New York - Drawings

5125 Antique charcoal drawing of a landscape as viewed from the Charles river in Boston from 1927 Signed J.G.Berry

Jean-Luc Baroni Ltd.: An Exhibition of Master Drawings and Oil Sketches, New York & London, 2004, at Adam Williams Fine Art, New York, 4 - 28 May 2004, and Baroni's London Gallery, 1...

A dapper smoking man mixed media illustration from the American Art Deco period. Watercolor, oil crayon, pastel and graphite on paper. The man stands arms folded with a cigarette in ...

Large mono-print by Harry Bertoia, initialed and numbered 1857 on rice paper set mounted in oiled walnut frame. From the Bertoia Family collection. A beautiful rendering of his sculp...

Italian drawings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection, The Art Institute of Chicago, by Suzanne Folds McCullagh and Laura Giles. Published in Princeton, NJ, Princeton Univ. Press, 1997. 1st Ed hardcover with dust jacket The third in a series of scholarly catalogs on the permanent collection of The Art Institute of Chicago, this book focuses on the museum's important holdings of Italian drawings of the fifteenth and sixteenth centuries. The catalog contains comprehensive entries on over 700 drawings, including preliminary studies for major compositions, cartoons, modelli, independent drawings, and copies after Renaissance and Mannerist masters. Featured are major works by some of the most significant artists of the time: Baccio Bandinelli, Federico Barocci, Fra...

Contemporary blue and gray cartoon of a man in the jungle crouched down firing a gun with text in the lower left corner reading \"East of West\"in white matting and a black rectangul...

Drawing in Silver and Gold: Leonardo to Jasper Johns by Stacey Sell, Hugo Chapman and Kimberly Schenck. With gift card from the curator at National Gallery of Art, Washington. Publis...

This series of framed vintage pen and ink drawings on paper depicts a curious relationship between two groups of parent-and-child figures who seem to mirror each other. Each frame pr...

Delhi: Stones And Streets by C.S.H. Jhabvala. Published by Ravi Dayal, Delhi, 1990. 2nd Ed Signed hardcover with dust jacket. Professor Cyrus S.H. Jhabvala was a prominent Indian arc...

Ivan Alexandrovich Gerassimoff, 1885-1954, was active in the 30s in Shanghai and Harbin, moving to Tashkent after WWII. His style was strongly influenced by Alexander Yakovlev, a not...

Large drawing of water tower at Fort Ethan Allen in a wood frame. Purchased from an East Hampton Estate. Brown stains on print.

The Devonshire Collection of Italian Drawings; Volume III: Bolognese and Emilian Schools by Michael Jaffé. Published by Phaidon Press, London, 1994. 1st...

Polidoro da Caravaggio by Dominique Cordellier. Musee de Louvre, Paris 2007. 1st Ed softcover. Of the talented artists who flourished under Raph...

Why Draw? 500 Years of Drawings and Watercolors from Bowdoin College, by Joachim Homann. Bowdoin College Museum of Art, Brunswick ME 2017. 1st Ed hardc...

Michelangelo. The Drawings of a Genius. By Achim Gnann. Preface by Klaus Albrecht Schröder. Published by the Albertina, Vienna. This catalogue is published in conjunction with the exhibition "Michelangelo: The Drawings of a Genius", Albertina, Vienna; October 8, 2010 - January 9, 2011. 478th. Published by Hatje Cantz, Ostfildern, 2010. 1st Ed softcover exhibition catalog. Michelangelo's drawings endowed human physique with an expressive musculature that remains to be rivaled in its feeling for corporeal articulation. His drawings of male nudes in particular, fraught as they are with tempestuous longing, project both tension and pliancy, and a compelling sense of health in the exertions and torque of bodies. He was also readily able to bring contrary qualities of grace and swiftness to depictions of women and cherubim. With over 300 color plates and extensive contextualizing scholarship, Michelangelo: The Drawings of a Genius is the most complete treatment of his work ever published, and thus constitutes a publication of great importance. Masterpieces from the world's finest museums are gathered, from the early studies for the "Battle of Cascina" and the studies for the Sistine Chapel frescoes, to the drawings for the tomb of Julius II, the Medici tombs...

The Poetry of Light: Venetian Drawings from the National Gallery of Art of Washington: Tiepolo, Canaletto, Sargent, Whistler, by Andrew Robison. Publ...

Marty De Cambiaire: Dessins Génois Genoese Drawings. Softcover Exhibition Catalog for show held March 25-April 19, 2019 in Paris. 17th-18th c 22 old master artists drawings. NPT Bo...

