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Item Ships From: New York
Composition, Le Peseur d âmes (The Weigher of Souls), Francis Picabia
By Francis Picabia
Located in Southampton, NY
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

1930s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

City Square II, Folk Art Lithograph by Claude Tabet
Located in Long Island City, NY
Claude Tabet, French (1924 - 1979) - City Square II. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, EA, Image Size: 23 x 19 inches, Size: 30 x 22 ...
Category

1970s Folk Art New York - Landscape Prints

Materials

Lithograph

Donkey Ride, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - Donkey Ride, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: 26 ...
Category

1980s Folk Art New York - Landscape Prints

Materials

Screen

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Pablo Picasso, 11.3.59., from Bulls and Bullfighters, 1961 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite heliogravure after Pablo Picasso (1881–1973), titled 11.3.59., from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 edition...
Category

1960s Cubist New York - Landscape Prints

Materials

Lithograph

Henry R. Diamond, Whaler
By Henry R. Diamond
Located in New York, NY
Really a wood engraving rather than a woodcut, Henry R. Diamond's Whaler is majestic. It is signed and titled in pencil.
Category

Early 20th Century American Modern New York - Landscape Prints

Materials

Woodcut

Picasso, Composition (Cramer 88), Dans l Atelier de Picasso (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

KAWS, 2016 hand signed offset lithograph poster from Yorkshire Sculpture Park UK
By KAWS
Located in New York, NY
KAWS KAWS at Yorkshire Sculpture Park (Hand Signed), 2016 Offset lithograph poster, uniquely signed and dated by KAWS 33 × 24 inches Signed and dated on the lower front Unframed Han...
Category

2010s Street Art New York - Landscape Prints

Materials

Offset, Lithograph

Composition, Le Peseur d âmes (The Weigher of Souls), Francis Picabia
By Francis Picabia
Located in Southampton, NY
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

1930s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Mountain Ridge, Modern Etching and Aquatint by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Mountain Ridge, Year: circa 1965, Medium: Etching and Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 67/120, Image Size...
Category

1960s Modern New York - Landscape Prints

Materials

Etching, Aquatint

Joan Miro, Untitled, from Tarragona Tapestry, 1972 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

Maurice Utrillo, Church of Amiens, 1956 (after)
By Maurice Utrillo
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillo's mastery of atmospheric nuance, architectural harmony, and poetic stillness, distilling the emotional resonance and delicate tonal balance that define his vision of the French landscape. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 10.55 inches (33.5 x 26.8 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 10.55 inches (33.5 x 26.8 cm) Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist New York - Landscape Prints

Materials

Lithograph

The New Athenaeum, Waterloo Place - Hand-Colored Engraving after Thomas Shepherd
By Thomas Hosmer Shepherd
Located in Long Island City, NY
Thomas Hosmer Shepherd, After by James Tingle, British (1793 - 1864) - The New Athenaeum, Waterloo Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Siz...
Category

Early 19th Century Old Masters New York - Landscape Prints

Materials

Engraving

Riopelle, Composition, Derrière le miroir (after)
By Jean-Paul Riopelle
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category

1980s Naturalistic New York - Landscape Prints

Materials

Lithograph

Composition (Mourlot 668-677), La Féerie et Le Royaume, Marc Chagall
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Composition (Bloch 605-608; Mourlot 177; Reuße 519-522), Elegy of Ihpetonga
By Pablo Picasso
Located in Southampton, NY
Lithograph on hand made Fabriano vélin paper mounted on museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Elegy of Ihpetonga and Ma...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

Ross Bleckner, Water Lilies (C.M.)
By Ross Bleckner
Located in New York, NY
Ross Bleckner THE WATER LILIES (C.M.) Year: 2019 Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper Size: 42 x 70 inches (107 x 178 cm) Edition: 30 Price: $7,000 Also sold as a set with Floating Red Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle. After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work. Bleckner’s early 1980s Stripe...
Category

1990s New York - Landscape Prints

Materials

Archival Pigment

Leonor Fini, Untitled, from The Story of O, 1962
By Leonor Fini
Located in Southampton, NY
This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Paysanne et son Enfant, Modern Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Paysanne et son Enfant". The original drawing was completed in 1898. In the 1970's after Picas...
Category

Late 20th Century New York - Landscape Prints

Materials

Lithograph

Red Sky, Minimalist Abstract Screenprint by John Stritch
Located in Long Island City, NY
John Stritch was an American artist best known for his abstract and sculptural work. "Red Sky" features an abstracted and simplified red landscape. This screen...
Category

1980s Abstract New York - Landscape Prints

Materials

Screen

Henri Matisse, Plume, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...
Category

1920s Modern New York - Landscape Prints

Materials

Lithograph

Ballpark, Folk Art Screenprint by Ralph Fasanella
By Ralph Fasanella
Located in Long Island City, NY
Artist: Ralph Fasanella, American (1914 - 1997) Title: Ball Park Year: 1974 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 250 Image: 25 x 37 inches Size...
Category

1970s Folk Art New York - Landscape Prints

Materials

Screen

Giacometti, Composition, Derrière le miroir (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 94-95, 1957. Published by Aimé Maeght, Éditeur, Paris; ...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

Hudson - Animar Valley, Photorealist Screenprint by Bill Sullivan
By Bill Sullivan
Located in Long Island City, NY
Hudson - Animar Valley Bill Sullivan, American (1942) Lithograph, signed and numbered in pencil Edition of 200 Size: 38 x 50 in. (96.52 x 127 cm)
Category

