San Francisco - Prints and Multiples

Artist: Ronald Julius Christensen – American (1923-1999) Title: Moon Mist Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 21 x 27.5 inches. Sheet size: 22.5 x 30 inches Signature: Signed lower right Edition size: 295 This one: 240/295 Condition: Good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in good, never-framed condition with a faint crease in the upper right margin and a faint stain 4" x 1/2" in the upper left margin, both far from the image. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

This artwork titled "Centre Noeuds" plate #9, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "Une Orange Sauvee des Rives de l'Oubli" Year: 1986 Medium: Color lithograph Edition: Numbered 160/175 in pencil Paper: Arches paper Image size: 9.75 x 9.75 inches Framed size: 16.85 x 16.5 inches Signature: Hand signed in pencil by the artist Condition: Excellent Frame: Custom framed in a wood frame, with off white matting About the artist. Theo Tobiasse was born in Israel of Lithuanian parents. Before he turned seven, his family moved to Paris due to financial difficulties. In Paris. Between the years of 1942 and 1944, the Germans occupied Paris. He and his family were forced to live in solitary confinement with the constant fear of being discovered. The only things that kept Tobiasse going was his drawings. By the time it was safe to come out of hiding, he had quite a portfolio put together. In 1960, his work was noticed at an exhibition of young artists at the Palais de la Mediterranee in Nice and he won first prize. From then on art galleries and collectors continued to show interest in his work, and by 1962 Theo Tobiasse was finally able to devote himself entirely to painting. Theo Tobiasse has created monumental works such as the fountain entitled "L'Enfant fou" for the Arenas Business Centre at Nice Airport, and stained-glass windows for various institutions in Strasbourg and Nice. He also designed costumes and stage-set models for Bernard Shaw...

This artwork titled " Paris, Le Pantheon" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 134/250 i...

This artwork "Two Lovers" c.1990 is an original color serigraph by noted French artist Linda Le Kinff, born 1949. It is hand signed and numbered 40/300 in ...

This artwork titled "Arlecchino" 1965, is an original colors lithograph on Wove paper by renown Italian artist Gino Severini, 1883-1966. It is hand signed and numbered 43/80 in penci...

This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

This artwork titled "The Trail Ends at the Sea" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signe...

This artwork titled "Abstract II" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 11/150 in pencil by the artis...

This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.75 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.85 x 9.65 inches. It is in excellent condition. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

This artwork titled "Heidelberg" 1928 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled, dated November 19 1928 in the plate. The plate mark (image) size is 13 x 10.25 inches, framed is 21.65 x 17.25 inches. It is custom framed in a dark wood frame, with light creme color matting and dark silver filet. It is in excellent condition. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork titled "Tapestry" c.1990, is an original colors etching on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 8/15 in penci...

This artwork "Landscape #III' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The image (plate mark) size is 8 x 15.75 inches, the sheet size is 15 x 22 inches. it is in excellent condition, has never been framed. About the artist: Born in Chicago in 1961, Monaghan received his MFA from the University Northern Illinois. He moved west to Sonoma County in his mid-twenties and starting showing in galleries in San Francisco in the early 1990's, his move having a profound impact on his painting. The first impression of that sparkle on water upon the great lakes in Chicago continue his drive to seek out natural beauty in the landscape. Monaghan has had regional acclaim and International showing, include, International Art Fairs in San Francisco in 2011 and 2012. Selected exhibitions 1993 Claudia Chapline Gallery, Stinson Beach, CA., 1993 Heirloom Gallery, Chicago, I., 1994 Marinscapes., 1995 John Mallon, Editions Limited, Indianapolis, IN., 1996 Marinscapes., 1997 John Mallon, Editions Limited, Indianapolis, IN., 1998 Ira Wolk Gallery, St. Helena, CA., 2000 Erickson & Elins Gallery, San Francisco, CA ., 2001 Ira Wolk Gallery, St. Helena, CA, 2002 Ira Wolk Gallery, St. Helena, CA., Erickson Fine Art Gallery 2008. Selected collections The Prudential, Merrill Lynch, LaSalle National Bank, Chicago Mercantile Exchange...

Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Voir en Songe (See in a Dream) Year: 1978 Medium: Lithograph on heavy rice paper Sight size: 22.25 x 18 inches. Sheet size: 29...

This artwork titled "Danzig" c.1920, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 16 x 20 inches, framed size is 26.5 x 30 inches. Custom framed in a wooden silver frame, with light brown matting and dark brown fillets . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork titled "Sophia Relaxes" c.1990 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed in black ink and numbered 52/125 in...

