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Item Ships From: New York
Richard Lindner, Rear Window, from XXe siecle, 1980 (after)
By Richard Lindner
Located in Southampton, NY
This exquisite lithograph after Richard Lindner (1901–1978), titled Rear Window, from the album XXe siecle, Nouvelle serie, XLIe Annee, No. 53, Hommage a Richard Lindner, originates ...
Category

1980s Modern New York - Landscape Prints

Materials

Lithograph

Composition (Vallier 153), Le Tir à l arc mis en lumière par Georges Braque
By Georges Braque
Located in Southampton, NY
Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfolds, as issued. Notes: from the fo...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Potiniere at Rueil, from Vlaminck, 1958
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La Potiniere a Rueil (The Potiniere at Rueil), from the album Vlaminck, originates from the 1958 edition publishe...
Category

1950s Fauvist New York - Landscape Prints

Materials

Lithograph

Roger de La Fresnaye, Military Scene, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Scène militaire (Military Scene), from the folio Roger de la Fresnaye, III, Collection Pierre Levy, 1968, ori...
Category

1960s Cubist New York - Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, Winter Landscape, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Paysage d'hiver (Winter Landscape), from the album Vlaminck, originates from the 1958 edition published by And...
Category

1950s Fauvist New York - Landscape Prints

Materials

Lithograph

Joan Miro, Untitled, from The Sun Bird, The Moon Bird, Sparks, 1967 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Moon ...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Keith Haring, Untitled, from Against All Odds, 1990
By Keith Haring
Located in Southampton, NY
This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...
Category

1990s Pop Art New York - Landscape Prints

Materials

Lithograph

Bram van Velde, Blue Form, from Derriere le miroir, 1952
By Bram Van Velde
Located in Southampton, NY
This exquisite lithograph by Bram van Velde (1895–1981), titled Formulaire bleu (Blue Form), from the folio Derriere le miroir, No. 43, originates from the 1952 edition published by ...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

Georges Rouault, The Water Nymph, from Divertissement, 1943
By Georges Rouault
Located in Southampton, NY
This exquisite lithograph by Georges Rouault (1871–1958), titled La Roussalka (The Water Nymph), from the album Georges Rouault, Divertissement, originates from the 1943 edition publ...
Category

1940s Modern New York - Landscape Prints

Materials

Lithograph

Dufy (tariff free*), Sans titre, Les Côtes Normandes (after)
By Raoul Dufy
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
By Eugène Delacroix
Located in Southampton, NY
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category

1920s Romantic New York - Landscape Prints

Materials

Lithograph

Tennis Balls, Conceptual Art Lithograph by Mati Klarwein
Located in Long Island City, NY
Mati Klarwein, German (1932 - 2002) - Tennis Balls, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: H.C. 23, Image Size: 23 x 23 inches, Size: 25 x 25 i...
Category

1970s Conceptual New York - Landscape Prints

Materials

Lithograph

Jean Cocteau, Seated Bacchante, Wines, from Flowers, and Flames, 1956 (after)
By Jean Cocteau
Located in Southampton, NY
This exquisite lithograph after Jean Cocteau (1889–1963), titled Bacchante assise (Seated Bacchante), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates ...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Maurice de Vlaminck, Allainville in the Snow, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Allainville sous la neige (Allainville in the Snow), from the album Vlaminck, originates from the 1958 edition...
Category

1950s Fauvist New York - Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Daisies, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Reines-Marguerites (The Daisies), from the album Vlaminck, originates from the 1958 edition published by A...
Category

1950s Fauvist New York - Landscape Prints

Materials

Lithograph

Temple of Fortuna Virilis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...
Category

Early 19th Century English School New York - Landscape Prints

Materials

Handmade Paper, Engraving, Etching, Aquatint

Picasso, Composition (Cramer 88), Dans l Atelier de Picasso (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

The Ferry Inn, Bodinick, Fowey
By Theodore Roussel
Located in Middletown, NY
Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, an...
Category

Early 20th Century English School New York - Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Composition (Vallier 153), Le Tir à l arc mis en lumière par Georges Braque
By Georges Braque
Located in Southampton, NY
Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Maurice de Vlaminck, The Challonges, from Vlaminck, 1958
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Les Challonges (The Challonges), from the album Vlaminck, originates from the 1958 edition published by Andre Sau...
Category

1950s Fauvist New York - Landscape Prints

Materials

Lithograph

Sonia Delaunay, Plate No. 6, from Compositions, Colors, Ideas, 1930 (after)
By Sonia Delaunay
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 6 (Plate No. 6), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...
Category

