New York - Still-life Prints

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His favorite subjects are time,...

ABOUT THIS ARTIST: In rich, cinematic reds and browns, vivid yellows, and muted neutral shades, Adrian Samson’s photographs seduce viewers into a radiant, chromatic universe. With a ...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

Artist: Omar Rayo Title: My Size Year: 1969 Medium: Intaglio Etching with Collage, signed and numbered in pencil Edition: 50, 10 APs Paper Size: 29 x 22 inches (73.7 x 60 cm) Refer...

Artist: Francisco Scavullo Title: Roses and Poppies in Spotted Vase (Red) Year: 1987 Medium: Screenprint, signed and dated l.r. in pencil Edition: 73/75 (verso) Size: 36 x 36 inches ...

Six Episodes Ellen Lanyon, American (1926–2013) Date: 1979 Lithograph, signed and numbered in pencil Edition of 13/35 Image Size: 18 x 21.5 inches Size: 22 in. x 25.5 in. (55.88 cm x...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Three Irises on Yellow Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 15.25 x 36 i...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

ABOUT THIS PIECE: 23.5x19.6 (edition of 50) – AVAILABLE FACEMOUNTED TO PLEXI ONLY This piece is available face mounted to plexiglass giving a more modern, durable, and sleek fin...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: The Velveteen Rabbit by Margery Williams was one of my favorite books...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: The Velveteen Rabbit by Margery Williams was one of my favorite boo...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product s...

ABOUT THIS PIECE: Bon Puf is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting cropping. ...

ABOUT THIS PIECE: CRÈME DE LA CRÈME is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interestin...

Tall Vase with Glasses by Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed in pencil Edition of AP Image Size: 12 x 10 inches Frame ...

Artist: Hunt Slonem, American (1951 - ) Title: Stuffed Pheasant Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 24 Image ...

Still Life in Red Lebadang, Vietnamese (1922–2015) Lithograph, signed and numbered in pencil Edition of E.A. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Red Rose Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 30...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Three Irises on Green Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 40 Image Size: 20 x 44 inche...

Artist: Juan Gris (after), Spanish (1887 - 1927) Title: Still Life with a Lemon Medium: Screenprint, printed signature and date Image: 27 x 22 inches Size: 32 x 26 inches Frame: 37 ...

Artist: Bernard Buffet, French (1928 - 1999) Title: Ourisns et Lampe à Petrole Medium: Lithograph with pochoir Edition: 15/300 Portfolio: Douze Aquare...

Artist: Peter Max, German/American (1937 - ) Title: Marilyn's Flowers II Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 165 Image Size: 19 x 23.5 inches

Flower Field 4 Nadine Prado, Mexican/French (1940) Date: 1979 Screenprint, Signed and numbered in Pencil Edition of 300 Size: 32 x 32 in. (81.28 x 81.28 cm)

Artist: Ben Schonzeit, American (1942 - ) Title: Lamps Year: 1979 Medium: Etching, signed and numbered in pencil Edition: 14/125 Image Size: 19.5 x 17 inches Size: 28 x 25 in. (71.12...

Artist: Ray Charles White (Canadian 1961 - ) Title: Lillias Year: 2005 Medium: Screenprinted Enamel on Anodized Aluminum (Nine Panels), each signed ...

This original still life lithograph depicting a tomato was printed in 1993 from an edition of 100 in collaboration with Eric Mourlot. Artist Bio: Born in Boston, MA, Fink received ...

Artist: Sondra Mayer Title: Key Collection Year: 1979 Medium: Etching and aquatint, signed and numbered in pencil Edition: 41/250 Image Size: 14 x 18 inches Paper Size: 22 in. x 26 ...

Relish by Ralph Goings, American (1928–2016) Date: circa 1990 Screenprint, Signed and numbered in pencil Edition of 195,AP 55 Size: 25 in. x 38 in. (63.5 cm x 96.52 cm)

Artist: Arman Title: Cavalcade Year: 1979 Medium: Silkscreen on Arches, signed and numbered in pencil Edition: 150, AP 30 Paper Size: 25 x 39 inches

Artist: Richard Bernstein Title: Ruby Year: 1978 Medium: Screenprint in Colors, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 26 x 30.5 inches Frame Size: 32.5 x 36.5...

