Texas - Paintings

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 12 x 16 Frame Size: 19 x 23 Hand Carved "Melvin" Frame Medium: Oil on Canvas Signed Lower Left 1959 "Red Barn Ranch" Texa...

August Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn $950 Framed 11" x 13". Is part of newly released small works from V....Vaughan's collection of recent travels. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. V....Vaughan is know for her animal, Texas missions Italy, France and Gulf Coast paintings...

Contemporary neutral toned abstract painting by Houston-based artist Kristen Anton. The work features light blue tones accented by pops of navy and green. Signed, titled, and dated o...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 50 x 40 Frame Size: 59 x 49 Medium: Oil 1951 “Hill Country in Spring “ Biography Porfirio Salinas (1910-1973) Porfirio Sal...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

Lewis Teel (1883-1960) El Paso Artist Image Size: 27 x 36 Frame Size: 33 x 43 Medium: Oil on Board Circa Late 1930s Signed Lower left and on original price tag on verso. "Ocotillos"...

Contemporary colorful western inspired cowboy painting by Texas based artist Nick Stevenson. The work features a trio of abstracted cowboys in various poses set against a green and p...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 60 x 40 Frame Size: 71 x 51 Medium: Oil on Canvas Signed 1980 "The Blowout" Woo...

Contemporary neutral toned abstract painting by Houston-based artist Kristen Anton. The work features abstract black and blue shapes floating against an off-white field of color. Sig...

Oil painting measures 12 x 9; frame dimensions measure 19 3/8 x 16 3/8 x 3. Housed in an elegant gold-tone frame with decorative edges. Illegible signature, lower right. Support patc...

oil on canvas

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

French gouache painting, circa 1930. This abstract piece stands out for its bright hues and sharp, interconnected geometric shapes. Original one-of-a-...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 30 Frame Size: 28 x 38 Medium: Oil on Canvas Dated 1974 "Blowin' In" Sign...

Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...

Ross Stefan (1934-1999) Image Size: 16 x 25 Frame Size: 26 x 34 Medium: oil on canvas "Just Enough Shade" Born in Milwaukee, Wisconsin, Ross Stefan became a painter of western scenes...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Impressionistic oil painting of a bouquet of pink and white flowers. Hass, a late Impressionist painter of the Munch school, was known for his sensitivity of color perception and lig...

Texas Field contemporary oil landscape painting on canvas 30 x 40 painted in 2020 by Texan artist Steve Parker conveys his understanding of Texas landscapes and the use of native tr...

Early American Impressionist painting by New York born artist André Gisson. The work features a group of three women standing in an open field. The loose brushwork gives the impressi...

Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn Framed 11" x 13". Is part of newly released small works from V....Vaughan's collect...

Modern Cubist inspired colorful abstract still life painting by the French artist Marcel Mouly. The work features a collection of bottles and vases arranged on a red table that has b...

Early naturalistic landscape painting of a horse attributed to English artist George Cole. The work features a horse in a green field with a polo match going on in the far distance. ...

Acrylic body art featuring upper torso, arms and face by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper displaye...

Artist unknown "Black & White Lounger" c. 1980s Acrylic on Strathmore paper 40.5"x25.75" unframed Unsigned Very Good Condition - Minor wear consistent with age and history 2" tear o...

Two Pears Realism oil painting on panel 12" x 12" David Harrison, is a master in the style of Realism painting. Two Pears shows the simple beauty of Realism paintings. by a Realis...

Contemporary acrylic abstract using eye catching hues of orange, red, green and blue, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archival p...

William Ballantine Dorsey (1942-2019) California Artist Image Size: 16 x 20 Frame Size: 23.5 x 27.5 Medium: Oil on Canvas "California Landscape"

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 48 Frame Size: 41 x 59 Medium: Oil "Ranchers Reward" Dated 1975 Signed Low...

