Texas - Art

Classical mythological painting by Houston artist Edsel Cramer. Known for his classically inspired portraits of prominent Houstonians, this work featuring the myth of the Judgement o...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Cover One page Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of pre...

From the estate of Jerry and Ruth Opper Abstract Fireworks 1950's Stone Lithograph on Paper 12.5" x 19", Unframed Came from a portfolio of his work from his estate. Jerry Opper (192...

Frida at the Barbizon Plaza Hotel by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in a chair under her self portrait hanging on the wall. Im...

Freddie Mercury of Queen riding on the shoulders of Darth Vader taken by photographer Tom Callins. This famous shot has never been available before and is exclusive to our collecti...

The Proud Rooster is a framed oil painting of a Rooster by Texas Artist Cheri Christensen .This rooster is from Luckenbach, Texas . Luckenbach is famous for Rusty the Rooster. Fram...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

From the estate of Jerry and Ruth Opper JO 23-1 1950's Stone Lithograph on Paper 12.5" x 19", Unframed Came from a portfolio of his work from his estate. Jerry Opper (1924-2014) He...

Leon Collins Birthdate Unknown Galveston / Navasota Texas Artist Image Size: 24 x 36 Medium: Acrylic on Canvas 2024 "Church" Leon Collins Birthdate Unknown Galveston / Navasota Texas...

Set of six doll head molds and set of eight bronze doll torsos constructed o f bronze. The molds were used in the manufacturing process in the 1920s for making plastic dolls, are mou...

Museum quality fine art print of Dita Von Teese by photographer Markus Klinko in 2013 in Los Angeles. This print is available in the following sizes, signed and numbered by Markus K...

James Spencer Russell "#3" 1958 Collage with paper, sand, and gouache Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spen...

acrylic & oil on canvas

Gloria Dudfield Mexican Fruit Bowl 1960s Oil Pastel and Gouache on Paper 36"x32" unframed $1600 *Custom framing available for additional charge. Please...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosent...

By Emile Albert Gruppe (1896-1978) 30" x 36" Oil paint on canvas Framed Size: 38" x 44" This painting by Emile Gruppe, titled "Autumn Landscape in the Mountains," captures a peacef...

Figurative sculpture by Duff Browne Overall Dimensions: 16" x 16" x 4.5" Dimensions w/o base: 14.25" x 15.25" x 2.5"

Beautiful Impressionist painting featuring elegantly-dressed Parisians out for an afternoon stroll. Bouquets of flowers rest in a tub to the left of the streetlamp, while a horse-dra...

Alphonse Mucha OriginalJOB Lithograph Paris, France 1898 Condition: (B+) condition. Linen Backed with beautiful frame under plexiglass ready to hang. No Issues. Poster: 60.85 x 4...

Pink and orange abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

Contemporary colorful western inspired cowboy painting by Texas based artist Nick Stevenson. The work features a lounging cowboy wearing a hat against a bright yellow background. Sig...

By Emetero Ortiz R. H x D: 7 x 9 inches Singed on bottom Ceramic decorative from the tradition of Mata Ortiz pottery Handmade and polished by Casa Grandes Pueblo ceramicist Emeterio ...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, white, tan, and black set against a light background. Curr...

Signed color slide print of Nirvana taken by Kirk Weddle during his session with the band in the pool to promote the 1991 groundbreaking album, Nevermind. This is a photograph, take...

Serigraph on paper Page Size: 12 x 12 in. Gold Leaf Frame Size: 21 x 21 in. Hand Signed, bottom right in black marker Hand Numbered, bottom left in black marker "180/300" This strik...

Barbara Mauldin Fredericksburg Artist Size: 16 x 12 Frame: 22 x 18 Medium: Oil "Solitaire" Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Bronze & Steel Table

Early Texas Cubist inspired painting by a well known Texas artist. The work features a trio of abstract figures in red and orange tones set against a blue background. Signed in the f...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

This floral still life scene by José Vives-Atsara, features yellow, orange, purple and green. The impressionistic abstracting style nearly gives the feeling that you are viewing the ...

Dan Super "SAM HOUSTON" (1873-1953) Houston Artist Image Size: 3 3/4 inches tall Medium: Carved Horn of Sam Houston to celebrate the Texas Centennial. Texas Centennial 1936 "Sam Houston Pin Cushion Holder" Biography Dan Super (1873-1953) Dan E. Super, Jr. (1873 – 1953) Dan Super had the eye of a sculptor, envisioning and then creating hundreds of objects from the elongated form of a Texas Longhorn’s tusk. At the age of six, Dan Super carved his first drawing into a piece of the horn of a Texas Longhorn. Over the next 56 years, he made utilitarian pieces like pencil cups, pin cushions, and backscratchers, realistic replicas of animals and birds, and imaginative carvings of elegant nudes. While these carvings resemble the traditional art of scrimshaw, carvings from whale bone, we’ve not been able to identify another carver who used the Texas Longhorn as his material. “My work is done with an ordinary pocketknife, hacksaw file and rasp,” Super wrote in 1937. He used the horn in every way conceivable; whole, allowing the shape to define the object he was making, flattened to make mosaic or inlay work. He incised and pierced it and carved in the round. His own hands polished the horn to a sheen. Daniel Super, Jr. was born in Houston on August 22, 1873. His father owned stock years, D. Super and Brothers Co., providing the young Super with ready access to his raw material. Throughout his life, he worked in the businesses key to the identity and success of young, booming Houston, cattle, oil, real estate and rail. In 1896 he married Lula, and took over the family business, expanding it to include a grocery. He closed the company in 1912 and got into the oil business...

