South Carolina

Gorgeous vintage 14k solid yellow gold textured ring featuring a cultured akoya pearl centerpiece, best fits a US size 6.5 finger. " Lady's pearl ring is made in 14 karat yellow gol...

Mid-Century Modern stunning solid walnut grain long bench coffee table with rolled edges and one drawer similar to Edward Wormley for Dunbar bench. Elevate any space with the timele...

English Early Chippendale burl walnut graduated tall chest with a carved molded edge cornice, flanking fluted side columns, hearing bone inlays...

Black and white portrait of a herd of elephants lead by a young bull Within a herd of elephants, the younger bulls are always flanked by their mothers who serve as their guardians u...

American Classical mahogany pier table with original rectangular marble top, central acanthus foliage medallion carvings, flanking corner acanthus foliage carvings, flanking marble c...

"A beautiful white horse underneath a stone arch in an ancient building A black and white image of a white horse underneath an ancient stone arch looking away from the camera This powerful global series explores horses in diverse settings and offers a nuanced and captivating look at their grace, strength and lasting cultural impact. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. ABOUT DREW: Photographer & filmmaker Drew Doggett creates print series featuring the extraordinary stories of diverse cultures and communities seen through a fashion-inspired lens. Through both intimate and expansive perspectives, he reveals his subjects in vivid detail. Drew's work is in public and private collections around the world, notably the Smithsonian Institute. He has received over 100 awards and honors for his photography and short films; in 2020, he was named number one in the US and fourth globally for black and white photography by One Eyeland. ""Related Tags: Horse Western Cappadocia Desert Church Black and White Cathedral Doors...

"Spirit Rising" Three all-white Camargue horses are featured in this best-selling print. The print series Band of Rebels: White Horses of Camargue captures the powerful spirit of ...

Tubular brass plated side tables with glass top. Both tables are in good condition.

Original miniature oil painting on ivorine by esteemed miniaturist Beth de Loiselle (United States) of a Spaniel dog encased in a bespo...

"""Phantom"" Otherworldly capture of an iceberg in black and white Unique photograph of an iceberg in the Weddell Sea amidst a dark background of sky and sea, creating an abstract,...

"""Savor"" A meditative black and white image of a seal savoring a moment A fur seal appears to be savoring a private moment in the light snow fall on South Georgia Island This st...

American Sheraton Mahogany bow front one board top writing table with a central single drawer with lions head brass pulls, string inlays, and resting on the original turned bulbous r...

"Endless Dream" Although the horses are calm and collected, the powerful waterfall Skógafoss pounds thousands of gallons of water into the pool they stand in. The conditions to crea...

Two giraffes walk across the plains with Kilimanjaro in the backdrop and dense cloud cover Exceptional Creatures is a limited edition print series documenting the most extraordinary...

Hailey Lever, 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor with fresh colors on off-white watercolor paper...

Gordon Phillips, 'The Chase Is On', graphite, c. 1980. Signed and titled in pencil. A fine, spontaneous rendering, on white, wove bristol, the full she...

This could possibly be one of the most rare and fine longcase grandfathers clock to have ever graced our 102 year old business. Signed on top of the hood/bonnet by Haig & Chippendale...

"Of Earth & Ocean I" Detailed black and white photograph of a king penguin's top half An exceptionally detailed black and white portrait of a king penguin's top half taken in the F...

"Monument of Ice" Colony of king penguins on the shore in this incredible black and white photo King penguins gather at the water's edge in this expansive portrait that also includ...

"Kingsland" Colony of king penguins on the shore in this incredible black and white photo King penguins gather at the water's edge in this expansive portrait that also includes the...

Mid-century stoneware pendant light from Germany. Ceramic surface is a nice textured multi-hue green. The pierced circles create wonderful shadows and movement upon the wall. This on...

"Spirit of the Camargue" In this iconic black and white image, the Camargue horses wild, untamed essence is on full display. Coupled with their all-white coats and bold features, th...

English mahogany banjo barometer with centered brass finial in scrolled pediment, glass encased thermometer, ebonized reeded mirror, original ...

"The incredible moment in this photograph features the yacht Ranger at high speed The J-Class racing yacht Ranger races ahead in this incredible shot of a truly magnificent feat of ...

"Chief" Color image of a king penguin walking towards the camera against mountains A single king penguin walks towards the camera in this color image looking carefree yet focused o...

