Spain - Armchairs

The armchair from the Disguise Series 00, conceived by Madrid-based ESTO Studio, is envisioned as a habitable sculpture that blurs the boundaries between utilitarian object and fanta...

Gerrit Thomas Rietveld Black Red And Blue Armchair For Cassina A variation of the iconic 1918 chair by G. T. Rietveld, the Black Red and Blue wood armchair grew out of the Dutch mas...

Pelican chair designed by Finn Juhl in 1940. Manufactured by House of Finn Juhl in Denmark. Pelican chair was probably the one furthest ahead of its time. When it was presented a...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Set of five vintage 1970s Spanish woven wicker on wood white garden armchairs.

Paolo Tilche (1925-2000) Pair of armchairs model “Silvia” Manufactured by Arform, Italy, 1956 Rattan Pair of Italian 20th century ratan armchairs ...

Bench designed by Pierre Jeanneret circa 1955, relaunched in 2020. Manufactured by Cassina in Italy. Cassina continues its study of the furniture of the city of Chandigarh and adds ...

DESCRIPTION: Pierre Jeanneret , Committee Chair for Chandigarh, PJ-SI-30-C, Circa 1950, India "PJ-SI-30-C" Committee Chair for Chandigarh. Teak structure, upholstered with fur. CON...

Charlotte Perriand Indochine Armchair Manufactured by Cassina in Italy This swivel armchair is a re-working of the LC7, whose frame was in tubul...

Friis and Moltke Norgaard Chair For One Collection The Nørgaard Chair, is designed to fit into the honest and uncompromising architecture that became FRIIS & MOLTKE’s hallmark. The ...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi...

The Quimera Armchair is a dream made tangible. More than a seat, it is a vision—an invitation to step into the surreal. With its deep cushioned seat and enveloping, rounded backrest,...

Vico Magistretti 905 Armchair For Cassina A modern chair with a cultural heritage, expression of the creative genius of Vico Magistrett...

Spectacular pair of Art Deco armchairs with wooden frame, stained and french polished “sledge” base extending over the front, fillings and upholstery redone in pearl grey velvet. Fr...

Charlotte Perriand Doron Hotel Outdoor Armchair For Cassina Already in the interior decor line, Cassina introduces a solid teak outdoor version of the iconic Doron Hotel design arm...

Pair of armchairs or fauteuils, Luis XVI, late 18th century, in walnut wood with back sculpted in guilloche, on fluted tapering legs, the interior has been reinforced and restored, u...

LC1 white chair by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented at...

Paper Knife armchair designed in 1956 by Kai Kristiansen for Magnus Olesen, Denmark. Teak frame upholstered with new wool fabric from...

The Gaulino Easy Chair is the natural progression from the iconic Gaulino. It retains the functional artistry of the Gaulino while sitting lighter,...

Designed by Toshiyuki Kita in 2000. Manufactured by Cassina in Italy. A design that responds to the needs of modern-day society and the rhythms of life in the era of the home office...

Le Corbusier Fauteuil Grand Confort, Petit Modèle Armchair For Cassina A timeless style that has written its own chapter in design history, becoming an icon of global fame. Perfect ...

Capitol Complex Sofa designed by Pierre Jeanneret circa 1950, relaunched in 2023. Manufactured by Cassina in Italy. Capitol Complex Sofa is the small sofa designed by Pierre Jeanne...

Toshiyuki Kita, Canta Armchair With Arms and Headrest For Cassina The rhythm of life in the smart working era and the habits of an increasingly connected society inspired this seri...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2012. Manufactured by Cassina in Italy. Armchair with structure in polished trivalent chrome plated (CR3) steel. Padded seat and backrest in polyurethane. The armrests are wider at the front and tapered towards the back. In this version of the sling chair, designed in 1928 for the Villa Church...

BKF "Butterfly" Chair in Cowhide Leather, Spain, Circa 2000 Model: BKF "Butterfly" Chair Material: Cowhide leather seat and metal frame Origin: Spain Manufacture Year: Circa 2000...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with t...

Pair of armchairs Manufactured by Casa e Giardino Italy,1936 Fabric, walnut Measurements 80 cm x 75 cm x 81,5 cm h 31,5 in x 29,5 in x 32,1 in h Literature Laura Falconi, Gio Ponti...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

Charlotte Perriand Indochine Armchair Manufactured by Cassina in Italy This swivel armchair is a re-working of the LC7, whose frame was in tubular metal, and was the work of Charlot...

Taken from “Femme á la téte rose,” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in ...

Designed by Paolo Deganello for the Archizoom Group in 1973 as an unorthodox interpretation of the modern design armchair, the audacity of its shapes is echoed in the experimental use of materials. Manufactured by Cassina in Italy. The AEO chair...

Armchairs designed by Patricia Urquiola in 2019. Manufactured by Cassina in Italy. This comfy armchair has the same distinctive aesthetics as the Back-Wing chair designed in 2018. T...

