New York - Landscape Prints

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1947-20, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from ...

This exquisite lithograph by Henri Laurens (1885–1954), titled Caractere (Character), from the album XXe Siecle, Nouvelle serie N°1, 1951, originates from the 1951 edition published ...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

John McNulty, Irish/American (1949 - ) - Sailing 4, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 650, Image Size: 8 x...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Les briques volantes (The Flying Bricks), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Pai...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Ville fantome (Ghost City), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Painters of Today...

Linda Plotkin, American (1938 - ) - Calvaire de Pierre, Year: circa 1965, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 64/75, Image Size...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1958-10, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from ...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1957-81, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Chagrins inutiles (Useless Sorrows), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Painters...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à F...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 247, 1981. Published by Aim...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Croquis pour les peintures murales (Sketch for the Mural Paintings), from the folio Derriere le miroir, No. 107–...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Sans titre (Untitled), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, Painters of T...

ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...

Ari Gradus, Israeli (1943 - ) - Pigeon Feeder, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IV, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

This exquisite lithograph and pochoir by Victor Vasarely (1906–1997), titled Pamir (Pamir), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, originat...

This exquisite lithograph by Marie Laurencin (1883–1956), titled Alice dans la piscine des larmes (Alice in the Pool of Tears), from the folio Les aventures d'Alice au pays des merve...

This exquisite lithograph by Marino Marini (1901–1980), titled Le Sacre du Printemps (The Rite of Spring), from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 197...

This exquisite lithograph after Henri Matisse (1869–1954), titled L’Escargot (The Snail), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 iss...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Port dans le Nord (Port in the North), from the folio Vieira da Silva, Peintres d'aujourd'hui (Viei...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Arabesque de la nuit (Arabesque of the Night), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Est...

This serigraph titled La Marine à Honfleur by French artist Jacques Pellegrin, published by Pamplemousse Press in 1985, depicts a serene seaside sett...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme et son fils (Young Woman and Her Son), from the album Antares, eaux-fortes originales de Marie Laurencin (An...

**Framing Included in Listing Price, Free Shipping, and 14-Day Return Policy** Wild Garlic Bridge (2013) by Susan Derges. 30 x 17 inches unframed 34 x 21 inches framed Digital C-P...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph by Marc Chagall (1887–1985), titled David sauve par Michal (David Saved by Michal), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Etude pour La Partie de Cartes (Study for The Card Game), from the album Fernand Leger, Dessins de Guerr...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Sioule (Sioule), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today), origi...

This exquisite lithograph and pochoir by Max Ernst (1891–1976), titled La femme 100 tetes (The Woman with 100 Heads), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double) Mars 1958, originates from the 1958 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, 1958. La femme 100 tetes reflects Ernsts distinctive synthesis of dream logic, visual poetry, and psychological transformation during one of the most influential periods of his Surrealist production. Executed as a lithograph and pochoir on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: Max Ernst (1891–1976) Title: La femme 100 tetes (The Woman with 100 Heads) Medium: Lithograph and pochoir on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double) Mars 1958, published by Societe Internationale dArt XXe Siecle, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, 1958 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagalls most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagalls reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Max Ernst (1891–1976) was a German-French painter, sculptor, printmaker, and poet whose groundbreaking imagination and experimental techniques made him one of the most revolutionary figures of 20th century art, a founding member of both Dada and Surrealism who dismantled traditional notions of art through chance, dream imagery, and psychological exploration; born in Bruhl, Germany, he studied philosophy and psychology at the University of Bonn before rejecting academic convention to pursue art, inspired by Symbolism, Cubism, and the early abstractions of Pablo Picasso and Wassily Kandinsky; after the trauma of World War I propelled him toward the Dada movement in Cologne, he began creating seminal collages that fused scientific diagrams and Victorian engravings into surreal dreamscapes; by 1922 he had moved to Paris and joined a circle of avant-garde luminaries including Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, Man Ray, and Andre Breton, each of whom shared his fascination with the irrational and the unseen; Ernsts invention of frottage (rubbing) and grattage (scraping) revolutionized modern painting, revealing textures and hidden images below the surface and allowing chance to participate in creation; his visionary paintings—from The Elephant Celebes and Two Children Are Threatened by a Nightingale to Europe After the Rain II—blend myth, science, and dream into symbolic landscapes that remain among the defining masterpieces of Surrealism; a restless innovator, he expanded into sculpture with enigmatic totemic forms such as Capricorne, echoing the equilibrium of Calders mobiles and the conceptual wit of Duchamp; fleeing Nazi-occupied France during World War II, he emigrated to the United States with the support of Peggy Guggenheim, influencing Abstract Expressionists including Jackson Pollock, Robert Motherwell, and Willem de Kooning before returning to Europe to refine his poetic, alchemical approach to art; represented in MoMA, the Tate, the Centre Pompidou, and major museums worldwide, Ernst remains a cornerstone of modern art whose legacy continues to influence generations of artists. His highest auction record was achieved by Le roi jouant avec la reine (The King Playing with the Queen) (1944), which sold for approximately 24.4 million USD at Christies New York in November 2022. Max Ernst XXe Siecle 1958, Max Ernst lithograph...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

This exquisite lithograph by Joan Miro (1893–1983), titled La danseuse espagnole (The Spanish Dancer), from the folio Derriere le miroir, No. 139–140, originates from the 1963 editio...

This exquisite lithograph after Jean Cocteau (1889–1963), titled El Cordobes (The Cordobes), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Coctea...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Le torero blesse (The Wounded Bullfighter), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Testa di fanciulla (Head of a Young Girl), from the album XXe siecle, Nouvelle serie, XL Annee, No. 50, originates f...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Artist: Saul Steinberg, Romanian/American (1914 - 1999) Title: Chrysler Building (Night) from Derrier le Mirroir Year: circa 1965 Medium: Lithograph Size: 14 x 10.5 in. (35.56 x 26.6...

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned bac...

Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Donna e fiori (Woman and Flowers), from the album XXe siecle, Nouvelle serie, XLIIe Annee, No. 55, originates from t...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Testa di paggio (Page’s Head), from the album XXe siecle, Nouvelle serie, XLIIe Annee, No. 55, originates from the 1...

This exquisite lithograph by Joan Miro (1893–1983), titled Le prophete (The Prophet), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Ma...

Mel Hunter, American (1927 - 2004) - Dreadnaught After the Storm, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 24 x 31 in. (60.96 x 78.74 ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph by Joan Miro (1893–1983), titled L'etoile (The Star), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Maeght E...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

This exquisite lithograph by Andre Masson (1896–1987), titled La Lune (The Moon), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from the 1938 issue published ...

Jean-Marie Picard, French - Paysage, Medium: Lithograph on Arches, signed in the plate lower right, Image Size: 19.5 x 26.75 inches, Size: 22 x 29.75 in. (55.88 x 75.57 cm)

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Relief I (Relief I), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954 edition...

Artist: Maurice Utrillo (after), French (1883 - 1955) Title: Sur la Route de Village from Douze Contemporains Year: 1959 Medium: Lithograph with Pochoir on Wove paper, signed in the ...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite lithograph by Georges Braque (1882–1963), titled La Bouteille de Marc (The Bottle of Marc), from the album XXe Siecle, Nouvelle serie N°6 (double) Janvier 1956, origin...