Rome - Landscape Paintings

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

Oil on masonite realized by Alberto Gallerati in 1980s. Hand signed. Titled on rear. Very good condition.

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Oil on canvas realized by an italian painter in 1990s and hand signed "De Silvestri". Very good condition.

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

Oil on canvas realized by Pino Romanò (1934) in 1998. Hand signed. Titled on rear. Very good condition.

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Houses is an original modern artwork realized in 1964 by the artist Claudio Mossino. Mixed colore oil painting on canvas. Includes frame. Hand signed and dated on the lower right ...

Oil on plywood realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Pair of large painting oil on canvas with the Wedding Feast of Bacchus and Ariadne scene . Italy 18' century . Amazing landscape background and roman Temple with classical archite...

Oil on plywood realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani had been working with photography and painting which had never been united. The Artist: "In 1994 I returned to Naples, the city where I was born and had been missing for 10 years after moving to Rome in 1984. I returned to see the MIRACLE achieved by the G7 with the Presidents of the most powerful countries led by Bill Clinton, US President. It was a wonderful visit to my city reborn in its ancient splendor! I took over 5,000 photos of the squares and monuments of Naples with my Nikon. I returned to Rome and had all the photos printed and put them on various tables and assembled all the various pieces. I immediately realized that parts were missing which I completed with paint. A spontaneous gesture with which I had unconsciously achieved a great innovation: I had combined the REALITY of photography with the DREAM represented by painting. Silvia, my muse who knew me well, when I showed her the first work IMPERATING MALE (R:0176) that I had done she said to me: "Dario you have united the TWO WORLDS of your life: that of your childhood with the sensitivity of the dreamer with the concrete one that they gave you taught your parents with education, training (degree in Economic Sciences) and work started at 15 years old in your family's copper industry. These formative years had distanced myself from those of childhood when I studied the piano and dreamed of becoming an orchestra conductor. I also drew and painted with my imagination in search of the affections I was missing as my parents were busy in the factory rebuilding Italy destroyed by the recently ended war. I then refined PHOTO-PAINTING which developed into DIGITAL PROCESSING having replaced the BRUSH with the MOUSE to fill the gaps left by the photography and complete the REALITY which with painting became another FANTASTIC reality" SOCIAL RESEARCH This work is part of the SOCIAL "research" which addresses issues that concern people and the "polis" which in Latin means city but also "political model". I LOVE MANHATTAN In 1999 I was invited to have an exhibition at the Casa Italiana Zerilli Marimò in New York scheduled for September 2000. So I went to the BIG APPLE for the first time at the age of 50 and was amazed by the great vital energy I felt. Until then I had traveled abroad little because I was busy with studies, sports and already at 19 years old in my family's copper industry and after a few years also with my children who I had looked after a lot since they came into the world. In NY I took many photos, but this work was born from another image: the map of the phantasmagoric subway!!! It was simple for me, since I was a child I looked at the clouds where I saw many shapes of people, animals etc. I saw at first sight the prow of a Jumbo, the famous giant of the skies, and sketched some sketches. Upon returning to Rome I was in love with NY and it was easy to see in that map another image that is closely linked to love. The male penis...

Beautiful couple of Roman Landscape by J. F. Van Bloemen, in very good conditions and with later wooden frames. Bibliography and Exhibitions: Old Master Exhibition, H.Terry-Engell, ...

View of the Gulf of Naples from Capodimonte is an oil on canvas realized by a follower of Camillo De Vito. Not signed. The Gulf of Naples, including a ...

Oil on table realize by Michele Ricciuti in 1980s. Hand signed. In good condition, includes a contemporary wooden frame.

Rome from the Pincio is an orginal modern artwork realized in 1973 by the Italian artist Mario Evangelisti. Mixed colore oil painting on canvas. Ha...

Piazza del Popolo, Rome is an original painting realized in the half of XX century by Alessandro Battaglia. Mixed colored oil painting on cardboard. Hand signed on the lower right...

Golf Course is an original oil painting on canvas, realized by the Italian emerging artist Mirtilla Durante in 2020 Signature by the artist on the ba...

Landscape is an original Contemporary Artwork realized by Paul Nicholls (b. 1944) in 2018. Acrylic on cardboard. Hand-signed and dated by the artist on...

Ponte Garibaldi is an original oil on canvas realized by the Italian artist Antonio Vangelli (Rome, 1917 – Rome, 2003) in 1941. Hand-signed and dated by the artist on the lower righ...

Serenity is an impressive, giant oil painting realized by the Italian painter Felice Carena in 1948. Signed lower left. Not framed, framing optio...

Pair of Battle Scenes is an oil painting realized by an italian artist in 18th century. 110x85 cm each. Framed. Good conditions.