DESCRIPTION: Mid-Century Poul Kjaerholm Armchair "PK-31", circa 1950, Denmark. Very decorative piece made with leather and steel. CONDITION: Good vintage condition. Wear consistent...

Pair of Art Deco armchairs with high backs, solid walnut and walnut veneer, French polish. New black and white flecked wool uphostery. Italy c. 1930

Sofa designed by Philippe Starck in 2020. Manufactured by Cassina in Italy. Defined by Philippe Starck as "a lifestyle collection of relaxed elegance", Fenc-e Nature sees the desi...

The Gaulinetta is an evolution of the Gaulino chair. In words of Oscar Tusquets: in homage to Enzo Mari, who called his chair Tonietta, a derivative of Thonet, I’ve called this chair...

Elef Armchair The Elef Armchair embodies the perfect balance of sophistication, authenticity, and durability. Its distinctive design blends the nobility of natural materials with a ...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real mo...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi...

Indulge in refined comfort and timeless elegance with this set of two Pierre Jeanneret Armchairs, originally designed circa 1950 and thoughtfully relaunched in 2019 by Cassina in Ita...

Armchair structure base in cast aluminum. Seat, backrest are in plywood with exteriors in walnut nature effect NG EN2 Upholstered in Testa di Moro V19. Various fabrics and lea...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair has p...

Le Corbusier Fauteuil Grand Confort, Petit Modèle Armchair For Cassina A timeless style that has written its own chapter in design history, becoming an icon of global fame. Perfect ...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2012. Manufactured by Cassina in Italy. Armchair with structure in polished trivalent chrome plated (CR3) steel. Padded seat and backrest in polyurethane. The armrests are wider at the front and tapered towards the back. In this version of the sling chair, designed in 1928 for the Villa Church...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by...

Oscar Niemeyer (1907-2012) Single armchair model “Alta” Manufactured by Mobilier international France, 1974 Steel, wool upholstery Measurements 104,1 x 68,6x 56,5h cm 41 x 27 x 22,25h in Literature Gilles de Bure, Inte´rieurs: Le Mobilier Franc¸ais 1965-1979, Pa- ris, 1983, p. 101 Provenance Private collection, Antwerp. Details Certificate by Oscar Niemeyer Foundation. Biography Niemeyer was a Brazilian architect who is considered to be one of the key figures in the development of modern architecture. His exceptional architectural work has been unanimously hailed, and his influence on how the world looks like today has been reminded. In 1960’s Oscar Niemeyer started developing furniture projects, in collaboration with his daughter Ana Maria. The first piece designed by the team was “the Alta easy chair” and its footrest, but the most famous piece designed by Oscar and Ana is the “Rio Chaise Longue...

The Ritual Armchair turns every moment into an act of intention. Its sculptural silhouette, defined by soft curves and a generous seat, is more than a functional object—it is a conte...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Charlotte Perriand indochine armchair Manufactured by Cassina in Italy This swivel armchair is a re-working of the LC7, whose frame was in tubul...

Fantastic "Manhattan" armchair designed by the Brazilian architect of Polish origin Jorge Zalszupin, produced by his own company “l’Atelier”, an authentic rarity. Perhaps “Manhattan”...

Armchair designed by Färg & Blanche. Manufactured by BD Barcelona in Spain. The Couture Armchair is a fusion of artisanal and industrial techniques. The stitches represent a topographic map resulting in an organic pattern, simulating the growth in wood. The use of gradient colours for the wood, amplifies the effect of layers used and increases the sensation of unifying hard materials. The result is an armchair with strong personality which holds maximum evidence of artisanal processes. Materials and finishes: Seat structure in solid wood and upholstered. Backrest in varnished walnut or degraded birch made up of pieces sewn together with polyamide thread. Upholstered in BD’s different materials. Includes in swivel system. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor. About the designer: Stockholm based design studio FÄRG & BLANCHE was founded in 2010 by the Swedish designer Fredrik Färg and designer Emma Marga Blanche, born in France. As a studio, they work across a wide variety of fields, collaborating with established furniture brands such as BD Barcelona Design, Gärsnäs, Petite Friture and Design House Stockholm...

Committee chair designed by Pierre Jeanneret circa 1950 , relaunched in 2022. Manufactured by Cassina in Italy. The Committee chair is introduced in the original version and in a...

Armchair designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. With its refined details and welcoming forms, the stackable Dine Out armchair has a solid teak fram...

An elegant pair of curule-style chairs, crafted from carved wood with bone and mother-of-pearl inlays in delicate geometric patterns. The seat and back are made of natural leather, s...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Materials: Fabric Dimensions: D 85 cm x W 64 cm x H 60 cm (SH 3...

Pair of rattan armchairs with wooden frames - France - c. 1930 Dimensions: 95 x 57 x 70 cm