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Item Ships From: New York
Marc Chagall, Frontispiece, from Homer, The Odyssey, 1989 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Frontispiz (Frontispiece), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publ...
Category

1980s Expressionist New York - Landscape Prints

Materials

Lithograph

Troulos Bay, Mykonos - Pop Art Screenprint by Thomas McKnight
By Thomas McKnight
Located in Long Island City, NY
Troulos Bay, Mykonos Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 162/200 Image Size: 18 x 35.5 inches Frame Size: 35 x 53 inches
Category

Late 20th Century Pop Art New York - Landscape Prints

Materials

Screen

Marc Chagall, Athena Guides the Ship of Telemachus, The Odyssey, 1989 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Athene führt das Schiff des Telemachos (Athena Guides the Ship of Telemachus), from Homer, Die Odyssee (The Odyssey),...
Category

1980s Expressionist New York - Landscape Prints

Materials

Lithograph

Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern New York - Landscape Prints

Materials

Drypoint, Etching

Marc Chagall, The Lovers, from Color of Love, 1958 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Les Amoureux (The Lovers), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Cathedral of Saint Cyr and Saint Julitta, Nevers
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...
Category

Mid-20th Century American Modern New York - Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

David Hockney, Letter A, from Hockney s Alphabet, 1991
By David Hockney
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter A, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary New York - Landscape Prints

Materials

Lithograph

David Hockney, Letter E, from Hockney s Alphabet, 1991
By David Hockney
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter E, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary New York - Landscape Prints

Materials

Lithograph

Georges Braque, Study for a Bird, from Le Solitaire, XXe siecle, 1959 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Etude pour un oiseau (Study for a Bird), from the album Georges Braque, Le Solitaire (The Solitary), or...
Category

1950s Cubist New York - Landscape Prints

Materials

Lithograph

Adolf Dehn, Curtain (aka Flora Dora Girls), 1932, burlesque lithograph
By Adolf Dehn
Located in New York, NY
Adolf Dehn's, lithograph on chine collé, Curtain or The Flora Dora Girls, is an ode to burlesque with dancing girls and fabulous costumes. It comes on the heals of a 1930 pre-code mo...
Category

1940s American Modern New York - Landscape Prints

Materials

Lithograph

David Hockney, Letter K, from Hockney s Alphabet, 1991
By David Hockney
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter K, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary New York - Landscape Prints

Materials

Lithograph

Pablo Picasso, Woman with the Lock of Hair, The Blues of Barcelona, 1963 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme a la meche (Woman with the Lock of Hair), from the folio Les Bleus de Barcelone, 12 aquarelles et ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Wassily Kandinsky, Comets, from Verve, Revue Artistique et Litteraire, 1938
By Wassily Kandinsky
Located in Southampton, NY
This exquisite lithograph by Wassily Kandinsky (1866–1944), titled Comets, from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from t...
Category

1930s Modern New York - Landscape Prints

Materials

Lithograph

Alfonso Ossorio, Number IV, from Initiatory Paintings, 1951 (after)
By Alfonso Ossorio
Located in Southampton, NY
This exquisite collotype after Alfonso Ossorio (1916–1990), titled Peinture initiatique IV (Initiatory Painting IV), from the album Peintures initiatiques d'Alfonso Ossorio (Initiato...
Category

1950s Abstract Expressionist New York - Landscape Prints

Materials

Lithograph

Historic rare Ed Ruscha Leo Castelli Gallery exhibition offset lithograph poster
By Ed Ruscha
Located in New York, NY
Edward Ruscha: New Paintings, Leo Castelli Gallery, 1980 Offset lithograph poster 22.5 x 18 inches Unframed Published by Leo Castelli Gallery Good vintage condition with some handli...
Category

1980s Pop Art New York - Landscape Prints

Materials

Lithograph, Offset

Leonor Fini, Untitled, from The Story of O, 1962
By Leonor Fini
Located in Southampton, NY
This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

