982, and a Certificate in Museum Studies from the Institute of American Indian Arts in 1983. In 1991, he received a MFA in Fine Arts from the University of Illinois, Urbana-Champaign. Akers had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas, Jan Cicero Gallery in Chicago, Illinois, and the Gardner Art Gallery, Oklahoma State University, Stillwater, Oklahoma. He has participated in numerous group exhibitions including, Unlimited Boundaries, The Dichotomy of Place in Contemporary Native American Art, Albuquerque Museum, Albuquerque, New Mexico, Who Stole the Tee Pee...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

Artist: Andre Minaux, French (1923 - 1986) Title: Amour from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x 19....

This exquisite lithograph by Charles Lapicque (1898–1988), titled Le chant des oiseaux (The Song of the Birds), originates from the 1972 edition published by Editions A. C. Mazo et C...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Max Papart, French (1911 - 1994) - Enchanted Dream, Year: 1984, Medium: Etching with Carborundum, Aquatint, and Collage, signed and numbered in pencil, Edition: XIV/XXV, Size: 22...