San Francisco - Prints and Multiples

Artist: Robert Indiana (American, born 1928) Title: "Indiana Eliott" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

This artwork titled "Bell Towr, Lecce" 1999, is an original archival pigment print by noted American photographer and artist Jenny Okun, b.1953. It is hand signed, dated and numbered 2/10 in pencil by the artist. The image size is 20 x 40 inches, the paper size is 26 x 46 inches, framed size is 28.25 x 48.25 inches. Custom framed in a metal silver frame, with white backing. It is in excellent condition, the frame have some very minor rubs, barely visible. About the artist: Jenny Okun is an American artist and filmmaker who travels the world in search of unusual beauty. Her artworks have been shown in more than sixty international exhibitions and in numerous private and public collections. Commissions have included the J. Paul Getty Museum, the Tate Modern, and the Whitney Museum of American Art. Craig Krull describes her artwork as “large-scale color photographic abstractions. Okun distills the essential qualities of form, texture, color, and detail into one layered vision.” Her earlier two books, Dreamscapes and Variations, show artworks of architecture, landscape, nudes, and art. SOLO EXHIBITIONS 2012 Craig Krull, Santa Monica, USA Museo Storico della Citta di Lecce (MUST), Lecce, Italy 2009 Treasure Island Music Festival in San Francisco, USA 2008 Art First, London, UK Building 98 : Grubb & Ellis, Marfa, Texas, USA Hennessey + Ingalls : Art and Architecture Bookstore, Santa Monica, USA 2007 Craig Krull "Studio Walls" and Book Signing, Santa Monica, USA The Colburn School, Los Angeles, USA 2006 Don Giovanni, El Portal Theatre, North Hollywood, USA the architectural photography of Jenny Okun on the sets by Yael Pardess, El Dorado Opera, Los Angeles, USA 2005 Craig Krull, Santa Monica, USA Art First, London, UK 2004...

This artwork titled "And Deborah, A prophet" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...

This artwork titled "Wien" 1911, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The ...

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...

Featured is a color lithograph by Alvar titled "Cinq Heure Du Soir." Created in 1966 and inscribed "Epreuve d'Artiste" in pencil, the piece is printed on CG pa...

Artist: Rufino Tamayo Title: Iron Cross Year: 1988 Medium: Color lithograph Edition: Numbered CCXLV/CCC in pencil Paper: Wove Image size: 22.5 x 30...

This artwork "Seascape" c.1965 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXVII/LXXV in pencil by the a...

Artist: Raphael Soyer (Russian, American, 1899-1987) Title: Untitled Year: Circa 1975 Medium: Lithograph Edition: Inscribed A.P (Artist Proof) in pencil Paper: Arches Image s...

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...

This artwork "The Fifth Day" c.1980 is an original color etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and inscribed HC in pencil by the artist...

This artwork titled "Ceramics II" 1981 is an original colors screen print by Canadian artist Richard Thomas Davis, b.1947. It is hand signed, titled, date...

This artwork "Landscape" is an original lithograph by Swiss artist Aime Daniel Steinlen,1923-1996. It is hand signed and numbered 235/260 in pencil by the artist. The image and sheet...

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...

This work is immediately recognizable as the work of Haku Maki (1924-2000). It is one of his well-known abstract compositions. The print is in very good condition, with no flaws noted on the surface. There is some very, very light toning in the margins, barely visible only under bright light. Maki Haku (巻白, 1924–2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He was a sōsaku-hanga artist in 20th Century Japan. During World War II, Maejima Tadaaki was trained as a kamikaze pilot in the Japanese air force, but the war ended before he was assigned a mission. Haku had no formal art training, but studied for two years with the sōsaku-hanga artist Onchi Kōshirō...

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...

This artwork titled "Apple Orchard" 1998, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled a...

This artwork "Three Dancers" 1980 is an original color lithograph on Arches paper by noted American artist Alan Feltus, b.1943. It is hand signed and numbered 32/60 in pencil by the artist. With the blind stamp of the publisher, Editions Press, San Francisco. The image size is 18.5 x 24.5 inches, sheet size is 22.5 x 30 inches, framed size is 33.5 x 39.75 inches. Custom framed in a wooden silver frame, with off white matting and silver color spacer. It is in excellent condition About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

This artwork titled "Familia Indigena III" 1983 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 67/100 in pencil by the artist. The artwork size is 22 x 29.85 inches, framed size is 28.5 x 36.5 inches. Published and printed by La Poligrafa, Barcelona, Spain. Referenced and pictured in the artist's catalogue raisonne "Zuniga The Complete Graphics, 1972-1984, by Jerry Brewster, plate #93. Beautifully framed in a custom acrylic display box, with brown fabric backing. It is in excellent condition. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...