The Mill of Alphonse Daudet at Fontevieille, Lithograph after Vincent van Gogh
By (After) Vincent van Gogh
Located in Long Island City, NY
A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...
Category

1910s Post-Impressionist New York - Landscape Prints

Materials

Lithograph

Calder, The Blue Balloon, Spanish Refugee Aid (after)
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin de Rives paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published and printed by Bank Street Atelier, New York, 1973. I...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

Raoul Dufy, The Birds, from Letter to My Painter Raoul Dufy, 1965 (after)
By Raoul Dufy
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Oiseaux (The Birds), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates f...
Category

1960s Fauvist New York - Landscape Prints

Materials

Lithograph

Under the Sun, Pop Art Screenprint by Muhammad Ali
By Muhammad Ali
Located in Long Island City, NY
Muhammad Ali, American (1942 - 2016) - Under the Sun, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 500, Image Size: 18 x 24 inches, Size: 22 in. x 27...
Category

1970s Pop Art New York - Landscape Prints

Materials

Screen

Two Elms, Modern Etching by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Two Elms, Year: circa 1965, Medium: Etching on Arches, signed, titled and numbered in pencil, Edition: 6/120, Image Size: 22 x 18 inches, Size...
Category

1960s Modern New York - Landscape Prints

Materials

Etching

Jacob Lawrence, Boy with Kite, from Hiroshima, 1983
By Jacob Lawrence
Located in Southampton, NY
This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Boy with Kite, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New ...
Category

1980s Expressionist New York - Landscape Prints

Materials

Screen

Georges Braque, Three Birds on a Blue Background, Carnets intimes, 1955 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Trois oiseaux sur fond bleu (Three Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, ...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

"Dawn Inside the Yoshiwara" Utagawa Hiroshige, Japanese Landscape, Ukiyo-e
By Utagawa Hiroshige
Located in New York, NY
Utagawa Hiroshige Dawn Inside the Yoshiwara, circa 1857 Woodblock print 11 x 7 inches Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, havin...
Category

1850s Naturalistic New York - Landscape Prints

Materials

Paper, Ink, Woodcut

Wifredo Lam, The Horse Woman, from XXe siecle, 1979
By Wifredo Lam
Located in Southampton, NY
This exquisite lithograph by Wifredo Lam (1902–1982), titled La Femme Cheval (The Horse Woman), from the album XXe siecle, Numero special, Wifredo Lam, Nouvelle serie, XLIe Annee, No...
Category

1970s Op Art New York - Landscape Prints

Materials

Lithograph

Marc Chagall, The Christ at the Clock, from Chagall, 1957
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Le Christ a l’Horloge (The Christ at the Clock), from the album Chagall, originates from the 1957 edition published by M...
Category

1950s Expressionist New York - Landscape Prints

Materials

Lithograph

Andre Lhote, Reclining Woman, 1929 (after)
By André Lhote
Located in Southampton, NY
This exquisite lithograph and pochoir after Andre Lhote (1885–1962), titled Femme allongee (Reclining Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (...
Category