Landscape is a beautiful oil on board, realized by an unknown artist 1970s.

Sicilian Landscape with Aetna on the Background is an original Gouache on paper, realized by Anonymous Artist of the early 20th Century. In very go...

Oil painting realized by Svetoslav Soyanov in 2018. Excellent condition. "In this creation, I've poured my soul into blending the grounding reality with the dreamscape of surrealism....

Seaside is a modern artwork realized by Egeo Venturi. Oil painting. Hand signed on the lower margin. Includes frame.

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani...

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

Landscape with figures is an original oil on canvas realized in the XVIII Century by a Venetian School Master. Original oil painting on Canvas. The painting represents a beautiful...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

Landscape with Trees is an original modern artwork realized by the Italian painter Alberto Zardo in the first decades of the XX Century. Original oil on cardboard. Hand-signed by ...

The work is entitled 'Scorci d'infinito black border n.7' and is part of the 'Scorci di infinito' series measuring 80 × 60 cm by the artist Artemio Ceresa. The technique is mixed med...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Beautiful oil on wooden panel realized by Piero Marussig between 1928 and 1930. Very good conditions. Published in the general catalogue of the Artist...

Glimpse of coast with boats is an interesting original oil painting on zinc, realized in the first half of XX century by an anonymous artist. Image dimensions: 25.7x35.5 cm. The met...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

An important oil on panel painting by the great Tuscan artist Ruggero Panerai. It depicts one of his favourite and most successful subjects, wild horses portrayed in a natural pose o...

Wonderful pair of Italian orientalist signed painting The first artwork Camillo Innocenti Watercolor on paper "The glorious past" Camillo Innocenti (Rome 1871-1961) Watercolor on paper. The back reports title, signature, inscription and date. The work is dated on the back September 16, 1926 Inscribed title: The glorious past, the victorious king, the construction of the temple, the sphinx. The back also reports that the work was given by the artist as a wedding gift in 1955. The second Camillo Innocenti artwork "Victorious Muhammad Ali" Camillo Innocenti (Rome 1871-1961) work on paper, with frame, Victorious Muhammad Ali. Pencil and tempera. Inscription, title, signature, and date on the back. The back reports that the work was given by the artist as a wedding gift in 1955 Thes artworks, never before on the market, comes from a private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. The paintings are also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Camillo Innocenti (14 June 1871 – 4 January 1961) was an Italian painter born in Rome. Biography[edit] After he studied in Lyceum, after 1889 he joined the studios of Antonio Mancini in Rome and Domenico Morelli in Naples. After a visit to Spain in 1901, he painted local folk subjects from Abruzzo (1904) and Sardinia (1908). At the 1903 Venice Biennale, he displayed his divisionist works with an attention to social topics, alongside Giacomo Balla, Enrico Lionne...

Vincenzo Irolli (Naples 1860 - 1949), Little theater with puppets for children Oil painting on panel 18 x 18 cm signed lower right

Beautiful oil painting on canvas depicting the Roman Forum, in particular the Temple of Jupiter Stator. An important example of Grand Tour painting, this wonderful painting evocati...

Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...

A fine pair of huge Italian 18' century Capriccio with Classical ruins, tempera oil on canvas . Atr.Pietro Paltronieri, il Mirandolese (Mirandola 1673-1741 Bologna). Measurements ...

Oil on plywood realized by Sirio Pellegrini in 1970. Hand signed lower left. Signed and titled on rear. Includes a wooden frame 21.5x32.5 cm. Very good condition. Sirio Pellegrin...

Important watercolor painting representing a beautiful view of Rome with the Tiber, Castel Sant'Angelo and the dome of St. Peter's in the background. A typical work in the vein of th...

1910s Italian Signed Landscape Beautiful oil painting on cardboard by the great Bolognese artist Ugo Gheduzzi (Crespellano BO 5 March 1853 - Turin 1925). The light of rare intensity...

Oil on canvas realized by Fabrizio Clerici in 1975 ca. and inspired by Bocklin's Isle of the Dead. Hand signed by the Artist lower left.  Published on "Annuario d'Arte Moderna 2001...

Pasquarosa Marcelli (Anticoli Corrado 1896 - Camaiore 1973) Santa Marinella (1921- 1925) Oil painting on canvas 38 x 45 cm signed lower right. Bibliography: Pasquarosa il Colore ne...

View of Rome is an original watercolour on paper realized by Alfonso Avanessian in the 1990s. The piece is hand signed on the lower right. Frame included (59,5x70 cm). Good conditi...

Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...

View of the Gulf of Naples, with Vesuvius on the background is an original modern artwork realized by Anonymous artist in the mid-19th Century. Mixed colored gouche. Includes a bla...

Oil on canvas realized by Immacolata Surace in the 2000s. Hand signed. Excellent condition.

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...