San Diego - Art

Provenance: Private Collection, Washington, DC; Medium: 16mm film over wood stretcher

Make Believe Heroine depicts a Young Girl with a Bow & Arrow painted in 2017 by DeLoss McGraw. Signed lower right. Not framed. PROVENANCE: Private collection San Diego, Ca. Acquired...

Original figurative female painting by artist Gustavo Costa Fernandes. This painting is primarily pink with off white and maroon colors. She is standing, smiling, and holding a bouqu...

Steinlen was Born in Lausanne, Switzerland on November 10, 1859. He moved permanently to Paris at age 23 and became a French citizen. Steinlen studied art at Lausanne and later beca...

Aviary, acrylic and mixed media painting by artist Ben Darby. Aviary is composed of two pieces attached to create a fanciful composition of various birds, flowers, and exuberant colors.

Fusion, acrylic, mixed media, on canvas and wood panel painting by artists Ben Darby. Fusion has a bright burst of gold color flowers and birds perched throughout.

Shaman, acrylic and mixed media painting by artist Ben Darby. The artists has used a draping effect to create a 3D effect with the garment. The rest of the painting is textured and i...

"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...

"Light Decaying" depicts a winding river through a mountainous terrain, not unlike the many vistas and terrains of Carpenter's adventures into nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

Kostia Terechkovich, known as Constantin Terechkovich, was born on May 1, 1902 in the suburbs of Moscow, and died on June 12, 1978 In Monaco. He was a French painter and engraver of ...

Listed in the Jules Cavailles archives as # L_13_011. Signed and titled verso. Jules Cavailles was a well-known, highly regarded, and versatile French painter. He worked in oils, g...