Artist: Peter Max Title: Blue Vase Year: 1981 Medium: Lithograph on Somerset, signed and numbered in pencil Edition: 165 Image Size: 25 x 19 inches Size: 30.5 in. x 24 in. (77.47 cm...

Regal Chief Michael Knigin, American (1942–2011) Date: 1979 Screenprint, signed, numbered, dated, and titled in pencil Edition of AP Image Size: 18 x 25.5 inches Size: 21.5 x 29.5 in...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Iris on Black Year: 1982 Medium: Silkscreen, signed and numbered in pencil Edition: AP 40 Image Size: 31.5 x 25 inch...

Artist: Arman, French (1929 - 2005) Title: Symphony Pastorale Year: 1979 Medium: Serigraph on Arches, signed and numbered in pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (7...

Artist: Eugenie Torgerson, American Title: Fourth Costume Year: 1984 Medium: Screenprint, signed and numbered in pencil Edition: 21 Image Size: 24 x 18.5 inches Size: 32 x 24.5 inches

This original lithographic poster was designed after Pierre Bonnard, for the Orangerie Des Tuileries in 1947. This work encompasses still life as this table set takes center stage. Bonnard was a founding member of the Post-Impressionist group of avant-garde painters Les Nabis...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White and Violet Iris Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 40 Image Size: 30 x 2...

This lithographic poster was printed at the Atelier Mourlot in 1959 for an exhibition of Picasso's "50 Masterpieces" at the Musée Cantini in Marseille, Fran...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Three Irises Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 30 x 30 inches Size: 37 ...

This exquisite lithograph after Fernand Leger (1881–1955), titled La Femme et l’Enfant (The Woman and the Child), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: La Femme et l’Enfant (The Woman and the Child), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger La Femme et l’Enfant 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

This exquisite lithograph after Fernand Leger (1881–1955), titled Femme tenant une fleur (Woman Holding a Flower), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Femme tenant une fleur (Woman Holding a Flower), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Femme tenant une fleur 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

Artist: Mike McKenzie, American (1954 - ) Title: Campbells Soup with Text Year: circa 1992 Medium: Screenprint Size: 26 x 20 in. (66.04 x 50.8 cm)

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Deux natures mortes (Two Still Lifes), from the folio Derriere le miroir, No. 65, originates from the 1954 edit...

Artist: Arman Title: Music with a Flair Year: 1979 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: 150, AP 23/30 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Artist: Jane Freilicher, American (1924 - 2014) Title: Peonies Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 25 Size: 29.5 x 22 in. (74.93 x 55.88 cm)

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, Sur Qua...

Artist: Richard Karwoski, American (1938 - 1993) Title: Fall Apples Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 22 in. x 29.5 in. (55...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Yellow) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithog...

Artist: David Nguyen, Vietnamese, (1977- ) Title: Flowers Fifteen Year: 2008 Medium: Lithograph, Signed and Numbered in Pencil Edition: AP 3/17 Size: 36 x 24 inches Frame Size: 41 ...

Artist: Richard Karwoski, American (1938 - 1993) Title: Sunflower #1 Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 29 in. x 22.5 in. (7...

Artist: Scott Sandell, American (1953 - ) Title: Club Montauk Medium: Mixed Media on Thin Wove Paper, signed, titled Size: 57.5 x 37 in. (146.05 x 93.98 cm)

Artist: Arman, French (1929 - 2005) Title: Arsenic and Old Lace Year: 1978 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: 150, AP 3...

Artist: Robert D.H. Bidner, American (1930 - 1983) Title: Kittee Year: circa 1978 Medium: Chromograph, signed in ink l.r. Size: 21 x 31 in. (53.34 x 78.74 cm)

This exquisite lithograph after Juan Gris (1887–1927), titled Pot de Fleurs (Flower Pot), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 19...

This exquisite lithograph after Juan Gris (1887–1927), titled Violin (Violin), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edition ...

This exquisite lithograph after Juan Gris (1887–1927), titled Le Livre (The Book), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edit...

This elegant work by Fidel Santos captures a delicate antique Renaissance wood carving of white lilies. Despite the visible signs of aging—cra...

Bodegon 31 Juan Manuel Gomez-Quiroz, Chilean (1939) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of AP 90 Image Size: 12.5 x 18.5 inches Size: 21.5 in. x 29 in....

Artist: Melanie Greene, American Title: Summer (Blue Corsage) Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 50 Size: 30 x 22 in. (76.2 x 55.88 cm)