Sweden - Bowls and Baskets

A very rare and decorative Swedish mid century ceramic bowl with an enamelled outside and golden green glazed inside with sculptural edges. Designed and made by Gabi Citron-Tengborg ...

An exceptional large rare oval shaped 18th century primitive Swedish carved wooden knot bowl. Shows a dry textured finish showing a stunning aged patina. A truly remarkable piece. Th...

Set of 3 antique and unique three sizes organic wooden bowls. With highly appealing patina, with traces of use. Produced in Sweden, 19th century. These bowls where very important f...

19th century big rustic Swedish antique wooden tray/ Serving bowl from Boden Norrbotten,Northern Sweden. A farmers handcrafted tray or serving bowl or centerpiece. A highly function...

Very unusual large bowl from northern Sweden. This antique wooden bowl has an organic shape and is made from hollowing a large piece of birch root. It has an early date underneath, 1...

A rare and beautiful lidded stoneware bowl with amazing yellow hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. Great c...

Exceptional Swedish birch burl Bowl ca 1750 It has an exquisite, silky smooth patina that can only be achieved through centuries of human touch. The almost mahogany depth in color ...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Good condition (there is a small mark in the glaze shown in ...

A rare and beautiful art deco bronze bowl with amazing decor and patina. Made by Gross & Christensen in Denmark, 1930s. Great condition, only a few...

Set of two antique and unique organic wooden bowls. With highly appealing patina, with traces of use. Produced in Sweden, 19th century. These bowls where very important for many fam...

19th century antique rustic rare Swedish Wooden bowl from Dalarna Northern Sweden. Dated 1864 The surfaces are naturally patinated due tue age, You can see the use of time. A tru...

An exceptional large rare 19th century primitive Swedish carved wooden knot bowl. Shows a dry textured finish showing a stunning aged patina. A truly remarkable piece. Old cracks oc...

19th century Swedish antique handmade wood bowl with handle from the first half of the 19th century. The bowl with handle from northern Sweden i...

A decorative and rare pair of candle holders / bowls on foot by Just Andersen, Danish Grace 1920/30s. Turn them upside down, one side works as candle holders for tea lights, the othe...

A leaf-shaped dish with a stunning glaze designed by Carl-Harry Stålhane at Rörstrand The bowl is 20,5 x16 cm (8,2" x 6,4") in diameter. It is in excellent condition except from some...

A beautiful stoneware art deco bowl with crackle glaze. Details in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition. ...

A small beautiful stoneware bowl with amazing glaze. Made by Claes Thell, in the artist's studio, Höganäs, Sweden, 1967. Excellent condition. Signed Thell '66. Claes Thell is a Sw...

A wonderful bowl and candlesticks created by Josef Ekberg and manufactured by Gustavsberg Sweden in 1920s. Wonderful green glaze with hand painted gold pattern on the bowl and Candle...

A small leaf shaped bowl in faience designed by Stig Lindberg at Gustavsberg Studio with a lovely decor of leafs, it´s 12.5 x 8.5 cm (5" x 3.4"). It´s in excellent condition. It is m...

Swedish Turned Birch Wood Bowl, Late 18th to Early 19th Century A beautifully turned wooden bowl with an owner’s mark. Made from birch wood. Height: 10 cm/3.9 inch Diameter: 36-39...

19th century Swedish folk Art wooden bowl dated 1862 Signed LOS A stunning antique organic wooden bowl with lovely patina You can see the use of time. The bowl has ownershipmarking ...

Two stoneware plates depicting the Swedish castle Ulriksdal Palace designed by Arthur Percy and produced by Gefle porslinsfabrik, in 1951. The pale yellow and green colors, together...

Very rare six Scandinavian Modern small unique bowls in beautiful ox-blood and blue glaze by Friedl Holzer-Kjellberg for Arabia. Friedl Holzer-Kjellberg, 1905-1993, was a Finnish ce...

This early 20th-century bentwood bamboo/rattan/wicker Chinese wedding basket with polychrome paint is marvelously beautiful. The basket It has very beautiful and intricate weaving de...

This burl made in Sweden with precision handcraft gives a nice edition to any living room with intention to give an organic simple, but jet complex look. The signs of the wood struct...

This burl made in Sweden with precision handcraft gives a nice edition to any living room with intention to give an organic simple, but jet complex look. The signs of the wood struct...

An antique and unique organic wooden bowl. With highly appealing patina, with traces of use. Produced in Sweden, 19th century. These bowls where very important for many families; th...

A large brown bowl designed by Berndt Friberg at Gustavsberg. It is 31 cm in diameter and 8.5 cm high and in very good condition except from a tiny mark in ...

Rare art deco mermaid bowl created by Mari Simmulson for Upsala-Ekeby. The design features a swordfish, water lilies, bubbles, and a mermaid. The bowl's f...

A beautiful small stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 193...

Large Swedish Turned Bowl, ca. 1780 The old repairs on this bowl add to its unique character and beauty. With beautiful repairs and owner mark. M...

Glass “Pokaali” goblet by Kaj Franck. Vibrant blue glass bowl with a white base.

Clear & amber colored glass bowl, designed by Tauno Wirkkala for Humppila, Finland 1970s.

Unusually large antique mortar from Sweden. The mortar is made by hand in stone and is solid and heavy. Made in Sweden around 1880. Good vintage condition with traces of use. There i...

