Ohio - Art

Aka Beni Kosh Still Life with Flowers Colored pencil on paper Unsigned Signed with the estate stamp on reverse (see photo) Estate No. 716 Condition: Soft fold through image, wri...

Chair, Original Mixed Media Collage, 2021 Artist Commentary: This is one of months of daily collages made in prep for a multiple piece commission...

Artist Commentary: This silkscreen and collage is from a long-standing series of work about how structure and systems holds together chaos. One major inspiration is Matisse's cutouts...

Artist Commentary: For these monoprint collages, I silkscreen patterns as a grounding structure for collage and drawing. This background of dots, hash marks, and tile patterns provid...

Untitled Photo collage mounted on paper c. 2005 Unsigned Provenance: Estate of the artist Sheet: 14 x 17" Image: 5 7/8 x 8" Peter Marks (1935 -2010) Peter Marks was born in New Yor...

Photograph, gold leaf and magazine mixed media collage Unsigned Provenance: Estate of the artist Sheet: 16 x 14" Peter Marks (1935 -2010) was born in New York City on January 18...

Unsigned Edition: Large edition as published and bound into the catalog raisonne of the artist's lithographs From: Minaux Lithographe Published by Leon Amiel, Paris Printed by Fe...

Untitled Collage made of foil, golf leaf and marbled book papers, c. 2004 Unsigned, from the Estate of the artist. Image size: 8 5/8 x 10 inches Sheet size: 14 x 17 inches Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High School of Music and Art in 1952 and Amherst College in 1956. After a brief stint as a graphic designer in publishing, Marks became a private art dealer and opened his gallery Peter Marks Works of Art, Inc. in 1960. During this time he specialized in the sale of Southeast Asian and Islamic antiquities and made many contributions to the field both as a dealer and an advocate of his profession. Above all, Marks was motivated by a strong desire to find great art and make it available to large audiences. After retiring from art dealing in 2002, Marks transformed his Manhattan gallery space into a studio where he drew prolifically and painted large non-objective canvasses. This time in his studio was a happy one for Marks, who viewed this period of his life not as retirement, but rather fulfillment, a fact that is confirmed by passionate artistic output in the years leading up to his passing in 2010. In 2012, Thomas French...

Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...

Now available by commission. Base can be a bronze base or a carved wood base. Casting takes about 3 months. Semaphore Woman IV is a cast bronze sculpture on a cast bronze base. The ...

Original oil pastel and gouache figure painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant sketch of nude woman with fetish accessories in wa...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a shirtless man in sun...

Sandstar, Abstract Mixed Media Collage on Paper, 2021 4.5" x 6.35" (HxW) This abstract collage combines a variation of visual elements in...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Crouching nude man with a mustache...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man sitting in brown, yellow, vermillion a...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude ...

Artist Commentary: Since completing a large scale long-term commission, I've been having fun in the studio and reacquainting myself with color, landscape, fun collage materials. The ...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Nude woman laying sideways with washes of tea...

Artist Commentary: What I really love about collage is the shapes and colors, by chance, connect with one another. Keywords: hand cut, paper, abstract, collage, painting, tree, rose...

Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...

David Hostetler created this form originally in ceramic in 1948. He used the mold in the 1980's to cast a bronze. It has a green marble base that measures 2"h x 5.5"w x 4"d. The sculptures David created at the beginning of his career in the late 1940's and 1950's were abstract and in stone and ceramic. He was inspired by Henry Moore, Archipenko, Modigliani and Ancient Greek statues...

Original Oil Painting on Canvas

Stolen Moments #2 Watercolor on Twinrocker All Purpose Paper Signed with the artist's initials lower right (see photo) From the series: Stolen Moments Signed with the artist's "Yummy...

Standing Nude, hand on a plinth Graphite on paper, c. 1900 Signed with a double tri lobed symbol upper left corner (see photo) Condition: excellent, slight surface dirt Sheet size: 1...

Chain Gang Music Watercolor on paper, dated '39, but created in the 1970's Signed "Longstreet" lower left corner Titled and annotated "George - '39" in pencil at top of sheet Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Born Henri Weiner (sometimes spelled Wiener), the artist tried alternate names and personae including Paul Haggard, Thomas Burton, and David Ormsbee before settling on the name Stephen Longstreet in 1939. Longstreet dates his art based on the period he means to represent, not the actual date of execution. Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Evocative sketch of a kneeling m...

The title of this painting is Isis. Dark tones combined with accents of blue present a confident female portrait.

VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...

"After Aristotle" by Susan Squires is an evocative oil and encaustic painting that invites viewers into a contemplative space, blending ancient philosoph...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man with washes of red and orange. 24x18 i...

STAGES # 1 (Darius II, full face) Watercolor on Yupo paper mounted to Masonite, 2018 Signed with the artist's initials lower right (see photo) Exhibited: Worthington Yards, YARDSPro...

