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Item Ships From: South Carolina
Two wild and free horses nuzzling on the sand dunes of Sable Island
By Drew Doggett
Located in US
Two wild and free horses nuzzling on the sand dunes of Sable Island An intimate interaction between two wild and free horses on Sable Island is a sign of the tight bonds within the ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Child Reaching — 1940s American Modernism
By Will Barnet
Located in Myrtle Beach, SC
Will barnet, 'Child Reaching', woodcut, 1940, edition 25, Cole 82. Signed and titled in pencil. A fine, black impression, on fibrous Japan paper, with full margins (5/8 to 1 3/4 inch...
Category

1940s American Modern South Carolina - Art

Materials

Woodcut

Waimea Bay
By Mike Coots
Located in Mount Pleasant, SC
Waimea Bay, HI. 2014 Eddie Aikau Invitational.
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Yvette Guilbert, SCALA — Fin de Siècle, Paris
Located in Myrtle Beach, SC
BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone. A superb, richl...
Category

1890s Art Nouveau South Carolina - Art

Materials

Lithograph

Under the Triumph, Photograph, Archival Ink Jet
Located in Yardley, PA
From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 36×24 inches/91×61 cm Art-ID: HSC_2949 Aaron Knight is an American visual ...
Category

2010s Other Art Style South Carolina - Art

Materials

Archival Ink

Arizona Sunset, White Boots, Photograph, Archival Ink Jet
Located in Yardley, PA
From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 20×30 inches/51×76 cm Art-ID: USA10_9307 Aaron Knight is an American visua...
Category

2010s Other Art Style South Carolina - Art

Materials

Archival Ink

A Wind Is Rising and the Rivers Flow — Mid-Century American Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'A Wind is Rising and the Rivers Flow', color lithograph, 1945, edition 40, Fine and Looney 242. Signed, dated, and titled, and annotated 'Ed 40' in pencil. A fine ...
Category

1940s American Modern South Carolina - Art

Materials

Lithograph

The Lamentation — Mid-century Modernism, WWII
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...
Category

1940s American Modern South Carolina - Art

Materials

Lithograph

Ex Libris Dr. Witropp — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Ex Libris Dr. Witropp - Homunculus und Galatee', etching, 1923, edition not stated. Signed, dated, and numbered 'Op. 140' (the artist's inventory number) in pencil. Si...
Category

1920s Expressionist South Carolina - Art

Materials

Etching

#6 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#6', color lithograph, 1970, edition 9. Signed, titled, and annotated 'Ed 9' in pencil. A fine impression, with fresh colors, on Arches, ...
Category

1970s Contemporary South Carolina - Art

Materials

Lithograph

Three bison walk with stoic intent next to a river in Yellowstone National Park
By Drew Doggett
Located in US
"""Thunder of the Plains"" Three bison walk with stoic intent next to a river in Yellowstone National Park Three bison walk next to the Firehole River in the Winter in Yellowstone ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Bob Dylan "Aust Ferry". Wales, UK. 1966
By Barry Feinstein
Located in Mount Pleasant, SC
This is a very rare signed photograph by the Late Barry Feinstein. Roughly 50 of this photograph exist in the world that are signed. Signed on verso by the artist. Comes with cert...
Category

20th Century Contemporary South Carolina - Art

Materials

Silver Gelatin

Polar bear mother and cub walking against flat, white, minimal backdrop
By Drew Doggett
Located in US
"""Travelers"" Polar bear mother and cub walking against flat, white, minimal backdrop Black and white photograph of a polar bear mother and cub walking in a straight line against...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Old Injun
By Charles Banks Wilson
Located in Myrtle Beach, SC
Charles Banks Wilson, 'Old Injun', lithograph, 1948, edition 250, Hunt 39. Signed in pencil. A fine, richly-inked impression, on off-white wove paper, with full margins (1 3/4 to 2 inches), in excellent condition. Published by Associated American Artists. Impressions of this work are in the permanent collections of the following institutions: Ackland Art Museum, Georgetown University...
Category

1940s American Realist South Carolina - Art

Materials

Lithograph

Stevie Wonder Rehearsing
By Al Satterwhite
Located in Mount Pleasant, SC
Stevie Wonder photographed during a rehearsal session in Los Angeles in 1974. Taken with a 16mm lens. The photograph is made up of two archival pigment photos that are cut into st...
Category

20th Century Contemporary South Carolina - Art

Materials

Photographic Paper

Incredible portrait of a mountain gorilla against dense jungle foliage
By Drew Doggett
Located in US
Incredible portrait of a mountain gorilla against dense jungle foliage In this extraordinary moment, a mountain gorilla stands epically atop a rock formation, with the dense jungle ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Astral Comic — Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...
Category

1970s Abstract South Carolina - Art

Materials

Screen

Gregg Allman
By Neal Preston
Located in Mount Pleasant, SC
Portrait of Gregg Allman. 1973 Signed by photographer. Larger sizes available.
Category

20th Century Contemporary South Carolina - Art

Materials

Archival Pigment

Havoc in Heaven — Mid-Century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. A fine,...
Category

