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Item Ships From: New York
Joan Miro, Lithograph II, from Lithographs II, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, New York, and printed by Mourlot Freres, Paris, 1975. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume II, 1975 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Leon Amiel, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 198. Cramer, Patrick. Joan Miro: Lithographs Volume V 1972–1975. Maeght, 1992, illustration 1038. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume II, published by Leon Amiel, New York; printed by Mourlot Freres, Paris, 1975 Notes: Excerpted from the album, The original Joan Miro lithographs were printed by Mourlot, the illustrations by Arte Adrien Maeght, and the text by Imprimerie Union, Paris, France. V̅ examples of this English-language edition, numbered I-V̅, have been printed. A deluxe French edition of CL examples, numbered I-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the XIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume II, published in 1975 by Leon Amiel, New York, with lithographs printed by Mourlot Freres, Paris, is the second installment in the monumental four-volume series documenting Miros complete lithographic work. The project was conceived as both an artistic and scholarly endeavor, uniting Miro’s technical innovation with comprehensive cataloguing of his print oeuvre. Volume II chronicles an essential period in Miros career—from 1950 to 1956—when his exploration of symbolic abstraction, vibrant color, and gestural spontaneity reached new levels of expressive freedom. The collaboration between Miro and the master lithographers at Mourlot resulted in works of exceptional brilliance and vitality, capturing the artist’s playful yet deeply spiritual sensibility. The album was produced with meticulous attention to detail, printed on the highest-quality velin paper, and accompanied by essays and documentation that provide historical and artistic context. Issued in English and French-language editions, Joan Miro Lithographs, Volume II stands as a landmark in 20th-century printmaking—testament to the enduring creative partnership between Miro, Mourlot, and the publishers Maeght and Amiel. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...
Category

1970s Surrealist New York - Landscape Prints

Materials

Lithograph

Dufy, Composition, Les Côtes Normandes (after)
By Raoul Dufy
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category

Mid-18th Century English School New York - Landscape Prints

Materials

Laid Paper, Engraving, Watercolor

Marc Chagall, Swan Lake, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Le Lac des Cygnes (Swan Lake), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Par...
Category

1960s Expressionist New York - Landscape Prints

Materials

Lithograph

Joan Miro, Untitled, from The Sun Bird, The Moon Bird, Sparks, 1967 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Street in Marblehead, Massachussets
By Lawrence Wilbur
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category

1930s American Modern New York - Landscape Prints

Materials

Archival Paper, Drypoint, Etching

The Weary Blues, Sunrise Is Coming After While
Located in Southampton, NY
Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...
Category

1990s Expressionist New York - Landscape Prints

Materials

Screen

Roy Lichtenstein Mountain Village Pop Art Vintage
By (after) Roy Lichtenstein
Located in Brooklyn, NY
Mountain Village is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 inch and a si...
Category

1980s Pop Art New York - Landscape Prints

Materials

Offset

Pierre Bonnard, Women in the Garden, from Derriere le Miroir, 1966 (after)
By Pierre Bonnard
Located in Southampton, NY
This exquisite lithograph after Pierre Bonnard (1867–1947), titled Femmes au jardin (Women in the Garden), originates from the 1966 folio Derriere le Miroir, No. 158–159, published b...
Category

1960s Post-Impressionist New York - Landscape Prints

Materials

Lithograph

Nocturne V (Belknap 354-380; Engberg/Banach 415-441), Three Poems
By Robert Motherwell
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist New York - Landscape Prints

Materials

Lithograph

Albert Andre, Portrait of Auguste Renoir, 1951 (after)
By Albert Andre
Located in Southampton, NY
This exquisite lithograph after Albert Andre (1869–1954), titled Portrait de Auguste Renoir (Portrait of Auguste Renoir), from the album Les Lithographies de Renoir (The Lithographs ...
Category

1950s Impressionist New York - Landscape Prints

Materials

Lithograph

Joan Miro, Untitled, from Tarragona Tapestry, 1972 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona, illustrations, Joan Miro (Tarragona Tapestry, Illustrations), ...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

