Sweden - Paintings

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual level...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual level...

Vertige Indigo (Vortex 1) Signed, titled and dated on the back. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide Working on a vari...

Signed, titled and dated on the back. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide Working on a variety of perceptual levels, P...

Free shipment worldwide Acquired directly from the artist. MariaManuela’s pictures define the contrasts between the culture of the Far East and the western world’s pop-culture at t...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels,...

Free shipment worldwide. Acquired directly from the artist.

The painting is a part of my sports/Polo series :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: N...

Abstract oil painting on canvas :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: S...

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det Ko...

The image is a part of a series â€

The image is a part of a series â€

The image is a part of a series â€

The image is a part of a series â€

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det ...

This original acrylic work will add tasteful interest. Its from a serie of paintings about fragments, clues and sequences that is our memories and dreams. This is a one of a kind p...

Mixed media piece by Robert van Bolderick that utilizes scraps of vintage newspapers and images layered over a background of blue paint to produce an authentically collaged original ...

Olof Arborelius (1842‑1915). View from Capri with Vesuvius in the background. Monogram signed OA. Oil on canvas laid on cardboard, 31 x 46 cm. Certified on verso: "Painted by Olof A...

Anton Jonsson Genberg, born 20 June 1862 in Östersund, died 8 January 1939 in Saltsjö-Storängen in Stockholm County, was a Swedish painter. Genberg painted naturalistically with the ...

Edvard Diriks was an older cousin of Edvard Munch. Unlike Munch who was a true expressionist, he was more inspired by the french impressionists like Renoir and Monet. Later on he de...

Signed, titled and dated on the back. Acquired directly from the artist. Free shipment worldwide Working on a variety of perceptual levels, Philippe Huart lets one visit his intima...

The image is a part of a series â€

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 85 cm. Frame size: 117 × 100 x 5 cm. Acquired directly from the artist. Free ship...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 104 × 83 cm. Frame size: 119 × 98 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 64 cm. Frame size: 117 × 78 x 5 cm. Acquired directly from the artist. Free shipmen...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Free shipment worldwide Acquired directly from the artist. MariaManuela’s pictures define the contrasts between the culture of the Far East and the western world’s pop-culture at the same time as they bring the two forms together. She derives her inspiration from classic Japanese woodcuts and their motifs of fantastically coiffured, cherry-lipsticked women, dressed in exquisitely patterned kimonos. But what she presents for the viewer are modern young Japanese women in mini-skirts, dancing among the cherry blossom and haiku poems. Her Pop Icons are painted in vinyl on linen canvas – layer upon layer laboriously laid down to achieve the effect of a printed, japanned surface. The lines of the lips, the semi-circular contours of the eyes and the billowing coiffures are expressed against a monochromatic background. Her advertisement-like images combine mystique with unequivocal simplicity, setting a stage for all manner of different facial expressions – melancholy, pensive, jovial. Born in Stockholm in 1959, Maria Manuela Vintilescu’s first serious encounter with art came at the age of seven. It was with fascination that she viewed Niki de Saint-Phalle’s giant sculpture She, then displayed at the Museum of Modern Art in Stockholm. After graduating from the Ecole Française in Stockholm, Maria took courses in painting, drawing and advertising. After ten years as a scene painter in the theatre, she turned to her own art. Her Pop Icons appeared for the first time in 1998. Two years later her Flower Year suite was exhibited in the Stockholm Spring Show at Liljevalch’s Gallery. These twelve female portraits were published in booklet form accompanied by Japanese haiku poetry interpreted by her father, Jan Vintilescu. It was his book that had first introduced this Japanese lyric form to a wider audience of Swedes in 1959. Since the exhibition at Liljevalchs in 2000, her Pop Icons have been exposed at galeries, art fairs and museums in Europe and elsewhere, like in Tokyo Art Factory in Japan, at Villa Tamaris-Centre d’art in la Seyne-sur-Mer and at SOMA Museum of modern Art in Seoul. In much the same way as the haiku moves us by the eloquence of its brevity, MariaManuela seeks through her pictures to convey situations, facial expressions and frames of mind by the most sparing and subtle of means. Her father had sought the same in rendering the haikus of the Japanese poet...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual level...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

The image is a part of a series â€

The image is a part of a series â€

The artwork is a part of the series â€

The artwork is a part of the series â€

The artwork is a part of the series â€

The artwork is a part of the series â€

Unique artwork - Shattered violin. Artwork size: 96x55x6 cm. Frame size 126x81x6 cm. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefact...

Unique artwork Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art. Everyday objects become poetry for the eye. Forks...

Artwork size: 195x97 cm. Frame size 222x123 cm. Provenance: Private collection Stockholm, Sweden Certificate of authenticity from the Comité Lanskoy in Paris André Lanskoy was born ...

Artwork size: 97 x 130 cm. Frame size: 109 x 142 cm. Free shipment worldwide. Signed, titled and dated on the verso. Acquired directly from the artist. “Adami is the maestro of the ...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...