Dorothy Johnson Image Size: 12 x 16 Frame Size: 14.5 x 18.5 Medium: Oil "Prickly Pear"

Lewis Teel (1883-1960) El Paso Artist Image Size: 21 x 28 Frame Size: 27 x 34 Medium: Oil on Board Signed Lower Left and on original price tag on verso Circa 1930s "Sunset Glow" Guad...

Contemporary large scale abstract floral painting by Texas based artist Wood Anthony Francher. Inspired by Mexican floral embroidery patterns and textiles, the work is a burst of bol...

Contemporary abstract figurative painting by Frisco Pete, The Wild West Art Wrangler. The work features a pair of grey toned figures with cowboy hats standing on the water's edge wit...

Blue and maroon abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

E. Salazar Texas Artist Image Size: 28 x 72 Frame Size: 36 x 80 Medium: Oil on Canvas "Thundering Hooves" Buffalo Bison Stampede caused by lighting and thunder........... Please ask ...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

From the estate of Jerry Opper & Ruth Friedman Opper Black Floor c. 1940-1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Contemporary surreal landscape painting by Texas based artist Wood Fancher Anthony. The work features trompe l'oeil, or "trick of the eye," cut paper figures of native Texas otter an...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 24 Frame Size: 44 x 38 Medium: Oil on canvas “ Gift Of Rain “ G. Harvey (G...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 30 Frame Size: 36 x 42 Medium: Oil on Canvas 1975 "The New Filly" Mr. Ger...

Lester Hughes (1938-2021) El Paso Artist Image Size: 24 x 36 Frame Size: 30 x 42 Medium: Oil "Lost and Found" West Texas Cattle STRAYS Biography Lester Hughes (1938-2021) From El Pas...

Contemporary colorful painting by Houston-based artist Peter Healy. The work features expressive pink, blue, yellow, and red strokes against a light gray background. Signed, titled, ...

Paulette Lee works from her studio on Route 66 in South Pasadena, California. Her loose, expressive painting style is influenced by the Russian Masters of the 19th and 20th Century. ...

Martin Grelle (Born 1954) Clifton Texas Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas 1978 "Night Stop" Nocturnal Western painting Signed lower left Biography Martin Grelle (Born 1954) Martin Grelle, b. 1954, Clifton, Texas, (United States) Born and raised in Clifton, Texas, Martin Grelle still lives on a small ranch a few miles from town. His studio sits in the picturesque Meridian Creek Valley, surrounded by the oak & cedar-covered hills of Bosque County, just a short distance from his home, but also within a few miles of the family and friends who are so important in his life. He has two sons, Josh & Jordan, who have left home to pursue their own dreams, but who stay in touch frequently. Martin's parents, Ervin & Ella, have both passed from this life, but he still has his brothers, Carl & Marvin, living nearby, as well as his sister, Mary, who lives in Ft. Worth. Martin began drawing and painting when he was very young, and was fortunate to have James Boren and Melvin Warren, two professional artists and members of the Cowboy Artists of America, move to the area when he was still in high school, and it has had a lasting impact on his direction and career. Mentored by Boren, he had his first one-man show at a local gallery within a year of graduating from high school in 1973. In the nearly 40 years since that time, he has produced some 30 one-man exhibitions, including annual shows in Scottsdale, Arizona since 1989, and has won awards of both regional and national importance at shows around the country. He was invited into membership with the Cowboy Artists of America in 1995, fulfilling a dream begun in the early 70's when he first met Boren and Warren. That same year he was invited to participate in the first Prix de West Invitational at the National Cowboy and Western Heritage Museum in Oklahoma City. Since that time, he has won the Prix de West Purchase Award, twice (one of only seven artists to do so), the Nona Jean Hulsey Rumsey Buyers' Choice Award, twice, the CA People's Choice Award in 2002, the CA Ray Swanson Award in 2008, the CA Buyers' Choice Award in 2011 and 2012, and the Silver Award for Water Solubles in 2012. He was awarded the Legacy Award by The Briscoe Museum in 2012, for his impact on western art. Other major invitational exhibitions and sales Martin has participated in include The Masters at the Autry Museum in Los Angeles, and the inaugural Quest for the West at the Eiteljorg Museum in Indianapolis, the Coeur d'Alene Auction, and the Jackson Hole Art Auction. Martin has also been featured in a number of publications throughout his career, including multiple appearances in the following magazines: Art of the West, Western Art Collector, Southwest Art, Western Art and Architecture, Persimmon Hill, American Cowboy, Western Horseman, Informant, Wild West, and True West's magazine's 2011 Best of the West Source Book. He was honored with a retrospective showing of his work, along with fellow CA artist, Herb Mignery, for the Gilcrease Museum's Rendezvous Show 2013. Martin has a real sense of responsibility to his collectors, which fills his heart every morning when he walks into the studio, believing that what he does is a gift entrusted to him from God, and must not be left unused or taken for granted, but developed and improved upon. His parents and Jim and Mary Ellen Boren, all set that example for him - an example of not only striving to be the best artist he can be, but the best man he can be as well. Beyond his studio, Martin strives to pass on what others have passed to him. He has given multiple demonstrations around the country, teaches an annual weekend workshop along with his good friend, and fellow CA, Bruce Greene - which they have done for 22 years straight - and mentors other aspiring artists by critiquing their work. He has donated work to a large number of organizations to aid in their progress, including The Bosque Arts Center in Clifton, Texas. He has twice served on the board of directors for the CA organization and is currently serving as President. He is also involved with The Joe Beeler Foundation, founded by the Cowboy Artists of America to coincide with their mentoring program, which provides scholarship opportunities for artists seeking to improve their skills, and has served as President of the Foundation for the past year as well. Education Self-taught; mentored by James Boren Cowboy Artists of America Museum, Kerrville, TX, Workshop, Harvey Johnson/Melvin Warren, 1983 Bosque Conservatory, Clifton, TX, Workshop, Bettina Steinke...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks in white and tan, accented by a black square. Signed, title...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