Georges Braque, Composition, L édition de tête (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Georges Braque, Derniers messages,...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Henri Laurens, Apollo, from Verve, Revue Artistique, 1953
By Henri Laurens
Located in Southampton, NY
This exquisite lithograph by Henri Laurens (1885–1954), titled Apollon (Apollo), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 issue publi...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

Mauer, Surrealist Aquatint Etching by Hans-Georg Rauch
By Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - Mauer, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: HC XII/XX, Size: 21 in. x 27 in. (53.34 cm x 68...
Category

1970s Surrealist New York - Landscape Prints

Materials

Etching, Aquatint

The Mill, Amsterdam, 1889
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category

1880s Impressionist New York - Landscape Prints

Materials

Drypoint, Etching

Marc Chagall, Cain and Abel, from Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Cain et Abel (Cain and Abel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique...
Category

1950s Expressionist New York - Landscape Prints

Materials

Lithograph

Marc Chagall, Angel of Paradise, from Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Ange du Paradis (Angel of Paradise), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Art...
Category

1950s Expressionist New York - Landscape Prints

Materials

Lithograph

West Wind, Modern Lithograph by Robert Kipniss
By Robert Kipniss
Located in Long Island City, NY
West Wind Robert Kipniss, American (1931) Date: circa 1981 Lithograph, signed and numbered in pencil Edition of 151/250 Size: 4 x 3.25 in. (10.16 x 8.255 cm) Frame Size: 11.25 x 9.5 ...
Category

1980s American Impressionist New York - Landscape Prints

Materials

Lithograph

Central Park, Modern Aquatint Etching by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - Central Park, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 4/10, Image Size: 8 x 9.5 inches, Size: 19 in. x 22 in...
Category

1980s Modern New York - Landscape Prints

Materials

Etching, Aquatint

Raoul Dufy, The Flautist II (after)
By Raoul Dufy
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Flutiste, replique (The Flautist II), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Duf...
Category

1960s Fauvist New York - Landscape Prints

Materials

Lithograph

Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
By Jean Pougny
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
Category

1960s Cubist New York - Landscape Prints

Materials

Linocut

Ellsworth Kelly, Red, Yellow, from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, Jaune (Red, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. 149. Published by Maeght ...
Category

1960s Hard-Edge New York - Landscape Prints

Materials

Lithograph

Nicolas de Stael, Corner of the Studio, Blue Background, 1960 (after)
By Nicolas de Staël
Located in Southampton, NY
This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Coin d'atelier, fond bleu (Corner of the Studio, Blue Background), from the folio Nicolas de Stael, Peintres d'...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Pilgrimage to Enoshima
Located in Middletown, NY
Tokyo: Matsuki Heikichi, 1893 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, full margi...
Category

Late 19th Century Edo New York - Landscape Prints

Materials

Watercolor, Handmade Paper, Woodcut

Icarus, Surrealist Lithograph by Michel Charpentier
By Michel Charpentier
Located in Long Island City, NY
Michel Charpentier, French (1934 - ) - Icarus, Year: circa 1980, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 108/275, Image Size: 17.5 x 14.5 inches, Si...
Category

1980s Surrealist New York - Landscape Prints

Materials

Lithograph

A Hong Kong Canal Boat
By John Taylor Arms
Located in Middletown, NY
Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...
Category

Mid-20th Century American Modern New York - Landscape Prints

Materials

Handmade Paper, Laid Paper, Watercolor, Aquatint

Joan Miro, Untitled, from The Sun Bird, The Moon Bird, Sparks, 1967 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern New York - Landscape Prints