Artist: Marc Chagall (Russian, 1887-1985) Title: "TheAngel " from "The Bible" Publication: Verve, no. 33-34 Year : 1956 Medium: Original color lithograph Edition: Unumbered ...

Artist: Squeak Carnwath American (1947- ) Title: Intelligence of a Three Year Old Date: 1997 Media: Color Sugarlift And Soapground Aquatint With Hardground, Scrape And Burnish Dimen...

This artwork titled "Asagiri" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 150/200 in pencil by the artist. The artwork (image) size is 11.25 x 23.25 inches, framed size is 18.65 x 30 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required 7 different carved wood blocks and 21 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

This artwork titled "La Melodie Acide II" 1980 (printed and published in 1983) is a color lithograph on Guarro paper after Joan Miro 1893-1983. It is si...

This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

This artwork titled "Bonn, Bethovenhaus" c. 1970 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dedicated and resigned a second time in pencil by the artist. The plate mark (image) size is 12 x 9.10 inches, framed size is 21.65 x 17.65 inches. Custom framed in a dark wood frame, with green matting. It is in excellent condition. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

This artwork titled "Pecheur de Sawara, Japon" (Fisherman of Sawara, Japan) 1936 is an original color woodcut by French artist Paul Jacoulet, 1896-1960. It is hand signed in pencil b...

This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Artist: David Rosenthal (American 1876-1949) Title: Village in France Year: c.1927 Medium: Color Etching with aquatint Image (Plate mark) size: 13.5 x 10 inches Sheet size: 14.75 x 11.25 inches Signature: Hand signed and numbered 9/50 in black ink by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

This artwork titled "Weinstube Street, Urbani Keller" c.1920, is an etching on paper by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower right corner and inscribed on the left. The plate mark (image) size is 14 x 9.5 inches, framed size is 26.35 x 21.5 inches. Custom framed in a wooden black/silver frame, with off white matting and black color fillets. It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork "titled "Horses #V" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sign...

This artwork titled "Ulm on the Blau, Germany" c.1950 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the artist, inscribed "T...

This artwork titled "Silent Hunter" 2002 is an original color stonecut on beige Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 15 x 11.75 inches, framed size is 23.35 x 20 inches. Custom framed in a wooden dark green frame, with green matting. It is in excellent condition. About the artist: Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer. Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston. Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak. The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day. Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation. While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...

This artwork titled "Festive Occasion" 1989 is a color offset lithograph by noted British artist Alan Maley, 1931-1995. It is hand signed, titled and numbered 21/750 in pencil by the...

This artwork titled "Ulm on the Danube" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed ...

Artist: Marc Chagall (Russian, 1887-1985) Title: Le Geai Pare des Plumes du Paon Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Montval Laid paper Image (plate mark) size: 11.5 x 9.5 inches paper size: 14.85 x 11.15 inches Signature: Signed in the plate as issue Publisher: Teriade, Paris Printer: Maurice Potin Condition: Excellent Frame: Framed in a custom wooden black and silver frame, with silver color bevel and fabric matting. Framed size is 26 x23 inches Description: From the suite les Fables De La Fontaine...

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

This artwork titled "Springtime in the North" c.1980, published 1996, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. I...

This artwork titled "Union Street, San Francisco" is an original etching on creme wove paper by American artist Edith (Mark) Milsk, 1899-1982. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 5.5 x 3.65 inches, framed size is 16.5 x 13.40 inches. Custom framed in a red Oak frame, with beige matting. It is in excellent condition. About the artist: Edith Milsk...

This artwork "GP (General Practitioner)" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 193/300 in pencil by ...

This artwork titled "Landscape T.L.B." is an original color screen print with embossing by Japanese abstract expressionist artist Manabu Onogi (Onoki) 192...

This artwork tiled "Church of Mandraikina, Corfu" 1928 is an original color linocut on Laid fibrous paper by noted British artist Isabel De Bohun Lockyer, 1895-1980. It is hand signed, titled, dated and numbered 7/50 in pencil by the artist. The image (linocut mark) size is 7.15 x 9.85 inches, framed size is 18.75 x 21,5 inches. It is in excellent condition, especially considering the age. About the artist: Isabel de Bohun Lockyer (1895–1980) was a British painter known for her linocut color prints. She worked as an independent artist and mostly depicted landscapes. Lockyer was one of the few linocut artists at the time who was not associated with the Grosvenor School, a collection of artists and students who were primarily responsible for a resurgence of interest in printmaking and particularly linocut after World War I. Her earlier work followed closely in the tradition of woodcut due to her use of water-based inks, but later her technique showed influence from the work of Claude Flight, one of the heads of the Grosvenor School, who invited her to exhibit her prints at some of his annual British linocut...

