Skip to main content

South Carolina - Art

to
59
413
159
246
224
488
Overall Width
to
Overall Height
to
10
22
527
971
7
16
81
90
88
20
22
43
7
3
6
537
483
179
53
24
23
21
13
8
1
871
598
44
537
402
272
245
223
205
190
161
117
110
108
98
86
81
81
70
59
55
53
50
927
927
105
86
84
815
21
20
16
13
11
837
228,987
155,612
Item Ships From: South Carolina
Forest Woman — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Forest Woman', engraving, 1945, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack E...
Category

1940s Surrealist South Carolina - Art

Materials

Engraving

A cowboy rears up on his horse silhouetted against the darkening sky
By Drew Doggett
Located in US
"A cowboy rears up on his horse silhouetted against the darkening sky Evocative image of a silhouetted cowboy rearing up on his horse in this black and white image This powerful gl...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

A cowboy rears up on his horse silhouetted against the darkening sky
By Drew Doggett
Located in US
"A cowboy rears up on his horse silhouetted against the darkening sky Evocative image of a silhouetted cowboy rearing up on his horse in this black and white image This powerful gl...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Portrait of a Young Woman in East Kenya, Iconic, Empowerment, Fashion
By Drew Doggett
Located in US
"A Young Goddess; Mindisayo" Confident and poised, Mindisayo represents the next generation of women who will set the course for the future of her village and her peers in the years...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Trees in Ranchitos III — Taos Modernism
By Andrew Dasburg
Located in Myrtle Beach, SC
Andrew Dasburg, 'Trees in Ranchitos III', two-color lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression, in grey-bl...
Category

1970s Modern South Carolina - Art

Materials

Lithograph

Two World-Class Racing Yachts On the Open Seas, Black and White, Horizontal
By Drew Doggett
Located in US
"In Pursuit of Northern Light" In this best-selling image, the iconic 12-Meter yachts race on the open seas. With a strong history of competition in the Olympics and Americas' Cup r...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Hairdresser — vintage drawing, original Superman artist
By Leonard Nowak
Located in Myrtle Beach, SC
Leonard Nowak, 'Hairdresser', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove draw...
Category

1940s Modern South Carolina - Art

Materials

Conté, India Ink

12-Meter Yacht Racing Yacht, Atlantic Ocean, Action, Movement, Sailboat
By Drew Doggett
Located in US
"Sunkissed" In this award-winning, best-selling image, the billowing white sail of the boat KZ-3 appears all the more impressive from an aerial perspective while framed against the...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Intimate Black White Photograph of a Dark Horse Underwater, Fashion-Inspired
By Drew Doggett
Located in US
"Immersion" ⁠Through this minimalist, underwater environment, you can completely immerse yourself in the beauty of the horse’s form with no distractions to take away from the subjec...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Street Scene, L Ile Saint Louis, Paris — Mid-Century Photogravure
Located in Myrtle Beach, SC
Rémy Duval, 'Street Scene, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives pape...
Category

1940s Modern South Carolina - Art

Materials

Photogravure

Untitled (Profile of an African Woman) — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Profile of a Black Woman)', lithograph, edition 250, 1929. Signed and numbered 14 in pencil. Number 14 of Volume 2, a series of 10 lithographs publishe...
Category

1920s Art Deco South Carolina - Art

Materials

Lithograph

Gloucester Harbor — Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category

1940s American Realist South Carolina - Art

Materials

Drypoint

Taos - Relic of the Insurrection of 1845 — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 1 15/16 inches). Very pale light toning within a previous mat opening, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 5/8 x 15 1/2 inches (296 x 394 mm); sheet size 15 1/8 x 19 inches (384 x 483 mm). ABOUT THE IMAGE The Taos Revolt was a populist insurrection in January 1847 by Hispano and Pueblo allies against the United States occupation of present-day northern New Mexico during the Mexican–American War. The rebels killed provisional governor Charles Bent and several other Americans. In two short campaigns, United States troops and militia crushed the rebellion of the Hispano and Pueblo people. The New Mexicans, seeking better representation, regrouped and fought three more engagements, but after being defeated, they abandoned open warfare. The hatred of New Mexicans for the occupying American army, combined with the rebelliousness of Taos residents against imposed outside authority, were causes of the revolt. In the uprising's aftermath, the Americans executed at least 28 rebels. The Treaty of Guadalupe Hidalgo in 1850 guaranteed the property rights of New Mexico's Hispanic and American Indian residents. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

