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Pair of 17th Century Italian Angel Heads on Antique Mercury Mirrors
By Interi
Located in Dublin, Dalkey
Pair of 17th century Italian wood angel heads and original textile foliage with sun-ray fragments mounted on antique mercury glass mirrors.   Orig...
Category

17th Century Italian Rococo Antique South Carolina

Materials

Mirror, Textile, Mercury Glass, Wood

1920s–1940s Silver-Plated Miniature Champagne Bucket with Grape Vine Motif
Located in North Charleston, SC
A beautifully detailed early 20th-century silver-plated champagne or wine bucket featuring an ornate grape-and-leaf relief encircling the scalloped rim. The rim includes finely engra...
Category

Mid-20th Century South Carolina

Materials

Silver Plate

Evening —Mid-Century American Surrealism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Evening', color serigraph, 1958, edition 25, Ryan 71. Signed, titled, and annotated 'Ed. 25' in pencil. A fine impression, with fresh colors, on cream wove paper; the...
Category

Mid-20th Century Surrealist South Carolina

Materials

Screen

French Painted and Gilt Stenciled Dressing Table. Circa 1810-15
Located in Charleston, SC
French hand painted and gilt flip top one drawer dressing table with decorative floral stenciling, lined interior with original mirror, terminating on bulbous legs with cross stretc...
Category

19th Century French Antique South Carolina

Torero — rare, early modernist engraving – Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Torero', engraving, 1932, edition 30, only 16 known impressions, trial proof, Black & Moorhead 71. Signed, titled, dated, and inscribed 'Essai' (test) in pencil. A superb impression with rich burr, on heavy BFK Rives cream, wove paper; full margins (2 1/4 to 6 1/4 inches). A short repaired tear (3/8 inch) in the left-center sheet edge, well away from the image; otherwise, in excellent condition. Scarce. Image size 10 9/16 x 7 5/8 inches; sheet size 15 1/2 x 11 1/2 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...
Category

1930s Modern South Carolina

Materials

Engraving

Selenite Crystals and Chalcedony Rosette Center on Canvas
By Interi
Located in Dublin, Dalkey
Painted canvas with selenite sunrays and a chalcedony rosette center. The selenite sunray detail is created using selenite -- single, prismatic crystals from Morocco that were forme...
Category

21st Century and Contemporary Italian Rococo South Carolina

Materials

Crystal, Quartz, Rock Crystal

The iconic coat of the zebra is the focus of this unique, design-inspired image
By Drew Doggett
Located in US
The iconic coat of the zebra is the focus of this unique, design-inspired image An array of zebras photographed in a unique pattern Exceptional Crea...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Feast of Passover — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category

1920s Expressionist South Carolina

Materials

Woodcut

Schumacher Pyne Hollyhock Floral Chintz Charcoal Two-Sided 22" Cotton Pillow
By Schumacher, Albert Hadley
Located in New York, NY
Inspired by an antique Persian carpet, this dramatically scaled, graphic print features silhouettes of flowers and leaves. In collaboration with Mary McDonald, this decorative accent...
Category

21st Century and Contemporary Thai Modern South Carolina

Materials

Cotton

Black and white image of a bison crossing the river in Yellowstone in winter
By Drew Doggett
Located in US
Black and white image of a bison crossing the river in Yellowstone in winter A lone bison walks across the Firehole River in Yellowstone National Park during Winter Exceptional Cre...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Ninth Inning
Located in Myrtle Beach, SC
Sylvia Mayzer Rantz, 'Ninth Inning', lithograph, 1949, edition 24. Signed, dated, titled, and numbered '9/24' in pencil. A fine, richly-inked impression, on cream wove paper. The ful...
Category

1940s American Realist South Carolina

Materials

Lithograph

Floating Crap Game
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Floating Crap Game, chiaroscuro wood engraving, 1958, edition 145. Signed, titled, numbered 'Ed. 145' and dated '3/1958'. Signed in the block, lower right. A fine, rich ...
Category

Mid-20th Century American Modern South Carolina

Materials

Woodcut

Pair of American Campana Form Powered Coated Garden Urns w/ Flanking Swans, 1850
Located in Charleston, SC
Pair of American Campana form powered coated garden urns with flanking swans perched on egg & dart borders and resting on fluted splayed ringed squared bases, Mid 19th Century. Urns ...
Category

1850s American American Empire Antique South Carolina

Materials

Iron

English Regency Papier Mâché Mother of Pearl Inlaid Gilt Tea Table, Circa 1815
Located in Charleston, SC
English Regency papier mâché tilt top scalloped edge tea table with gilt stenciled foliage motif, mother of pearl inlays, turned bulbous r...
Category

1810s English Regency Antique South Carolina

Materials

Brass

Mid-Century French Cut Crystal Ice Bucket with Gilt Brass Rim and Tongs
Located in North Charleston, SC
Chic mid-century French ice bucket crafted in hand-cut crystal with elegant vertical facets that catch and refract light beautifully. The piece is fitted with a striking gilt brass c...
Category

Mid-20th Century South Carolina

Materials

Glass

Space Age Sculptural Table Lamp With Original Fiberglass Shade
Located in Charleston, SC
A sculptural “leggy” black ceramic table lamp with a super fun shaped fiber glass shade. Measurements are of the lamp from base to socket.
Category

1950s Unknown Mid-Century Modern Vintage South Carolina

Materials

Ceramic, Natural Fiber, Paint

Intimate, close up portrait of a silverback gorilla in Rwanda
By Drew Doggett
Located in US
Close up black and white photography of a silverback gorilla in the jungles of Rwanda making eye contact with camera Exceptional Creatures is a limited edition print series document...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Portrait of a silverback gorilla with the background of the jungle
By Drew Doggett
Located in US
Silverback gorilla with the beautiful backdrop of the dense foliage of the Virunga massif in Rwanda Exceptional Creatures is a limited edition print series documenting the most extr...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Minimal, Abstract Landscape of the Arctic with a Snowy Peak
By Drew Doggett
Located in US
"Peak" A lone snowy peak rising above the clouds and mist with a flat white minimal natural backdrop. The limited edition print series Northern Dreams is a tribute to one of the m...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Black white portrait of a leopard looking to the right atop a rock in Kenya
By Drew Doggett
Located in US
Ethereal portrait of a leopard sitting majestically atop a rock, looking at something to the right out of frame Exceptional Creatures is a limit...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

18th Century Italian Figure of Christ on Crystal with Mica with Baroque Pearls
By Interi
Located in Dublin, Dalkey
18th century Italian, distressed, hand carved and painted figure of Christ on crystal with mica and tourmaline with natural forming baroque pearl. The figure of Christ came off of a ...
Category

18th Century Italian Rococo Antique South Carolina

Materials

Rock Crystal

World-Class Yachts in Motion, Black and White, Vertical, Design-Inspired
By Drew Doggett
Located in US
"Velsheda in Pursuit" As the J-Class racing yacht Velsheda chased Ranger across the sea, the billowing sails created a stark contrast with the water below. This image is in the p...
Category

2010s Contemporary South Carolina

Materials

Archival Pigment

Beautiful, minimal, and serene image of trees against a snowscape
By Drew Doggett
Located in US
Beautiful, minimal, and serene image of trees against a snowscape The calm and composed feeling of this image, taken in Yellowstone, reveals the elegant beauty of mother nature Ex...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category

1930s Modern South Carolina

Materials

Engraving

Richly detailed black and white shot of ferns in Columbia River Gorge, Oregon
By Drew Doggett
Located in US
"""Nature's Fabric"" Richly detailed black and white shot of ferns in Columbia River Gorge, Oregon The ferns grew in a perfect pattern proving that mother nature is the best design...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Italian Tole Red Gilt Decorative Foliage Fruit Basket Shaded Chandelier 20th C
Located in Charleston, SC
Italian tole red and black paint decorated six light chandelier with central urn foliage gilt fruit basket, acorn finial, and six scrolled arms with the original slot mounted shades....
Category

20th Century Italian Neoclassical South Carolina

Materials

Tin, Wire

White Horses Running Through the Water, Minimal, Ethereal, Best-Selling
By Drew Doggett
Located in US
"Chasing Light" In this award-winning image, these alluring, surreal white horses gracefully bound through the shallow water of their home in the South of...
Category

2010s Contemporary South Carolina

Materials

Archival Pigment

American Mahogany Gilt Marble Top Cornucopia Pier Table. Circa 1810
Located in Charleston, SC
American flame mahogany marble top pier table with gilt carved capitals , flanking cornucopias, original mirror, and terminating on gilt acanthus lions paw feet. All original. Early...
Category

1810s American American Empire Antique South Carolina

Materials

Marble

Twin Formation in Gray
By Werner Drewes
Located in Myrtle Beach, SC
Twin Formation in Gray, color woodcut, 1982, edition 30, Rose III.400. Signed, dated and numbered I7/XXX in pencil, annotated 415 and titled in the bottom left sheet edge. A fine impression with fresh, rich colors, on heavy off-white Japan paper; the full sheet with wide margins (1 3/4 to 3 1/4 inches), in good condition. Printed in black, dark gray, medium gray, yellow/orange, and lemon yellow. Matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both non-objective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career. Drewes' graphic work can be found in most major American art museums including, the Ackland Art Museum, The Art Institute of Chicago, Bauhaus Archive...
Category

Late 20th Century Bauhaus South Carolina

Materials

Woodcut

White Horses Running Beneath a Waterfall in Iceland, Color Photography, Vertical
By Drew Doggett
Located in US
"Through the Falls" The famous horses of Iceland pay no attention to the extreme elements of their homeland most would find daunting - including some of the mightiest waterfalls on ...
Category

2010s Contemporary South Carolina

Materials

Archival Pigment

Takin a Break
By Gordon Phillips
Located in Myrtle Beach, SC
Gordon Phillips, 'Takin' a Break', graphite, c. 1980. Signed and titled in pencil. A fine, spontaneous rendering, on white, wove bristol, the full shee...
Category

20th Century Realist South Carolina

Materials

Graphite

Tanks Trees — Mid-century American Surrealism
Located in Myrtle Beach, SC
Karl Eugene Fortess, 'Tanks & Trees', lithograph, c. 1940, edition 100. Signed, titled, and numbered '100/P' in pencil. Inscribed 'For Usui - K.' in the bottom left margin. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches); a slight crease across the top right sheet corner, well away from the image; otherwise in excellent condition. Image size 13 1/8 x 10 inches; sheet size 17 3/8 x 13 3/16 inches. Matted to museum standards, unframed. Provenance: Estate of Francis Pratt. Francis and her husband Bumpei Usui...
Category

1940s Surrealist South Carolina

Materials

Lithograph

Herkimer Diamonds in Matrix Mounted on 18th Century Italian Molding Base
By Interi
Located in Dublin, Dalkey
Herkimer diamonds in matrix mounted on an 18th century Italianhand-carved and gilded distressed molding and adorned with baroque pearls. "Herkimer diamonds" are unique and classic d...
Category

18th Century Italian Rococo Antique South Carolina

Materials

Rock Crystal, Quartz, Gold Leaf

Portrait of a Super Tusk Elephant, Iconic, Classic, Africa
By Drew Doggett
Located in US
"Almighty" An intimate portrait of Craig who is believed to be the largest living super tusk elephant on Earth. His tusks weigh a combined 200 pounds or more. Colossal Shadows: S...
Category

2010s Contemporary South Carolina

Materials

Archival Pigment

Gentle moment of a white Camargue horse looking out of his white stable window
By Drew Doggett
Located in US
Gentle moment of a white Camargue horse looking out of his white stable window A lone white ethereal horse peaks its head out of the stables in Camargu...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Extraordinary moment of two white horses rearing up in the South of France
By Drew Doggett
Located in US
Extraordinary moment of two white horses rearing up in the South of France Two otherworldly white horses rear up in this exceptional moment captured in the South of France The awar...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Racamadour (French Church Series #10) — Lyrical Realism
By John Taylor Arms
Located in Myrtle Beach, SC
'Rocamadour' (French Church Series # 10), etching, 1927, edition 50, Fletcher 186. Signed, dated, and annotated 'First State' in pencil. Titled and dated 'Rocamadour 1926' in the plate, bottom right. A superb, finely detailed impression, in dark brown ink, on buff laid Japan paper, with full margins (1 to 1 7/8 inches), in excellent condition. Image size 13 3/4 x 10 inches (349 x 254 mm); sheet size 15 3/4 x 13 5/8 inches (400 x 346 mm). Matted to museum standards, unframed. Literature: illustrated in Dorothy Noyes Arms, 'Churches of France', The Macmillan Company, 1929. Impressions of this work are in the permanent collections of the Blanton Museum of Art, Chrysler Museum of Art, Cleveland Museum of Art, Davis Museum (Wellesley), McNay Art Museum, Metropolitan Museum of Art, Rhode Island School of Design Museum, and the Whitney Museum of Art. ABOUT THE SUBJECT Rocamadour is a small clifftop village in south-central France. It is known for the Cité Réligieuse complex of religious buildings, accessed via the Grand Escalier staircase. It includes the Chapelle Notre-Dame, with its Black Madonna statue, and the Romanesque-Gothic Basilica of St-Sauveur. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category

1920s American Realist South Carolina

Materials

Etching

North River Front (Hudson River)
By John DePol
Located in Myrtle Beach, SC
John DePol, 'North River Front', chiaroscuro wood engraving, 1953, edition not stated. Signed, dated, and titled in pencil. Signed in the block, lower left...
Category

Mid-20th Century American Modern South Carolina

Materials

Woodcut

Bold and beautiful white Camargue horse rearing up in the South of France
By Drew Doggett
Located in US
Bold and beautiful white Camargue horse rearing up in the South of France Surreal portrait of an all white Camargue horse rearing up against the background of the sea The award-win...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

French Empire Gilt Bronze and Griffon Bouillotte Lamp with Tole Shade, C. 1820
Located in Charleston, SC
French Empire gilt bronze bouillotte lamp with three scrolled arms, interior griffon heads, telescopic tole shade with pineapple and feather finial, and resting on the original circu...
Category

1820s French Empire Antique South Carolina

Materials

Bronze, Tôle, Tin, Wire

Easter Sunday — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Easter Sunday', color lithograph, 1946, edition 31. Signed, dated, titled and numbered '116' and '17/31' in pen. A fine impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 inches), in excellent condition. Image size 21 x 13 1/2 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category

1940s American Modern South Carolina

Materials

Lithograph

Horse Attacked by Tiger — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category

1820s Romantic South Carolina

Materials

Lithograph

American Gilt Carved Wood and Poly Chromed Roman Guard Figurehead, Circa 1890
Located in Charleston, SC
American gilt carved wood and poly chromed nautical figurehead of Roman guard in military attire. Late 19th century.
Category

1890s American Folk Art Antique South Carolina

Materials

Wood, Giltwood, Paint

Czech Majolica Vibrant Rooster Umbrella / Cane Stand on Circular Base, 19th Cent
By Großherzogliche Majolika Manufaktur
Located in Charleston, SC
Czechoslovakia Majolica vibrantly colored rooster umbrella / cane stand resting on circular foliage base, 19th Century. Czech. stamped / signed by maker underneath base.
Category

