Pennsylvania - Paintings

Dominic "Don/Dom" Mingolla Enamel on Copper Framed Equestrian Painting Horse Jockey Race Derby. Item features enamel on copper painting, distressed w...

"Double Landscape" painting. - Depicting abstract fields of green and blue mirroring one another - Acrylic on Canvas, signed lower right and d...

Painted in a kaleidoscopic array of brilliant colors -- tangerine, emerald green, scarlet, deep sky blue and black -- this Cubist work depicts a nude female figure and a parrot sitting on a circular perch, surrounded by a crazy quilt of patterns. The artist -- Joseph Popczyk -- was known for his vivid palette and love of Cubism, and in this case the chevrons and wavy patterns of Art Deco can...

A cross between "A Midsummer Night's Dream" and Bosch's "Garden of Earthly Delights," this marvelous painting depicts an interlaced group of faeries and nymphs, all with lilacs and d...

Jean Nerfin Oil on Canvas Canadian, born 1922 Landscape in the Mid-Century Modern Paris School style. Painting in nice original condition! Signed and dated bottom right corner.

David Roth painting Acrylic on Masonite Signed and dated 2007 American artist b. 1942 Provenance: Moderne Gallery, Philadephia This handsome moderni...

Influenced by the classic lacquer paintings of Jean Dunand and other great artists of France's Art Deco era, as well as the stylized landscapes of China and Japan, this glowing depic...

Beautifully framed and crafted, this tightly-cropped view of a female harpist, seen through the strings of her instrument, was painted by Lena Gurr, a New York artist. Her rich pale...

Dated 1936, this striking self-portrait of a young man, seen from three vantage points, is painted with warm colors and a bold impasto technique that makes the faces come alive. The man is wearing an artist smock...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

Leo Russel Gouache 1956. Organic abstract shapes on paper framed in distressed gold leaf and under glass. Image is 8.5 x 11. Frame is 26.5 x 33.

GERMAN SCHOOL 19th Century "The Blind Fiddler" Oil on canvas signed lower left "F. Ortlich, München ref. 410EPP02A 52 7/8" H x 42 3/4" W x 3 1/2" D [frame] 43 3/8" H x 34 1/2" ...

Full of life and energy, this marvelous scene of a masquerade party, filled with guests in costume, exotic Japanese lanterns overhead, and swirling colors everywhere, this Art Deco s...

"Cuxhaven" painting - oil on wood, estate stamp on back. - Boardwalk Harbor Scene with field Measure: 12"wide x 8" wide.

CIRCLE OF KAREL BREYDEL (ANTWERP, 1678-1744) Flemish School, circa second quarter of the 18th century Cavalry Battling Along the River Banks Oil on panel right panel signed illegibl...

Arthur Crossingham Sprules (BRITISH , 1915-1918) Green Fields - oil on canvas , signed lower right - Rolling green fields with high hills in the background, ...

Painted in an era when African or African American figures were increasingly featured in painting and sculpture, both in America and Europe, this sensuous depiction of a black male figure by Rowena Meeks Abdy...

Impressive large original canvas by French listed artist Lucien Delarue of Monmarte in winter with charming windmill. Delarue is known internationally as an artist who faithfully ca...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

A fascinating blend of Cubism and romantic realism, this oil painting by Roland Alf, a Swedish artist, depicts a cubist female figure to one side -- clearly influenced by the work of Pablo Picasso -- and a male couple...

Brilliantly capturing the exotic and beautiful landscape of the cypress swamps of South Florida, this painting of a pair of snowy egrets is a superb example of Art Deco scene painting. The turquoise hue of the water and the cerulean of the sky contrast with the smooth limbs of the cypress tree and the white and purple-greys of the birds. This painting was made by Renee Harcombe...

Painted by one of America's most important mural painters in the 1930s, this allegorical celebration of American agriculture was made by Edwin Boyd Johnson for a larger work that may never have been executed. Johnson is best known for a series of murals in Chicago; Melrose Park, East Aurora, and Tuscola, Illinois; Dickson, Tennessee; and Sioux Falls...

What did come first? The Chicken or the Egg? This vertical canvas draws the eye of the viewer from the large cracked egg in the foreground through several dimensional doorways to a b...

One of the strongest Mid-Century portraits we have seen, this depiction of a young man in a vivid, emerald-green sweater was painted by Paul Zimmerman, an important artist who grew u...

Brilliant and memorable, this painting has two sides: a scene of nude burlesque dancers, ornamented in red feathers and red shoes on one side, and on the other, a highly abstract, Cubist composition in tones of taupe, wine, pale green and black. The artist was William L'Engle, and clearly he considered the Cubist composition more important, because it has a hand-painted border and is monogrammed. L'Engle was a towering figure in the Provincetown art colony, and was extremely well connected to America's artistic elite, starting with his trip to Europe as a young man with Waldo Pierce and George Biddle. Over time, William and his life Lucy became close to a wide range of important figures in painting, theater and the arts, including Charles Hawthorne, Eugene O'Neill, Gerrit Beneker, John Dos Passos, Edmund Wilson...

An elegant and sophisticated example of high style Art Deco eglomise painting, this depiction of a stylized Orpheus figure with lyre and cape is painted in rich tones of gold, black ...

Jean Chaleye (FRENCH , 1878-1960) Natures Fountain - Oil on Board , signed lower left - Nude woman drinking from small waterfall in nature.

"Fishing Shacks" oil painting by Alison Hill. - Oil on Panel, signed lower left - Framed dimensions: 16 in x 20 in.

