Texas - Paintings

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 32" Framed Size: 55.5" x 40.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays the Virgen del Carmen...

Olin Travis (1888-1975) Dallas, Tx. Image Size: 7.5 x 11.5 Frame Size: 15.5 x 19.5 Medium: Oil on Board "To a Good Friend A small token of appreciation" Biography Olin Travis (1888-1975) Travis, Olin Herman. 1888-1975. Dallas. Landscape, portrait, and Figure painter, graphic artist, muralist, teacher, writer.     Born and reared in Dallas, Travis attended public schools there.  in his youth he received instruction from R. Jerome Hill...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 24 x 36 Frame Size: 34 x 46 Medium: Oil on Canvas "Texas Autumn" Biography Robert Wood (G. Day) (1889 -1979) A painte...

Blues Overlapping Orange 47 x 47 Abstract Art Bold Colors $4400 Geometric Shapes Other painting by Marilyn Biles shown in images As life often does, the life of Marilyn Biles h...

Large minimal abstract painting with a green background. Attached to the surface are two toy cars surrounded by red paint and four wired bicycles surrounded in blue. The work is sign...

By Martha Ochoa Oil on Canvas Canvas Size: 59x39 Framed Size: 70.5x50.5 This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays Saint Nathanael playing a fiddle dressed in ornate green and red cloaks. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

James Boren (1921 - 1990) Waxahatchie, Texas / Oklahoma Artist / Member Cowboy Artists of America Image Size: 28 x 42 Frame Size: 40 x 53 Medium: Oil "Ca...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in a yellow ochre coat with a ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 30 Frame Size: 33 x 39 Medium: Oil on Canvas Dated 1972 "Spring Shadows" B...

Cliff Cavin Texas Artist Size: 24 x 30 Frame: 30.5 x 36.5 Medium: Oil 2022 "Springtime Blues" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas, is a landscape artist...

Red and White (Two Boxers) 26" x 21" oil on canvas board framed 2024 Shevlino says he is often drawn to subjects which convey both a sense of movement and which have a narrative ...

"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Signed, bottom right. Metzinger Catalogue Raisonne Number: AM-...

Dwight Holmes (1900-1986) Fort Worth, San Angelo Artist Image Size: 24 x 36 Frame Size: 31 x 43 Medium: Oil "Cenizo" San Carlos Mexico area Burros Mts. in the Distance Biography Biography Dwight Holmes (1900-1986) Dwight C. Holmes, known for ornamental architectural sculpting as well as painting and etching, was born in Albany, Oregon, 1900. He began formal art training in Galveston high school; studied five years in Texas Christian University, serving also as student assistant and art editor for College annual. He received his Certificate of Art and Bachelor of Arts Degree and became a faculty member in the Art Department. He left teaching to serve a five-year apprenticeship to achieve membership in Modelers and Sculptors of America. He studied with George Franz of Germany and Michael Lengyl of Austria. He has done ornamental architectural sculpturing over forty years and enjoys a broad art horizon that includes sculpting, painting, designing, ceramics, carving, gold-leafing, restoration, etc. He paints in any medium and any subject matter, but prefers oils and landscapes. He studied at Texas Christian University with Mary Sue Darter Coleman, Mrs. R. E. Cockerell, Sam P. Ziegler, and others. In California, he studied with George Flowers, at the Pasadena Art Institute, and in workshops with Lee McCarthy, Leonard Boreman, and etching with Bernard Wall. He has held membership in Painters' Club and Fort Worth Art Association; American Federation of Art; River Art Group and Coppini Academy of Fine Arts in San Antonio; Southwest Ceramic Society; San Angelo Art Club and Arts Council, and others. Dwight Holmes began winning art awards at age 13, and has continued receiving numerous honors and awards over the years. He has held art exhibits all over the Southwest, from Florida to California. His works have been shown in Boston, Cleveland, New York, Kansas City, Columbia, Mo. and elsewhere. He has painted along the Gulf, East and West Coasts; throughout Texas; in Mexico, New Mexico, Arizona, Utah, Colorado, California, Tennessee, Georgia, in the Great Smokies, Yellowstone, Grand Tetons, Red Rock Country, Hawaii, etc. He maintains a studio at 2401 Sherwood Way, San Angelo, Texas, but enjoys doing much of his painting out on locations, His interests include: juror for shows; giving criticisms and appraisals, and conducting art workshops and art colonies. In addition to museums works by Dwight C. Holmes may be seen in many private collections including: Mr. Levi Cole, banker, Canyon, Texas; Dr. A. McChesney, M.D., Columbia, Mo.; S. Herbert Hare, former President Nat'l Association Landscapes Architects; Mr. Scott, Quaker Oats...

