New York - Still-life Prints

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Vase de Fleurs, Medium: Lithograph on Arches (unsigned), Image Size: 21 x 17 inches, Size: 29 x 22 in. (73.66 x 55.88 cm)

ABOUT THIS PIECE: Musk of the Rose Blown is about the intimate relationships that abound amidst the natural world. Inspiration for this painting stemmed from my many walks along fore...

ABOUT THE ARTIST: Brandon currently lives in New York, New York, though his heart remains in Los Angeles. He studied at New York University's Stern School of Business, receiving a ma...

Emilio Sanchez (1921-1999) created this color lithograph entitled “Florecitas” in 1997. This signed impression was acquired directly from the Sanchez estate. Estate stamped on verso....

This exquisite lithograph after Pablo Picasso (1881–1973), titled Vase de fleurs (Vase of Flowers), from the album Une visite a Vallauris (A Visit to Vallauris), originates from the ...

ABOUT THIS ARTIST: In rich, cinematic reds and browns, vivid yellows, and muted neutral shades, Adrian Samson’s photographs seduce viewers into a radiant, chromatic universe. With a ...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers VII, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 1...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. VII, n°2, D...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: I painted the snow cone with particularly in...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden photographs one icon of American childhood- a Hot Wheels...

ABOUT THIS PIECE: Untitled (Balloons) is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interestin...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...

ABOUT THIS PIECE: Untitled (Balloons) is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interestin...

This exquisite lithograph after Fernand Leger (1881–1955), titled Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Nature morte 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

“Margaritas” is a lithograph created by Emilio Sanchez in 1997. This impression is signed, titled, and inscribed "12/50" - the 12 print from an edition of 50 impressions. The printed image size is 12.50 x 14.25 inches (31.3 x 35.7 cm) and the paper size is 18 x 20.13 inches - all four paper edges are decked adding a nice option when framed. This print came to us directly from the Emilio Sanchez Estate (circular estate stamp is on verso). Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of...

Sunflowers by Bernard Buffet, published by MaGraff, a French-Canadian publisher renowned for its fine editions in the early 1970s (now defunct). This reproduction, created as a scree...

This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. Danseuse Créole celebrates Matisse’s mastery of rhythm and movement through his iconic cut-out technique, transforming color and form into pure visual music. The composition captures a dancer in motion—her form abstracted into vibrant, flowing shapes that express both energy and grace. Evoking the sensuality and vitality of dance, this work embodies Matisse’s lifelong quest to unite color, joy, and human expression in perfect harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the coloristic richness and compositional rhythm of Matisse’s late paper cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Danseuse Créole, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

ABOUT THIS PIECE: Chocolate for the Win! is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interes...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His favorite subjects are time,...

ABOUT THE ARTIST: Gaia Barnatan explores surreal, dreamlike spaces through the medium of digital collage. Her work aims to create a sense of balance, pla...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His favorite subjects are time,...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

This exquisite lithograph by Georges Braque (1882–1963), titled La Bouteille de Marc (The Bottle of Marc), from the album XXe Siecle, Nouvelle serie N°6 (double) Janvier 1956, origin...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

ABOUT THIS PIECE: Sugar High is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of col...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Double Poppies Blue 2025 
Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board 
Sheet size: 52.5 x 30 inches (133 x 76 cm)
 Image size: 48.5 x 26 inches ...

ABOUT THIS PIECE: Summertime is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting croppin...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

Artist: Ralph Goings, American (1928 - 2016) Title: Still Life With Sugars Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 300; 40 AP's Image Size: 19 x 20 inc...

Alex Katz (after) Day Lilies (Hand Signed and Inscribed by Alex Katz), 1992 Large silkscreen poster on wove paper Boldly signed, inscribed and dated on the lower, right front in blac...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Au Temps de Paris Seine, 1964. Published by Pierre ...

Original colored lithograph of a seaside village done in a post modernist style. Edition 46/175 in pencil lower left margin. Signed in pencil by the artist lower right margin. Circa...

Robert Cottingham's Rolling Stock series is a significant part of his artistic portfolio, focusing on railroad imagery. The series features hand-colored etchings, collographs, and mo...

John Moore (b.1941) Place Setting, 1979 Lithograph on wove paper Hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front 17 × 22 inches Unframed This elegant still life lithograph is hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front. About John Moore: John Moore is an acclaimed contemporary realist painter...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L'Atelier II (The Studio II), from the folio Derriere le miroir, No. 98, originates from the 1957 edition publi...

This high-quality reproduction of La Bouteille de Rhum by Georges Braque is a striking example of early Cubism, a movement co-founded by Braque and Pablo Picasso. The limited edition...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled La table (The Table), from the folio Derriere le miroir, No. 65, originates from the 1954 edition published by ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Composition sur fond rouge (Composition on a Red Background), from the folio Derriere le miroir, L’art abstrait, No. 21-22, originates from the 1949 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1949. The composition exemplifies Leger’s distinctive modernist vision, uniting color, structure, and rhythm into a celebration of harmony between abstraction and industrial dynamism. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Composition sur fond rouge (Composition on a Red Background), from the folio Derriere le miroir, L’art abstrait, No. 21-22 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1949 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 90. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, L’art abstrait, No. 21-22, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1949 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold color contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christie’s New York for Contraste de formes (1913). Fernand Leger Composition...

Hook, Sandy. (Georges Taboureau), Cie Gle Transatlantique/Chemin de fer PLM, Ville D'Alger, 1935. Color Lithograph.

This exquisite lithograph after Pablo Picasso (1881–1973), titled Nature morte (Still Life), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Picassos bold graphic energy, structural invention, and expressive distillation of form that reshaped the trajectory of modern art. Executed as a lithograph and pochoir on velin paper, this work measures 18.25 x 13.25 inches (46.4 x 33.7 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Nature morte (Still Life), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 18.25 x 13.25 inches (46.4 x 33.7 cm) Inscription: Signed in the plate and unnumbered, as issued Date: December 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., stands as a masterwork of mid-century French printmaking, uniting the visions of leading modern artists through a harmonious portfolio of lithographs and pochoirs. The album exemplifies Jacomets meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a significant edition of numbered and non-commerce impressions, the publication reflects the vibrancy of postwar artistic culture and the ateliers central role in advancing modern printmaking. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso print, Nature morte Picasso...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite lithograph after Juan Gris (1887–1927), titled Le Moulin a Cafe II (The Coffee Grinder II), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), origi...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

David Lee, Chinese (1944 - ) - Magnolias (13), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, C, Size: 29 x 21 in. (73.66 x 53.34 cm), Descr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 48-49, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 85-86, 1956. Published by Aimé Maeght, Éditeur, Paris; ...

"CONGREGATION OF WITS, Box Set of 41 Prints", 2018, limited-edition collection of 40 double-sided silkscreen prints, plus one title print, by Andrew Cornell Robinson. There are 10 box sets in custom-made chocolate linen archival boxes with a gold stamped title. Each print is signed, stamped and editioned. The prints measure 17x17", the box 17.5x17.5". Note the double-sided printing – surfaces of text, surfaces of image. The installation (see photos above) is a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. The artist is pleased to offer guidance on the installation, according to the collector's wishes. Or a collector may arrange personally. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 115, 1959. Published by Aim...