1940s American Modern South Carolina - Art

Materials

Lithograph

Black and white print of a cheetah and her cub in the plains of East Africa
By Drew Doggett
Located in US
"""Mother's Grace"" Black and white print of a cheetah and her cub in the plains of East Africa A mother cheetah looks out over her cub as they rest in the grassy plains of Kenya ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Flight to Tomorrow — Mid-Century American Modernism — Atelier 17
By Minna Citron
Located in Myrtle Beach, SC
Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed. Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186. Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...
Category

1940s Abstract Expressionist South Carolina - Art

Materials

Engraving, Aquatint

Black and white print of a herd of elephants in low grass in East Africa
By Drew Doggett
Located in US
"""Tusker's March"" Black and white print of a herd of elephants in low grass in East Africa Herd of elephants walking through the low grass in Amboseli National Park Offered in a...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Keith Swimming Pool "mouth open"
By Michael Cooper (b.1941)
Located in Mount Pleasant, SC
Keith Richards swimming at the Villa Nellcote Taken by the late photographer Michael Cooper. Edition of 25 Estate Stamped
Category

1970s Contemporary South Carolina - Art

Materials

Archival Pigment

September Still Life — Mid-Century Modernism
By Clinton Adams
Located in Myrtle Beach, SC
Clinton Adams, 'September Still Life', lithograph, 1956, edition 20. A superb impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches);...
Category

1950s American Modern South Carolina - Art

Materials

Lithograph

Segments — 1930s Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...
Category

1930s Abstract Geometric South Carolina - Art

Materials

Linocut

The Ruby R
By William Thon
Located in Myrtle Beach, SC
William Thon, 'The Ruby R', watercolor, c. 1990. Signed, lower right; titled verso. A fine, expressionist work, on off-white watercolor paper; the image extending to the sheet edges....
Category

1950s American Modern South Carolina - Art

Materials

Watercolor

A white lioness walks towards the camera, locking eyes with the viewer
By Drew Doggett
Located in US
"Queen's Approach" A white lioness walks towards the camera, locking eyes with the viewer Black and white portrait of a white lioness walking towards the camera Exceptional Crea...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Bird standing on an elephant in Kenya in this dramatic, iconic portrait
By Drew Doggett
Located in US
"Stillness & Majesty" Bird standing on an elephant in Kenya in this dramatic, iconic portrait Black and white portrait of a bird standing on the back of an elephant in tall grass ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

A cheetah cub adoringly looks at her mother in this beautiful image
By Drew Doggett
Located in US
"Cherish" A cheetah cub adoringly looks at her mother in this beautiful image Black and white portrait of a cheetah with her cub resting in the grass Exceptional Creatures is a ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Regal portrait of a lion with a large mane in beautiful black and white
By Drew Doggett
Located in US
"King" Regal portrait of a lion with a large mane in beautiful black and white Intimate black and white portrait rich with detail and tone of a line with a large mane Exceptional ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

The Bath — Meji Era Cross-Cultural Woman Artist
By Helen Hyde
Located in Myrtle Beach, SC
Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...
Category

Early 1900s Showa South Carolina - Art

Materials

Woodcut

Girl with Hands to Face — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...
Category

1940s American Modern South Carolina - Art

Materials

Lithograph

Ranunculus
By Susan Pittard
Located in Mount Pleasant, SC
Portrait of Ranunculus flower by photographer Susan Pittard. Limited Edition of 15. Signed in pencil on bottom right.
Category

21st Century and Contemporary Contemporary South Carolina - Art

Materials

Archival Pigment

Poetry in Motion
By Drew Doggett
Located in US
"A herd of horses running with dust being kicked up in black and white A herd of dark horses running with sand and dust around them This powerful global series explores horses in ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

New York Skyline, Sketch
By John Taylor Arms
Located in Myrtle Beach, SC
A fine impression, on cream wove paper, with full margins (5/8 to 1 3/8 inches), in excellent condition. Edition 20. Signed and dated in pencil. Annotated 'Bolton Brown...
Category

1920s American Realist South Carolina - Art

Materials

Lithograph

Bacchus — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category

1730s Realist South Carolina - Art

Materials

Engraving

A Brown bear charges through the water towards the camera in this portrait
By Drew Doggett
Located in US
A Brown bear charges through the water towards the camera in this portrait Intimate black & white image of a brown bear running in the water during the salmon run Each year, brown...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Storm Clouds (Arizona) — Early 20th-Century American Impressionism
By Albert Groll
Located in Myrtle Beach, SC
Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...
Category

1910s American Impressionist South Carolina - Art

Materials

Pencil

A lone elephant walks away from the camera across a grassy plain in this black a
By Drew Doggett
Located in US
"""Towards a Brighter Future"" A lone elephant walks away from the camera across a grassy plain in this black and white portrait Elephants are the type of animals that command atte...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Award-winner, Best Seller, Largest Sand Dunes in the World, Minimal, Monotone
By Drew Doggett
Located in US
"Desert Rising" The lone tree in the foreground helps you understand the immense scale of the sand dunes of Sossusvlei. The print series Dunes: Landscapes Evolving documents the m...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