1920s Cubist New York - Landscape Prints

Materials

Lithograph, Stencil

Marc Chagall, Romeo and Juliet, The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Romeo et Juliette (Romeo and Juliet), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), originates from the 1965 edition published by Andre Sauret, Editeur, Monte Carlo, rendered by Charles Sorlier, Paris, and printed by Mourlot Freres, Paris, October 6, 1965. This romantic and luminous composition pays homage to Charles Gounod’s opera Romeo et Juliette, one of the works celebrated in Chagall’s magnificent ceiling design for the Palais Garnier. Romeo et Juliette radiates with the tenderness, tragedy, and transcendent beauty of Shakespeare’s tale, reimagined through Chagall’s poetic symbolism and vivid color. Floating lovers, celestial forms, and musical motifs intertwine in a lyrical vision of eternal love and harmony, reflecting the artist’s lifelong fascination with the union of art, music, and emotion. The composition captures the very spirit of Gounod’s music—lyrical, passionate, and filled with grace. Executed as a lithograph on velin paper, this work measures 13 x 9.5 inches (33.02 x 24.13 cm). Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot Freres atelier and the enduring collaboration between Marc Chagall and Charles Sorlier. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Romeo et Juliette (Romeo and Juliet), from Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall) Medium: Lithograph on velin paper Dimensions: 13 x 9.5 inches (33.02 x 24.13 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Andre Sauret, Editeur, Monte Carlo Rendered by: Charles Sorlier, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 434. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 61. Condition: Well preserved, consistent with age and medium Provenance: From the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published by Andre Sauret, Editeur, Monte Carlo, October 6, 1965, in an edition of V̅ Notes: Excerpted from the album, This work could not have been made without the valuable collaboration of Madame Marc Chagall to whom we extend our warmest thanks. This work, made by Andre Sauret, was completed to print on October 6, 1965 on the presses of l’imprimerie du Lion in Paris. Jacques Lassaigne’s texts were composed by hand in Romain du Roi in the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s original models. The original lithography and color lithographs were drawn on the presses of Mourlot Freres. The binding is by Maurice Busenhart in Lausanne. About the Publication: Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published in October 1965 by Andre Sauret, Editeur, Monte Carlo, commemorates one of the most ambitious and celebrated artistic commissions of the 20th century. Created under the direction of Charles Sorlier, the album documents Chagall’s magnificent ceiling design for the Palais Garnier in Paris, unveiled in 1964. The publication includes color lithographs based on the artist’s preparatory studies and painted maquettes, executed with exceptional fidelity by Mourlot Freres. Chagall’s ceiling—divided into segments representing musical masters such as Mozart, Wagner, Berlioz, Ravel, and Debussy—blends myth, music, and emotion into a vibrant celestial composition. The album captures this visionary synthesis through luminous lithography, allowing viewers to experience the grandeur and intimacy of the artist’s monumental work. Produced with the collaboration of Madame Marc Chagall, Charles Sorlier, and Fernand Mourlot, and printed with the precision and artistry for which Andre Sauret’s editions were renowned, this publication stands as both a tribute to Chagall’s genius and a celebration of French art’s enduring dialogue between tradition, innovation, and the divine. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Romeo...
Category

1960s Expressionist New York - Landscape Prints

Materials

Lithograph

Mark Tobey, Research, from Painters of Today, 1961 (after)
By Mark Tobey
Located in Southampton, NY
This exquisite heliogravure after Mark Tobey (1890–1976), titled Recherche (Research), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), originates f...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Vintage Rene Ricard Mal de Fin: Paintings 1989-1990 poster with poetry and ocean
By Rene Ricard
Located in New York, NY
Original poster commemorating Rene Ricard's 1990 exhibition Mal de Fin: Paintings 1989-1990 at the Petersburg Press Gallery, New York. The image reproduces his painting, Mal de Fin, ...
Category

1990s Contemporary New York - Landscape Prints

Materials

Lithograph, Offset

Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category

Early 20th Century American Modern New York - Landscape Prints

Materials

Archival Paper, Drypoint, Etching

Joan Miro, Nocturnal, from Derriere le miroir, 1953
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Nocturne (Nocturnal), from the folio Derriere le miroir, No. 57–59, originates from the 1953 edition published by Maeght Ed...
Category

1950s Surrealist New York - Landscape Prints

Materials

Lithograph

Edward Hicks The Cornell Farm Vintage Americana
Located in Brooklyn, NY
This 1994 reproduction of The Cornell Farm by Edward Hicks, published by Graphique de France, highlights the artist's folk art style. Depicting a tranquil farm scene with meticulous ...
Category

1990s American Modern New York - Landscape Prints

Materials

Acrylic, Offset

J.H. Woods’ Fruit Shop, Chelsea
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category

