South Coast - More Art

This vertical 19.5 inch high by 16.5 inch wide original oil painting on floral printed fabric is wired and ready to hang. The hyperrealistic detail in the is artwork is astounding. The main focus of the chic hyperrealist stiletto anchors the image on a complimentary detailed cotton fabric. The sides of the artwork are are continuation of the fabric and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 5 x 5 in (L x H). A certificate of authenticity will follow delivery. Lead...

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 4.25 x 4.25 in (L x H). A certificate of authenticity will follow delivery....

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 5 x 5 x 1 in (L x H x D). A certificate of authenticity will follow deliver...

This abstract work by Lis Costa features copper pigment on sculpted cotton paper, in a white wooden frame with UV glass. Costa's unique style of sculpting paper begins with sheets ...

This abstract work inspired by the moon by Lis Costa features gold leaf and blue acrylic paint on sculpted cotton paper. Framed in acrylic box. 23k gold leaf details. Costa's unique...

ELLEN VON WIEGAND Cold and Quiet, Ed of 5 Linocut on Awagami Shiramine Paper (Unframed) 35.50 x 53 in. Ellen Von Wiegand’s body of work reverberates with a quest for self-assurance and serenity as she uses her own nude body within her stylized prints. In a new series of large scale, limited edition linocuts now on view at JoAnne Artman Gallery’s Laguna Beach location, her portraits feature a distinctive use of line to establish composition, as well as a tool to divide space and color into defined, physical boundaries. As opposed to digital prints, linocuts celebrate the long tradition of handmade editioned art that has been practiced for nearly two millennia. While woodblock printmaking goes back thousands of years, artists like Picasso popularized linocut in the early part of the 20th century due to wider availability of linoleum. “All parts of my process are done by hand, from the original drawing, to the carving, and final printing. In order to produce a work in multiple colors, separate blocks need to be carved and printed for each hue. As a result, creating a limited edition of colorful prints is quite time consuming and requires a great deal of patience. And while there are multiple prints created from the same plates, each one is truly an original work of art” Von Wiegand explains. Reminiscent of ancient Corinthian Black...

This small vertical 31 inch high by 23.5 inch wide original oil painting on canvas is wired and ready to hang. The detail in this artwork is astounding. From the gaze and makeup details around the eyes to the the ornate jewelry, Princess Julia is absolutely sublime. The sides of the artwork are not painted and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This small vertical 15.5 inch high by 11.5 inch wide original oil painting on canvas is wired and ready to hang. This playful image features the Wicked Witch of Oz and the Easter Bunny buying Prada merchandise on the iconic Rodeo Drive in Beverly Hills. The sides of the artwork are not painted and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This 36 inch square original oil painting on canvas is wired and ready to hang. The detail in this artwork is astounding. The crimson red tones make the female swimmers portrait real...

“The Critic Smiles”. Lead relief with etched signature, Jasper John’s (b. 1930). 41/60 Published by Gemini Gel. Dated 1969. Aluminum frame and Lucite shadowbox.

This large horizontal 37 inch high and 76 inch wide original oil painting on canvas is wired and ready to hang. The detail in this artwork is astounding. The crimson red tones make t...

This vertical 31.5 inch high by 23.5 inch wide original oil painting on linen is wired and ready to hang. The hyperrealistic detail in the is artwork is astounding. A reimagined alternative view of the icon Cleopatra draws you in with her serpent. The sides of the artwork are not painted and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This is a one of a kind luxurious sculpted leather mirror by Marie Barthès. A long oval mirror is encased in copper on top of gray-brown leather, emb...

This original mold, created by Beckford Young for one of his lithograph series, is exceptional. This piece contains a network of reliefs, hollows, and edges, each detailing the resul...

Original figurative female painting by artist Gustavo Costa Fernandes. This painting is primarily pink with off white and maroon colors. She is standing, smiling, and holding a bouqu...

Shaman, acrylic and mixed media painting by artist Ben Darby. The artists has used a draping effect to create a 3D effect with the garment. The rest of the painting is textured and i...

"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...

"One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...