South Carolina

French gilt bronze six light chandelier with central urn finial, six scrolled acanthus foliage arms, and decorative fluted engraved chasing. Origina...

Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...

'I'll Be What I Choose: Vanity of Ambition', color lithograph, 1949, edition 40, Fine and Looney 281. Signed, titled, and numbered '23/40' in pencil. Initialed in the stone, lower ri...

French Three hand blown onion bulbous neck colored glass wine jugs, Mid 19th century.

The Van Cleef & Arpels Diamond 18K Yellow Gold Leaf Brooch is a masterpiece of craftsmanship and elegance, showcasing the renowned sophistication of the esteemed jewelry house. Craft...

"""The Charge"" Panoramic image of brown bear running through the water towards the camera Black & white panoramic image of brown bear charging towards camera Each year, brown bea...

The Hermès band ring is a masterpiece of luxury and precision. Crafted from 18k white gold, it embodies a sleek and contemporary elegance. The design showcases a wide band that comma...

Vintage Evans 2 sided compact purse. Bottom compartment is for bills while the top section has the comb, powder and lipstick as well as a coin holder and mirror. In good used condi...

Arthur Ernest Becher, 'Early Spring', oil, 1950. Signed and dated, lower right. A fine impressionist landscape, with fresh colors, on heavy illustration board, in very good, original condition, without inpainting. Framed in a period, 3 inch wide wood frame. Image size: 17 5/8 x 20 1/2 inches; outside frame dimensions: 23 3/4 x 26 5/8 inches. ABOUT THE ARTIST Arthur Ernst Becher was a painter and an illustrator of books and magazines. Born in Freiberg, Germany, he emigrated with his parents at the age of six to Milwaukee, Wisconsin. As a fine artist, he was known for his rural New York landscapes and historical scenes including Lincoln's Gettysburg Address. He received early training from F.W. Heine and Robert Schade...

"Untitled 2" In this best-selling, award-winning image, a Karo tribeswoman shows off her pierced lower lip. Self expression is paramount in this community, and both men and women c...

Hans Bellmer, Les Marionettes I, etching with hand coloring, 1969, edition 150. Signed and annotated 'HC' in pencil. A fine impression on brown Roma hand-made laid paper; the full sheet with margins (1 to 2 5/8 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 13/16 x 11 1/8 inches; sheet size 15 5/8 x 13 1/4 inches. A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...

About the Artist's Edition book: Untamed Spirits: Horses From Around the World is a comprehensive photo book inviting you on a decade-long journey around the world to document the mo...

Portuguese Majolica vibrantly colored crowing rooster standing on rectangular foliage base, Late 19th Century Stamped underneath base by maker Bordallo Pinheiro

William Wind McKim, 'Bighorn', lithograph, 1940, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 4...

English lead figural fountain of musical pan with flanking plumbed flutes standing atop a circular globe and resting on an octagonal base with flanking frogs. Mid 19th Century. Fount...

Vintage Murano glass lamp from Donghia with brass hardware, hollow and handblown. The Vela lamp was named for the shape of its base, a sail. The square sail ...

"Epic portrait of a beautiful, dark Friesian horse with a flowing mane Black and white portrait of a Friesian horse against a white background This powerful global series explores...

August Mosca, 'Subway No. 3', lithograph, c. 1946-56, edition 50. Signed, titled and numbered '28/50' in pencil. A fine, richly-inked impression on off-white, wove paper; the full sh...

Late 17th Century Baroque Desk / Writing or Library Table with two drawers supported an elegant lyre-shaped base with intricately carved legs connected by wrought iron stretchers. th...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

Intricately hand carved dog miniatures of Cavalier King Charles Spaniel Heads (details in photos) on a sterling silver twisted bangle are made by England’s Paul Eaton who is possibly...

Karl Michel, 'Viel Gluck 1923 Wunscht der Graphikverlag, J.G. Holzwarth/Bad Rothenfelde', woodcut, 1922, edition 20. Signed and numbered op. 135d and 20/20 in pencil. Signed in the image, lower left. Annotated 'Vorgesdruck' [artist’s proof] in pencil. A fine, richly-inked impression, on heavy, cream Japan paper, with full margins (5/8 to 1 1/8 inches), in good condition. With the artist’s blind stamp in the top left margin. Printed by the artist. Matted to museum standards, unframed. New Year's Greeting - "1923, Good Luck Wishes from the Graphic Press, J.G. Holzwarth/Bad Rothfelde." Image size 5 x 3 1/2 inches (127 x 89 mm); sheet size 6 5/8 x 5 7/8 inches (168 x 149 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...

Epic image of a young boy in the dusty Mundari cattle camp before nightfall A young boy stands in the epic Mundari cattle camp, leaning on a stick in between herding his animals I...

A finely crafted antique wood marquetry box with hinged lid and green fabric interior. This box has a refined geometric design featuring bot...

This is a very rare signed photograph by the Late Barry Feinstein. Roughly 50 of this photograph exist in the world that are signed. Signed on verso by the artist. Comes with cert...