1880s Impressionist New York - Landscape Prints

Materials

Drypoint, Etching

Wakeby Island, Conceptual Art Woodcut Print by Michael Mazur
By Michael Mazur
Located in Long Island City, NY
Artist: Michael Mazur, American (1935 - 2009) Title: Wakeby Island Year: circa 1990 Medium: Color woodcut with chine collé, signed and numbered in pencil Edition: 15 Image Size: 15 x...
Category

Late 20th Century Contemporary New York - Landscape Prints

Materials

Woodcut

Les Blés (Wheat Field), Signed Impressionist Lithograph by Raoul Dufy
By Raoul Dufy
Located in Long Island City, NY
Les Blés (Wheat Field) Raoul Dufy, French (1877–1953) Date: 1933 Lithograph on Arches, signed and numbered in pencil Edition of 27/200 Size: 16 x 20.5 in. (40.64 x 52.07 cm)
Category

1930s Impressionist New York - Landscape Prints

Materials

Lithograph

Marc Chagall, Daphnis and Chloe, from XXe Siecle, 1960
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, originates from the 1960 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1960. Daphnis et Chloe reflects Chagall’s poetic fusion of love, mythology, and dreamlike imagery, inspired by the ancient Greek pastoral romance and reimagined through his luminous color harmonies and floating forms. The work embodies Chagall’s timeless exploration of passion, innocence, and the spiritual beauty of nature, rendered in his signature chromatic radiance and lyricism. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Mourlot, Fernand, and Marc Chagall. Chagall Lithographe, Volume II, 1957–1962. Chagall Lithographe, Sauret, 1963, illustration 227 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1960 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th-century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...
Category

1960s Expressionist New York - Landscape Prints

Materials

Lithograph

Forest, Impressionist Lithograph by Marcel Salinas
By Laurent Marcel Salinas
Located in Long Island City, NY
Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Forest, Medium: Lithograph, Image Size: 17 x 20 inches, Size: 21 x 30 in. (53.34 x 76.2 cm)
Category

1980s Impressionist New York - Landscape Prints

Materials

Lithograph

The Queen of Great Britain arriving in Portsmouth 25 May 1662 The Arrival in L
By Matthäus Merian the Elder
Located in Middletown, NY
Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...
Category

Mid-17th Century Old Masters New York - Landscape Prints

Materials

Laid Paper, Engraving

Seventh Avenue Canyon, from New York in Etchings
By Anton Schutz
Located in Middletown, NY
New York: 1939. Etching on light weight wove paper, 13 3/4 x 10 3/4 inches ( 350 x 273 mm); 15 1/4 x 12 inches; sheet (383 x 300 mm); full margins. Signed in pencil in the lower mar...
Category

Early 20th Century American Modern New York - Landscape Prints

Materials

Etching

David Hockney, Letter V, from Hockney s Alphabet, 1991
By David Hockney
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter V, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary New York - Landscape Prints

Materials

Lithograph

Andy Warhol Bodley Gallery announcement 1957 (1950s Andy Warhol)
By Andy Warhol
Located in NEW YORK, NY
Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...
Category

1950s Pop Art New York - Landscape Prints

Materials

Paper, Lithograph

Pablo Picasso, The Pike II, from To the Bulls with Picasso, 1961
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph by Pablo Picasso (1881–1973), titled La Pique II (The Pike II), from the album A Los Toros Avec Picasso (To the Bulls with Picasso), originates from the 196...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern New York - Landscape Prints

Materials

Drypoint, Etching

Andre Brasilier, The Black Frame, from Prints from the Mourlot Press, 1964
By André Brasilier
Located in Southampton, NY
This exquisite lithograph by Andre Brasilier (born 1929), titled Le Cadre noir (The Black Frame), from the album Prints from the Mourlot Press, exhibition sponsored by the French Emb...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Marc Chagall, Before the Painting, from The Lithographs of Chagall, 1963
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...
Category

