Orange County - Paintings

"Criss Cross Waves" is an atmospheric oil created from a study painted on location in Laguna Beach by noted California artist Jacobus Baas. This plein air painting exhibits the subtl...

"Late Afternoon Sunlight, Bruges" is an atmospheric oil painted on location in Belgium by noted California artist Jacobus Baas. This plein air painting exhibits the subtle touch and ...

original oil on canvas panel 8 x 10 in / 20.32 x 25.40 cm This painting was based on studies I painted on location and photographs I captured on a memorable camping/painting tri...

"Village Of The Loire Valley" captures the timeless beauty and feeling of a French town in the country, and is an excellent example of Bryan Mark Taylor's modern approach to Impressi...

Thank you for your interest in my work. This painting was created using professional quality oil paints on a 100% cotton canvas board. It is singed on the front and back and comes wi...

My paintings are based on studies I painted on location and photographs I captured while traveling and wandering in nature, The painting was created using professional quality oil pa...

"River Reflections" with a blue stream flowing through green foliage is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on a box canvas painte...

Todd Kenyon "Hampton Surf" Oil Sketch on Gessoed 300lb Arches Watercolor paper 22 x 30 in. __________________________ JoAnne Artman Gallery is pleased to present Endless Blue, a c...

An interesting homage to the issue of rank amongst the crews and officers of all vessels, a captain is carried to his ready command by one of his subordinates through the ocean surf ...

Timothy Mulligan's "Desert Sunset" is a captivating acrylic on canvas painting that encapsulates the awe-inspiring grandeur of California's desert landscape. Mulligan, known for his ...

Thank you for your interest in my work. This painting was created using professional quality oil paints on a 100% cotton canvas board. It is singed on the front and back and comes wi...

GREG MILLER "Bayside" Acrylic, Collage on Panel 24 x 36 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship w...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny against a silver background with light green and yello...

Todd Kenyon "Montauk" Oil Sketch on Gessoed 300lb Arches Watercolor paper 22 x 30 in. 31.5 x 39 in. Framed __________________________ JoAnne Artman Gallery is pleased to present E...

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic, representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational, it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography, note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned, haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting, it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection, his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

America Martin "Shovel and Shellfish" Oil Acrylic on Canvas 22.5" x 18" Framed Exploring the identity of both her namesake and country, LA-based...

DANNY GALIEOTE The Happy Place Oil on Canvas 14 x 11 inches 16.5 x 13.5 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works that ...

America Martin "Dance In The Soft Golden Wind I" Oil Acrylic on Canvas 40 x 40 in. Exploring the identity of both her namesake and country, LA-based America Martin draws insp...

America Martin "The Black Swan" Oil & Acrylic on Canvas 40 x 100 inches 42.5x 73.5 inches framed Exploring the identity of both her namesake and country, LA-based America Martin dra...

Oil on paper - Unframed Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form...

Painted with unsurpassed detail, Robert Salmon's works are desirable to collectors the world over, due to the impressive amount of historic subject matter presented through artistic compositions of the highest order. As an artist Salmon was one of the most important to come out of England and immigrate to America in this period, influencing the art of Fitz Henry Lane...

ANNA KINCAIDE "Don't Look Down" Oil & Mixed Media on Canvas 72 x 60 inches Communicating emotion and narrative with limited assistance from her figure’s facial expressions, Anna Kin...

Rebecca Jack "Self-Portrait" Acrylic on Canvas 42 x 36 Inches 43.5 x 37.5 Inches Maple Frame __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurat...

ANNA KINCAIDE "Make Believe" Oil on Canvas 60 x 60 inches Communicating emotion and narrative with limited assistance from her figure’s facial expressions, Anna Kincaide creates cas...

America Martin "Man on the Island with White Linen Towel" Acrylic on Pink Linen 88.5 x 52.5 in. Framed Exploring the identity of both her namesake and cou...

James E. Buttersworth's most sought-after artworks emerge from his depictions of American racing yachts going head to head in the major regattas...

MANDY RACINE "Venus & Adonis – study after Van Dyck" Acrylic on Canvas 31.5 x 31.5 inches ____________________ “Painting takes me to another place, my own special world inspired by ...

JAMES WOLANIN "Atlantis" Acrylic & Gloss Varnish on Panel 30 x 60 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated worl...

America Martin "Good Luck Is A Lion Who Roars And Batts At The Moon" Oil & Acrylic on Canvas 72 x 36 in. Exploring the identity of both her namesake and country, LA-based America M...

JAMES WOLANIN "Ciao Bella Acrylic & Gloss Varnish on Panel 48 x 48 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wor...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. Part of Hunt’s “Roadrunner Series”, “Banded Bunny" depicts a gestured bunny on a multicolored striped backgr...

America Martin "Woman Rests on Clover" Acrylic on Paper 11.25 x 30 in. 17 x 36 in. Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in L...

The painting was created using professional quality oil paints on a 100% cotton canvas. It is signed and comes with signed Certificate of Authenticity. The painting is sold unframed....

This large and exciting scene features an American Revolutionary War battle in Chesapeake Bay. With great color and lively brushwork this painting was done at a large scale which captures a grand vista of the Bay along with many small vignettes to draw the eye. No less than ten other ships surround the two combatant vessels as they exchange cannon fire...

In the tranquil glow of sunset, a monumental ocean wave crashes against the steadfast embrace of a towering cliff. The radiant hues of twilight imbue the scene with a warm, golden au...