Discover the elegance of Hermès with these exquisite 1980 clip-on earrings. Crafted in luxurious 18k yellow gold, these earrings showcase a unique buckle design, embodying sophistica...

Benton Spruance, 'Nero', 2-color lithograph, edition 35, 1944, Fine and Looney 233. Signed, dated, titled and annotated 'Ed 35' in pencil. Initialed 'BS' in the image, lower right. A...

Leonard Edmondson, 'Winter Garden', color etching, edition 50, 1957. Signed, titled, dated, and numbered '50/50' in pencil. A superb, richly-inked impre...

"""Untitled 5 "" Fashion-inspired image of a Karo man in Ethiopia with a tortoise shell A chiseled Karo man holds a tortoise shell in this fashion-inspired portrait The distinctly...

Andrew Dasburg, 'Trees in Ranchitos I', lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression in warm black ink, on he...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 36×24 inches/91×61 cm Art-ID: HSC_2949 Aaron Knight is an American visual ...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 20×30 inches/51×76 cm Art-ID: USA10_9307 Aaron Knight is an American visua...

English Queen Anne burl walnut graduated chest on chest with a carved molded edge cornice, feather banding inlays, period brasses, escutcheons with interior locks, and resting on the...

Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition not stated, Rubenstein 35. Signed in pencil. A fine impression, on cream wove Japan paper, with full margins (1 5...

'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 3 3/8 x 2 3/4 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 13 x 10 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

Waimea Bay, HI. 2014 Eddie Aikau Invitational.

Elegant vintage cocktail shaker featuring a fluted, vertically paneled glass body paired with a classic silver-plated domed lid and cap. The design beautifully bridges Art Deco and e...

Elevate your jewelry collection with these exquisite Hermès 18k Rose Gold Small Toggle Loop Earrings. Meticulously crafted with precision and artistry, these earrings are a testament to the enduring elegance and luxury synonymous with the esteemed house of Hermès. Each earring features a delicate loop meticulously formed from lustrous 18k rose gold with the bar across the top. The metal's warm hue adds a touch of romance to the design, creating a captivating contrast with the skin. The minimalistic design of these earrings exudes a refined and understated elegance. Their clean lines and graceful curves make them a versatile accessory suitable for a wide range of occasions. The mark of Hermès, discreetly positioned on the earrings, serves as a mark of authenticity and quality. It attests to the earrings' origin from one of the world's most esteemed houses of luxury. Crafted from 18k rose gold, these earrings not only exude contemporary allure but also possess a timeless quality. They are designed to be cherished and appreciated for generations to come, transcending trends and fads. These Hermès Small Loop Earrings...

Federico Castellon, 'By the Arks', 1941, lithograph, edition 250, Freundlich 10D. Signed in pencil. Signed in the stone, lower left. A fine, atmospheric impression on cream, wove pap...

Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...

Intricately hand carved dog miniatures of Golden Retriever (details in photos) on a sterling silver twisted bangle are made by England’s Paul Eaton who i...

Exuding regal elegance and exquisite craftsmanship, this vintage David Webb Lion Cufflinks & Stud Set is a remarkable testament to the brand’s bold and artistic jewelry design. Craft...

"Reverence" Minke whale surfaces momentarily against sea ice in very still, reflective water. The limited edition print series Northern Dreams is a tribute to one of the most spect...

Scottish Chippendale Cuban mahogany tilt top tea table with a circular carved gallery, one board top, carved molded edge, supporting bird cage and resting on a turned tapered floral ...

Benton Spruance, 'A Wind is Rising and the Rivers Flow', color lithograph, 1945, edition 40, Fine and Looney 242. Signed, dated, and titled, and annotated 'Ed 40' in pencil. A fine ...

Behold the epitome of sophistication and purity in the form of this exquisite pair of GIA Certified 1.55 + 1.51 carat D Color IF Clarity Diamond Pla...

This is a very rare signed photograph by the Late Barry Feinstein. Roughly 50 of this photograph exist in the world that are signed. Signed on verso by the artist. Comes with cert...

"King at Rest" Extraordinary portrait of a large male lion at rest yet looking at the camera Black and white portrait of a large male lion with a mane at rest, looking at t...

"Regent" Inspiring and intimate portrait of a large male lion looking into the distance Intimate portrait of a lion in black and white with a large mane, looking right Exceptional...

"Majesty in Profile" Surreal black and white portrait of a lion with a large mane in the tall grass Black and white profile portrait of a large male lion with a mane at rest in the...

"Tapestry Portrait of a lion with a large mane, his paws crossed delicately Detailed black and white portrait of a lion with a large mane, his paws crossed Exceptional Creatures ...

From Great Britain Paul Eaton VPRMS MAA sculpted a Spaniel dog head (sml 1/2" x 1") pendant. An elegant sterling-silver bespoke miniature Spaniel, dog ...

Vintage handblown Venetian glass lamp. Sinuous lines in this hollow, handblown Venetian glass lamp tantalize with a sense of movement. 7 feet of beige rayon-covered twisted cord exit...

Vintage Italian silk scarf with 18th century Italian gilded wood floral fragment artifacts on canvas. The fragments have been hand-carved, gilded and naturally distressed with age. ...