1960s Expressionist New York - Landscape Prints

Materials

Lithograph

Rapunzel, Rapunzel, let down your hair David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel, which he chose for its popularity. When illustrating the princ...
Category

1960s Modern New York - Landscape Prints

Materials

Etching, Aquatint

Pablo Picasso, Seated Woman in an Armchair, from Oeuvres 1920-1926 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme Assise dans un Fauteuil (Seated Woman in an Armchair), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 edition published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, December 10, 1926. Femme Assise dans un Fauteuil (Seated Woman in an Armchair) captures Picasso’s evolving exploration of form, movement, and emotion during the mid-1920s—a pivotal period in which he redefined the relationship between classical representation and modern abstraction. With its bold contouring, stylized anatomy, and rhythmic color balance, the composition embodies the harmony between structural precision and sensual fluidity that characterized Picasso’s work in this era. Executed as a lithograph and pochoir on velin paper, this work measures 11 x 8.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Cahiers d'Art and the technical excellence of Parisian printmaking in the interwar period. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme Assise dans un Fauteuil (Seated Woman in an Armchair), from the album, Picasso, Oeuvres 1920-1926, 1926 Medium: Lithograph and pochoir on velin paper Dimensions: 11 x 8.75 inches (27.94 x 22.23 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1926 Publisher: Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris Printer: Ducros & Colas, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 15; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 56 Condition: Well preserved, consistent with age and medium Provenance: From the album, Picasso, Oeuvres 1920-1926, published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, 1926 Notes: Excerpted from the album (translated from French), This volume was completed to be printed by the Ducros & Colas printing house, 7, rue Croulebarbe in Paris, for the Editions des Cahiers d'Art, on December 10th MCMXXVI, DCC numbered examples, VI on Japon Imperial with an etching by Picasso, numbered from I to VI, L examples on paper by papier de Hollande, Van Gelder, with an etching by Picasso, numbered from VII to LVI, DCXL examples on velin, numbered from LVII to DCC, plus II examples intended for legal deposit. About the Publication: The album Picasso, Oeuvres 1920-1926 was issued in 1926 by Editions des Cahiers d'Art under the direction of Christian Zervos, one of the most influential editors, critics, and publishers of 20th-century modernism. Conceived as both a visual and intellectual tribute to Pablo Picasso’s mastery during a crucial transitional period, the volume presents a series of lithographs and pochoirs that chronicle his stylistic evolution from synthetic Cubism toward a renewed engagement with the human figure. Published in conjunction with the legendary Cahiers d'Art journal, the edition reflects Zervos’s vision of uniting scholarship, craftsmanship, and artistic authenticity in the modern book arts. Each composition was executed by the master printers Ducros & Colas and colored using the pochoir technique, faithfully translating the tonal subtleties and compositional balance of Picasso’s original drawings and gouaches. Completed on December 10, 1926, the edition comprised DCC examples—VI on Japon Imperial, L on Hollande Van Gelder, and DCXL on velin paper, plus II copies reserved for legal deposit—each numbered and printed to exacting standards. The volume stands as one of the earliest major Cahiers d'Art collaborations with Picasso, preceding the monumental Catalogue Raisonne des Oeuvres de Picasso that Zervos would later dedicate his life to producing. Today, Picasso, Oeuvres 1920-1926 remains a cornerstone of interwar art publishing, representing the confluence of avant-garde innovation, technical excellence, and intellectual rigor that defined the Parisian art world of the 1920s. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Femme Assise dans un Fauteuil (Seated Woman in an Armchair), Picasso Oeuvres 1920-1926, Picasso Zervos Cahiers d'Art, Picasso pochoir...
Category

1920s Cubist New York - Landscape Prints

Materials

Lithograph, Stencil

La Bella Venezia
By John Taylor Arms
Located in Middletown, NY
(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...
Category