"Guardians of the Southern" Large group of penguins gathering by the beach on South Georgia Island A large gathering of penguins on the shore's edge on South Georgia Island with a ...

Louis Wolchonok, 'Rockport Harbor', gouache, c. 1950. Signed in ink, lower right. A fine, modernist work, with fresh colors, on cream wove drawing pape...

The Cartier Diamond 18K White Gold Fireworks Charm Pendant is a radiant celebration of light and elegance, masterfully crafted to capture the essence of a dazzling fireworks display....

Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...

A genuine hand cut silhouette of a woman gardening. There is foxing on the white background of the piece. This can possibly be replaced or leave it...

Italian plaster cherub with coordinating polished agate coral wings on fossil agate coral. Fossil agate coral is Florida's state stone and is known for its unique formation that can...

Italian plaster cherub with polished agate coral wings on an 18th century Italian gilded candlestick base with polished agate slices. The Italian 18th century gilded base is origina...

Italian plaster cherub with polished agate coral wings on an 18th century Italian gilded candlestick base with polished agate slices. The Italian 18th century gilded base is origina...

Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...

Sculptural 'Sacred Heart' - 18th century Italian gilded angel mounted on a polished red hematoid quartz heart and adorned with a natural-forming baroque pearl. The piece is inspired ...

"Winter's Lullaby" Black and white photograph of two gentoo penguins at the edge of the ice Two gentoo penguins stand side by side at the edge of the snow and ice against a minima...

'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum st...

John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...

"Two horses with white blazes illuminated by light streaming into a slot canyon A black and white image with two horses standing in a ray of light in a slot canyon This powerful gl...

Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/16 to 2 3/4 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 13/16 x 14 13/16 inches (300 x 376 mm); sheet size 13 1/16 x 20 1/8 inches (332 x 511 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...

American Sheraton Cherry and tiger maple two-drawer stand with original wood knobs and turned ringed bulbous legs. Table is finished on all sides, Early 19th Century.

A faithful reproduction of a never-before-seen design by Josef Frank, this pattern bears the designer's signature modernity, whimsy and warmth. A signature Schumacher pattern now fea...

"Whispers Inscribed" The delicate curves and soft textures of this slotted canyon are ethereal A slotted canyon in Arizona highlighted by the sun's light Explore the National Park...

Watusi in Profile Black and white portrait of a beautiful long-horned cow in South Sudan Black & white portrait of a long-horned cow In these scenes of life from South Sudan, expe...

"Warriors of the Chalbi" Fashion inspired portrait of two warriors holding spears in the desert Two warriors stand in the barren salt flats of the Chalbi desert In this print ser...

Adriaan Lubbers, 'Times Square', lithograph, 1929, edition 50. Signed, dated, titled, and editioned '(50)' in pencil. A fine impression, on cream wove paper, with full margins (2 1/2...

"Black and white profile portrait of a Friesian horse against a white background Profile portrait of a Friesian horse against a white backdrop This powerful global series explores ...

Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK). ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

'Bird & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 5 1/4 x 3 1/4 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

"Epic portrait of a beautiful, dark Friesian horse with a flowing mane Black and white portrait of a Friesian horse against a white background This powerful global series explores...

"Profile of a beautiful white horse against an ancient stone structure Ethereal, otherworldly photograph of a white horse against a stone building in black and white This powerful ...

English Chippendale mahogany hinged games table with constantine action, interior leather writing / card playing surface, flanking carved corner fret work, and resting on the origina...

Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...

"A lone white horse sticks out amidst the herd of darker horses in this black and white image A black and white image of a herd of horses with one white horse among many darker colo...

Surreal photograph of a herd of giraffes against the endless sky Black & white image of a herd of giraffes walking across the plains Exceptional Creatures is a limited edition prin...

English leather book hinged hideaway decanter set with original fitted interior gilt bottle and glasses, Mid-19th Century

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

Pair of Bohemian emerald green glass table lamps with flanking gilt spheres, inverted bobeches with hanging crystal prisms, bulbous centered floral co...

Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm). From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'. Collections: Cleveland Museum of Art, Minneapolis Art...

"Legend" This wild horse's mane stands out among the rest of the 500 horses on Sable Island. It is the grandest and most regal of them all. The print series Discovering the Horses...