Modern Cubist inspired portrait painting by the iconic Houston based artist David Adickes. The work features a male figure wearing a white jacket, blue shirt, and red tie. Signed in ...

Sublime desert landscape painting was done in a naturalistic style. The work is signed by the artist in the bottom corner. It is a frame in a...

By Julian Petrie This painting depicts the French commune Saissac in Southern France. 48" x 77.5" Oil on Canvas

Red, Hot and You is an acrylic on canvas by artist Peggy Vineyard. It was completed in 2021. Red, Hot and You brings out the colors in this abstrac...

Brilliantly-colored oil on canvas depicting the French countryside, with "les flâneurs," (people strolling) along the bank of the river. The eye of the viewer follows the river past ...

Contemporary colorful abstract painting by Houston based artist Shelbi Nicole. The work features black, white, and pink shapes floating against a blue background. Signed and dated in...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 24 x 30 Frame Size: 34 x 39 Medium: Oil Applied by Palette Knife Dated 1981 "Houses on the Hills" , Catalonia, Spain Biog...

Moonset Palm Rockport Texas Wind Blue Sky Waning Moon Oil Impressionism 8"x6" Artist "One palm, was blowing in the Rockport, TX blue sky. I captured this with the waning moon settin...

Modern red, blue, green, and yellow mixed media abstract painting by the artist Bert Millar. The work features vertical stripes of various colors set against a light grey wash of col...

Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 31 x 37 Medium: Oil on Canvas Circa late 1930s “Monument Valley“ Signed lower left Biography Porfirio...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

Red and yellow tonal minimal abstract painting with bicycles. The work is signed by the artist in the bottom corner. The canvas board is framed in a gold frame. Dimensions without F...

Oil on canvas Canvas Size: 29 x 44 in. Frame Size: 36 x 51 in. Unsigned A marvelous antique oil on canvas painting, exemplary of Romantic Dutch painting that depicts a sweeping, dra...

Oil painting with boats and boat house. The artist uses color and line to create the illusion of texture within the painting. Placed in a dark, ...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

Contemporary blue toned gestural abstract expressionist painting by Houston based artist Kristi Haines Herman. The work features layers of swirling brushwork in tones of tan, pink, and deep green. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: As an abstract painter, Kristi Haines Herman, uses her artwork to execute ideas and two-dimensional environments that create an emotional experience for the viewer. Her paintings are inspired by personal involvements and reactions to them. Phrases and words ruminate in her mind and slowly turn into abstracted figures that convey her inner thoughts. Haines Herman is highly influenced by movement as her artistic expression due to many years in dance. Movement is depicted through various gestural lines, shapes, and texture which allow the audience to venture through the canvas; thus a visual dance from one edge to another on the painting’s surface. Ballet was Haines Herman’s first love in the art world, starting at age five. She learned to use body movement as an outward expression which allowed her to explore various audience reactions. This would later correlate with her artwork. In her late teens, dance and visual art would intertwine with time on stage as well as painting for expression. Gradually, visual art became her primary artistic avenue. Haines Herman attended Mary Baldwin College in Staunton, Virginia, where she majored in studio art under professors Frank Hobbs and Polly Dixon. She received a Bachelor of Fine Arts from The University of Texas at Austin. During her studies at UT, she was encouraged and challenged by many talented art professors, including Michael Mogavero, John Yancey and David...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Contemporary colorful pastel toned abstract still life painting by Houston-based artist Kristen Anton. The work features a field of burnt orange accented by a yellow vase abstractly ...

Henri Joseph Harpignies (France 1819 – 1916) Oil paint on Canvas Titled: “Bords de l’allier” Impressionist Barbizon landscape painting. Signed lower left H J Harpignies. Sight Size...

The Collector is by Anne Embree who is known for her whimsical animal paintings . The Collector focuses on the Bird and the surrounding objects The Collect...

Allegory of Chopin (Nocturne) is as simple and pure as it sounds. Ramiro has used the subject of a rapturous beautiful young women to convey the emotions he feels when listening to t...

Contemporary green and yellow organic abstract painting by Houston based artist Julián Sierra. The work features clean-edged blocks of color undulating through an abstract field rese...

"Amapolas, Giverny 1 and 2" by Spanish Master Painter Borja Fernandez 54" x 68" (Includes Frames) Oil on Canvas A diptych picturing a cheery field of red poppies located in Claud Monet's home, Giverny, France. Spanish Master, Borja Fernandes channels the spirt of Monet in her depiction of the iconic French gardens surrounding the historical location. A path through the center of the composition joins the two panels of the diptych and draws the view through the landscape to surround them with lush floral gardens, serene woods...

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 36" Framed Size: 58.75" x 47" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays the angel Salgiel playing a horn dressed in immaculate red, green, blue, and yellow clothing. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

Artist: Tom Reno Measurements: 72 x 50 in. Medium: Acrylic on Canvas A brilliant, large scale, abstract painting by Tom Reno, executed in acrylic on canvas. This 72 x 50 inch canva...

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...

Douglas Ricks (1954-2003) Idaho Artist Image Size: 36 x 60 Frame Size: 46 x 70 Signed Lower Right Medium: Oil 1984 “Teton Morning” INDIANS TEE PEE NATIVE AMERICAN MOUTAINS Biography ...

Leon Collard (1916-2011) "Cityscape of Black and White" c. 1980s Acrylic on Paper 23.25"x18" unframed Signed lower right in paint Leon Collard (1916-2011...

David Sanders (1933-2013) Austin Artist Image Size: 30 x 40 Frame Size: 40 x 50 Medium: "Pastel" "Along the Nueces" David Sanders (1933-2013) Known for his oil pastel landscapes, Dav...

Texas Longhorn and Sheep Realism 20" x 16" oil Bovine Landscape Animals The Duo is an 20 X 16 oil on canvas painting of a sheep and a longhorn who look as if they are in searc...

Colorful contemporary portrait of famous movie star John Wayne by Texas-based artist Robert Sandman. The work features a realistic portrayal of the actor dress in his iconic cowboy a...

Classical mythological painting by Houston artist Edsel Cramer. Known for his classically inspired portraits of prominent Houstonians, this work featuring the myth of the Judgement o...

The Proud Rooster is a framed oil painting of a Rooster by Texas Artist Cheri Christensen .This rooster is from Luckenbach, Texas . Luckenbach is famous for Rusty the Rooster. Fram...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

Leon Collins Birthdate Unknown Galveston / Navasota Texas Artist Image Size: 24 x 36 Medium: Acrylic on Canvas 2024 "Church" Leon Collins Birthdate Unknown Galveston / Navasota Texas...

acrylic & oil on canvas

Gloria Dudfield Mexican Fruit Bowl 1960s Oil Pastel and Gouache on Paper 36"x32" unframed $1600 *Custom framing available for additional charge. Please...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosent...

By Emile Albert Gruppe (1896-1978) 30" x 36" Oil paint on canvas Framed Size: 38" x 44" This painting by Emile Gruppe, titled "Autumn Landscape in the Mountains," captures a peacef...

Beautiful Impressionist painting featuring elegantly-dressed Parisians out for an afternoon stroll. Bouquets of flowers rest in a tub to the left of the streetlamp, while a horse-dra...

Pink and orange abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

Contemporary colorful western inspired cowboy painting by Texas based artist Nick Stevenson. The work features a lounging cowboy wearing a hat against a bright yellow background. Sig...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, white, tan, and black set against a light background. Curr...

Barbara Mauldin Fredericksburg Artist Size: 16 x 12 Frame: 22 x 18 Medium: Oil "Solitaire" Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Bronze & Steel Table

Early Texas Cubist inspired painting by a well known Texas artist. The work features a trio of abstract figures in red and orange tones set against a blue background. Signed in the f...