1940s American Modern South Carolina - Art

Materials

Lithograph

J-Class Yacht Velsheda Racing Forward, World Class Sailboat
By Drew Doggett
Located in US
"True Bearing" The boat Velsheda sails along the shores of Porto Cervo, Italy. The nautical print series Sail: Majesty at Sea is an intimate look at two revered racing boat class...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

1stdibs Images 1stdibs Images 100% 10 R158 Young Rendille woman relaxing on th
By Drew Doggett
Located in US
Young Rendille woman relaxing on the salt flats in traditional ornamentation Capturing portraits of these young Rendille woman was a great responsibility because I was also document...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Bullfight — Mid-century American Surrealism, Chicago Avant-garde
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bullfight', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '105' (the artist's inventory number) and '13/15' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/16 to 2 3/8 inches), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 5 1/16 x 4 1/16 inches (129 x 103 mm); sheet size 8 9/16 x 6 5/16 inches (217 x 160 mm). An impression of this work is included in the museum collection of the National Gallery of Art. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal...
Category

1940s Surrealist South Carolina - Art

Materials

Woodcut

Equestrian Portrait of a World Class Horse with a Braided Mane, Square
By Drew Doggett
Located in US
"Nautilus II" A braided mane adds to the perfection of this horse in this classic, detailed equestrian portrait. The print series Equus: Light & Form focuses on the details of so...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

A young Suri boy in a black and white fashion-inspired portrait
By Drew Doggett
Located in US
"""Untitled 54"" A young Suri boy in a black and white fashion-inspired portrait A young boy in the Omo Valley wearing traditional ornamentation in a fashion-inspired portrait Th...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Fashion-inspired black and white portrait of a Dhassanac man wearing a headdress
By Drew Doggett
Located in US
"""Untitled 50"" Fashion-inspired black and white portrait of a Dhassanac man wearing a headdress To the Dhassanac, the ostrich feather is a prized symbol of purity and courage Th...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Time Silhouette —Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Time Silhouette', color serigraph, 1969, edition 30, Ryan 201. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on cream wo...
Category

Mid-20th Century American Modern South Carolina - Art

Materials

Screen

Intimate black and white portrait of a lioness and her young cub
By Drew Doggett
Located in US
Intimate black and white portrait of a lioness and her young cub Lioness looking out to the left with a cub in the backdrop Exceptional Creatures is a limited edition print series...
Category

2010s South Carolina - Art

Materials

Archival Pigment

An elite horse s immaculate coat and braided mane are the focus of this image
By Drew Doggett
Located in US
An elite horse's immaculate coat and braided mane are the focus of this image Close up portrait of a speckled white horse with a braided mane and a bridle The print series Equus: ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Classic, Iconic Scene of the Open Road in Utah, Landscape, Nostalgic, Americana
By Drew Doggett
Located in US
"Convergence" This best-selling image features a remote road that disappears into the distance bordered by rock formations in Monument Valley, Utah. Experience the photographic j...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

New Year’s Eve and Adam
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, l...
Category

1910s Ashcan School South Carolina - Art

Materials

Etching

Black White Image of a Water Flowing Through a Gorge, Classic, Minimalist
By Drew Doggett
Located in US
"Into the Gorge" Over many, many years, the waters of Oregon have delicately and precisely formed their own path as captured in this intimate vignette of the Columbia River Gorge. ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Unbelievable Portrait of a Bison in the Snow in Yellowstone National Park
By Drew Doggett
Located in US
"Gatekeeper" An ephemeral capture of a truly enduring animal, this iconic black and white image is an ode to the American bison. Exceptional Creatures is a limited edition print se...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Early Marshes — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Early Marshes', from the portfolio 'Ten Engravings'. engraving, 1943, edition 50. Signed, dated, titled, and numbered '37/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with margins (2 5/8 to 7 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 x 5 7/8 inches (127 x 149 mm); sheet size 15 x 11 inches (381 x 279 mm). Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...
Category

1940s Surrealist South Carolina - Art

Materials

Engraving

Bird Dog — Mid-century American Surrealism, Chicago Avant-garde
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bird Dog', color lithograph with relief collagraph, 1946, edition 14. Signed, dated, titled, and numbered '123' (the artist's inventory number) and '12/14' in pen. A fine impression, with fresh colors, on heavy, cream, wove paper; the full sheet with margins(1 3/4 to 3 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 10 1/8 x 6 7/8 inches (257 x 174 mm); sheet size 17 x 11 7/16 inches (432 x 291 mm). A collagraph is a relief print made from a collage of various materials adhered to a metal, plastic, hardboard, or other type of ground plate. In this work, the artist appears to have combined a lithograph with a collagraph to achieve the intricately textured image. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States. Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...
Category