Canvas Size: 36 x 48 inches. Hand Signed, dated, inscribed on verso. The iconic and wildly popular works of Hunt Slonem are a the essence of lavishness and luxury. They are inspire...

Red Door is an American Impressionist painting by Stuart Fullerton. The artist is known for his landscape and cityscape paintings in the Impressionistic style. Red Door is painted ...

Artwork size (without frame): 30"h x 22"w

The Italian outdoors is a common theme in Nelson White paintings. These paintings use the Italian countryside depicting the poppy fields as scene for his paintings. His paintings sho...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 48 x 72 Frame Size: 61 x 86 Medium: Acrylic on Canvas "Summer's Beckoning" Bio Eric H...

Contemporary colorful pastoral landscape by Texas based artist Jacob Spacek. The work features a bright blue shack in the middle of an open field set against a vibrant red sky. Signe...

Monumental Red Abstract Milburn Smith March 1969 Acrylic paint on canvas 65 x 64 x 1.25 Signed and dated lower right in ink Very Good Condition: Consistent with age and history. Fro...

Oil on Canvas Canvas size: 24 x 36 in. Frame Size: 33 x 39 in. "Turning them North" is an exhilarating scene of the American Old West by Gary Lynn Roberts (b. 1953, American) execut...

Ross Stefan (1934-1999) Arizona / Wisconsin Artist Image Size: 7.5 x 6.5 Frame Size: 18 x 16 Medium: Oil "Pueblo" Biography Ross Stefan (1934-1999) Born in...

Gorgeous still life lithograph of a a vibrant purple Iris made in the 1930's by artist unknown in the style of Georgia O'Keeffe.

W. A. Slaughter (1923 - 2003) Dallas / San Antonio Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas "Bend in the Creek" Texas Hill Country Biography W. A. Slaught...

Terrell James Insomnia's Green Ledge, 2022 Oil on canvas 66 x 66 in (167.6 x 167.6 cm)

Teal and white abstract contemporary concentric circle shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement...