Phoenix

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 14" x 24," sheet measures 18 1/2"...

A Pair of Tall Marble Pedestals We know, it’s hard to find, one-of-a-kind pieces! Shop our listings for new inventory, curated from an Interior ...

Early Steven Sles oil on linen painting circa 1964. Sles was a mouth painter with very limited use of his hands. He was also a student of Hans Hoffman. This example has a wonderful l...

Werner Drewes (1899-1985) oil on canvas, 1947 Titled: “Adobe Village” Measures: 15 ½ x 36 Frame: 21 x 42 Signed lower left and also on the verso In excellent condition. Born in Nie...

Pair of 1970s Milo Baughman for Thayer Coggin parsons style end/side or coffee tables. Both are labeled and stamped with the manufacturing date, ...

A statement piece. A stunning double solitaire ring features a collection sophisticated , glamour , a very piece of art. The array of very doubles di...

Turning dreams into reality. These magnificent 6,00 carats the epitome of luxury and opulence. Possessing such treasures is a blessing , as they are not only symbol of love and beaut...

Late 19th Century French Pastry Table with Marble Top Unique Table purchased in France Age appropriate wear, see detailed photos. Message us with any questions

This ring is full of glitz and glamour! With a stunning .83 carat old European cut diamond in the center of a .64 carat scalloped diamond halo. All set in beautiful 14k white gold. S...

An exclusive GIA certified diamond of 1,51 carats, heart cut, G color, IF clarity. Excellent polish. Excellent symmetry. Fluorescence none. It is a investme...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

A beautiful example by well-known artist Lowell Nesbitt featuring dramatic pale Irises on a dark grey ground. Image size: 22" H x 34" W. Simply framed. In mint condition. Signed, tit...

Beautifully cast deco Austrian bronze titled: “Indian Brave on Charging Horse.” Sitz on a marble plinth. The figure has a cold painted buckskin colored shirt and pant. Signed on base...

Tall pink volcanic glaze vase by California Art potter Beatrice Wood (1893-1998). Signed on the bottom (twice) "Beato." Measures: 11 1/2" H x 5 1/...

Jacques Villon original etching “Figure de Femme” in the Cubist Surreal style. Hand signed and numbered. Small Edition, created 1951. Edition of 30 of which this print is no. 21. Unm...

Surreal painting in excellent condition by Arizona artist Lotan Lotan. Depicts the artist on top of the world - a self-portrait. Framed. Signed lower right...

Jose 1986 Color lithograph 23/30 23 × 34 in 58.4 × 86.4 cm. SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Luis Jimenez 1940 - 2006 Luis Jiménez was born in El Paso, Te...

Bronze by Eugene Marioton (1857-1933) French Artist. “Fascinator” (Snake Charmer), created late 19th century Sculpture measures 20 1/2" H x 9" L x 9 1/2" W. Siot Decauville Foundry -...

Outstanding abstract watercolor by Emil Bisttram signed lower right. Painting measures: 20 x 15 inches. Frame size: 27 3/4"h x 23 1/4"w. In excellent condition and beautifully frame...

painting on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

Elevate your look with this magnificent solitaire ring. Diamonds represent abundance, luck, beauty. This exquisite solitaire , exuding an air of elegance and sophistication. Magnifi...

A sophisticated design for this beautiful solitaire, in 18K gold with a central Natural Diamond, in perfect heart cut, so adorable shape, of 3,00 carats, D color VVS1, very sparkly. ...

Artist: Luis Jimenez, American (1940 - 2006) Title: Fiesta (Diptych) Year: 1986 Medium: Two Lithographs on Arches, signed and numbered in pencil Edition: 76 Size: 34 x 24 in. (86.36 ...

This ring is quite the showstopper! The center diamond is a gorgeous GIA certified 3.03ct marquise diamond that is G in color with SI2 clarity. Surrounding the st...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 17," sheet measures 18"...

Adriano dalla Valentina Murano glass amber bottle with Mosaica Motif on the lower half. Signed “Valentina” and dated 2003 on the base. In excellent condi...

Beautiful and rare Art Nouveau china hutch: 57" wide by 57" high and 14.5" deep. The hutch has 4 drawers in the middle, left and right storage compartme...

Danish rosewood and glass coffee table by Komfort, likely 1970s. Two pieces of glass cover a wood grid or lattice pattern. Labeled Made in Denmark. The rosewood has some amazing cont...

An exquisite master piece showcases a mesmerizing blend of elegance and opulence. This contemporary design , attire attention on extra sparkly centre big Diamonds, and capture a vib...

Set of four wrought iron mid century modern vintage patio outdoor chairs. Unsure of maker or designer, likely 1960s judged by the manufacturing. These are similar to the Salterini “C...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 11 1/4 x 14 1/4 inches. Pencil Signed and Dated: Proof (15) R-364. Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

Beautiful pale green ceramic tray featuring white lilies. It is signed on the base by Miyagawa (Makuzu) Kozan (1842-1916). This tray has no damage and is in perfect condition. It measures 8"diameter and 1 1/8"high. It is a beautiful example of the work of this Meiji Era ceramic artist. Miyagawa (Makuzu) Kozan (1842-1916) was appointed artist to the Japanese Imperial household...

Bucolic watercolor by Saturday Evening Post illustrator, Stevan Dohanos, (1907-1994). The painting measures: 7" H x 8" W. Frame size is approximately 18" H x 18 3/4" W. It is in exce...

An exquisite design, so contemporary, modern, a very glamor style, by Italian designer. Ring come in 18K gold with a GIA certified Natural Diamonds in perfect pear cut diamonds, of 3...

Original oil on board - a still life of flowers by noted Modernist artist Abraham Walkowitz, (1878-1965). Signed lower right “A. Walkowitz” and inscribed lower left “to Mr. and Mrs. ...

Female torso sculpture purchased from the original owners’ son. He remembers the piece being around since the ‘70s or ‘80s. I believe it is ceramic. Heavy and in excellent condition ...

Otto Kuhler (1894-1976) original etching, 1923. Title: “Mississippi Evening” Signed in pencil lower right. Title in pencil lower center. Dated lower left, 1923. Image measures 7 7/8...

Brock & Company Sterling Art Nouveau vase - 17 ½ inches tall. Beautiful poppy flower design. Slender stem with attached tendrils. Marked: Brock & Company, Sterling, 7369, 17 ½ in. Beautiful vase in excellent condition. Measures: 17.5" H x 4.75" D. Brock & Company was a nationally-prominent jewelry firm, and it certainly was the most important jewelry and giftware store in Los Angeles. It was considered to be the jewelry store of the stars and was shopped by many notable Los Angeles actors of the day including Mary Pickford and others. It's jewelry workshop was housed in the top floor of the building on West Seventh Street. Brock & Co. was founded by George A. Brock in 1903. George C. Brock, George A.'s son, took charge of the company, and it continued to grow and thrive. A second store was opened on Wilshire Boulevard, in the Beverly Wilshire Hotel in Beverly Hills. Tiffany and Co. even approached Brock's to do a merger to become Tiffany-Brock & Co. That merger did not take place, and Angelenos continued to buy their jewelry, watches, silver, fine china, and crystal at Brock & Co. Brock retired in 1964 and the building and inventory were sold. This vase had a note attached upon purchase that attributed it to Clemens Friedell...

Original drypoint etching and aquatint in mint condition by well-known artist and printmaker Martin Lewis, (1881-1962) The print has full margins with deckle edges and is signed in p...

A wonderful regionalist etching and aquatint by Charles Capps (1898-1981) Titled "Sunlit Towers," depicts the Kansas grain elevators. A Prairie Printmake...

Peter Voulkos (1924-2002) - Black Studio pot, circa 1953-1955. Signed “Voulkos” on the base. Voulkos, an American artist of Greek descent, was known for his Abstract Expressionist ceramic...

This ring is truly a masterpiece of elegance and sophistication. At its heart lies a brilliant round-cut diamond that totals 1.71 carats, and is M in color with I1 clarity. This diam...

Original Lithograph by Theophile Steinlen - Swiss born French Artist (1859-1923). Titled: “Petit Voyage” (Little Journey). Signed “Steinlen” in the stone lower left. The work is in ...

James Lovera (1920-2015) ceramic studio vase. This beautiful vase by James Lovera has a wonderful and unusual copper colored glaze and dates to the 1960s, perhaps as early as the ...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

H. Wilson Smith (1901-1981) California Artist Oil on board in the original frame. Painting measures 31 3/4" H x 27 3/4" W Frame 22 3/4" H x 28 3/4" W. Signed lower right “H. Wilson S...

Wonderful wood-engraving by Taos artist Howard Cook (1901-1980). Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30. Image size: 10 1/16"h x 8"w. Sheet size: 12"h...

Drypoint and engraving by Wisconsin born printmaker Armin Landeck (1905-1984). Titled “Stairhall.” Pencil signed lower right. Full margins. The image measures 11 7/8"h x 14 1/2"w and...

Taos Artist Howard Cook original woodcut print, 1927. Title: “Hopi House.” Duffy #47. Signed in pencil lower right. Image size: 8"h x 8"w. Paper size: 10 x 8 3/4. Mat size: 20 x 16....

Every woman deserves to adorn herself with a collection of exquisite diamonds jewelry. Diamonds serve as a tangible reminder of cherished memories, a well - earned reward for her ha...

Beautiful sterling Tiffany candlesticks in excellent condition. Measures: 6.75" H x 3.88" wide at the base. Marked Tiffany & Co. With removable bobeches. Weighted.  

It includes a set of (4) tall goblets (4) + (1 extra) short goblets. A perfect way to entertain with a story also a great gift for someone special with great taste. Tall Gob...

Rozenburg earthenware vase, Holland, circa 1890s. Polychrome enameled with stylized flowers. Painted mark: Rozenburg denHaag K522 and the stork symbol. Measures: 8.63" H x 4" W. Mint condition. The Rozenburg Royal Delftware...

Beautiful handcrafted Zuni Bolo tie. Natural stones set in sterling. No mark is seen, circa 1940s. Black leather tie is included with sterling tips. This ...

Mid century modern brass starburst wall sculpture with turquoise accents. The age and maker are unknown, and there is no signature. The style and features are very similar to William and Bruce...

A very stunning GIA Certified Natural Diamond of 3.01 Carats, in perfect heart cut , so lovely, in D color , VVS1 clarity, very sparkly. Complete with IGI report. Whosale price .

A masculine pair of Neoclassical nightstands or side tables by Baker Furniture! Clean lined silhouettes, with sculptured columns, marble tops, and aged...

Uncommon Adrian Pearsall 916-CC captain chair for Craft Associates, 1960s with fun patterned newer upholstery. The walnut frame is in good condition with two minor issues: one small ...

1980s-1990s post modern swivel side table or display stand. Wood with chrome, black, purple and turquoise laminate. The laminate tops swivel 360 degr...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...