1940s Surrealist South Carolina - Art

Materials

Lithograph

Vague Lumineuse (Luminescent Wave) — Late 19th Century Surrealism
Located in Myrtle Beach, SC
Théophile Pierre Wagner, 'Vague Lumineuse' (Luminescent Wave), lithograph, edition not stated but small, c. 1895. Signed and titled in pencil. Initialed in the stone, lower left. A f...
Category

1890s Surrealist South Carolina - Art

Materials

Lithograph

Otherworldly Black White Image of a Herd of Giraffes Walking Across the Plains
By Drew Doggett
Located in US
"Crossing Time" Black & white image of a herd of giraffes walking across the plains Exceptional Creatures is a limited edition print series documenting the most extraordinary anima...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Ethereal rays of light filtering through a grove of Redwood trees in California
By Drew Doggett
Located in US
Ethereal rays of light filtering through a grove of Redwood trees in California A surreal vignette of light shining through a grove of Redwood trees Explore the National Parks and ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Adult male lion with an impressive mane walks across the plains in Kenya
By Drew Doggett
Located in US
Adult male lion with an impressive mane walks across the plains in Kenya An adult male lion with a beautiful mane walks towards the camera across the plains Exceptional Creatures i...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

A surreal scene of elephants crossing the plains in Amboseli National Park
By Drew Doggett
Located in US
A surreal scene of elephants crossing the plains in Amboseli National Park Watching a herd of elephants, typically led by the matriarch, is an incredible and exhilarating sight Co...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

The Thinker? —vintage drawing, original Superman artist
By Leonard Nowak
Located in Myrtle Beach, SC
Leonard Nowak, 'The Thinker?', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove dra...
Category

1940s Modern South Carolina - Art

Materials

Conté, India Ink

A young boy walks in the dusty cattle camps of the Mundari in South Sudan
By Drew Doggett
Located in US
A young boy walks in the dusty cattle camps of the Mundari in South Sudan Life in the Mundari's moving camps is about caring for their elegant longhorn cattle, day in and day out I...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Intimate Capture Of A Brown Bear Look At Something In The Distance
By Drew Doggett
Located in US
Portrait of a brown bear looking at something in the distance. Each year, brown bears descend on a remote part of the Alaskan wilderness in record numbers, gathering in search of th...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Naked Young Man Sitting On Lopped Branch; Naked Young Woman Sitting on a Branch.
By Eric Gill
Located in Myrtle Beach, SC
Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...
Category

1930s Art Deco South Carolina - Art

Materials

Woodcut

Hold that Tiger — Mid-century American Surrealism, Chicago Avant-garde
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Hold that Tiger', color lithograph, 1945, edition 16. Signed, dated, titled, and numbered '91' and '15/16' in pen. A fine impression, with fresh colors, on heavy, coated, off-white wove paper; the full sheet with margins (13/16 to 1 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 14 x 9 3/8 inches (356 x 239 mm); sheet size 17 x 11 1/4 inches (432 x 285 mm). ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States. Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...
Category

1940s Surrealist South Carolina - Art

Materials

Lithograph

A lone white horse plays beneath a might Icelandic waterfall
By Drew Doggett
Located in US
A lone white horse plays beneath a might Icelandic waterfall A lone white horse enjoys a moment to himself below a mighty waterfall. He appears to be playing, almost invigorated by ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Adato, a young Rendille woman, is a vision of calmness and tranquility.
By Drew Doggett
Located in US
Adato, a young Rendille woman, is a vision of calmness and tranquility. The young Rendille woman Adato draped in a wrap of fabric typical for the region The print series Desert Song: Compositions of Kenya exhibits classic, timeless beauty through portraits of the women of the Rendille tribe in a nod to fashion photography. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Tropical Wash Day — Mid-Century Modernism
Located in Myrtle Beach, SC
'Tropical Wash Day', aquatint, edition 100, 1946. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, on heavy cream wove paper, with full...
Category

1940s American Modern South Carolina - Art

Materials

Aquatint

The Sixth Avenue Spur, New York City — American Expressionism
By Frederick K. Detwiller
Located in Myrtle Beach, SC
Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce. Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed. ABOUT THE IMAGE The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway. The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...
Category

1920s Ashcan School South Carolina - Art

Materials

Lithograph

El Capitan s scale is hard to comprehend; in this angle you can feel its majesty
By Drew Doggett
Located in US
El Capitan's scale is hard to comprehend; in this angle you can feel its majesty A view of El Capitan with the sun hitting its face with a ravine flowing in the foreground Through ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Single All-White Camargue Horse Running Forward, Ethereal, France, Horizontal
By Drew Doggett
Located in US
"Glimmer" As a lone Camargue horse gallops forward, the glimmering spray of the salty water extends around him. The print series Band of Rebels: White Horses of Camargue captures ...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Viel Gluck 1923 — New Year s Greeting - German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...
Category