1930s Modern New York - Landscape Prints

Materials

Stencil

Maurice Utrillo, At the Comedie Francaise, from Paris Capital, 1955
By Maurice Utrillo
Located in Southampton, NY
This exquisite lithograph by Maurice Utrillo (1883–1955), titled a la Comedie Francaise (At the Comedie Francaise), from the album Paris Capitale (Paris Capital), originates from the...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

John Winkler, View from Colby Meadows
Located in New York, NY
Winker is pulling out all the stops to make as stunning a Western Landscape as possible. The sky in this impression is open. There are also impressions with clouds in the sky. Sign...
Category

1960s American Modern New York - Landscape Prints

Materials

Etching

Alexander Calder, Composition with Circles, from Derriere le miroir, 1968
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Cercles (Composition with Circles), from the folio Derri...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Don Quixote and Sancho Panza Witness the Attack on Rocinante
By Jean-Honoré Fragonard
Located in Middletown, NY
Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...
Category

Early 20th Century French School New York - Landscape Prints

Materials

Handmade Paper, Etching

Maurice de Vlaminck, Portrait of the Artist, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...
Category

1950s Fauvist New York - Landscape Prints

Materials

Lithograph

Marc Chagall, The Carousel of the Louvre, from Derriere le miroir, 1954
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Le Carrousel du Louvre (The Carousel of the Louvre), from the folio Derriere le miroir, No. 67–68, originates from the 1...
Category

1950s Expressionist New York - Landscape Prints

Materials

Lithograph

Old Jerusalem Market, Folk Art Lithograph by Ari Gradus
By Ari Gradus
Located in Long Island City, NY
Ari Gradus, Israeli (1943 - ) - Old Jerusalem Market, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, Size: 30 in. x 22 i...
Category

1980s Folk Art New York - Landscape Prints

Materials

Lithograph

Joan Miro, Figure and Birds, from Cardboards 1959–1965, 1965 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnage et oiseaux (Figure and Birds), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–196...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Precious Stones; Église Notre Dame - Les Andelys
By John Taylor Arms
Located in Middletown, NY
A signed impression from the artist's own collection. Kansas City: Miniature Print Society, 1946. Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...
Category

Mid-20th Century American Modern New York - Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

International Meeting Plaza, Signed/N 25-color silkscreen, beloved female artist
By Thelma Appel
Located in New York, NY
Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authe...
Category

2010s Contemporary New York - Landscape Prints

Materials

Pencil, Color, Screen

Wassily Kandinsky, Untitled, from Derriere le Miroir, 1953 (after)
By Wassily Kandinsky
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

California 2017
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category

2010s New York - Landscape Prints

Materials

Photographic Paper

Henri Matisse, Chromatic Symphony, from Verve, Revue Artistique, 1940
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled Symphonie chromatique (Chromatic Symphony), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from...
Category

1940s Fauvist New York - Landscape Prints

Materials

Lithograph

Statue d Homme d État
By Auguste Louis Lepère
Located in Middletown, NY
Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...
Category

Late 19th Century French School New York - Landscape Prints

Materials

Handmade Paper, Engraving

Paul Wunderlich, Woman with Laurel, from XXe siecle, 1977
By Paul Wunderlich
Located in Southampton, NY
This exquisite lithograph by Paul Wunderlich (1927–2010), titled Frau mit Lorbeer (Woman with Laurel), from the album XXe Siecle, Nouvelle serie, XXXIXe Annee, No. 48, originates fro...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

Untitled #2, Surrealist Aquatint Etching by Hans-Georg Rauch
By Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Untitled #2, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 27 in. x ...
Category

1970s Surrealist New York - Landscape Prints

Materials

Etching, Aquatint

Marc Chagall, Self-Portrait, from The Lithographs of Chagall, 1960
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Autoportrait (Self-Portrait), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publ...
Category

1960s Expressionist New York - Landscape Prints

Materials

Lithograph

Guiding Light, Pop Art Screenprint by Muhammad Ali aka the G.O.A.T.
By Muhammad Ali
Located in Long Island City, NY
An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Guiding Light Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil Edi...
Category

1970s Pop Art New York - Landscape Prints

Materials

Screen

Chaim Soutine, Landscape at Cagnes, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the sweeping emotional vigor and expressive distortions that define Soutines landscape vision, capturing in lithographic form the turbulent rhythm, chromatic intensity, and psychological tension characteristic of his mature periods in Cagnes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a moment of renewed international interest in his oeuvre. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural dynamism of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Labyrinthe, Paroles peintes I, Émile Gilioli
By Émile Gilioli
Located in Southampton, NY
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category

