New York - Landscape Prints

This exquisite lithograph by Bernard Buffet (1928–1999), titled Saint-Tropez (Saint-Tropez), originates from the 1979 album Bernard Buffet, Lithographe I (Bernard Buffet, Lithographe...

This exquisite lithograph by Georges Rouault (1871–1958), titled Acrobate (Acrobat), from the album Georges Rouault, Divertissement, originates from the 1943 edition published by Edi...

Diane Burko Lily Pond at Giverny, 1990 Hand colored monoprint (lithograph with hand coloring) Hand signed and numbered 8/95 by the artist and bears publisher's stamp on the front 21 ...

Artist: Doug Webb, Turkish (1946 - ) Title: Faucet Year: 1985 Medium: Screenprint, signed and numbered in pencil Edition: AP 54/75 Size: 29.5 in. x 36 in. (74.93 cm x 91.44 cm) Frame...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail sur le panneau (Work on the Panel), originates from the 1952 album The Circus of Toulouse-Lautre...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme a la meche (Woman with the Lock of Hair), from the folio Les Bleus de Barcelone, 12 aquarelles et ...

Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...

Bloom (2017) Rachel Burgess Monoprint on two sheets of paper, 39 x 56 inches total This work is framed.

“LA CASA VIVENDA” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Past and Present Remo Farruggio, Italian/American (1904–1981) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 35 Image Size: 20.5 x 28 inches Size: 27 i...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Pilgrimage #6 Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 200, 30 AP Size: 26 in. x 34 in. ...

This screenprint was created by New York-born artist Saul Chase (b. 1945). The beauty of Chase's work arises out of the inherent contradiction between his subject and the rendering. ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature Morte Aux Fruits (Still Life with Fruits), from the folio Raoul Dufy, IV (Raoul Dufy, IV), Collection Pierre Lev...

A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 16 x 22 inches on a 22.5 x 27.5 inch sheet. The artwork is signed, dated, titled and numbered ...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Whirlpool - Eye of the Storm Year: 1978 Medium: Lithograph on Johannot Wove Paper, signed and ...

Alexander Calder Lithograph c. 1973 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; contains center fold-line as originally issue...

This rare exhibition poster features Pierre Bonnard’s La Terrasse, created around 1918–1920, and published as part of the Collection of European Masters for the Kunstsammlung Nordrhe...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Death Ramp Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)

Lee Wells End of the World Party #5 2023 Archival pigment print Edition of 1 Caption: Opulent Enigmas: Amidst the lush embrace of a paradisiacal oasis, eccentric luminaries, Donatel...

Sybil Kleinrock, American - Untitled - Three Suns, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 125, Size: 23 x 26 in. (58.42 x 66.04 cm)

Beach Road Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Size: 25 x 32 in. (63.5 x 81.28 cm)

Artist: Unknown Title: Night Flower IV Medium: Screenprint, signed, titled, and numbered in pencil mounted on board Image Size: 24.5 x 20 inches Size: 2...

Artist: Jacques Villon, After Henri Rousseau, French (1844 - 1910), French (1875 - 1963) Title: La Chasse au Tigre Year: 1924 Medium: Etching with Aquatint, signed and dated in th...

London: Fine Art Trade Guild, c1900. Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...

Artist: John Grillo, American (1917 - 2014) Title: Primavera Year: 1980 Medium: Screenprint, Signed and Numbered in Pencil Edition: 200, AP 30 Image Size: 22 x 29 inches Size: ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled La dresseuse d'animaux (The Animal Trainer), originates from the 1952 album The Circus of Toulouse-Lautr...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Hong Kong Year: 1973 Medium: Screenprint on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 ...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Artist: Watanabe Nobukazu, Japanese (1872 - 1944) Title: The Second Army Bombarding and Occupying Port Arthur Year: 1894 Medium: Woodblock Triptych...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Lee Wells Twilight Gambit (EOW L1) End of the World Party Series 2023 Archival pigment print Edition of 1 Signed, dated and numbered by the artist Caption: Twilight Gambit: At a sec...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 10 x 8 inches (25.4 x 20.32 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 10 x 8 inches (25.4 x 20.32 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

Great American Landscape I Charles Magistro, (1942) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 25.5 x 21 inches Size: 29 in. x 24 in. (73...

Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...

This exquisite etching by Jacques Maret (1900–1980), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, ...

Ross Bleckner FLOATING RED Year: 2019 Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper Size: 42 x 70 inches (107 x 178 cm) Edition: 30 Price: $7,000 Also sold as a set with Floating Red Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle. After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work. Bleckner’s early 1980s Stripe...

ngraving on light cream wove paper. In good condition with minor age tone and edge wear, well outside of image area. 6 3/8 x 8 3/8 inches (162 x 213 mm); sheet 15 3/4 x 11 3/4 inches...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse (Clowness), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris ...

GILD THE LILY II Year: 2017 Medium: Archival pigment inks on Crane, Museo Max, 365 gsm fine art paper Size: 46 x 35 inches (117 x 89 cm) Edition: 30 Price: $2,875 Also available in a suite of 2 Carlos Rolón...