1920s Expressionist South Carolina - Art

Materials

Etching

One Wild Horse Running on the Beach on Sable Island
By Drew Doggett
Located in US
"Triumph" In this image, you can feel the remoteness of a place man has failed to conquer, and you can see the wildness of the horses on full display. ⁠ This is an award-winning, ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Cheerleader — Mid-century American Surrealism, Chicago Avant-garde
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Cheerleader', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '104' (the artist's inventory number) and '8/15' in pencil. A fine, black impression, with full margins (1 1/2 inches), on heavy, cream wove paper, in excellent condition. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus...
Category

1940s Surrealist South Carolina - Art

Materials

Woodcut

White Horses Running Beneath a Waterfall in Iceland, Color Photography, Vertical
By Drew Doggett
Located in US
"Through the Falls" The famous horses of Iceland pay no attention to the extreme elements of their homeland most would find daunting - including some of the mightiest waterfalls on ...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Nude at Piano
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'Nude at Piano', 1933, etching, edition 100, (only 85 printed), Morse 265. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, lower right...
Category

1930s Ashcan School South Carolina - Art

Materials

Etching

Equestrian Portrait of a World Class Horse with a Braided Mane, Square
By Drew Doggett
Located in US
"Nautilus II" A braided mane adds to the perfection of this horse in this classic, detailed equestrian portrait. The print series Equus: Light & Form focuses on the details of so...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Portrait of a brown bear looking over his shoulder at the creek s edge
By Drew Doggett
Located in US
Portrait of a brown bear looking over his shoulder at the creek's edge Epic portrait of a lone brown bear at the edge of the creek in Alaska Each year, brown bears descend on a rem...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Iconic Portrait of a Young Man Wearing Tribal Face Paint, Ethiopia, Fashion
By Drew Doggett
Located in US
"Untitled 37" Wearing face paint is typical in the Karo tribe. While the designs are based on tradition, each young man is encouraged to create their own motif. This award-winnin...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

A young rhino stands next to their mother in this surreal and beautiful portrait
By Drew Doggett
Located in US
A young rhino stands next to their mother in this surreal and beautiful portrait In the Solio conservancy in Eastern Kenya, a young rhino waits next to his mother, remaining in her ...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Six wild horses moving swiftly across the shores of Sable Island
By Drew Doggett
Located in US
Six wild horses moving swiftly across the shores of Sable Island In this first of its kind aerial drone shot, a band of wild horses runs across the empty shores of Sable Island The...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Inspiring portrait of longboarders racing to catch the same wave
By Drew Doggett
Located in US
Inspiring portrait of longboarders racing to catch the same wave Longboarders race to catch a wave, creating an impressive aerial composition The print series Swell: Endless Blue t...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Untitled (Conference of the Birds)
By Beatriz Vidal
Located in Myrtle Beach, SC
Beatriz Vidal, 'Untitled (Conference of the Birds)', gouache and watercolor, 1998. Signed and dated in the image, lower right. A meticulously r...
Category

1990s Contemporary South Carolina - Art

Materials

Watercolor, Gouache

Black white image of brown bear running with water splashing around him
By Drew Doggett
Located in US
Black & white image of brown bear running with water splashing around him Incredible photograph of a brown bear running, captured mid-stride with water splashing around him Each year, brown bears descend on a remote part of the Alaskan wilderness in record numbers, gathering in search of the salmon on their annual journey through this region. It is a vibrant, thrilling time of year, and the bear’s agility, strength, and might are on full display, as seen through Drew's latest works. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Two Iconic, Large Elephants Walking Across Amboseli National Park, Wildlife
By Drew Doggett
Located in US
"Titans of Time" The world’s two largest tusked elephants, Tim & Craig, can go months without crossing paths so seeing the two together is one of the most extraordinary sights in th...
Category

2010s Contemporary South Carolina - Art

Materials

Archival Pigment

Minimal, Abstract Image of Snow and Clouds in the Arctic
By Drew Doggett
Located in US
"Cathedral of Snow" Organic snow formations against a dark sky with whispy clouds. The limited edition print series Northern Dreams is a tribute to one of the most spectacular plac...
Category

2010s Minimalist South Carolina - Art

Materials

Archival Pigment

Le maréchal flamand (The Flemish Blacksmith) — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category

1820s Romantic South Carolina - Art

Materials

Lithograph

Still Thinking About These?

All Recently Viewed