South Carolina

"Cauliflower" fossil agate coral adorned with natural-forming baroque pearls and shells. Fossil agate coral is Florida's state stone and is known for its unique formation that can take place over 20 million years. It's a natural gemstone that is created when prehistoric coral is gradually replaced with agate. This is a complete piece of fossil coral head...

"""Travelers"" Polar bear mother and cub walking against flat, white, minimal backdrop Black and white photograph of a polar bear mother and cub walking in a straight line against...

Awe-inspiring photograph of elephants walking with Kilimanjaro in the distance A herd of elephants of all sizes walk across the dry planes of Amboseli and head towards Kilimanjaro ...

Stevie Wonder photographed during a rehearsal session in Los Angeles in 1974. Taken with a 16mm lens. The photograph is made up of two archival pigment photos that are cut into st...

Portrait of Gregg Allman. 1973 Signed by photographer. Larger sizes available.

Rosenthal Seagull Figurine

'Tropical Wash Day', aquatint, edition 100, 1946. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, on heavy cream wove paper, with full...

"""Mother's Grace"" Black and white print of a cheetah and her cub in the plains of East Africa A mother cheetah looks out over her cub as they rest in the grassy plains of Kenya ...

Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...

Two wild and free horses nuzzling on the sand dunes of Sable Island An intimate interaction between two wild and free horses on Sable Island is a sign of the tight bonds within the ...

Keith Richards swimming at the Villa Nellcote Taken by the late photographer Michael Cooper. Edition of 25 Estate Stamped

This is a wonderful modern Sterling Silver and Quartz Duck by Grupo Gal. Numbered 940619 In excellent used condition. See photos for better details. H 10...

Here’s a cool lamp that can swing around where you need it to. Would be great for your desk. It is in the style of MG Wheeler’s “Sight Light” Sa...

Pair of American polished brass dolphin andirons with rectangular step back molded plinths, matching dolphin log stops, and retain the original ...

George Josimovich, Untitled (Harbor with Sailboats) ', linocut, 1923, edition 35. Signed, dated, and annotated '4/35' in pencil. Initialed 'G J' in ...

"""Tusker's March"" Black and white print of a herd of elephants in low grass in East Africa Herd of elephants walking through the low grass in Amboseli National Park Offered in a...

Clinton Adams, 'September Still Life', lithograph, 1956, edition 20. A superb impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches);...

"Underwater Rhythm" This dark horse against lighter water feels buoyant and weightless, while the tail adds softness in contrast with the sharper contours of the horse's body. The...

Will barnet, 'Child Reaching', woodcut, 1940, edition 25, Cole 82. Signed and titled in pencil. A fine, black impression, on fibrous Japan paper, with full margins (5/8 to 1 3/4 inch...

BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone. A superb, richl...

Introducing the Mouawad Mystery Set Sapphire Diamond 18k Yellow Gold Ring, a breathtaking masterpiece that seamlessly blends timeless elegance with contemporary luxury. This exquisit...

Mid-Century Modern stunning solid walnut grain long bench coffee table with rolled edges and one drawer similar to Edward Wormley for Dunbar bench. Elevate any space with the timele...

"Gatekeeper" An ephemeral capture of a truly enduring animal, this iconic black and white image is an ode to the American bison. Exceptional Creatures is a limited edition print s...

Pair of Magnificent Antique French Gilded Sconces. Measures 19 inches from top to bottom, the arms extend to approximately 16.5 inches in width, the interior portion is 5 inches in w...

Portrait of Ranunculus flower by photographer Susan Pittard. Limited Edition of 15. Signed in pencil on bottom right.

English serpentine fire place fender with a hand chased pierced gallery consisting of cornucopia, opposing dogs, and centered dragons with floral mo...

American Chippendale mahogany oxbow slant top four drawer desk with exposed dove tail, original brasses, fitted interior, shell carved skirt, and terminating on original claw and ba...

In great condition

English Early Chippendale burl walnut graduated tall chest with a carved molded edge cornice, flanking fluted side columns, hearing bone inlays...

Hilliard Dean, '#6', color lithograph, 1970, edition 9. Signed, titled, and annotated 'Ed 9' in pencil. A fine impression, with fresh colors, on Arches, ...