Artist: Andre Brasilier (French, born 1929) Title: Femme en Rose Avec un Arbre Year: c.1975 Medium: Color lithograph Edition: Inscribed "Bien Amicalement" (With Friendship) in pe...

This artwork titled " Biagoth Eecuebeh Hehsheesh-Chedah (Red Ridinghood and her Wolves)" 1989 is a color offset lithograph on Artcote paper by Crow Indian artist Penni Anne Cross...

This artwork titled "Profile of Caroline" 1983 is a color offset lithograph on Rag-Cote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta...

This artwork "ACLU" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and inscribed HC (Hors Commerce) in pencil by the artis...

This artwork "City Scene" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the artist's estate in pencil at the lower center. The plate mark (image) size is 13 x 9.25 inches, framed size is 23.35 x 18.35 inches. Custom framed in a wooden dark brown and gold frame, with fabric matting and dark brown fillets. It is in excellent condition, The frame have a very minor restoration, barely visible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...

This artwork titled "Sea Spirit" 1965 is an original stonecut on thin paper by Eskimo artist Egevadluq (Eegyvudluk) Ragee, 1920-1983. It is hand signed, titled, dated, described and numbered 20/50 in pencil by the artist. With the blind stamp of the artist at the lower right corner. It is in excellent condition. it has a minor thin crease at the middle center, at the edge of the sheet, barely visible, see picture #4 About the artist: Eegyvudluk Ragee was the oldest child born to Pamiaktok and Sorisolutu at the small campsite of Ikarasak, on the southern tip of Baffin Island in 1920. When Egevadluq travelled to Cape Dorset (Kinngait) to trade for supplies, she would buy graphite pencil and paper from the West Baffin Eskimo Co-operative. Her early works filled entire sheets of paper, mythical creatures, bird-animal-human transformations, and images from reality - all randomly intermingled . By the mid-1960s, Eegyvudluk was using wax crayons, or coloured felt pens on paper. In 1967, improved housing in Cape Dorset resulted in the Inuit abandoning most of the campsites. Eegyvudluk moved into the settlement, and by the early 1970s, explored the use of arcrylic washes, on which she drew her well-known figures and birds. "I started drawing because I was 'tususkuk' (when I saw other people doing it, I wanted to do the same things)...When I start to make a drawing, I have a picture in my mind, but when I try to put that picture on paper, my hands won't do what my mind wants. When I have the picture in my head, I can't get it out by my hands. Sometimes I find it hard to draw when my children are in the house; I find it hard to think with so much noise around me. I make the kids go outside." Eegyvudluk, Cape Dorset Print Catalogue, 1978. Exhibitions Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts ART ESKIMO, Galerie de France Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier Art/Facts, McMaster Art Gallery Art/Facts, McMaster Art Gallery Canadian Eskimo Art...