1930s American Modern New York - Landscape Prints

Materials

Etching

Three Lovely Kozo Inoue Pastel Prints, 1980s
By Kozo Inoue
Located in New York, NY
Kozo Inoue (Japanese, 1937-2017) Untitled, 1980 Lithograph Sight: 22 x 31 in. (Each) Framed: 34 x 42 1/2 x 1 in. (Each) Signed and dated 1980 lower right Inscribed lower left Kozo Inoue was a contemporary Japanese printmaker. Born in Osaka, he graduated from the Department of Art History at Keio University in 1960. During life, he worked during the winter months in the Izu Peninsula and Dordogne or Paris in the summer. He is known for his surrealistic silkscreen prints. His prints can be found in the Museum of Modern Art, Paris, Royal Library of Belgium, Modern Museum of Art Osaka and the Spencer Museum of Art, to name just a few. (Bio sourced from Ronin Gallery)
Category

1980s Modern New York - Landscape Prints

Materials

Lithograph

Joan Miro, Constellations of a Seated Woman, from XXe siecle, 1939
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Constellations d'une femme assise (Constellations of a Seated Woman), from the album XXe siecle, Chroniques du jour, 13 rue...
Category

1930s Surrealist New York - Landscape Prints

Materials

Lithograph

The Enchantress with the Baby Rapunzel by David Hockney Brothers Grimm Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. The Enchantress with the baby Rapunzel references a Heironymus...
Category

1960s Modern New York - Landscape Prints

Materials

Etching, Aquatint

Romare Bearden, Dreams of Exile (Green Snake), 1971, by African-American, signed
By Romare Bearden
Located in New York, NY
A North Carolina native, the African-American Romare Bearden spent most of his career in New York City. For several decades he was a social worker in Harlem. But of course he traveled widely, read and studied with great care, and created a phenomenal body of work. This 1971 lithograph is a good example of his oeuvre -- far reaching though it may be. It speaks to his skill and knowledge of contemporary printmaking while featuring a complex subject representative of his interests. A lush jungles is packed with flora and fauna. 'Green Snake' is part of the title and there is a particularly winsome reptile showing up so well on the sand-colored border between the dense forest and the aquamarine water. There are of course many other land and sea animals showing themselves -- even a curious ginger cat...
Category

1970s Contemporary New York - Landscape Prints

Materials

Lithograph

Marie Laurencin, Untitled, from Les Biches, 1924
By Marie Laurencin
Located in Southampton, NY
This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...
Category

1920s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Marc Chagall, Sarah and the Angels, from Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Sara et les Anges (Sarah and the Angels), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revu...
Category

1950s Expressionist New York - Landscape Prints

Materials

Lithograph

La Seine I, Modern Art Framed Lithograph by Bernard Buffet
By Bernard Buffet
Located in Long Island City, NY
Artist: Bernard Buffet, French (1928 - 1999) Title: La Seine I Year: 1968 Medium: Lithograph, signed in the plate Size: 25.5 x 19.5 in. (64.77 x 49.53 cm) Frame Size: 31 x 25.5 inches
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Marie Laurencin, Three Young Girls, from Antares, 1944
By Marie Laurencin
Located in Southampton, NY
This exquisite etching by Marie Laurencin (1883–1956), titled Trois jeunes filles (Three Young Girls), from the album Antares, eaux-fortes originales de Marie Laurencin (Antares, Ori...
Category

1940s Modern New York - Landscape Prints

Materials

Etching

Joan Miro, Untitled, from The Sun Bird, The Moon Bird, Sparks, 1967 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Raoul Dufy, Still Life with Fruit, Esprit de la fleur et du fruit, 1954 (after)
By Raoul Dufy
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Campagne boisée (Wooded countryside)
By Jean-Baptiste-Camille Corot
Located in Middletown, NY
1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...
Category

Mid-19th Century Barbizon School New York - Landscape Prints

Materials

Etching

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