American Naval two masted clipper ship brig model mounted on stand under a glass case. The US Perry was a brig commissioned by the United States Navy October 1843 prior to the American Civil War...

This is a contemporary-style dining table, likely from the late 20th century, and it is characterized by its elegant and minimalist design. The table features a polished marble squar...

"""Towards a Brighter Future"" A lone elephant walks away from the camera across a grassy plain in this black and white portrait Elephants are the type of animals that command atte...

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

Sculptural 18th century Italian hand-carved angel wing mounted on a calcite crystal cluster and adorned with citrine points and joined with an angel head or "Putto". A Putto is a che...

1964 Ford Falcon with surfboards

English Sheffield epergne with a centered cut crystal bowl, four scrolled arms with fitted crystal bowls, chased vine & berry motif throughout, and t...

Incredible portrait of a mountain gorilla against dense jungle foliage In this extraordinary moment, a mountain gorilla stands epically atop a rock formation, with the dense jungle ...

A faithful reproduction of a never-before-seen design by Josef Frank, this pattern bears the designer's signature modernity, whimsy and warmth. A signature Schumacher pattern now fea...

Keith Richards getting off airplane during "Exile on Main St." tour. 1972 Signed by photographer. Limited Edition photograph.

"""Transcendence"" El Capitan reflected in a still pool of water El Capitan's stoic proportions take on a new meaning when reflected in a pool of water Explore the National Parks ...

"Queen's Approach" A white lioness walks towards the camera, locking eyes with the viewer Black and white portrait of a white lioness walking towards the camera Exceptional Crea...

Pair of finely crafted Art Deco sconces featuring intricate detailing within the body, each with a gorgeous glass slip shade with a shield design. They are unsigned, however they ver...

"Stillness & Majesty" Bird standing on an elephant in Kenya in this dramatic, iconic portrait Black and white portrait of a bird standing on the back of an elephant in tall grass ...

"Cherish" A cheetah cub adoringly looks at her mother in this beautiful image Black and white portrait of a cheetah with her cub resting in the grass Exceptional Creatures is a ...

"King" Regal portrait of a lion with a large mane in beautiful black and white Intimate black and white portrait rich with detail and tone of a line with a large mane Exceptional ...

Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. A fine,...

Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...

Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed. Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186. Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...

Charles Banks Wilson, 'Old Injun', lithograph, 1948, edition 250, Hunt 39. Signed in pencil. A fine, richly-inked impression, on off-white wove paper, with full margins (1 3/4 to 2 inches), in excellent condition. Published by Associated American Artists. Impressions of this work are in the permanent collections of the following institutions: Ackland Art Museum, Georgetown University...

Set of four English Chippendale walnut side chairs with acanthus carved rails, splat backs, removable needle point seats, and terminating on acanthus carved knees with claw and ball ...

American Chippendale mahogany dish top kettle stand supported by a central urn ring pedestal, and resting on the original tripod curvature legs with slipper feet, Late 18th Century K...

A brown bear stands in the middle of dense foliage in Alaska. Each year, brown bears descend on a remote part of the Alaskan wilderness in record numbers, gathering in search of the...

Large naturally forming selenite crystal slab with a coordinating tangerine crystal cluster and mounted on a lucite base. The piece is put together by Jean O'Reilly Barlow, the arti...

Herschel Levit 'Duet', lithograph, c. 1937. Signed in pencil. A fine, richly inked impression, on cream wove paper, with full margins (1 1/2 x 2 inches)...

English Hepplewhite mahogany three drawer writing table with circular brasses and terminating on squared tapered legs. Late 18th Century

Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...

HEYWOOD WAKEFIELD Solid Hard Rock Maple Colonial Style 40" Accent Coffee Table 17.75" High 40.25" Wide 20.5" Deep

Vintage French champagne bucket dating from the mid-20th century, featuring the bold red-and-gold H. Germain champagne crest prominently displayed on the front. Crafted in durable br...

"""The Great Escape"" Band of wild horses running along the shore on Sable Island See Sable Island like never before in this aerial image featuring a band of wild horses running ov...