Stolen Moments No. 1 (Emily drawing with a green crayon) Watercolor on Twinrocker heavy height paper, 2019 Signed with the artist's initials lower right (see photo) Condition: Excell...

Yummy Dissatisfied Watercolor on Arches paper, 2020 Signed with the artist's initials lower right (see photo) Signed with the artist's "Yummy" blindstamp lower right Exhibited: LA Ar...

In Search of New Beginnings (The Paintings 1) Watercolor on Arches heavyweight paper, 2021 Signed with the artist's initials in the shadows of the books (see photo) Signed, titled an...

Lets Find the Way #1 Watercolor on Arches wove paper, 2021 Signed with the artist's initials lower right Signed, titled and dated in pencil verso This watercolor is related to the ar...

Devotion by Nguyen Tuan The Vietnamese master sculptor Nguyen Tuan is internationally known for his seemingly “weightless” figurative sculpture merging Western techniques with trad...

Read the Signs #25 Watercolor on Yupo paper, 2013 signed lower right: Darius Steward Series: Read the Signs Depicts Gwen, the artist's sister An early work b...

Occupy A Space # 2 (Emily) Watercolor on Yupo paper, 2018 Signed with the artist's initials (see photo) Series: Occupy A Space Exhibited: Occupying A Space, Swope Art Museum, January...

Occupy A Space #1 (Emily) Watercolor on Yupo paper, 2018 Signed with the artist's initials Series: Occupying A Space Exhibited: Occupying A Space, Swope Art Museum, January 18-March 3, 2019 seenUNseen: The Kerry and C. Betty Davis...

Today's Sketches for Tomorrow, #1 Watercolor, 2020 Series: Today's Sketches for Tomorrow Signed with the artist's initials lower right Signed with the artist's Yummy stamp lower righ...

Untitled molded mud-dried paper with collage elements, 1996 Signed and dated lower edge (see photo) Annotated and titled verso Sheet size: 24 x 7 inches Provenance: Ralph Drake, fir...

Filtres A Air Lithograph, 1969 Signed in pencil lower right (see photo) Published by Louisiana Museum Humbleback (Denmark) Printed by Clot, Bramsen and Georges, Parigi A proof of the...

Titled Cora, this painting exudes rich colors and with definitive brushstrokes evokes a delicate rendition of a female. This painting will add a richness to any decor. Check out her ...

Scene II, Le Nozze Degli Dei Etching, 1637 Signed in the plate lower left The scene depicts the initial moment when Diana is revealed, surrounded by her nymphs, celebrating a success...

C Print (Unframed) Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated for creating spectacular shots of dazzling subjects. Including photo...

Signed with the artist's initials lower right Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two l...

Bronze #80 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life-si...

Signed, titled, dated & numbered verso An example of a photo-lithograph created on an aluminum plate.

Signed, titled and dated verso Monotype on lithographic plate (unique) Created while the artist was at the University of Delaware With distre...

Signed with the artist's initials lower right Color ink on Yupo paper Framed in a white shadowbox presentation. Image: 12 x 8 7/8"

Original oil pastel character portrait by celebrated, twentieth-century California landscape painter, Ronald Shap. "Ol' California." 17x23 inches....

Signed with the artist's initials and dated lower right Watercolor on Yupo paper, mounted to board From Steward's Influences Series Darius Steward is establishing himself as a mas...

Signed "Rhonda V" in memory of the artist's mother From the series: Baggage Claim, inspired by the death of the artist's mother. The reference to "Baggage" is symbolic to all the emotion and hurt one accumulates through life and how the accumulations weights down on the spirit. Watercolor on Yupo paper...

Window-No. 25 Color mezzotint, September 2009 Signed, titled and numbered in pencil (see photos) Edition: 70 (16/70) Provenance: Ninion and Sheldon Landy Collection, Donors of Art In...

Untitled Abstraction Unsigned Mixed media, c. 2003-2004 Provenance: Estate of the artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A life...

Provenance: Estate of the Artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks gradu...

Unsigned Provenance: Estate of the artist Collage of fragments of commercial printing Sheet: 14 x 17" Peter Marks (1935 -2010) Peter Marks was born ...

Photo montage in five sections juxtaposing light and dark mounted to support sheet. Unsigned Provenance: Estate of the artist Support sheet dimensions: 14 x 17" Peter Marks...

Presumably artist James Baker (b. 1952) Cibachrome photograph Unsigned Provenance: Reader's Digest Association Collection (1992-2011; inventory no. 71575) 16 x 20" (Sheet dimensions ...

Signed, dated, titled and numbered in pencil Edition: 100 (55/100) Image: 8 x 12" Sheet: 11 x 14 3/4" Provenance: Estate of the Artist By decent