South Carolina

Fossil agate coral with a coordinating polished citrine crystal point. Fossil agate coral is Florida's state stone and is known for its unique formation that can take place over 20 ...

Exquisite vintage 18k lapis lazuli convertible pendant / brooch, adorned with dazzling diamonds. This brutalist style pendant is a great example of mid century art and craftsmanship....

Pair of Rare Charleston Neoclassical brass urn faceted ball finial andirons with flanking scrolled ringed columns, decorative scrolled squared ...

"Passage" A lone bird swims between two sea ice formations with mountains and clouds in the background. The limited edition print series Northern Dreams is a tribute to one of the ...

Mary Van Blarcom, 'China Spring', color serigraph, c. 1945, edition not stated but small. Signed in pencil in the image, lower right. Titled in pencil, bottom left sheet edge. A rich, painterly impression, with fresh colors, on cream laid paper; with full margins (9/16 to 1 5/16 inches), in excellent condition. Matted to museum standards, unframed. Image size 10 3/4 x 10 3/4 inches; sheet size 11 15/16 x 12 5/8 inches. ABOUT THE ARTIST Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...

English Chippendale mahogany wall mirror with a broken arched foliage medallion cornice, central perched gilt wood eagle, upper gilt wood shell with Ivy vines, flanking gilt wood fol...

A stunning French empire style/ regency hand painted faux malachite under beveled glass console table. With gilt ormolus and bronze gilt hoofed feet. The base is a cross base iro...

Here we have a richly grained walnut king size headboard with 4 inverted slats. A fabulous modern shape and very much in the style of Kent Coffey.

Antique 19th century primitive pine farmhouse blanket / hope chest or toy storage trunk. Made of pine featuring rectangular form painted red exterior, hand dovetailing, forged iron h...

German mahogany and ormolu bracket clock with gilt bronze pineapple finials, flanking figural floral corner mounts, arched floral side screens, hinged astragal shaped glass door with...

"Luminary" In this award-winning photograph, the incredible features of the all-white horses of Camargue are on full display as they gallop through the water of their remote home. ...

"Opal" Close-up, intimate portrait of a polar bear walking towards the camera. The limited edition print series Northern Dreams is a tribute to one...

French Whimsical painted tin and gilt iron foliage swag medallion balloon chandelier. Chandelier has six electrified arms and was originally candle powered. Late 19th Century.

The Tiffany & Co. Jazz Diamond Platinum PT950 Drop Earrings are a breathtaking embodiment of elegance and timeless glamour. Crafted from platinum PT950, these earrings are meticulous...

"Untitled 37" Wearing face paint is typical in the Karo tribe. While the designs are based on tradition, each young man is encouraged to create their own motif. This award-winnin...

18th century Italian gold sunray fragment with tangerine crystal quartz points on a polished optical calcite base. The hand-carved, hand-painted wood fragment sunray was once part of...

Fabulous set of three Murano green drinking glasses and pitcher with silver overlay. Each glass and matching pitcher is decorated with the rare de...

18th century period Danish rococo cabinet in two parts with bonnet top, raised panel doors, three shelves, four small drawers, supported by sturdy three drawer base with beautiful or...

"From the Earth" Expansive portrait of life in the Mundari cattle camp in South Sudan In these scenes of life from South Sudan, experience the surreal, r...

"The Gaze" An iconic, fashion-inspired portrait of a young Rendille woman highlighting the bold and beautiful traditions of her remote tribal culture. The print series Desert Song:...

"In Sync" The iconic super yachts Lionheart, Ranger, Rainbow, and Velsheda appear to work together to create a pattern where there was none in this timeless and classic black and white photograph...

Sculptural 18th century Italian fragment base mounted with agatized coral on a polished agate base. The 18th century hand-carved fragment base is originally from Tuscany. The polish...

Digitally printing California-based muralist Colette Cosentino’s gauzy weeping willow painting on a pearlized ground imparts a subtle shimmer to the ...

"Together" The Camargue horses are known for their white coats, chiseled musculature, and bold, expressive eyes. The print series Band of Rebels: White Horses of Camargue capture...

For your consideration we have a pair of decorative rabbit figures made of resin with an antiqued, silver-like finish. They are designed to look like vintage chocolate molds. These figures are often used as decorative items for shelves, mantles, or as part of a seasonal display, particularly around Easter. They are intended for home decoration and not for use as actual chocolate molds. These resin rabbit figures are reproductions of vintage tin molds...

British wildlife sculptor PAUL EATON's bespoke hand-carved dog miniature sculptures of Poodle Dog Heads on a sterling silver twisted bangle are beautiful works of art. Paul Eaton’s bespoke dog bangles...

Vintage Murano glass lamp from Donghia, named for the goddess Athena. Nearly all ancient statues of the goddess show her standing tall just like the presence this lamp exudes. Its feminine curves are a nod to the Greek female...