Harry Bertoia, Untitled (Abstraction), monotype, c. 1960, a unique impression. Signed 'HB' in pencil, lower right sheet corner, verso. Inscribed '1852' (the artist’s inventory number) in pencil, lower right sheet corner, recto. A superb, painterly impression, on cream wove Japan paper, the full sheet, in excellent condition. Unmatted, unframed. Sheet size 12 x 39 inches (30 x 99 cm). Provenance: Val Bertoia; Private Collection; Rago Auctions, Lambertville, NJ. Literature: 'Harry Bertoia: Monoprints,' Nancy N. Schiffer, Schiffer Publishing LTD, 2011; pg. 253. This work is included in the Harry Bertoia Foundation digital resource, Harry Bertoia Catalogue Raisonné, number TD.MO.1584. ABOUT THE ARTIST Harry Bertoia (1915-1978) was a visionary Italian-American artist, sculptor, and designer. Born in San Lorenzo, Italy, Bertoia immigrated to the United States with his family at age fifteen, settling in Detroit, Michigan. From an early age, Bertoia demonstrated a keen interest in art and design, studying painting and drawing at the Cass Technical High School in Detroit. Later, he attended the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he studied under renowned designers Eliel Saarinen and Charles Eames. At Cranbrook, Bertoia first began to explore the possibilities of working with metal, a medium that would come to define his artistic career. In the 1940s, Bertoia moved to California to work for Charles and Ray Eames, contributing to the development of innovative molded plywood furniture. However, his experimentation with metal wire sculpture would ultimately catapult him to international acclaim. Bertoia's iconic "Sonambient" sculptures, consisting of delicate metal rods arranged in various configurations, created ethereal sounds when touched or moved, transforming the act of sculpture into a multisensory experience. Bertoia's talent and innovation caught the attention of Florence Knoll, the founder of Knoll Associates, a leading furniture design company. In 1950, Bertoia began collaborating with Knoll, producing a series of iconic wire chairs that became emblematic of mid-century modern design. His "Diamond Chair," with its geometric form and airy construction, remains a classic of modern furniture design. Bertoia continued to explore sculpture as a means of artistic expression, experimenting with new forms and materials. His work was characterized by organicism and fluidity, with forms that evoked natural phenomena such as waves, leaves, and clouds. A decade before Harry Bertoia began creating three-dimensional sculpture, he dedicated his creative efforts to producing experimental prints at the Cranbrook Academy in Bloomfield Hills, Michigan, pursuing a passion that would continue for the rest of his life. With these spontaneous works, he worked intuitively, testing different tools and techniques to achieve his desired effects. Rather than using a traditional mechanical pressing process, he would apply ink to a glass or smooth Masonite plate with a sheet of paper laid directly on top. Then, tools such as brayers, dog hair brushes, styluses, and different parts of his hands were employed to draw or “press” the images on the back of the sheet. Rice paper was typically used due to its semi-translucent nature, offering Bertoia limited visibility of the effects of his experimentation, but ultimately, the unpredictable nature of the process was an integral aspect of the results, which never ceased to delight him. Each work was a singular composition with abstract imagery ranging from linear, structural compositions to fantastic surrealistic forms to poetic tonal landscapes. He received little input from other artists, developing his unique vision with rare purity and a deep personal resonance. From his first year of printmaking in 1940, Bertoia quickly amassed an extensive collection of unique works. The compositions were strongly tied to the non-objective movement, which, while popular in Europe, was still in its nascent stages in the US. There were few proponents of this new art form to be found in the 1940s, and it was Hilla Rebay, then Director of the Guggenheim Museum of Non-Objective Art, who gave Bertoia the encouragement and promotion he needed. In 1943, Bertoia sent approximately 100 monotypes to Rebay for review. After receiving the prints, she responded with a surprising offer to buy them all. Rebay then began including them in the museum’s exhibitions. The Guggenheim shows succeeded in putting Bertoia’s name out into the world. He began exhibiting his works regularly at the Neierndorf Gallery in New York and was provided a stipend to ensure a steady supply of prints until Karl Neierndorf died in 1947. By the 1950s...

Josef Albers, 'Interim' from the series 'Graphic Tectonics', zinc plate lithograph, 1942, edition 30, Danilowitz 101. Signed, titled, dated, and numbered '3/30' in pencil. A fine imp...

"""Thunder of the Plains"" Three bison walk with stoic intent next to a river in Yellowstone National Park Three bison walk next to the Firehole River in the Winter in Yellowstone ...

A group of horses runs at full tilt across the Camargue territory The Camargue horses run across the shallow water in this beautiful capture of their life in the South of France Th...

John Melville Kelly, 'Mokihana (Hawaii)', drypoint, 1946. Signed, titled, and annotated 'No 5' in pencil. A superb, finely nuanced impression, in dark brown ink, on cream wove Japan ...

Discover the exquisite art of England’s renowned miniature wildlife sculptor, PAUL EATON, with his sculpted sterling silver Pug dog charm or pendant. Each bespoke animal pendant is m...