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Riviera Year: 1979 Medium: Color serigraph Edition: Numbered LXXXV/CLXXXII in pencil Image size: 20 x 14.25 inches Framed size: 38.25 x 32.5 inches Signature: Hand signed in pencil Condition: Excellent Frame: Custom framed in a wooden silver frame, with silver color bevel and fabric matting Description: With the blind stamp of the publisher, Circle Fine Art, Chicago IL at the lower left corner. Referenced and pictured in the artist catalogue raisonne, Erte at 95, The Complete Graphic Work by Martin Lee, plate #121. About the artist: Romain Erte was born Romain de Tirtoff in St. Petersburg, Russia. The only son of an admiral in the Imperial Fleet, he was raised amidst Russia's social elite. As a young boy, he was fascinated by the Persian miniatures he found in his father's library. These exotic, brightly patterned designs continued to be important to him and influenced the development of his style. He moved to Paris at the age of eighteen and took the name Erte, from the French pronunciation of his initials, R and T. In 1915 he began his long relationship with Harper's Bazaar, during which time he created over 240 covers for the magazine. His fashion designs also appeared in many other publications, making him one of the most widely recognized artists of the 1920s. He also designed costumes and sets for the theater. In 1976 the French government awarded Erte the title of Officer of Arts and Letters, and in 1982 the Medaille de Vermeil de la Ville de Paris was bestowed upon him. His work is in many prominent museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Smithsonian Institution in Washington, D.C., and the Victoria and Albert Museum in London. The designs created by Erté during his long and illustrious life influenced not only the world of theatre, film and fashion, but an entire art movement as well. The genius of the artist is evidenced by an enormous body of work that is considered among the most influential and unique of the 20th century. Erté—Romain de Tirtoff—was born in Russia in 1892, and died at age 97 in 1990. His legendary career spanned nearly the entire length of his life. In 1912, Erté moved to Paris and his unique talent was immediately recognized by the city's most established couturiers. In 1915, he began an association with Harper's Bazaar by designing covers of each of their magazines for the next 22 years. The influence of his work as a result of the high visibility of this periodical influenced an entire art movement that was to become known as "Art Deco". Throughout this period, the artist also created original costume and fashion designs for many of the era's most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer and others. His creations for the stage included extravagent designs for productions at such venues as New York's Radio City Music Hall, the Casino de Paris and the Paris Opera, as well as for the Folies-Bergères and George White...

This artwork titled "Partir Avant la Pleine Mer" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-200...

This artwork titled "The Danube River Near Vienna, Austria" 1920 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, ...

This artwork titled "Le Vieux Chalet" is an original serigraph by Russian artist Liudmilia Kondakova, born 1956. It is signed and numbered 90/100 in in white pencil by the artist. Th...

This artwork titled "Sea Garden" is a color offset lithograph on thick glossy paper by American artist Leonard Bencken, 1933-2010. It is hand signed and num...