Rare 19th century iron French garden chaise. A delightful piece made of hand-forged iron -now patinated with rust with natural colored antique linen.  

Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...

This pillow features Rolling Hills with a knife edge finish. Charming animals gambol within a naïve landscape in this whimsical full-coverage print. This design preserves the rustic ...

English Georgian Acanthus foliage medallion crest gilt wood & gesso scrolled foliage border two plate beveled wall mirror. Mirror retains the original beveled looking glass and wood ...

Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...

The Carrera Gold Hoop Earrings are a striking example of modern craftsmanship. Made from luxurious 18k gold, these earrings feature an intricate design with embossed panther motifs, ...

A fantastic burled top and drawer fronts. Hand planed drawers, original hardware, and a unique column decorative feature on the front. This piece makes an excellent entryway piece...

"Into the Blue" A surfer excitedly runs into the whitewater lapping the shores on Oahu in search of the perfect wave. The print series Swell: Endless Blue takes you on a sweeping y...

"Yosemite Awakens" In the moment of taking this image, the stillness in the water was echoed by the calm of the scene surrounding it while the air smelled like spring, warmth, and ...

Black and white contemporary abstract painting by Christopher Rico - ink on Yupo paper. Work on paper, offered unframed. For this black and white series of paintings, Rico uses over...

Pair of Italian Neoclassical gilt wood and gesso foliage fruit basket wall mirrors, Late 18th Century. Mirrors retain the original silvered glass and wood backing.

English Nautical brass yacht binnacle mounted on a mahogany rope base with an oval glass viewing port, gimballed compass, central carrying ring, and the original brass vented side li...

"Blush" During Drew's journey to photograph the icons of the American West, this stretch of coast in Oregon presented one of the most beautiful sunrises he had ever seen. Inspired...

"Warrior Embellished" A young Samburu man wears the traditional adornment of his status as warrior in this detailed and timeless award-winning portrait. In this print series titl...

Large Vintage Couroc Inlayed Brass and Stone Tray Swan Boats of Boston for Shreve Crump and Low MidCentury Couroc of Monterey large serving tray featuring the iconic Boston Swan Boats...

"Blush" During Drew's journey to photograph the icons of the American West, this stretch of coast in Oregon presented one of the most beautiful sunrises he had ever seen. Inspired...

English Regency flanking dolphin door knocker with figural face. Early 19th Century

Pair of American wrought iron and brass dome shaped hanging lanterns with decorative floral corner medallions, scroll work, and circular ring finials. Early 19th Century. Pair were o...

"True Bearing" The boat Velsheda sails along the shores of Porto Cervo, Italy. The nautical print series Sail: Majesty at Sea is an intimate look at two revered racing boat class...

By using intensely saturated colors and scaling up the proportions—each panel measures 12 feet high—a demure lotus motif adapted from a 17th-century Japanese woodblock transforms int...

English Mahogany Hepplewhite satinwood inlaid sideboard with double bottle drawers, linen and silver drawers, side chamber pot drawer, original b...

Crafted with precision, these Tiffany & Co. earrings showcase a floral design in 18k gold. Each earring features five petal-shaped citrine stones, radiating a warm orange hue. At the...

Faux bamboo pine cupboard.

"Shamrock Rising" With a lone sailor standing on deck, the famed racing yacht Shamrock looks extraordinary. The nautical print series Sail: Majesty at Sea is an intimate look at t...

Postmodern De Stijl style low console. This would look great mounted as a floating console, on the floor, or sitting on top of a taller cons...

An absolutely stunning and handsome flame mahogany framed mirror. This would look great and add warmth and masculinity to any decor. Circa late 19th century.

Vintage multi panel cameo bracelet, created in solid 14k yellow gold. Features 5 right facing carved shell cameos in detailed frames and is stamped " 14K " on the clasp. Measures 7 i...

Quite possibly a "one off", this very early English Spode pattern no. 257 is a much earlier "prototype" for Spode's also very early, highly-collected pattern no. 1291, but much earli...

English Hepplewhite crotch mahogany flip top game table with Satinwood string inlay, Tulip wood cross banding, baise lined interior and terminating on tapered squared legs with spade...

Caribbean Regency mahogany leather sofa with a central serpentine and scrolled fluted back, central floral shell with flanking scrolled medallions, f...

Pair of French acanthus foliage giltwood arm chairs with flanking upholstered striped silk backs and seats, central foliage cartouches, intertwined articulated foliage borders, flank...

Set of 6 "selenite logs" or ruler selenite. Selenite logs are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. T...

Authentic Genuine Real Antiques Capodimonte Extra Large Centerpiece with Flowers Italian Porcelain . This fantastic centerpiece with hand-painted colorful flowers represents a classi...