This sculpture is cast and manipulated stone, fiberglass, iron, and casters. Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one anoth...

Audrey Hepburn is photographed wearing a Givenchy afternoon cocktail dress from his Spring/Summer 1955 collection at ‘Villa Rolli’, a farmhouse in the A...

Vintage Pencil sketch of two figures carrying large billowing fabric by C. Gassier, circa 1930. Signed lower left. Original artwork on paper dis...

Mesmerizing one-of-a-kind watercolor of an old town French street scene by artist Alphonse Soumers, circa 1920. Original one-of-a-kind vintage work of art on paper displayed on a w...

Whimsical oil on paper painting of a tabby cat resting on a rug and backed by large abstract cat forms, circa 1940. Signed lower left. Original artwork on paper displayed on a whit...

Purple and white Hydrangeas still life by artist "Bernhard." This painting features purple and white hydrangeas in a brown vase on top of a table ...

Patricia Zippin Study For Anaganaga 2/6 1980s Mixed Media 30"x 23", unframed Signed in pencil bottom right and titled bottom left and signed and titled in pencil on reverse Patricia...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil on Canvas 1921 "A Road in Late Afternoon" This painting is so magnificent that ...

mixed media on paper artwork size: 40h x 30w framed size: 47h x 34.5

This original abstract painting is on paper, and should be matted and framed. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the ...

Early modern black and white sketch by iconic Houston based artist David Adickes. Pulled from a collection of previously undiscovered sketchbooks, this work serves as a peak behind t...

Shan Fannin’s 1967 Volkswagen Samba/Kombi Bus is an unframed limited edition giclée print on 230 gsm premium archival matte paper measuring 28 x 28 in (71.12 x 71.12 cm); image size ...

Red Amaryllis is painted in the style of American Realism. Red Amaryllis has a custom archival frame.Red amaryllis symbolizes passion, love and attraction. According to Greek mythology, the amaryllis originated from the love Amaryllis had for Alteo. Amaryllis, a maiden, fell in love with the shepherd Alteo. He was strong and handsome, and had a passion for flowers. To learn how to win his affection, Amaryllis went to the Oracle of Delphi for advice. On the Oracle’s orders, she stood in front of Alteo’s house for thirty nights piercing her heart with a golden arrow. On the thirtieth night, a beautiful flower grew from her blood and helped her win Alteo’s love. See Images below. Look for free shipping at checkout Gary J. Hernandez is an internationally recognized, award winning artist in the style of Realism and floral paintings He received training from the Houston Museum of Fine Arts School of Art. He specializes in representational art with an emphasis on the human figure and florals as seen in Monika's Lilies. He was a finalist in The Artist's Magazine International Art Competition, an Award of Excellence winner in the Manhattan Arts Magazine Competition, finalist in Hunting Art...

Open unknown edition Unsigned Several months after releasing the KAWS Share Figure in February, the artist released his long anticipated KAWS Take Figure. The figure, which features...

acrylic on canvas

Edition of 45 Signed, titled, negative date, print date, and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. Hi...

Pierre-Auguste Renoir’s Apres Le Bain is a stunning 22 x 26-inch pencil and Sanguine chalk painting depicting a nude woman after her bath. This large, exquisitely detailed work showc...

A fascinating 19th Century pencil drawing of male and female figures, both in portrait and profile view, wearing headscarves, hats, and glasses. The artist dated the piece in the upp...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Squint Texas Hill Country Sunrise 8" x 10 " oil Landscape Impressionism The Texas Hill Country is a distinctive geographic and cultural region in Central Texas, known for its rugged limestone and granite hills, numerous spring-fed rivers, and a blend of American and German heritage. It is a popular destination for outdoor recreation, wine tasting, and exploring charming small towns. V....Vaughan is known for impressionist paintings of wildlife...

A Ray of Light is a new painting by Marthann Masterton completed in her Houston studio. It is 48" x 36" , acrylic on canvas. They say that if you do what you love, you’ll never work...

Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black, grey, and tan set against a light background. Signed and...

Frederick Pomeroy "Napa Valley Landscape" c. 1960s Watercolor on paper 17"x14" brown wood frame float mount over linen mat Signed in paint lower ...

Celadon Sea Gyre is part of C. Ellen Hart’s The Bayou Reflections Series which investigates reflections on my local waterways. An arm of White Oak Bayou meanders across the foot o...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a black and white photograph featuring a group of teenagers sitting on top of a car filled with surfboards. Archival Pigment P...

23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...

French watercolor of quiet fishing village in Brittany, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archiva...

Artist: Alexander Calder Title: Derriere Le Miroir No. 141, Cover Year: 1963 Dimensions: 15" x 11" Published by Maeght Editeur Excellent condition