This artwork titled "Bridge" 1980 is an original color serigraph by American artist Darryl Sapien, b.1950. It is hand signed, dated and numbered 10/31 in pencil by the artist. The sheet size is 28.25 x 21.85 inches, framed size is 30 x 23.65 inches. It is framed in a black metal frame. The artwork is in excellent condition, the frame has minor scratches. About the artist: Selected exhibitions. San Francisco Art Institute, B.F.A., Sculpture 1974 "Introductions 74," Hansen-Fuller Gallery, San Francisco, California (Group Exhibition) 1976 San Francisco Art Institute, M.F.A., Sculpture 1976 "17 Artists, Hispano/Mexican American/Chicano," The Mexican Museum, San Francisco, California (Group Exhibition) 1976 "Other Sources," San Francisco Art Institute, (catalog)(Group Exhibition) 1977 "Work in Progress,” Union Gallery, San Jose State University, San Jose, California (catalogue) 1977 "Painting and Sculpture in California: The Modern Era," (catalog) San Francisco Museum of Modern Art & The Gallery of the National Collection of Fine Arts, Washington, D.C. (Group Exhibition) 1977 "Tokyo-Bay Area Exchange," Kanagawa Prefectural Hall, Tokyo, Japan (Group Exhibition) 1977 "Arte Fiera di Bologna," Bologna, Italy (Group Exhibition) 1978 "California-Hawaii Biennial," San Diego Fine Arts Gallery, Honolulu Museum of Art, Honolulu, Hawaii (Group Exhibition) 1979 “Darryl Sapien, Recent Work,” Gallery Paule Anglim, San Francisco, California 1979–1980 "From Self-Portrait to Autobiography," Neuberger Museuem, Purchase, New York, New Gallery of Contemporary Art, Cleveland Ohio (catalog) (Group Exhibition) 1980 "Space/Time/Sound: A Decade in the Bay Area," San Francisco Museum of Modern Art (catalog) (Group Exhibition) 1981 "19 Artists, Emergent Americans," Solomon R. Guggenheim Museum, New York City (catalog) (Group Exhibition) 1981 "La Vue Independante," The American Center, Paris France (Group Exhibition) 1981 “American Roulette”, Solomon R. Guggenheim Museum, New York, NY (Performances) 1982 "California Art on the Road," Laguna Beach Museum of Art, Laguna Beach, California (Group Exhibition) 1984 “Darryl Sapien at Studio Ink,” San Francisco, California 1984 "Crime and Punishment," Triton Museum of Art, Santa Clara, California (Group Exhibition) 1984 "Artists and the Theater," Phillipe Bonnafont Gallery, San Francisco, California (Group Exhibition) 1985 "The Twentieth Century," San Francisco Museum of Modern Art (Group Exhibition) 1985 Contemporary Art, 30,000 B.C. to the Present," San Jose Institute of Contemporary Art, San Jose, California (Group Exhibition) 1987 "Connotations," Southern Exposure Gallery, San Francisco, California (Group Exhibition) 1988 “Darryl Sapien: Artspace Painting Grant Award” Artspace Gallery, San Francisco, California (catalogue) 1988 "Digital Visions: Computers and Art," Everson Museum of Art, Syracuse University, New York (catalog) (Group Exhibition) 1989 "Darryl Sapien and David Flipse" Riskin-Sinow Gallery, San Francisco, California (Group Exhibition) 1990 "The Written Word," Richmond Art Center, Richmond, California (Group Exhibition) 1991 "Four Hispanic Artists," San Francisco Art Commission Gallery (Group Exhibition) 1994 “Darryl Sapien: Recent Work,” Opts Art, San Francisco, California 1995 "Facing Eden: One Hundred Years of Landscape Art in the Bay Area," M.H. DeYoung Museum, San Francisco, California (Group Exhibition) 1996 “Darryl Sapien,” City College of San Francisco 2003 "Reactions, Artists Respond to September 11, 2001," Library of Congress, Washington, D.C. (Group Exhibition) 2005 “Darryl Sapien,” Swallowtail Gallery, San Francisco, California 2010 "75 Years of Looking Forward" San Francisco Museum of Modern Art (catalog) (Group Exhibition) 2010 “Radical Light,” U.C. Berkeley Art Museum (catalog) (Group Exhibition) 2011 “State of Mind: new California Art circa 1970” (catalog) Orange County Museum of Art, California (Group Exhibition) 2012 Berkeley Art Museum, U.C. Berkeley, California (Group Exhibition) 2012 Belkin Gallery, University of British Columbia, Canada (Group Exhibition) 2013 Site Santa Fe, NM (Group Exhibition) 2013 The Bronx Museum of the Arts, NY (Group Exhibition) 2013 “Son of War Games”, The Bronx Museum of the Arts, New York, NY (Performances) 2013–2014 The Smart Museum, Chicago, IL (Group Exhibition) 2014 "The site a live" San Francisco Art Institute (Group Exhibition) 2015 "Out Of This World," Bonnafont Gallery, San Francisco, California Public Collections Solomon R. Guggenheim Museum, New York City San Francisco Museum of Modern Art, San Francisco, California Berkeley Art Museum, University of California, Berkeley The Oakland Museum, Oakland, California The American Academy of Opthalmology, San Francisco, California National Automobile and Casualty Insurance Company, Pasadena, California City and County of San Francisco-Public Utilities Commission Building Performances “Synthetic Ritual”, San Francisco Art Institute “Initiation”, San Francisco Art Institute “War Games”, corner of Third & Howard Street San Francisco, California (outdoor sitespecific) “Split-Man Bisects the Pacific”, the ruins of Sutro Baths...

