Ohio - Drawings and Watercolor Paintings

Watercolor on Yupo paper, 2019 Signed with the artist's initials lower right Excellent color and condition Archival framing with OP3 acrylic, floated in a white gallery frame matchin...

Original oil pastel figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of woman with glasses. 22.5x17.5 ...

Original gouache and ink portrait by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Man with beard in washes of brown. 23x11 inches on paper. ...

Playing with Lives (First Responder) Watercolor on Arches paper, 2020 Signed with the artist's initials lower right Signed with the artist's embossed "Yummy" blindstamp lower right One of several works with a Covid inspired composition. A masterpiece of American watercolor. Condition: Excellent Archival framing with OP3 Acrylic Image size: 26 1/16 x 19 1/8 inches Frame size: 33 x 25 inches “First Responder” is a piece that celebrates the hard working doctors and nurses that are working around the clock, risking their lives for others. My daughter dresses up in her doctor custom everyday. Doc McStuffins is her favorite cartoon to watch, she carries her doctor kit...

Untitled (Yellow, Gray and Pink) Pastel on paper, 1981 Signed and dated lower right Condition: Excellent Sheet size: 12 x 18 inches Frame size: 15 x 21 inches Provenance: Jan Cowles ...

"Shower" is an original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald S...

Original gouache and ink nude figure painting by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Torso of man with arm raised in moody washes o...

Untitled (Inspired by a Chinese scroll painting) Collage with ink on 6 paper elements Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 4 x 12 inches Support...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant sketch of sitting nude woman with yellow blanket. 2...

Study for “The Breaker of Chains” Watercolor on Yupo paper, 2018 Signed with the artist's initials lower right (see photo) For the Midtown (Cleveland) Mural, located on 28th and Euc...

Stolen Moments, Attitude Shift #1 (Emily and Sippy Cup Smiling) Watercolor on Twinrocker Multi Purpose paper, 2019 Signed with the artist's initials lower right Signed with the artist's "Yummy" blind stamp lower right Exhibited: LA Art, 2020, January 2020 Condition: excellent Image/Sheet size: 10 1/8 x 12 3/4 inches Frame size: 14 x 17 inches Darius Steward Biography Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two large public murals, “Breaker of Chains”, a 200’ by 6’ in height mural for the Midtown Cleveland/Cleveland State University and “Support” on Detroit Avenue in Cleveland. A new mural “Waiting Room” has been finished at SUMMA Health Care Tower, Akron, Ohio. Darius is currently working on a public sculpture commission for the Cleveland Public Library...

Aka Beni Kosh Still Life with Flowers Colored pencil on paper Unsigned Signed with the estate stamp on reverse (see photo) Estate No. 716 Condition: Soft fold through image, wri...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a shirtless man in sun...

Original oil pastel and gouache figure painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant sketch of nude woman with fetish accessories in wa...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man sitting in brown, yellow, vermillion a...

Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Crouching nude man with a mustache...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude ...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Nude woman laying sideways with washes of tea...

Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Evocative sketch of a kneeling m...

Stolen Moments #2 Watercolor on Twinrocker All Purpose Paper Signed with the artist's initials lower right (see photo) From the series: Stolen Moments Signed with the artist's "Yummy...

Standing Nude, hand on a plinth Graphite on paper, c. 1900 Signed with a double tri lobed symbol upper left corner (see photo) Condition: excellent, slight surface dirt Sheet size: 1...

Chain Gang Music Watercolor on paper, dated '39, but created in the 1970's Signed "Longstreet" lower left corner Titled and annotated "George - '39" in pencil at top of sheet Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Born Henri Weiner (sometimes spelled Wiener), the artist tried alternate names and personae including Paul Haggard, Thomas Burton, and David Ormsbee before settling on the name Stephen Longstreet in 1939. Longstreet dates his art based on the period he means to represent, not the actual date of execution. Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man with washes of red and orange. 24x18 i...

VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of torso of a nude man. B...

STAGES # 1 (Darius II, full face) Watercolor on Yupo paper mounted to Masonite, 2018 Signed with the artist's initials lower right (see photo) Exhibited: Worthington Yards, YARDSPro...

Stolen Moments No. 1 (Emily drawing with a green crayon) Watercolor on Twinrocker heavy height paper, 2019 Signed with the artist's initials lower right (see photo) Condition: Excell...

Yummy Dissatisfied Watercolor on Arches paper, 2020 Signed with the artist's initials lower right (see photo) Signed with the artist's "Yummy" blindstamp lower right Exhibited: LA Ar...

Lets Find the Way #1 Watercolor on Arches wove paper, 2021 Signed with the artist's initials lower right Signed, titled and dated in pencil verso This watercolor is related to the ar...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude woman with black hair with orange, green a...

Read the Signs #25 Watercolor on Yupo paper, 2013 signed lower right: Darius Steward Series: Read the Signs Depicts Gwen, the artist's sister An early work b...

Occupy A Space # 2 (Emily) Watercolor on Yupo paper, 2018 Signed with the artist's initials (see photo) Series: Occupy A Space Exhibited: Occupying A Space, Swope Art Museum, January...

Occupy A Space #1 (Emily) Watercolor on Yupo paper, 2018 Signed with the artist's initials Series: Occupying A Space Exhibited: Occupying A Space, Swope Art Museum, January 18-March 3, 2019 seenUNseen: The Kerry and C. Betty Davis...

Today's Sketches for Tomorrow, #1 Watercolor, 2020 Series: Today's Sketches for Tomorrow Signed with the artist's initials lower right Signed with the artist's Yummy stamp lower righ...

Untitled molded mud-dried paper with collage elements, 1996 Signed and dated lower edge (see photo) Annotated and titled verso Sheet size: 24 x 7 inches Provenance: Ralph Drake, fir...

Signed with the artist's initials lower right Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two l...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude man with his hand...

Original oil pastel character portrait by celebrated, twentieth-century California landscape painter, Ronald Shap. "Ol' California." 17x23 inches....

Signed with the artist's initials lower right Color ink on Yupo paper Framed in a white shadowbox presentation. Image: 12 x 8 7/8"

Signed with the artist's initials and dated lower right Watercolor on Yupo paper, mounted to board From Steward's Influences Series Darius Steward is establishing himself as a mas...

Untitled Abstraction Unsigned Mixed media, c. 2003-2004 Provenance: Estate of the artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A life...

Provenance: Estate of the Artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks gradu...

Initialed and dated in the lower right Provenance: Martha Jackson Gallery, NY David Anderson Gallery, Buffalo NY David Anderson Grandchildren's Trust, Buffalo NY Exhi...

Original watercolor painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of the fountain in front of the Pasadena City Hall in Southern Califor...

Original watercolor painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant scene of the Arroyo Seco Stables in Pasadena, CA with the York Boulev...

"The Relic" is an original gouache and ink painting by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Old machinery in washes of red/maroon, b...

"Afternoon Light" is an original oil pastel and gouache figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ron...