New York - Landscape Prints

This exquisite linocut by Gino Severini (1883–1966), titled Gravure futuriste (Futurist Engraving), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. d...

New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1950-4, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from t...

James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...

Biagio Civale, Italian/American (1936 - ) - Lampadario, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: A/P, Image Size: 12.5 x 10 inches, Size: 23 x 18 in. (58...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite collotype after Max Ernst (1891–1976), titled L’Evade (The Fugitive), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Salon de Musique (The Music Room), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy),...

Biagio Civale, Italian/American (1936 - ) - The Bridge, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: 21/33, Image Size: 12 x 16 inches, Size: 16 x 21 in. (40...

This exquisite lithograph and pochoir after Robert Delaunay (1885–1941), titled La fenetre, n°2 (The Window, No. 2), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Nostalgie vaincue (Nostalgia Overcome), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Paint...

NIAGARA Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled La baigneuse (The Bather), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition ...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1960-116, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu IX (Blue Nude IX), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages III (Figures III), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), origina...

Green, Gold, Blue Landscape Joseph Grippi, American (1924–2001) Screenprint Monoprint, signed in pencil lower right Size: 30 x 30 in. (76.2 x 76.2 cm)

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs of light, life...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 173, originates from the 1968 edition published by Mae...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Serie II, bleu et rouge (Series II, Blue and Red), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition published by Pierre Matisse Gallery, New York, rendered by Daniel Jacomet, Paris, and printed by Daniel Jacomet et Cie, Paris, 1961. Serie II, bleu et rouge exemplifies Miro’s lyrical use of pure color and abstraction, expressing the vitality of his creative gesture through bold contrasts of blue and red. The composition resonates with balance and spontaneity, merging intuitive rhythm and formal harmony in a poetic dialogue of chromatic energy. Executed as a lithograph and pochoir on velin paper, this work measures 11.5 x 18.48 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Daniel Jacomet et Cie, Paris, one of France’s foremost studios specializing in pochoir and fine art printmaking. Artwork Details: Artist: After Joan Miro (1893–1983) Title: Serie II, bleu et rouge (Series II, Blue and Red), from the album Miro 1959–1960 (Miro 1959–1960), 1961 Medium: Lithograph and pochoir on velin paper Dimensions: 11.5 x 18.48 inches (29.2 x 46.9 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1961 Publisher: Pierre Matisse Gallery, New York Renderer: Daniel Jacomet, Paris Printer: Daniel Jacomet et Cie, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 69. Dupin, Jacques, and Joan Miro. Miro Engraver 1961–1973. Rizzoli, 1989, illustration 292. Miro, Joan. Joan Miro, Lithographe II, 1953–1963. Joan Miro, Lithographe, Maeght, 1975, illustration 286–294. Condition: Well preserved, consistent with age and medium Provenance: From the album Miro 1959–1960 (Miro 1959–1960), published by Pierre Matisse Gallery, New York; rendered by Daniel Jacomet, Paris; printed by Daniel Jacomet et Cie, Paris, 1961 Notes: Excerpted from the album (translated from French), It was taken from this album: XXVIII examples with II original lithographs and an etching and VI suites, numbered from I to XXV; LXXX examples with II original lithographs and an etching, numbered from XXVI to LXXV; MCC examples, numbered from I to MCC. This album was made and presented for the exhibition of the artist's works at the Gallery Pierre Matisse, New York, October 31 - November 25, 1961. About the Publication: Miro 1959–1960 (Miro 1959–1960), published in 1961 by Pierre Matisse Gallery, New York, with pochoirs rendered by Daniel Jacomet, Paris, accompanied the landmark exhibition of Miro’s paintings and graphic works held at the Pierre Matisse Gallery from October 31 to November 25, 1961. The album captures the spirit of Miro’s late 1950s and early 1960s output—a period characterized by liberated brushwork, symbolic abstraction, and radiant chromatic experimentation. Printed by Daniel Jacomet et Cie, Paris, in collaboration with Fernand Mourlot for the original lithographs, the volume reflects the exceptional precision and artistry of French printmaking at its height. Designed to evoke the immediacy of Miro’s painted surfaces, the pochoirs and lithographs maintain a tactile richness and vibrancy that honor the original works. This publication stands among Miro’s most celebrated printed albums, marking a pivotal moment in his continued dialogue between materiality, imagination, and cosmic lyricism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. After Joan Miro Serie...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise et son peuple (Moses and His People), from the album Le Message Biblique, Marc Chagall (The Biblical Message, Marc...

This exquisite lithograph by Anna Eva Bergman (1909–1987), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXXII Annee No. 35...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Centre domine (Dominant Center), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters ...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Dans le village (In the Village), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1960-166, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from...

ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

This exquisite burin etching, engraving by Louis Marcoussis (1878–1941), titled Rimbaud, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazza...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

This exquisite linocut by Giorgio de Chirico (1888–1978), titled Cabina Misteriosa (Mysterious Cabin), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Reiterweg (Rider’s Path), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazz...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled People in Park, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

This exquisite collotype after Max Ernst (1891–1976), titled Petites tables autour de la terre (Little Tables Around the Earth), from the album Max Ernst, Histoire Naturelle (Natural...

Franz Xavier Habermann, German (1721 - 1796) - Vue de Boston, Year: circa 1750, Medium: Hand colored engraving on laid paper, Image Size: 9.75 x 15.5 inches, Size: 13 x 17.5 in. (3...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Sylvestre (Woodland), from the folio Vieira da Silva, Peintres d'auj...

This exquisite lithograph by David Hockney (born 1937), titled Letter X, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1960-165, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from...

This exquisite lithograph by Joan Miro (1893–1983), titled Les oiseaux de proie (Birds of Prey), from the album XXe Siecle, Numero special hors abonnement, Hommage a Dorothea Tanning...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Formes flottantes (Floating Forms), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today)...

This exquisite lithograph by Jean Bazaine (1904–2001), titled Paysage de Montagne (Mountain Landscape), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Pelleas et Melisande (Pelleas and Melisande), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Cei...

This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Oeufs (The Three Eggs), from the album XXe Siecle, Nouvelle serie, XXIXe Annee No. 31, Decembre 1968, originates ...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau), originates from the 1930 edition published by Editions du Signe, Paris, printed by Maitres-Imprimeurs, Ducros et Colas, Paris, and hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930. The work reflects Cocteaus mastery of linear elegance and psychological nuance, distilling intimacy, vulnerability, and symbolic clarity into a composition that occupies a pivotal place in early twentieth-century modernism and queer cultural history. Executed as a lithograph and pochoir with hand coloring on velin d'Arches paper, this work measures 11.81 x 9.06 inches. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Ducros and Colas, Maitres-Imprimeurs, and the exceptional hand-coloring attributed to Cocteau himself. ARTWORK DETAILS Artist: After Jean Cocteau (1889–1963) Title: Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau) Year: 1930 Medium: Lithograph and pochoir with hand coloring on velin d'Arches paper Size: 11.81 x 9.06 inches Inscription: Unsigned and unnumbered, as issued Publisher: Editions du Signe, Paris Printer: Maitres-Imprimeurs, Ducros et Colas, Paris Catalogue Raisonne References: Bezit, Emmanuel. Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Gründ, 1976, vol. 3, p. 744. Carteret, Leon. Le Tresor du Bibliophile: Livres Illustres Modernes, 1875–1945. Editions Carteret, 1958, vol. 5, p. 51. van der Veen, H. In Liefde Verzameld: Homoseksualiteit en de Nederlandse Literatuur. De Buitenkant, 1992, no. 136. Monod, Luc. Manuel de Lamateur de Livres Illustres Modernes: 1875–1975. Ides & Calendes, 1992, no. 2912. Condition: Well preserved, consistent with age and medium Provenance: From the album Le Livre blanc, published by Editions du Signe, Paris; printed by Ducros et Colas, Paris; hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930 NOTES Excerpted from the album (translated from French), This album, whose plates have been entirely colored by hand by M.B. Armington, an artist-painter, was completed to print on May 10, 1930, by Ducros and Colas, Maitres-Imprimeurs in Paris. The draw has been limited to: XVIII examples on japon nacre, each containing one of the XVIII original drawings and a suite on Hollande, numbered from I to XVIII; VI examples, H.C., marked from A to F; XVIII examples on japon imperial, numbered from XIX to XXXVI; VI examples, H.C., marked from G to L; CCCLXXX examples on velin d'Arches, numbered from XXXVII to CDXVI; XXII examples, H.C., marked from A to V. ABOUT THE PUBLICATION Le Livre blanc (The White Book), published in 1930 by Editions du Signe with plates printed by Ducros et Colas and hand colored by the enigmatic M.B. Armington (likely Cocteau himself), occupies a singular and foundational place in the history of LGBTQ...

Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Friselune (Friselune), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today),...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Joseph, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Une tete, deux races (One Head, Two Races), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...

An Ohio native Witonski made his home in the Chelsea neighborhood of New York City and this subject may well be a Chelsea scene. But mostly it is a homage to intaglio printmaking. It...

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 11 (Plate No. 11), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

This is a first edition exhibition poster titled Andalusia Rose, created by John Woodrow Kelley for the prestigious Lincoln Center Poster Program in 1990. The poster is a limited edi...

This exquisite etching after Joan Miro (1893–1983), titled Astres et Danseurs (Stars and Dancers), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, originate...