Exceptional and beautiful large platter designed by Birger Kaipiainen for Rörstrand in limited edition, number 294/500. Decor with apples, plums and bunches of grapes. Birger Kaipiainen has been called "the master of ceramics" and "the undisputed ruler of decorative art". Highlights of iridescent glaze. The platter is in mint condition. No sign of use. Birger Kaipiainen began his career at the Arabia Art Department in 1937 and quickly found his own way to make art. The soon-to-begin Winter War and several losses in his personal life cast a dark shadow over the beginning of his artistic career, and this manifested as sadness and longing in his early works. They are dominated by ethereal, fairy-tale-like characters depicted in pastel tones, with references to early Italian Renaissance and longing for a more beautiful world. Kaipiainen graduated from the School of Arts & Crafts (later known as the Aalto School of Arts of Helsinki). After graduation he went to work for Finnish ceramics...

Rare and very beautiful Scandinavian glass design, a rather large footed bowl or plate, suitable for fruit or confectionery made by Iittala Finland. The bowl is known as "Avanto" (wh...

Early 20th century Swedish Grace / Art Deco cast iron urn by Olof Hult for Nafveqvarn. ca 1930s Sweden.

A serving dish in faience designed by Stig Lindberg at Gustavsbergs Studio in Stockholm, it is 31.5 x 10.5 cm (12.6" x 4.2") in diameter. It´s in excellent condition. In 1942, Gu...

Set of three stoneware sculptures by Jan De Rooden and Johnny Rolf, a Dutch ceramicist duo. They were invited by Stig Lindberg to work at Gustavsberg as guest designers, and their ye...

A lidded bowl designed by Carl-Harry Stålhane at Rörstrand Atelier. It is 7.5 cm (3") high and 9 x 7 cm (3.6" x 2.8") in diameter. It is marked as 2nd quality but I cannot see why be...

18th Century unique small neat antique rustic wooden tray / serving bowl with untouched original paint in beautiful English red. The tray is dated...

A beautiful ceramic art deco bowl. Amazing glaze with details in hand-painted gold. Designed by Gunnar Nylund for Rörstrand, Sweden, 1930s. Good condition. Some wear and scratches i...

A lovely ceramic dish designed by Sven-Erik Skawonius at Upsala Ekeby. The dish is 32,5 cm (13") in diameter and in excellent condition.

A lidded bowl designed by Hertha Bengtson at Rörstrand. It is 6 cm (2.4") high and 10 cm (4") in diameter. It is marked as 2nd quality but I cannot see why because it is in excellent...

This delightful bonbonniere/lidded bowl designed by Allan Ebeling for Bo Fajans, stands gracefully on three curved feet, exuding charm with its globular form. Its light gray hue ado...

An antique and unique organic wooden bowl. With highly appealing patina, with traces of use. Produced in Sweden, 19th century. These bowls where ...

These three pieces of ceramics was made in Sweden 1980s for Design Huset and designed by one of the great ceramic’s designers from Sweden, Carl-Harry Stålhane. Wonderful, crafted bowls with that grace of Swedish midcentury pottery...

Rare decorative Japanese ikebana flower basket in hand woven bamboo with a carved ebonized wooden vase for flowers produced in Japan ca 1960s. In great original condition with minim...

A squared bowl designed by Hertha Bengtson at Rörstrand, the bowl is 29,5 x 29,5 cm (11.8" x 11,8") in diameter. It is in excellent condition except from some minor marks and scratch...

A beautiful miniature stoneware bowl with amazing glossy glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. Great condition. Incise...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

These two pieces of ceramics was made in Sweden 1980s for Design Huset and designed by one of the great ceramic’s designers from Sweden, Carl-Harry Stålhane. Wonderful, crafted bowls with that grace of Swedish midcentury pottery...

Small antique rustic primitive Folk art wooden bowl with handle manufactured in Jämtland in Sweden. In Swedish called "Kåsa" It has been used a...

A pair of candlesticks with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Great condition, o...

A genuine antique wood trough dated 1789 and signed with ownermarks PPS OIS ,from Hälsingland Northern Sweden A nearly monumentaly large farmers ...

A olive-green/grey bowl designed by Pia Rönndahl at Rörstrand in the 1980s. The bowl is 7 cm (2.8") high and about 14,5 cm (5.8") in diameter and in excellen...

A very nice little vintage ceramic plate, made by the very well-known designer Olle Alberius, known as "Kurbits" from Rörstrand, Sweden. Alberius ceramic always has a special feeling, the shapes are simple, but the glazing is just stunning, the pattern is slightly abstract, yet knowing that Alberius has used a traditional style of folklore decoration known as Kurbits, one can see where he got his inspiration from. All off his objects are individual since they are hand painted. The price includes free shipping. The color is just stunning a dark blue color has been used against a pale gray background and there are also some dark brown and purple details as well as black details. It is around 20cm (7.87") in diameter and 2,5cm (0.98") high. It is in a very good condition. Between the years 1957 - 1965, Olle Alberius worked in Strömstad as a designer at SYCO keramik, where he created a large number of dishes, figurines, vases and bowls. He later works at Rörstrand, and between 1963 and 1965 he was employed at both SYCO keramik and Rörstrand. Alberius was attached to Rörstrand's Porcelain Factory in 1963–1971, where he worked partly with handicrafts and partly with tableware in flint and feldspar porcelain...

This wonderful turbine driven; blue glass vases was made in Sweden at Reijmyre. Designed by Monica Bratt. Wonderful blue color with that cool look of the glass twisting. All made by hand during the 1937-1942. Added to this collection is the very rare large vase...

A star shaped blue bowl designed by Pia Rönndahl at Rörstrand in the 1996. The bowl is 29 cm (11.6") in diameter and in excellent condition except from some minor scratches.The bowl ...

A Swedish Scandinavian Modern wine-red and grey stoneware bowl by Swedish Modernist designer Carl-Harry Stålhane for Rörstrand. This model is named "California" or "Californien" in S...