1960s Modern New York - Landscape Prints

Materials

Etching

Illuminated Dendrology - Tunneling 2
By Linda Westin
Located in New York, NY
Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned back to photography. No...
Category

2010s New York - Landscape Prints

Materials

Photographic Paper

Cesar Baldaccini, Untitled, from XXe Siecle, 1961
By César Baldaccini
Located in Southampton, NY
This exquisite lithograph by Cesar Baldaccini (1921–1998), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, N° 16, Mai 1961, originates from the ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Chaim Soutine, Still Life with Pipe, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Chaim Soutine, Hanging Hare, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Marc Chagall, The Village, from Chagall, 1957
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Le Village (The Village), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, a...
Category

1950s Expressionist New York - Landscape Prints

Materials

Lithograph

Chaim Soutine, The Hare at the Green Shutter, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Keith Haring, Untitled, from Against All Odds, 1990
By Keith Haring
Located in Southampton, NY
This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...
Category

1990s Pop Art New York - Landscape Prints

Materials

Lithograph

Max Ernst, Electra, from XXe Siecle 1959
By Max Ernst
Located in Southampton, NY
This exquisite lithograph by Max Ernst (1891–1976), titled Electra (Electra), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, originates from the 1959 editi...
Category

1950s Surrealist New York - Landscape Prints

Materials

Lithograph

Slope w.five trees
By Robert Kipniss
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category

21st Century and Contemporary Modern New York - Landscape Prints

Materials

Engraving, Drypoint

Ann Michalov, A View of the Park
Located in New York, NY
Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like ...
Category

1930s Ashcan School New York - Landscape Prints

Materials

Lithograph

Pablo Palazuelo, Untitled, from Derriere le Miroir, 1982
By Pablo Palazuelo
Located in Southampton, NY
This exquisite silkscreen by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguer...
Category

1980s Modern New York - Landscape Prints

Materials

Screen

Fiesole, an Ancient Tower
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category

Early 20th Century American Modern New York - Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

David Hockney, Letter U, from Hockney s Alphabet, 1991
By David Hockney
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter U, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary New York - Landscape Prints

Materials

Lithograph

Marc Chagall, The Tree of Jesse, from Derriere le Miroir, 1960
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled L’Arbre de Jesse (The Tree of Jesse), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This lyrical composition exemplifies Chagall’s visionary fusion of faith, memory, and color, uniting biblical symbolism with the artist’s poetic sensibility. In L’Arbre de Jesse, Chagall reimagines a sacred theme as a vibrant allegory of spiritual lineage, evoking the mystical harmony between heaven and earth that defines his most celebrated works. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm), as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, which brought Chagall’s radiant imagery to print with unparalleled fidelity. Artwork Details: Artist: Marc Chagall (1887–1985) Title: L’Arbre de Jesse (The Tree of Jesse), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm), as issued Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Mourlot, Fernand, and Marc Chagall. “Chagall Lithographe, Volume II, 1957–1962.” Chagall Lithographe, Sauret, 1963, illustration 297. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonné Des Livres Illustrés. P. Cramer ed., 1995, illustration 40 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall L’Arbre de Jesse, Chagall Derriere le Miroir, Chagall Maeght...
Category

1960s Expressionist New York - Landscape Prints

Materials

Lithograph

Keith Haring, Untitled, from Against All Odds, 1990
By Keith Haring
Located in Southampton, NY
This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...
Category

1990s Pop Art New York - Landscape Prints

Materials

Lithograph

Sid Gotcliffe, Tompkins Square Park, about 1940
By Sid Gotcliffe
Located in New York, NY
British-born Sid Gotcliffe has made a powerfully poignant image in the lithograph Tompkins Square Park. At the center sit three men dressed in black. Their clothes suggest they bel...
Category

Mid-20th Century Ashcan School New York - Landscape Prints

Materials

Lithograph

Shipping on the IJ, Amsterdam in the Background.
Located in Middletown, NY
A busy 18th century river scene along Amsterdam's waterfront. One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts six vessels, from left ...
Category

Early 18th Century New York - Landscape Prints

Materials

Laid Paper, Etching

Matisse (tariff free*), Soupir, Poésies de Stéphane Mallarmé (after)
By Henri Matisse
Located in Southampton, NY
Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...
Category

1970s Fauvist New York - Landscape Prints

Materials

Lithograph

Gibbous Moon Willow
By Susan Derges
Located in New York, NY
Framing Included in Listing Price, Free Shipping, 14-Day Return Policy. Gibbous Moon Willow (2012) by Susan Derges. 24 x 13.5 inches Digital C-Print Edition 9 of 9 *Last print av...
Category

2010s New York - Landscape Prints

Materials

Photographic Paper

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