This rich tapestry of life in and around a quiet courtyard in North Africa -- with domes, towers and minarets in the distance, and a woman lingering on a balcony to one side -- was p...

"Venice In May" - Venice canal scene with 3 gondolas, bridge and large building. - Oil on canvas, signed lower right.

This unknown portrait features a beautiful, rather pensive woman with long brown hair gazing off in the distance as she sits in a chair. The straps of her blue dress have fallen prov...

Ernest Yarrow-Jones (BRITISH , 1872-1951) Reaching Branches - oil on canvas , signed lower right - Colorful abstract trees reaching out over a field unde...

Although Walker Evans is world-renowned for his Depression-era photographs of ordinary men and women across America, many of them taken while serving as “information specialist” in t...

This full length portrait of "Violet Madame" depicts a lady seated in a chair, wearing a floral embellished hat and violet dress, signed lower left "A. Nichols". Unframed.

"#9 Chinese Acrobats" - confetti of colors - Acrylic, oil, metal leaf and paint on canvas, signed lower right back and dated '89 - Framed dimensions: 31 in x 25 in.

Perhaps the finest work of Aurel Richter's (1870-1957) career, this vividly-painted, Art Deco - Cubist view of central Budapest in the 1930s depicts the pinnacled Liberty Bridge, the sparkling blue...

Beautifully rendered oil on canvas titled “Road to the Sea” by Frances H McKay, 1911-2001 Canvas 24” H x 36” W

Boats being pulled by tug boat up canal - signed lower left - Framed dimensions: 36.5 in x 30.5 in.

Colorful Abstract Expressionist / Drip Painting in the style of Jackson Pollock signed R. Maloney, 1962 paint on board in original vintage frame "bright and colorful with the righ...

Depicting a tropical landscape with women, chickens, straw huts and palm trees within a Polynesian village, circa 1920, signed lower right indistinctly. Unframed.

Absolutely lovely, almost translucent in its use of color -- as if painted on glass or silk -- this very rare gouache painting was created by William Hentschel, one of the master art...

A brilliant and arresting example of high-style Art Deco painting from the late 1920s, this exotic scene of a female figure -- no doubt a royal or divine personage -- riding an elephant, accompanied by a procession of retainers and servants, was painted by Cesare Bentivoglio...

Culinary still life, "Eggs and Garlic" painted by Bucks County artist, Valerie Von Betzen. Von Betzen is a regional artist well-known for her even...

This superbly painted view of the mountains framing a river valley in northern New Mexico is attributed to Frank Guy Applegate, who lived and worked in the state during the 1920s, and is known for his watercolors -- such as this -- that present strong, abstracted views of the local landscapes, all in vivid colors and bold strokes of paint. Applegate was considered one of the New Mexico Modernists, and was accompanied on some of his painting forays by B.J.O. Nordfeldt, Andrew Dasburg and Josef Bakos. Applegate also had enormous respect for the culture and artistry of the native people, and encouraged a revival of the Pueblo style...

In an era when fine art and natural history museums commissioned artists to travel the world to draw, paint and sculpt the native cultures they saw, Paul Travis' travels to Africa we...

A classic example of WPA-period mural painting, this study was painted by Ralf Henricksen in the 1930s, probably for the U.S. Naval Training Station at Great Lakes, north of Chicago....

Impressionist large Provincetown Massachusetts - A sunny and prideful morning walk in Provincetown. Birds soaring over the hill, with sail boats drifting in the wind below. Centering...

Rare and important, this vivid study was painted by Ejnar Hansen for a poster competition sponsored by the Museum of Modern Art in New York entitled "Hands Off the Americas" in 1942,...

Brilliantly painted in striking shades of tomato red, green-blue and chalky white, this painting was made by Béla Kádár, increasingly appreciated and collected today as Hungary's ...

Full of color and movement, this detailed study for a room dominated by a monumental Art Deco mural was painted by a French artist, perhaps for an interior design firm in Bordeaux. T...

This fresh and vibrant portrait of a young woman with glowing blond hair and a blue 1940s frock is one of the finest World War II vintage portraits we have ever offered. Her complex...

Highly atmospheric and richly colored, this 1929 vintage landscape by a Swedish painter depicts layers of history and tradition, from the man in traditional Arab garb plowing the fie...

A striking and richly-hued example of American Scene painting, this depiction of a yellow calla lily framed by undulating hills in tones of purple and red was painted by Richard Taflinger. The artist's celebration of his native Oklahoma landscape...

Portrait of man with mustache painting. - Oil on canvas - Unframed.     

Painted in white and blue in a way that captures the blindingly bright sunlight of North Africa, this painting by Julius Bloch depicts a veiled woman carrying an earthenware jug, fra...

Quintessentially western and modern and yet hinting at classical Chinese painting also, this double portrait of two stylized women, one holding a pink peony blossom, is a lovely example of decorative Art Deco work. The figures are expressed in lovely shades of gouache, while the background and highlights are executed in silver paint. The painter may have been Margaret Thomas...

This energetic and compelling depiction of modern dance, with a range of nude and semi-nude figures, and a more traditional ballerina in the distance, was painted by Robert Lohman, o...

"Seated Man" - depicting a man wearing black neck tie, waistcoat and jacket seated near window with wooded landscape in background. - Oil on canvas - Unsigned, unknown artist. - Unfr...

Lovely 19th Century Painting by Italian Artist Alessandro Sani (1856-1927). Lovely Painting by Alessandro Sani from 19th Century. Similar one sold in...

An astonishing and important example of Moderne-Mid Century Modern industrial design, this original watercolor rendering of a short-lived Coca-Cola/coffee vending machine was painted...