This artwork titled "Spectral Vision" 1970, is an original color lithograph by renown Chinese/American artist Zao Woo Ki, 1921-2013. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 17.25 x 24.5 inches, framed size is 32.65 x 39 inches. Custom framed in a wooden silver frame, with silver color spacer and fabric matting. It is in excellent condition. About the artist: Zao Woo Ki was born in Beijing with family roots in Dantu, Zhenjiang, Jiangsu province. In his childhood he was brought back to his hometown Dantu where he studied calligraphy. From 1935 to 1941, he studied painting at the China Academy of Art in Hangzhou, Zhejiang province, where he was taught by Lin Fengmian, Fang Ganmin and Wu Dayu. In 1948, he went with his wife Lan-lan, a composer, to Paris to live on the same block in Montparnasse where the classes of Émile Othon Friesz took place. His earliest exhibitions in France were met with praise from Joan Miró and Picasso. In 1957, Zao decided to visit the United States where his younger brother Chao Wu-Wai was living in Montclair, New Jersey, close to the art scene of New York City. He wanted to learn more about "pop art". While in the US, he painted seven canvases at his brother's house. There are relatively few items dating from that year (1957). Years later, the largest canvas was given by his brother, Chao Wu-Wai, to the Detroit Institute of Arts. He left the U.S. after a six-week stay, traveling to Tokyo and then to Hong Kong, where he met his second wife Chan May-Kan Zao's works, influenced by Paul Klee, are orientated to abstraction. He names them with the date in which he finishes them, and in them, masses of colours appear to materialise a creating world, like a Big Bang, where light structures the canvas. He worked formats in triptychs and diptychs. While his work was stylistically similar to the Abstract Expressionists whom he met while travelling in New York, he was influenced by Impressionism. Zao Wou-Ki stated that he had been influenced by the works of Matisse, Picasso and Cézanne.[ His meetings with Henri Michaux pushed him to review his Indian ink techniques, always based in Chinese traditional drawings. Zao was a member of the Académie des beaux-arts, and was considered to have been one of the most successful Chinese painters during his lifetime. In 1982, he was invited to paint for the Fragrant Hills Hotel in Beijing, designed by I. M. Pei. In 1983, he returned to his alma mater, the China Academy of Art in Hangzhou to give lectures. Former French President Jacques Chirac was offered a painting by Zao Wou-Ki by his ministers during their last meeting. His auction record of HKD 510 million was set at Sotheby's, Hong Kong, on 1 September 2018. Zao's work 'Juin-Octobre 1985' is now the most expensive painting ever to go under the hammer at auction in Hong Kong. By the end of his life Zao had stopped producing new paintings due to health problems. He died on 9 April 2013 at his home in Switzerland. Selected public collections and museums: Vienna, Albertina Museum, Graphische Sammlung Brussels, Museum of Modern Art Brussels, Royal Museums of Fine Arts of Belgium Rio de Janeiro, Museum of Modern Art Montreal, Museum of Contemporary Art of Montreal (Quebec) Montréal, Museum of Fine Art (Quebec) Quebec City, National Museum of Fine Arts of Quebec (Quebec) Toronto, Art Gallery of Ontario (Ontario) Hangzhou, China Academy of Art Hong Kong, Hong Kong Museum of Art Beijing, China Central Academy of Fine Arts Suzhou, Suzhou Museum Helsinki, Ateneum Museum Tempere, Sara Hildén Art Museum Châteauroux, Bertrand Museum Colmar, Unterlinden Museum Dunkirk, LAAC Évreux, Museum of Art, History and Archeology Gravelines, Musée du Dessin et de l’Estampe Originale Issoudun, Musée de l’Hospice Saint-Roch Le Havre, Malraux Museum Lyons, École normale supérieure Metz, Museum of Art and History Montauban, Ingres Museum Montpellier, Fabre Museum Nantes, Museum of Fine Art Orléans, Museum of Fine Art Paris, L’Adresse – Musée de La Poste Paris, Bibliothèque nationale de France Paris, Bibliothèque de l’Institut de France Paris, Centre Pompidou, National Museum of Modern Art / Industrial Design Center Paris, Cercle de l’Union Interalliée Paris, Fonds National d’Art Contemporain Paris, Institut national d’histoire de l’art Paris, Manufacture Nationale des Gobelins Paris, Manufacture Nationale de la Savonnerie Paris, Manufacture Nationale de Sèvres Paris, Mobilier National Paris, Museum of Modern Art of Paris Paris, Cernuschi Museum Paris, Musée du Louvre (at Musée Fabre in Montpellier) Paris, Schlumberger Ltd. Paris-La Défense, Société Générale Paris-La Défense, TOTAL France Rennes, Museum of Fine Art Saint-Dié-des-Vosges, Musée Pierre-Noël Sceaux, Musée de l’Ile-de-France, Château de Sceaux Tournus, Musée Greuze Tours, Museum of Fine Art Tours, Conseil général d’Indre-et-Loire, fourteen windows for La Demeure de Ronsard, La Riche Valence, Museum of Fine Art and Natural History Essen, Folkwang Museum Liverpool, The Tate Gallery London, The Tate Gallery London, Victoria and Albert Museum Jakarta, Jakarta Museum Tel Aviv, Tel Aviv Museum Genova, Gallery of Modern Art Milan, Museum of MOdern Art of Milan Fukuoka, Fukuoka Art Museum Fukushima, Iwaki City Art Museum Hakone-Machi, The Hakone Open-Air Museum Kyoto, Kyoto National Museum of Modern Art Nagaoka, Nagaoka Contemporary Art Museum Osaka, National Museum of Art Tokyo, Bridgestone Museum of Art, Ishibashi Foundation Luxembourg City, Grand Ducal Collections of the State of Luxembourg Luxembourg City, National Museum of History and Art Skopje, Museum of Contemporary Art Mexico, Centro Cultural/Arte Contemporáneo Mexico, Museum of Modern Art Mexico, Tamayo Museum of Contemporary Art Castelo Branco...

This artwork titled "Red Boat" 1963 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, t...

This artwork titled "Woman With Whip and Leather" from the suite "Bad Girls". c.1990 is an original color seigraph on Somerset Archival paper by noted ...

G.B. Piranesi Marble Urns and Vases and Lamps Etching c.1770 Beautiful 18th century etching by Giovanni Battista Piranesi (1720-1778) Loose translation of the text: Knight Gio. Bat...

This artwork titled "The Mural Day" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered LVII/LXXV in pencil by the...

This artwork titled "Hidelberg Terrace, Germany" c.1930 is an original color etching on watermarked Kasimir Vienna wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist's estate at the lower center. The image (plate mark) size is 8.5 x 11.5 inches, sheet size is is 15 x 19 inches. It is in excellent condition, has never been framed About the artist: Tanna Kasimir...

This artwork "The Equestrian" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 4/300 in pencil by the artist. T...

This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...