El Capitan reflected in a still pool of water
By Drew Doggett
Located in US
"""Transcendence"" El Capitan reflected in a still pool of water El Capitan's stoic proportions take on a new meaning when reflected in a pool of water Explore the National Parks ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Blue Falcon
By Anne Menke
Located in Mount Pleasant, SC
1964 Ford Falcon with surfboards
Category

21st Century and Contemporary Contemporary South Carolina - Art

Materials

Photographic Paper

Keith Richards "Airplane"
By Ethan Russell
Located in Mount Pleasant, SC
Keith Richards getting off airplane during "Exile on Main St." tour. 1972 Signed by photographer. Limited Edition photograph.
Category

1970s Contemporary South Carolina - Art

Materials

Archival Pigment

#3 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...
Category

1970s American Modern South Carolina - Art

Materials

Lithograph

12th Street Walls — 1940s New York City
By Armin Landeck
Located in Myrtle Beach, SC
Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...
Category

1940s American Realist South Carolina - Art

Materials

Drypoint

Broad Street (Wall Street)
By Bror Julius Olsson Nordfeldt
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...
Category

1910s American Impressionist South Carolina - Art

Materials

Etching

Band of wild horses running along the shore on Sable Island
By Drew Doggett
Located in US
"""The Great Escape"" Band of wild horses running along the shore on Sable Island See Sable Island like never before in this aerial image featuring a band of wild horses running ov...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

The Furnace — American Expressionism
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....
Category

1920s American Modern South Carolina - Art

Materials

Drypoint

Self-Portrait with Black Hat — Mid-Century American Impressionism
By Robert Philipp
Located in Myrtle Beach, SC
Robert Philipp, 'Self-Portrait with Black Hat', ink and color pastel, c. 1945. Signed in ink, lower right. A fine, spontaneous drawing, on heavy, buff wove paper; the artist's tack holes in the top and bottom left sheet corners, minor rippling in the bottom sheet edge; otherwise in good condition. Image size 16 1/4 x 11 1/4 inches; sheet size 19 1/4 x 12 3/4 inches. Matted to museum standards, unframed. Provenance: Art Students League, from the artist’s personal portfolio. ABOUT THE ARTIST Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir. In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis...
Category

1940s American Modern South Carolina - Art

Materials

Pastel, Ink

Young Boy Holding a Staff in the Midst of the Mundari Cattle Camp
By Drew Doggett
Located in US
"Lapis at Dusk" Young Mundari boy looking at the camera and holding a stick among the long-horned cattle in the cattle camp on the banks of the Nile In these scenes of life from South Sudan, experience the surreal, roving camps of the Mundari...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Family of Elephants in Africa, Classic, Iconic, Black and White
By Drew Doggett
Located in US
"Wisdom's Keepers" In this image, a group of elephants appears lined up against a hazy backdrop of fog. It was a perfect yet unexpected scene. Exceptional Creatures is a limited e...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

African Idol — Mid-Century African-American artist
By Charles Elmer Harris
Located in Myrtle Beach, SC
Charles Elmer Harris (Beni E. Kosh), Untitled (African Idol), watercolor, c. 1950s. Estate stamped verso, 'Beni E Kosh COLLECTION' and numbered '570' in ink. A fine, spontaneous wat...
Category

1950s American Modern South Carolina - Art

Materials

Watercolor

Three wild horses in the mist on their beautiful, untamed home: Sable Island
By Drew Doggett
Located in US
Three wild horses in the mist on their beautiful, untamed home: Sable Island The position of Sable Island makes it incredibly foggy, especially on its shores. Here, three wild horse...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Brown bear diving for a fish in the creek during the annual salmon run
By Drew Doggett
Located in US
"""The Dive"" Brown bear diving for a fish in the creek during the annual salmon run Black and white image of brown bear ready to dive into the water of a remote creek Each year...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Epic, minimal capture of a whale s fin rising above the still water
By Drew Doggett
Located in US
"""Surface"" Epic, minimal capture of a whale's fin rising above the still water A Minke whale surfaces for a moment with a minimal backdrop of fog and still water The limited ed...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

The Gathering - A group of elephants underneath a tree in black and white image
By Drew Doggett
Located in US
"The Gathering" A group of elephants underneath a tree in this stunning black and white image A group of elephants waits out the hottest part of the day under a lone Acacia tortili...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Detailed black and white photograph of a king penguin s bottom half
By Drew Doggett
Located in US
"Of Earth & Ocean II" Detailed black and white photograph of a king penguin's bottom half An exceptionally detailed black and white portrait of a king penguin taken in the Falkland...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Eyes for the Night — Mid-century American Surrealism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...
Category

1940s American Modern South Carolina - Art

Materials

Lithograph

Ethereal portrait of a leopard on a unique rock formation
By Drew Doggett
Located in US
Ethereal portrait of a leopard on a unique rock formation Leopard on top of a rock formation looking out over the territory beyond the frame Exceptional Creatures is a limited edit...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Descente de Croix (Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category

1920s Cubist South Carolina - Art

Materials

Stencil

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