Christo and Jeanne-Claude Art Card: Surrounded Islands (Hand Signed by Christo and Jeanne-Claude), from the private collection of Jeanne-Claude's Assistant, 1983 Offset lithograph c...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a Dorothea Tanning (Homage to Dorothea Tanning), from the album XXe Siecle, Numero special hors abonnement, Hommage...

This screenprint was created by New York-born artist Saul Chase (b. 1945). The beauty of Chase's work arises out of the inherent contradiction between his subject and the rendering. ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Wehklagen des Odysseus (Lamentations of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Ge...

London: c1850. Engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small edge loss at the lower-rig...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Emilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Atropurpureum is a botanical mixed media work on paper by Cynthia MacCollum. This original artwork is 30x22 on archival paper. It is framed to...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Char (The Chariot), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Bouquet Noir et Bleu (The Black and Blue Bouquet), from the album Chagall, originates from the 1957 edition published...

This exquisite offset lithograph after Jasper Johns (born 1930), titled Untitled, originates from the publication Art in America, May 2014. Published by Art in America, LLC, New York, and Sharon Coplan Hurowitz, New York; sponsored by Christies Inc., New York; and printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, 2013, this work reflects Johns ongoing investigation into symbol, perception, and repetition. In Untitled, Johns extends his celebrated exploration of marks, motifs, and coded visual language through a composition that merges conceptual clarity with painterly nuance, embodying the subtle rigor that defines his mature graphic work. Executed as an offset lithograph on velin Giama Natural paper, this work measures 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, one of the most respected collaborative printmaking ateliers in the United States. Artwork Details: Artist: After Jasper Johns (born 1930) Title: Untitled, from Art in America, May 2014 Medium: Offset lithograph on velin Giama Natural paper Dimensions: 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 2013 Publisher: Art in America, LLC, New York; Sharon Coplan Hurowitz, New York Sponsor: Christies Inc., New York Printer: Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville Catalogue raisonne reference: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, No. 27; The Prints of Jasper Johns: A Catalogue Raisonne, ULAE, New York (forthcoming), No. 324. Condition: Well preserved, consistent with age and medium Provenance: From the May 2014 publication Art in America, published by Art in America, LLC, New York About the Publication: This special Art in America project was conceived as a contemporary homage to Jasper Johns’ long and distinguished history of printmaking innovation. Commissioned in collaboration with Sharon Coplan Hurowitz and sponsored by Christies Inc., the project brought together Art in America and Universal Limited Art Editions (ULAE) to create an original print that would bridge the worlds of fine art publishing, contemporary criticism, and Johns experimental graphic language. Printed at the renowned ULAE in Bay Shore and completed at Official Offset Corporation, the work reaffirms ULAEs foundational role in the evolution of Johns printmaking practice, which began at the atelier in 1960. For this publication, Johns developed a composition that synthesizes decades of explorations into mark-making, coded systems, repetition, and perceptual inquiry, extending the intellectual rigor and visual subtlety that have defined his contribution to American art since the 1950s. Distributed within the May 2014 issue, the project functioned as both a democratic expansion of Johns audience and a continuation of his long-standing interest in the intersection between mass media, printmaking processes, and the shifting boundaries between high art and printed dissemination. Today, this project is recognized as one of the most significant print-related collaborations between a major art periodical and an American master, embodying Johns lifelong dialogue between image, idea, and the materiality of print. About the Artist: Jasper Johns (born 1930) is widely regarded as one of the most influential and transformative American artists of the postwar era, a painter and printmaker whose groundbreaking fusion of abstraction, symbolism, and conceptual inquiry placed him in direct dialogue with towering modernists such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray while establishing a new visual and intellectual foundation for contemporary art; emerging in the mid 1950s with his revolutionary paintings of flags, targets, numbers, alphabets, and other everyday symbols, Johns rejected the emotional volatility of Abstract Expressionism and instead introduced a cool, analytical approach grounded in the semiotic play between object and image, employing encaustic, collage, graphite, and sculptural relief to create layered works that examine how meaning is constructed and perceived; his dialogues with Duchamps conceptualism, Picassos structural inventiveness, Miro and Kandinskys color logic, Giacomettis existential figuration, and Man Rays experimental attitude helped shape a singular aesthetic that directly influenced and helped catalyze Pop Art, Minimalism, and Conceptual Art, inspiring contemporaries and successors including Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Bruce Nauman, Glenn Ligon, Christopher Wool, Mark Bradford, Mark Grotjahn, and Wade Guyton; celebrated for more than seven decades, Johns work is held in the worlds most prestigious museums—including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Art Institute of Chicago, the Tate Modern, the Centre Pompidou, and the Moderna Museet—and he is recognized as one of the most intellectually rigorous and technically inventive artists of the 20th and 21st centuries; his market remains exceptionally strong, with his highest auction record achieved on November 11, 2014, when Flag (1983) sold for 36000000 USD at Sothebys New York. Jasper Johns lithograph...

This lithograph shows the Obelisk (Cleopatra’s Needle), 1425 BCE, in Central Park, New York City, just behind the Metropolitan Museum of Art, on Greywacke Knoll. (This makes it a double example of ‘art about art.’) Carved from a single piece of granite from Aswan, it was gifted to this country by the Khedive Ismail Pasha...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...

The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...

Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...