This was a plein air painting that I painted on the outlook overlooking the ocean at south Laguna. Several days of returning to this spot, I created this piece. The sounds of the wav...

America Martin "Blue Monkey" Oil & Acrylic on Canvas 24 x 18 in. ; 25.5 x 19.5 in. Framed ______________ Exploring the identity of both her namesake and c...

For more than thirty years, Donald Sultan has experimented with and expanded still life painting. He takes familiar objects such as flowers, fruits, playing cards, and factory sites,...

My inspiration for this elegant & peaceful series came from my loving relationship with God and guidance thru my dreams, painting outdoors in nature, and creating on my dads fabulous...

Claiming, “I’m just trying to make art with some sense of dignity, and honesty, and integrity,” Charles Arnoldi has been blurring the boundaries between painting and sculpture, abstr...

I've introduced a couple of beach homes in my landscape. :: Painting :: Fine Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Ha...

Reflecting back on the 60s, my rendition takes me to the time when my first car was a yellow VW Beetle. I had that car for many years. :: Painting :: Fine Art :: This piece comes ...

Hunt Slonem's "Naples" is a captivating piece featuring his signature black, gestural bunny set against a vivid, bright orange background. The bunny, rendered in bold, expressive bru...

Claiming, “I’m just trying to make art with some sense of dignity, and honesty, and integrity,” Charles Arnoldi has been blurring the boundaries between painting and sculpture, abstr...

"Cool Sparkle is a beautiful luminous abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for. Using sculptural texture with beautiful...

The painting was created using professional quality oil paints on a 100% cotton canvas panel. It is singed on the front and back and it comes with signed Certificate of Authenticity....

AUDRA WEASER "Cascading" Acrylic, Metallic Pigments, Plaster Paint on Canvas 40 x 72 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based paintings ...

JAMES WOLANIN "Imagine" Acrylic Gloss Varnish on Wood Panel 30 x 30 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coa...

The most important maritime center in the 19th century, Liverpool, had many advantages. Located on the England-facing west coast of the Irish Sea, the Mersey approach was wide, deep and actively associated with all aspects of shipping. It also faced northwest, as the distressed fleet in Witham's work has discovered on a stormy February 8, 1881. To the rescue of the 12 ships, the Pilot Schooner No.2, LEADER, signals the fleet to follow, using the pre-1900 commercial code signals "l w c". She has waited for the rising tide and keeps the line tight to the red starboard buoy, Q1, which marks the beginning of the Queen's Channel. Within a span of hours, all twelve ships were led successfully to their docks. Witham painted the scene in conjunction with the great acclaim the Pilots received in 1881, and it became so popular that he painted additional works marking the event over time. His local contemporary, Samuel Walters...

Inspired by the Bay Area Figurative Movement, Mulligan blurs the line between abstraction and realism, transforming everyday scenes into wondrous plays of color, line and form. Timothy Mulligan's painting, "Crossing California...

ANJA VAN HERLE 3 Piece Grouping (Triptych) Total Triptych Size 12 x 36 inches "Blinking Butterfly" Acrylic & Swarovski on Panel 12 x 12 inches. "C...

My paintings are based on studies I painted on location and photographs I captured while traveling and wandering in nature. The painting was created using professional quality oil pa...

The strength of a great ship portrait lies with its overall striking composition blended with an attention to detail. Charles Sidney Raleigh was extremely skilled with both elements, and this is one of his finest works. An American full-rigged ship of large proportions, LUCY G. DOW is one of many ships owned by Maine interests, where the ship would be locally built and consortium owned. More Maine captains owned part of their ships than any other East Coast region, it appears through an informal survey of lists. Note the fine details of the captain and crew hard at work onboard off the coast. The numerous buildings are clustered on the peninsular stretch with a pier coming out near the lighthouse’s walkway. At the distance, ship masts...

In this atmospheric and luminous work by E.T. Baker, the busy port of New York hosts a huge number of ships coming and going near the Battery and the famous landmark of Castle Garden...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series "I See Heroes Everywhere." Addressing the theme of h...

"Lemon Tree No.6" is rich with color and texture, and is an excellent example of Pil Ho Lee's modern approach to Impressionism. Included is a custom black wood frame chosen by the a...

The oldest European buildings in China are along the once curved crescent shore of the Praya Grande, where the Portuguese explorers established and fortified their trading foothold with an entire continent. When they arrived in 1553, this small fishing village overlooked by a temple to an ocean goddess immediately became an important cultural center of the world and the stage for initial interactions between the East and West. Ever since, this port has played a role in the cosmopolitan course of world trade. (The harbor is extensively filled in and built upon today.) In this view, more than 300 years after the Dutch established contact in the early 17th Century and western ships first sailed in the harbor, a British Sidewheel Steamer is in the port of Macao, surrounded by more than 20 Chinese vessels. The artist's perspective, looking northwest towards the Praya Grande's center, brings Praha Hill and its stone stairway in view, with the church on top. The inlaid stone walkway of the port city is full of human figures, one wearing a special red jacket while the rest wear blue or white. One westerner in a top hat at the stern post of the closest Chinese ship directs its crew outward bound...

America Martin "Book Of Prose" Oil & Acrylic on Canvas 70 x 70 Inches 71.5 x 71.5 Inches, Framed Signed painting by America Martin. Exploring the identity of both her namesake and...

Swan Scalabre "Ambition n°24" Oil on Wood 13.25 x 11.25 in. Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women...

Signed by the artist, framed.