Materials

Drypoint, Etching

The Umbrellas, Japan - USA Offset lithograph poster (Hand Signed by Christo)
By Christo and Jeanne-Claude
Located in New York, NY
Christo and Jeanne-Claude The Umbrellas, Japan - USA (Hand Signed), 1991 Offset lithograph poster Boldly signed by Christo upper right 25 × 38 inches Unframed This rare vintage poster was published by Christo and Jeanne-Claude to promote and raise funds for Christo's famous Umbrellas Japan-USA project in the early 1990s. It is hand signed boldly in black marker "Christo" on the recto - upper right corner. This work was acquired from the Estate of Jacob and Aviva Baal-Teshuva, collectors, curators, authors, early supporters and good friends of Christo. Authenticity unconditionally guaranteed. ABOUT THE UMBRELLAS JAPAN-USA PROJECT: At sunrise, on October 9, 1991, Christo and Jeanne-Claude's 1,880 workers began to open the 3,100 umbrellas in Ibaraki and California, in the presence of the artists at both sites. This Japan-USA temporary work of art reflected the similarities and differences in the ways of life and the use of the land in two inland valleys, one 12 miles (19 kilometers) long in Japan, and the other 18 miles (29 kilometers) long in the USA. In Japan, the valley is located north of Hitachiota and south of Satomi, 75 miles (120 kilometers) north of Tokyo, around Route 349 and the Sato River, in the Prefecture of Ibaraki, on the properties of 459 private landowners and governmental agencies. In the USA, the valley is located 60 miles (96.5 kilometers) north of Los Angeles, along Interstate 5...
Category

1990s Pop Art New York - Landscape Prints

Materials

Lithograph, Offset

Jules Pascin, Little Red Riding Hood, from XXe siecle, 1938 (after)
By Jules Pascin
Located in Southampton, NY
This exquisite lithograph after Jules Pascin (1885–1930), titled Le Petit Chaperon Rouge (Little Red Riding Hood), from the album XXe siecle, Sommaire du No. 1, 1er Mars 1938, Chroni...
Category

1930s Modern New York - Landscape Prints

Materials

Lithograph

Pablo Picasso, Face of Peace, from The Face of Peace by Picasso and Eluard, 1951
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph by Pablo Picasso (1881–1973), titled Visage de la Paix (Face of Peace), from the album Le Visage de la Paix par Picasso et Eluard (The Face of Peace by Pica...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

Man Ray, Inversion of Space II, from XXe siecle, 1975
By Man Ray
Located in Southampton, NY
This exquisite lithograph by Man Ray (1890–1976), titled Inversion de l'espace II (Inversion of Space II), from the album XXe siecle, Nouvelle serie, XXXVIIe Annee, No. 45, originate...
Category

1970s Surrealist New York - Landscape Prints

Materials

Lithograph

Joan Miro, Untitled, from Tarragona Tapestry, 1972 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

Marc Chagall, The Lovers Bouquet, from The Painters My Friends, 1965 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Le Bouquet d'amoureux (The Lovers' Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originat...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Bear with Predella, Rubber Stamp Portfolio, Don Nice
By Don Nice
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...
Category

1970s Pop Art New York - Landscape Prints

Materials

Printer s Ink

Nicolas de Stael, Celadon Composition, from Painters of Today, 1960 (after)
By Nicolas de Staël
Located in Southampton, NY
This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Composition Celadon (Celadon Composition), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Mother to Son, Sunrise Is Coming After While
Located in Southampton, NY
Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...
Category

1990s Expressionist New York - Landscape Prints

Materials

Screen

Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern New York - Landscape Prints

Materials

Drypoint, Etching

Raoul Dufy, Self-Portrait, from Letter to My Painter Raoul Dufy, 1965 (after)
By Raoul Dufy
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Autoportrait (Self-Portrait), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), origina...
Category

1960s Fauvist New York - Landscape Prints

Materials

Lithograph

Flight, Surrealist Aquatint Etching by Susan Hall
By Susan Hall
Located in Long Island City, NY
Flight Susan Hall, American (1943) Date: 1978 Aquatint Etching, signed and numbered in pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 in. x 35 in. (71.12 cm x 88.9 cm)
Category

1970s New York - Landscape Prints

Materials

Etching, Aquatint

Alberto Magnelli, Pasted Paper, from XXe Siecle, 1956
By Alberto Magnelli
Located in Southampton, NY
This exquisite lithograph and pochoir by Alberto Magnelli (1888–1971), titled Papel colle (Pasted Paper), from the album XXe Siecle, Nouvelle serie, No. 6 (double), Janvier 1956, ori...
Category

1950s Cubist New York - Landscape Prints

Materials

Lithograph

Joan Miro, Lithograph XI, from Lithographs I, 1972
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph XI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...
Category

1970s Surrealist New York - Landscape Prints

Materials

Lithograph

Piet Mondrian, Sans titre, from XXe Siecle, 1957 (after)
By Piet Mondrian
Located in Southampton, NY
This exquisite lithograph and pochoir after Piet Mondrian (1872–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957, originates fro...
Category