This artwork "Untitled VI" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed in pencil at the lower right corner by the artist. The image size is 15.6...

Artist: August Lepere – French (1849-1918) Title: L'eglise de Villeneuve sur Bellot, Seine-et-Marn Year: 1915 Publisher: Edmond Sagot (blindstamp, lower ...

This artwork titled "Galactika II" 2012 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 14/40 in pencil by the artist. The image (plate mark) size is 18 x 11.85 inches, framed size is 34.75 x 27 inches. Published by Joseph Grossman Fine Art...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanical splendor and vibrant color palette of nature with highly detailed captures Flora Italiana ( Iris Bianco ) delicate flower petals of the white iris 40 x 32 inches (102 x 81cm) signed edition of 25 60 x 48 inches (152 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis...

This artwork "Peony" 1974 is an original colors and gold leaf screen print by noted Japanese artist Kazutoshi Sugiura, b.1938. It is hand signed, dat...

Large format photograph from a series of photographic observances capturing found conceptual objects and typographic signs in urban cityscapes around Italy Napoli My Way (2025) by F...

Charles Bibbs "The Gift, Series II" Lithograph Edition 208 of 1500 1993 21" x 36" unframed 31" x 47.5" framed

This artwork titled "Aftermath" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 2/150in pencil b...

This artwork titled "Bottles" 1980 is an original lithograph on Arches paper by Israeli artist Amos Yaskil, b.1935. It is hand signed and numbered XIX/CCXXV in pencil by the artist. ...

Golden State I by Frank Schott a photography study of a rare desert botanical phenomenon, California's "superbloom", a rare desert botanical phenomenon in which an unusually high proportion of wildflowers whose seeds have lain dormant in desert soil germinate and blossom at roughly the same time, exploding into endless fields of golden yellow poppy flowers 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

This artwork titled "Les bouquinistes, with Notre Dame de Paris" c.1930 is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in penc...

Dealer by Frank Schott 27 x 40 inches / 67cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival fine art pigment print signed & numbered by a...

large scale abstract photograph of mesmerizing monochromatic color space captured in Roman palazzo Untiltled (Amber) by Frank Schott 40 x 27 inches / 102cm x 68cm signed edition o...

Danny Edwards Abstract Black & White Etching c.1989 Fine abstract etching by Danny Edwards. Pencil signed and numbered 2/2 by the artist. Plate dimensions 23.5 x 20. The frame mea...

Frederique Vallet Bisson: 1862-1948. Well listed French artist with some auction prices for his paintings over $30,000. This beautiful lithograph was pr...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

This artwork titled "Fleurs,Fleurs.Fleurs" 2003, is an original color serigraph on Wove paper by noted French artist Linda Le Kinff, born 1949. It is hand signed and numbered 231/350...

This artwork "Intermission" 1995 is an original colors serigraph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 251/350 in pencil by the artist. The a...

This artwork "Horse" 1971, is an original etching on Wove paper by Japanese artist Akio Yamao, b.1933. It is hand signed, dated and numbered 13/50 in pencil by the artist. The artwor...

This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...

Vintage lithograph by Gerald Gooch c.1965. Signed and dated lower right. Limited edition. This is number 15/20. Dimensions 25 1/2" x 19". Frame dimensions 33" x 27". Very good...