19th Century Czech Baltic Antique South Carolina

Materials

Porcelain, Paint

Three white horses charging towards the camera in water against white backdrop
By Drew Doggett
Located in US
Three white horses charging towards the camera in water against white backdrop Three white horses charge towards the camera with water spraying up around them against the opaque wh...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Black white portrait of a brown bear in the creek against dense foliage
By Drew Doggett
Located in US
Black & white portrait of a brown bear in the creek against dense foliage A large brown bear in the Alaskan backcountry focuses on something out of sight Each year, brown bears des...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Girl and Cat — 1930s American Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Girl and Cat', lithograph, 1935, edition 33, Fine and Looney 121. Signed, titled, dated, and numbered '5/33' in pencil. A superb, richly-inked impression...
Category

1930s American Modern South Carolina

Materials

Lithograph

New Rochelle - Before the Wind
By Werner Drewes
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category

1930s Modern South Carolina

Materials

Drypoint

Portrait of a dark horse with an Argentinian halter
By Drew Doggett
Located in US
Portrait of a dark horse with an Argentinian halter A portrait of a dark, velvet-coated horse looking over his shoulder The print series Equus: Light & Form focuses on the details ...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Underwater — Mid-century Modern
By Charles Quest
Located in Myrtle Beach, SC
Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category

1940s American Modern South Carolina

Materials

Woodcut

Slack Rope Artist
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Slack Rope Artist', lithograph, 1930, edition 30, Fine and Looney 35. Signed and titled in pencil. Numbered '2' in the bottom right margin. A fine impression, with ...
Category

1930s American Modern South Carolina

Materials

Lithograph

Quintet — Mid-Century Modernism, Atelier 17
By Terry Haass
Located in Myrtle Beach, SC
Terry Haass, 'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with fu...
Category

1940s Modern South Carolina

Materials

Etching, Aquatint

The racing yachts Northern Light sailing across the Atlantic Ocean
By Drew Doggett
Located in US
The racing yachts Northern Light sailing across the Atlantic Ocean The billowy, light-filled sail gives way to the dark hull of the boat and waters below in this action-packed image The nautical print series Sail: Majesty at Sea is an intimate look at two revered racing boat classes and their incredible and enduring design as they navigate the open seas. Images from this series are in the permanent collection of the Mariners' Museum, Newport News...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Bedrock — Construction of the New Yorker Hotel
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...
Category

1920s American Realist South Carolina

Materials

Etching

Black and white portrait of the back of a young Rendille warrior wearing traditi
By Drew Doggett
Located in US
Black and white portrait of the back of a young Rendille warrior wearing traditional adornments This warrior in a remote tribal community in Northern Kenya is the epitome of physica...
Category

2010s Minimalist South Carolina

Materials

Archival Pigment

Studio Interior No. 1 — 1930s Masterwork
By Armin Landeck
Located in Myrtle Beach, SC
Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...
Category

1930s American Realist South Carolina

Materials

Drypoint

Dark Vessel — Mid-Century Modern
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Dark Vessel', color serigraph, 1952, edition 50, Ryan 51. Signed, dated, and titled in pencil. A superb impression, with fresh colors, on c...
Category

Mid-20th Century American Modern South Carolina

Materials

Screen

Untitled Abstraction (Figures in Red)
By Albert Urban
Located in Myrtle Beach, SC
Albert Urban, Untitled Abstraction (Figures in Red), color serigraph, 1944. Signed and dated in blue ink. A fine, painterly impression, with fresh, rich colors, on cream wove paper;...
Category

1940s Expressionist South Carolina

Materials

Screen

Set of Postmodern Chrome and Bentwood Armchairs
Located in North Charleston, SC
Set of sleek postmodern dining chairs featuring a tubular chrome frame paired with molded bentwood seats and backrests. Produced circa 1980s–1990s, these chairs embody the clean, fun...
Category

Late 20th Century Post-Modern South Carolina

Materials

Chrome

Duet — Cellist and Pianist, 1930s Lithograph
Located in Myrtle Beach, SC
Herschel Levit 'Duet', lithograph, c. 1937. Signed in pencil. A fine, richly inked impression, on cream wove paper, with full margins (1 1/2 x 2 inches)...
Category

1930s American Realist South Carolina

Materials

Lithograph

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