1950s Abstract Geometric New York - Landscape Prints

Materials

Lithograph

Henri Matisse, Plume, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...
Category

1920s Modern New York - Landscape Prints

Materials

Lithograph

Acropolis Americana - Lincoln Center, New York 1975
By Gerald Geerlings
Located in Middletown, NY
Zinc lithograph on cream wove paper, 12 3/4 x 10 inches (272 x 253 mm), full margins. Signed and titled in pencil, lower margin. One work from the series titled "Salute to New York,"...
Category

20th Century American Modern New York - Landscape Prints

Materials

Handmade Paper, Lithograph

Harry Shokler, Island Harbor
By Harry Shokler
Located in New York, NY
Harry Shokler used serigraphy to great advantage in this landscape. It's colorful and detailed. It is signed in the image at the lower left. When printmakers began making serigraphs...
Category

1940s American Modern New York - Landscape Prints

Materials

Screen

Jean Cocteau, Fire Banderillas, from Bulls, 1965 (after)
By Jean Cocteau
Located in Southampton, NY
This exquisite lithograph after Jean Cocteau (1889–1963), titled Banderilles de feu (Fire Banderillas), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Robert Motherwell, Tricolor, from XXe Siecle, 1973
By Robert Motherwell
Located in Southampton, NY
This exquisite lithograph by Robert Motherwell (1915–1991), titled Tricolor, from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 1973 edition published by Societe...
Category

1970s Abstract Expressionist New York - Landscape Prints

Materials

Lithograph

Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Wandelaars II, Contemporary Mezzotint by Anne Dykmans
By Anne Dykmans
Located in Long Island City, NY
Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...
Category

Early 2000s Contemporary New York - Landscape Prints

Materials

Mezzotint

Guiding Light, Pop Art Screenprint by Muhammad Ali
By Muhammad Ali
Located in Long Island City, NY
Muhammad Ali, American (1942 - 2016) - Guiding Light, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 339/500, Image Size: 17 x 21.5 inches, Size: 22 in...
Category

1970s Pop Art New York - Landscape Prints

Materials

Screen

Andre Derain, Denise and Claire Levy, 1970 (after)
By André Derain
Located in Southampton, NY
This exquisite lithograph after Andre Derain (1880–1954), titled Denise et Claire Levy (Denise and Claire Levy), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain betwe...
Category

1970s Fauvist New York - Landscape Prints

Materials

Lithograph

Jean-Paul Riopelle, Untitled, from Derriere le Miroir, 1982
By Jean-Paul Riopelle
Located in Southampton, NY
This exquisite lithograph by Jean-Paul Riopelle (1923–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Mir...
Category

1980s Modern New York - Landscape Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Bathers, 1951 (after)
By Pierre-Auguste Renoir
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Les Baigneuses (The Bathers), from the album Les Lithographies de Renoir (The Lithographs of Renoir), origin...
Category

1950s Impressionist New York - Landscape Prints

Materials

Lithograph

Andre Derain, Still Life with Fish and the Pan, 1970 (after)
By André Derain
Located in Southampton, NY
This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...
Category

1970s Fauvist New York - Landscape Prints

Materials

Lithograph

Marc Chagall, The Offering, from Color of Love, 1958 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Offrende (The Offering), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Georges Braque, Study of Birds, from Le Solitaire, XXe siecle, 1959 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Etude oiseaux (Study of Birds), from the album Georges Braque, Le Solitaire (The Solitary), originates ...
Category

1950s Cubist New York - Landscape Prints

Materials

Lithograph

Harney County, Oregon
By Robert Adams
Located in New York, NY
Robert Adams Harney County, Oregon 2005 Set of four photogravures Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm Each frame: 29 x 25 inches; 74 x 64 cm Edition of 30 Each signed, ...
Category

Early 2000s Contemporary New York - Landscape Prints

Materials

Photogravure

Pablo Palazuelo, Untitled, from Derriere le Miroir, 1963
By Pablo Palazuelo
Located in Southampton, NY
This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...
Category

1960s Abstract Geometric New York - Landscape Prints

Materials

Lithograph

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