This artwork titled "Group of Workers" 1943, is an original lithograph on paper by noted American artist John Edward Costigan, 1888-1972. It is hand signed and titled in pencil by th...

This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches. It is in excellent condition, the colors are fresh and bright, it has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

This artwork titled "The Sporting Good Store" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and ...

This artwork titled "London, Holborn House" 1920 is an etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower right corner. The image size is 14.75 x 13 inches, plate mark is 15 x 13.35 inches, framed size is 23.65 x 22 inches. Custom framed in a wooden black/silver frame, with light beige matting and black fillet. It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...

This artwork "Still Life with Silver Vase" 1991 is a large original color serigraph by artist Audean Johnson. It is hand signed and numbered 195/275 in ...

This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

This artwork "Le Lapin Agile" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 372/375 in...

This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork titled " The Quilt Makers" 1988 is a color offset lithograph on paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We- Ches) ...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered ...

This artwork titled "Koln and the St Martin Church, Germany" is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 19 x 23 inches, framed size is 30.25 x 34.25 inches. Custom framed in a wooden decorated gold frame, with brown matting and burgundy color fillets. It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Artist: Alan Feltus– American (1943- ) Title: Dancer at Rest Year: 1981 Medium: Color Lithograph Sight size: 30 x 22 inches. Sheet size: 30 x 22 inches Framed size: 37 x 29 inches Publisher: Editions Press. Blindstamp lower right Printer: Editions Press. Printed on Arches paper Signature: Signed lower right Edition: 30 plus proofs. This one numbered 7/30 Condition: Good This contemporary realist lithograph is by Alan Evan Feltus (1943-). The lithograph was printed and published in 1981 by Editions press in an edition of 30. It is printed on Arches paper. It is signed and dated in the lower right and numbered 7/30 in the lower left, both in pencil. It is in a very nice modern wood frame, fully floating on a linen mat and covered with and Plexiglas. The print and mat are in good condition. The frame is in fair to good condition with normal wear. The Plexiglas has some faint scratches. About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on creme wove paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. Published by Les Bib...

Francisco Toledo Venados (Deer), circa 1975-1985 Color etching and aquatint Plate: 8 13/16 x 11 11/16 inches Sheet: 15 x 20 7/16 inches Edition A/P (Artist Proof) This limited editi...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. The artwork (image) size is 6.75 x 12 inches, framed size is 13.5 x 18.25 inches. Custom framed in silver metal frame, with light grey matting. It is in excellent condition, the frame have some very small minor scratches, barely visible. About the artist: Painter Kenneth Adams (1897-1963) arrived on the Taos art scene in 1924, at the urging of his former instructor Andrew Dasburg. Although Adams had been born and raised less than 700 miles away in Topeka, Kansas, his journey to the Southwest had been years - and countries - in the making. Earlier in his 20s, Adams had embarked on the Midwesterner’s equivalent of a Grand Tour: Chicago, then New York City, and finally, Italy and France. From these sojourns, the artist had absorbed all the lessons in light, color, and form that renowned teachers and rolling countrysides could offer. Now, thanks to Dasburg’s invitation, Adams found he could stop traveling; he had finished honing his craft and found his muse. New Mexico - its people and its land - would be an infinite source of inspiration. Adam’s painterly devotion soon impressed the prestigious Taos Society of Artists...

Artist: Kiyoshi Saito (Japanese, 1907-1997) Title: Children II Year: Circa 1960 Medium: Color woodcut Edition: Unknown Paper: Japan Image (block mark) size: 9.85 x 5.35 inc...

This artwork titled "Pixel Slab" 1982 is an original 8 colors screenprint by noted American artist Ronald Davis, b.1937. It is hand signed and inscribed/numbered AP XII in pencil by ...

This artwork titled "Bilbao Guggenheim Silver" 1999, is an original archival pigment print by noted photographer and artist Jenny Okun, b.1953. It is hand ...

This artwork titled "Cafe Life" 1982 is a offset lithograph with a color crayon and oil pastel drawing on wove paper by American artist Michael Bowen, 1937-2009. It is hand signed and inscribed "Image" in color crayon. The image size is 27. 75 x 18 inches, the drawing is 9.25 x 7.25 inches, sheet size is 30.75 x 21.75 inches. It is in excellent condition, has never been fram...

This artwork titled "The Lord of Earthly Delights" c.1980 is an original color lithograph on paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 1...