South Coast - Mixed Media

This large 72 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by an amazing tactile quality. The built up texture and colors create a show stopping effect. This piece would be an excellent addition to any collection. For over 20+ years, Haleh Mashian’s art has colorfully illustrated her unique, astute view of the world, both real and imagined. As a painter and creative expressionist, Mashian’s abstract works reveal her appreciation of color theory, compositional form, and the study of positive and negative space. Working in mixed media and using a variety of techniques from collage to impasto, a repeated layering and application of paint, Mashian’s dynamic pieces range from smaller...

This horizontal 40 inch high by 64 inch wide original acrylic painting on canvas is wired and ready to hang. This chic image features Celine brand sunglasses embellished with Swarovski crystals. The sides of the artwork are painted black and it does not require framing. It is signed by the artist on the front of the artwork and titled on the side. In 2014, the lure of the art world pulled Trew back to the canvas and into the pop art world. Her first collection, “Pop Life” was shown across the country alongside artists including Blek le Rat, Shepard Fairey, Ben Eine, Risk, and Gregory Siff...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 8.5 inches high and 9 inches wide and .5 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 12.5 inches high and 10 inches wide and 6 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

This is a one of a kind luxurious sculpted leather mirror by Marie Barthès. A long oval mirror is encased in copper on top of gray-brown leather, emb...

In "Femme 11," Haleh Mashian combines various materials, like shattered ceramic, to create a striking portrayal of a confident woman. Her direct gaze challenges viewers, while her po...

In the painting "Femme 3," the artist delves into techniques reminiscent of early abstraction to depict the figure of a woman. Through the masterful use of blues, whites, and reds, applied with bold and gestural brushstrokes, the artwork pulsates with a dynamic sense of movement. "Femme III" is combination of expressionist collage techniques and figurative imagination. This piece is 60 inches sqaure, mixed media, and full of life and color. It is wired and ready to hang. It is signed by the artist on the back. The red, white, and blue come together in harmony to create a unique visualization of Haleh Mashian...

Unveil My Heart takes shape beautifully in three-dimensional glory. The black ground looks superb, and the roses come to life at great outward depth. This pie...

Amore explores the classical beauty of the red rose at a large scale. This piece is 60" x 60" on wood panel, and it is painted in acrylic. In the Rose Series, Mashian captures the ...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

In Daniel Maltzman's mid-century modern "Pool Shoot", nostalgia and contemporary artistry converge harmoniously. With a deft play of colors and shapes, Maltzman resurrects the eleg...

Martin Adalian "Watching" Acrylic, Oil, Tar on Canvas 62.5 x 44.25 in. ___________________ Martiros Adalian was born in 1972 in Yerevan Armenia. He st...

Martin Adalian "Since in Vain" Acrylic, Oil, Tar on Canvas 62 x 47.5 in. ___________________ Martiros Adalian was born in 1972 in Yerevan Armenia. He started painting when he was three years old as a result of growing up amongst a dynasty of artists - his father, uncle, cousins are all artists...

Martin Adalian "Leaning" Acrylic, Oil, Tar on Canvas 62.5 x 44 in. ___________________ Martiros Adalian was born in 1972 in Yerevan Armenia. He starte...

Martin Adalian "Four Sticks" Acrylic, Oil, Tar on Canvas 62.25 x 47.5 in. ___________________ Martiros Adalian was born in 1972 in Yerevan Armenia. He started painting when he was three years old as a result of growing up amongst a dynasty of artists - his father, uncle, cousins are all artists...

Martin Adalian "Afternoon Garden" Acrylic, Oil, Tar on Canvas 62.75 x 47.75 in. ___________________ Martiros Adalian was born in 1972 in Yerevan Armen...

Aviary, acrylic and mixed media painting by artist Ben Darby. Aviary is composed of two pieces attached to create a fanciful composition of various birds, flowers, and exuberant colors.

Fusion, acrylic, mixed media, on canvas and wood panel painting by artists Ben Darby. Fusion has a bright burst of gold color flowers and birds perched throughout.

Farah Khelil, Mo’jam, Fine Art Print, 99.7 x 150 cm, 2015 antoine lefebvre editions bookworm, curated by Antoine Lefebvre The boundaries between passion and destruction fade away. bookworms is an transnational transmedia artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction. From the encounter with a destroyed book stems a reflection between two artists who are both passionate about books. It is important for us to present this project in different countries because the issues of transmission of knowledge are everywhere the same. This project is about the ignorants for whom knowledge, intelligence and education has become a threat and who seek to drag others with them into darkness. For Khelil, the book eaters are thinkers and intellectuals against conservatism and dogmatism. *** bookworms is an artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction This project is the fruit of a very special encounter with an object… After the death of her grandfather in 2012, Tunisian artist Farah Khelil (b. 1980) explored his library and found an old family dictionary in Arabic (Mo'jam Arabia), at least what was left of it, for it had been devoured by book eaters. She decided to collect some fragments without knowing what she would do with them. Impressed by how carefully cut the pieces were, she wanted to transform them into artworks that would honor the memory of her grandfather. Because she knew how important the book object is in my artistic practice, she showed me the fragments and invited me to participate in an exhibition at the Tunisian gallery A.GORGI in her hometown Sidi Bou Said. I then thought about introducing her to Barbara Denis-Morel, the curator of the Avranches Library. This library conserves, among other treasures, more than 200 medieval manuscripts from the abbey of the Mont Saint-Michel, but it also holds a few books that were entirely devoured. Thanks to the curator, we could consult old books that were infected, quarantined, pierced by galleries and routes that revealed the passage of book-eating insects. We filmed these pages to create a video that we entitled ALL THE MEMORY IN THE WORLD, Toute la mémoire du monde, which is an appropriation of the eponymous film by Alain Resnais. Farah had also kept some intact pages of the devoured dictionary. Then we used this sequence of 120 pages to build the lay-out structure of an artist’s book. The idea was to empty all the textual content —captions and definitions— to keep only the figures, the dropped initials, and the page numbers. The emptied columns of the dictionary were then filled with artistic contributions and texts that we commissioned to invited authors. Printed in an edition of 500 copies, this artist book was made by Farah Khelil and antoine lefebvre editions from the remains of a devoured book. It will be a key element, of this second presentation of the project, and a special edition with a bookstand will produced especially for the fair. Behind the idea of book-eating insects, there is the issue of conservation but also of conservatism, as in Solitaire, an installation Khelil made with a peg solitaire game and mothballs. This work is a “portrait” of her grandfather, Abdelaziz Majdoub, who taught Arabic at the Sadiki High School for a long time where he specialized in “ilm al-kalam,” the science of language. This project is imbued with nostalgia, it is reminder for the artist of the time she spent as a child with this thinker always with his head in books. These encyclopedic pieces transformed into artworks draw the territories and communal places of knowledge. They are extensions of a family memory and reflect a culture going back and forth between book-loving and book-eating, conservation and conservatism. This idea of book destruction is one of the main dangers threatening the library and the books that compose it: fire, water and confinement. But there is also this minor or mediocre scourge that intend to harm the books: the book eaters. This exhibition is a metaphor, a reflection on ignorance, not as opposed to knowledge but as an enemy of knowledge. Ignorance is what attempts to undermine the intelligence, kill or reduce it. Just like the bookworms...