1980s American Realist New York - Landscape Prints

Materials

Screen

Henri Matisse, Crayon, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...
Category

1920s Modern New York - Landscape Prints

Materials

Lithograph

Raoul Dufy, The Regattas, from Raoul Dufy, IV, 1969 (after)
By Raoul Dufy
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Regates (The Regattas), from the folio Raoul Dufy, IV (Raoul Dufy, IV), Collection Pierre Levy, 1969, originates fr...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category

1940s Impressionist New York - Landscape Prints

Materials

Lithograph

Mac-Avoy, Panorama de Paris, Au Temps de Paris Seine (after)
Located in Southampton, NY
Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Mountain Bridge, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - Mountain Bridge, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 31 inches, Size: ...
Category

1980s Folk Art New York - Landscape Prints

Materials

Screen

Henri Matisse, Fusain, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...
Category

1920s Modern New York - Landscape Prints

Materials

Lithograph

Mid Century Vintage 356 Porsche, Midnight Modern Architecture Palm Springs
By Tom Blachford
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...
Category

2010s American Modern New York - Landscape Prints

Materials

Cotton, Archival Ink, Photographic Paper

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist New York - Landscape Prints

Materials

Lithograph, Stencil

Bench in the Park, Psychedelic Screenprint by Max Epstein
By Max Epstein
Located in Long Island City, NY
Max Epstein, Canadian (1932 - 2002) - Bench in the Park, Year: 1980, Medium: Screenprint, Signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x...
Category

1980s Pop Art New York - Landscape Prints

Materials

Screen

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
By Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist New York - Landscape Prints

Materials

Woodcut

Maurice Utrillo, The Sacred Heart, 1956 (after)
By Maurice Utrillo
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist New York - Landscape Prints

Materials

Lithograph

Henri Matisse, Crayon, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...
Category

1920s Modern New York - Landscape Prints

Materials

Lithograph

Holiday at Sky Farm, American Realist Lithograph by Mel Hunter
By Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - Holiday at Sky Farm, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: 950, Size: 19 in. x 26 in. (48.26 cm x 66.04 cm)
Category

1990s American Realist New York - Landscape Prints

Materials

Lithograph

Andre Masson, Untitled, from Albert Camus, oeuvres completes, 1962
By André Masson
Located in Southampton, NY
This exquisite lithograph by Andre Masson (1896–1987), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, essais philosophiques, Le mythe d...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Eschatos #23, Surrealist Landscape Screenprint by Clarence Holbrook Carter
By Clarence Holbrook Carter
Located in Long Island City, NY
The sublime, or the amalgamation of the terrifying and the awe-inspiring, is encapsulated by the crashing wave that dominates this surrealist landscape. Artist: Clarence Holbrook Ca...
Category

1970s Surrealist New York - Landscape Prints

Materials

Screen

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist New York - Landscape Prints

Materials

Lithograph, Stencil

The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm. A fine impression, printed with subtle tone. The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter. The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category

1870s Impressionist New York - Landscape Prints

Materials

Drypoint, Etching

Henri Matisse, Crayon, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...
Category

1920s Modern New York - Landscape Prints

Materials

Lithograph

Indiana, Three (Sheehan 46-55), Numbers (after)
By Robert Indiana
Located in Southampton, NY
Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...
Category

1960s Pop Art New York - Landscape Prints

Materials

Screen

Valerio Adami, Composition, L édition de tête (after)
By Valerio Adami
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Valeri...
Category

1970s Pop Art New York - Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist New York - Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist New York - Landscape Prints

Materials

Lithograph

Roofs, Folk Art Screenprint by Ted Jeremenko
By Ted Jeremenko
Located in Long Island City, NY
Ted Jeremenko, Yugoslavian/American (1938 - ) - Roofs. Year: 1987, Medium: Screenprint, Signed and numbered in pencil, Edition: 100, Image Size: 11 x 16 inches, Size: 19 x 23 in. (48...
Category

1980s Folk Art New York - Landscape Prints

Materials

Screen

Approaching Storm of Taos Pueblo, American Realist Screenprint by Lorna Patrick
Located in Long Island City, NY
Lorna Patrick, American - Approaching Storm of Taos Pueblo, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm),...
Category

1980s American Realist New York - Landscape Prints

Materials

Screen

Andrew Wyeth, The Berry Picker, from The Four Seasons (after)
By Andrew Wyeth
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Berry Picker, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wye...
Category

1960s American Realist New York - Landscape Prints

Materials

Lithograph

Vladimir: Greek column abstract etching and screenprint, handmade paper frame
By Michael Hurson
Located in New York, NY
An abstract black and white shadowbox drawing of a Greek column, with a unique handmade, hand printed, leather brown wood grain frame. According to Roberta Smith, Michael Hurson "......
Category

1980s Contemporary New York - Landscape Prints

Materials

Lithograph, Screen, Intaglio

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist New York - Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist New York - Landscape Prints

Materials

Lithograph, Stencil

Maurice Utrillo, Montmartre Square, 1956 (after)
By Maurice Utrillo
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Place a Montmartre (Montmartre Square), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Place a Montmartre (Montmartre Square), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist New York - Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category

1940s Impressionist New York - Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category

1940s Impressionist New York - Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category

1940s Impressionist New York - Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 93, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 93 (Plate 93), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

Jean Lurcat, The Leo, from The Signs of the Zodiac, 1959
By Jean Lurçat
Located in Southampton, NY
This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Lion (The Leo), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the 1959 ...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

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