Picasso's Drawings, 1890-1921 : Reinventing Tradition by Marilyn McCully; Susan Grace Galassi. Yale University Press, 2011. 1st Ed hardcover with dust jacket. 74 drawings with detail...

Veronese's Drawings. A Catalogue Raisonné by Richard Cocke. Published in London: Sotheby's Publications, 1984. 1st Ed hardcover with dust jacket. Paolo Spezapreda, known as 'Veronese...

The Devonshire Collection of Italian Drawings: Roman and Neapolitan Schools by Michael Jaffe. Published by Phaidon Press, London, 1994. 1st Ed hardcover with dust jacket. The Collection of Old Master drawings at Chatsworth House, Derbyshire, home of the Dukes of Devonshire, ranks with the Royal Collection at Windsor Castle as the finest privately owned group of such drawings in Britain and as one of the great princely collections of Europe. It contains outstanding drawings by the great masters from every artistic school. The book is devoted to the Italian drawings have detailed entries for nearly 1,000 works from the fifteenth to the eighteenth centuries, among them numerous reattributions and discoveries. This volume includes the works of Pietro da Cortona, Giulio Romano...

Vintage Surrealist Ink & Watercolor Drawing “A Royal” Signed By A. W. Guenther C1968 Measures - 28 1/2" x 22 1/2" x 1 1/4" A vintage surrealist drawing titled 'A Royal' by A. W. Gu...

Vintage Surrealist Watercolor & Pencil On Paper Drawing “Demons That Plague A Great Lady” Signed By A. W. Guenther C1968 Measures - 24 1/4" x 14 1/4" x 1" A surrealist watercolor a...

Exceptional pencil charcoal drawing of Michael Jackson (one of our best customers), signed Charlotte and dated 1983, matted and mounted in giltwood frame measuring 13 1/2 by 25 1/2 b...

Vintage Surrealist Colored Pencil On Paper Drawing “The Annunciation” Signed By A. W. Guenther C1966 Measures - 14 1/4" x 20 1/4" x 1" A surrealist drawing titled 'The Annunciation...

Christies July 2004 Old Master & 19th Century Drawings. Published by Christie's Auctioneers, London, 2004. 1st Ed softcover auction catalog. 205 lots, 104pp. Illustrated in color artists: Abbate Aertsen Antwerp School; Arthois van Asch van Balen Baziray Beerstraten Bellucci Berentz van Blarenberghe van Bloemen de Bloot Bock. Bolognese School Bonito After Borch van Borssom Boschi Boucher Boudewijns Brakenburgh Bramer Bredael Bruandet Brueghel Cagnacci del Cairo Calraet Cano Caravaggio Carre Casissa. Catalan School: Ceresa de Champaigne van Cleve Coecke van Aelst Colombel Cossiers Courtois Crespi Cunningham Cuyp van Diepenbeeck Dietrich Dughet Dujardin. Dutch School: van Dyck El Greco van Falens. Flemish School and Florentine School: Floris de la Fosse Francken. French School: Gael Gandolfi Geldorp Ghisolfi Gianni Giovane Giovanni van Goyen Greuze Guardi Guercino Hardime Heeremans Heinz van Herp Hobbema Horemans van Huysum. Italian School: Joli Kalf Kauffman Key Lagoor de Lairesse Lancret Lanfranco Le Sueur Ledoux van Loo Lorrain Luini Luti Magnasco Manetti Marieschi Master of the Langmatt Foundation Views Master of the Parrot Mazzoni Metsu van Mierevelt...

Drawn to Greatness: Master Drawings from the Thaw Collection by Pierpont Morgan Library, Colin B Bailey and Richard R Brettell. Publisher Morgan Librar...

The Timeless Eye: Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection. Berlin: G+H Verlag, 1999. 1st Ed exhibition catalog, from 2 ...

Dessins Anciens by Nicolas Schwed. Publisher Nicholas Schwed, 2014. 1st Ed softcover. A large collection of old master drawings and watercolors. NPT Books, a division of Trent Anti...

The Drawings of Parmigianino by A. E. Popham. Publisher: New York, The Beechhurst Press 1953. 1st Ed hardcover with Gaylord covered dust jacket. Illustrated with 82 of his drawings. ...

Vintage watercolor features a standing man in soft, flowing clothing and headwrap, leaning on a pillar, and a raven or vulture standing on the ground in front of him. Distinct graph...

Italian Lake Palace Ink Drawing. Italian ink drawing of island palace La Casina Vanvitelliana sul Lago Fusaro. Eighteenth century ink on paper drawing in a...

Ethel Magafan (1916-1993) pen and ink sketch drawing entitled "Evening Mood". Signed lower right. Circa 1950. This piece comes from the Estate of Anton Otto Fischer after Magafan moved to Woodstock, NY where his home and studio were. Good overall condition. Wear consistent with age and not being framed. There is obvious darkening of the paper surface due to the piece originally having an old matte surrounding the sight opening. No visible rips, tears or restorations. Soft corners and edges. Approximately 8" wide x 6" high. Bio: After World War II, many people in the US were on the move, and on the advice of older artist friends in Los Angeles, Arnold Blanche...

A. Licola. Italian Dove Sketches. Charming annotated studies of Italian doves/pigeons newly framed. Italy, 20th Century. Dimensions: 13.5" W x 16.5" H x 1'D; sight:  7.5" x 10.5"

This 17th-century French School drawing of a hand is a masterful work of art, presented in an elegant silver gilt frame. Measuring 20.75 inches by 20.75 inches, the drawing showcases...

Mixed Media Art on Paper

Le Dresseur et l'Eléphant du Cirque Bouglione (The Elephant Trainer at The Circus Bouglione) is a w/c and pastel Illustration by André Legrand-Chabrier. ...

A fantastic gouache on paper from 2008 by Michael Glier, a recipient of a National Endowment Fellowship in drawing and a Guggenheim Fellowship in painting. The drawing "Wall Street,...

The title of this original illustration by the artist George Venson is "Jumping Ship: An Illustration of the Way I See Things Right Now". It is a...

Charcoal and chalk portrait drawing on card by renowned Dutch painter Caspar Netscher (Heidelberg/Prague 1639-1684 The Hague) depicting a lady of means...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

Serpent & Galleon, Ink on Paper, in an 18th Century GiltWood Frame.

Bruno Pasquiier Desvignes (1930- ) In Cyclo Melodia, 1992. Ink on paper original Surreal style drawing in vintage cream and gold bead frame. France, 1992. Dimensions: 18" W x 14.25...

Santa Maria della Salute drawing by Hercules Brabazon Brabazon (1821-1906). Crayon and pencil on tinted paper in water-gilt frame. Signed wi...

Niobe Greek mythology theme signed, 1938 framed (1 chip off on frame finish).

An original Maison Jansen pencil drawing on velum, depicting an architectural detail "Rosace de Plafond" page 135 Stamped: Jansen, 9 Rue Royale Paris 8e

Richard Giglio, American, b. 1936 Nude Studies, Crayon on Vellum, Signed Measures: 26.5" w x 29.75" h Richard Giglio was raised in New Rochelle, ...

Nice original watercolor of a footbridge over a pond in Central Park NYC. Skyscrapers of the day in the background. In excellent vintage condition with minimal wear, needs a new mat....

These two drawings by the same hand are unsigned. Done in Sanguine on paper the nudes appear to both be different aspects of the same individual since both works have the same facial...

Drawing of a nude woman in 1898. 450 each.

Lombard School ink figural study of the Three Graces inscribed "Le Parmesan," and "Ecole Lombard." Pen and brown ink. Girolamo Francesco Maria Mazzola, Il Parmigianino (1503-1540.) P...

Three Women Carrying Bundles by Francisco Narvaez, Ink on Paper This is a mid-20th century ink drawing signed by Narváez. The artwork depicts three figures, possibly women or childre...

Pair of late 19th century still life Gouaches after Paul LeLong, French, 1799-1846. His specialty was small still-life of table tops with various objects. ...

Cirque Medrano chalk Illustrations by André Legrand-Chabrier. André Legrand-Chabrier (1876-1945) was a French novelist, journalist, illustrator and chron...

Set of four etchings by American artist William Goodrich Beal, circa 1880s. Scenic Massachusetts coastal towns and beaches. All signed in ...

Edme Saint-Marcel (1819-1890) pencil, black crayon and watercolor drawing of a lion attributed to Edme Saint-Marcel-Cabin, France, 19th century. Dimensions: 12" W x 8.25" H x 1.75"...

Hercules Brabazon Brabazon watercolor of Venetian view. Signed with initials HBB inscribed in artist's hand. Dimension: Frame: 12.5" x 16" ...

Giuseppe Casciaro, Venetian figure study. Framed ink drawing of a Venetian gondolier with a hand and head study; with inscription and date on reverse ...

The pair of gouaches with views of a volcanic eruption during the day and the night

Pair of 1930s drawings if sleeping babies by P. Cazot.

2005 Drawing of a nude woman on newspaper, from the financial section. Signed.