Texas - Landscape Prints

Howard Terpning Image Size: 10.5 x 13.5 Frame Size: 18 x 21 Medium: Print Dated 1980 "Shoshonis Indians" #962 of 1000

Three women in the Saruwaka-machi District with a view of Kinryûzan Temple seen from the famous landmark Matsuchiyama. The woodblock print is from the series "Famous Places in Edo". ...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: Lithograph "The Gathering of Water" Biography Ancel Nunn (1928-1999) Born ...

French lithograph of flowered field with sailboats in background, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame...

Vintage French lithograph of a rustic stone building and stairway with a figure in the shade of an alcove by artist Andre Trost, circa 1960....

Vintage black and white etching of a farmer leading his flock of sheep to a pasture bordered by a small village by French artist Emile Roux Fabre, circa 1930. Signed in pencil lower ...

Signed Serigraph on Archival paper, Edition 8/60 21.5" x 21" This is brilliant and expressive piece captures bright, flickering reflection on water. The painting uses a bold and dr...

A pair of of prints that form a cohesive landscape when displayed side by side. Each piece is 28 x 22 inches. Together they are 28 x 44 inches over all. Each of the two prints are si...

Copperplate engraving hand colored map of Northern America. The figures of the mythical figure along the right side and the animals were added in later after the original printing. T...

Black and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...

Serigraph on Paper Edition 6 / 60 Page Size: 30" x 22.5" Hand signed in pencil, bottom right. Hand numbered in pencil, bottom left. A lush and expressive silk screen print that capt...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Medium: Lithograph Image Size: 12 x 17.5 Frame Size: 18 x 24 "Mystical Beast" Buffalo Bison Biography Ancel Nunn (1928-1999)...

French impressionist landscape lithograph by Jean Marzelle (1916 - 2005) who lived and worked in France and was known for painting. The work consists of greens, blues, yellows, and o...

Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...

Signed Serigraph on Archival Paper, Edition 8/60 21.5" x 21" Unframed This is brilliant and expressive piece captures bright, flickering reflection on water. The painting uses a bol...

Small black and white woodblock print depicting boat with houses. Possibly from the Woodstock School of Art. Inscribed and signed by artist. ...

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

Page Size: 32.5" x 33" Image Size: 28" x 28" Hand signed in pencil, bottom right Hand numbered in pencil, bottom left: 51 / 75 This serigraph by National Treasure of Spain, Joaquin ...

Small abstract etching depicting village in mountainside by the sea. Signed by artist "GOEBEL" at the bottom right corner. Title is inscribed at the back with information suggesting ...

Warm toned landscape print with flowers and a villa. The work is signed by the artist. It is framed in a wooden frame with a yellow matte. Dimensions without Frame: H 26.5 in x W 21....

Impressionist seascape lithograph with green and blue tones. The work is signed by the artist, dated, and titled. It is framed in a silver frame w...

Page Size: 33" x 33.5" Image Size: 28" x 28" Framed Size 44 x 44.5 in. Hand signed in pencil, bottom right. Hand numbered in pencil, bottom left: 58 / 75 This handmade serigraph cap...

This beautiful intricate, hand colored illustration made using fine calligraphy pens to crate the black outline, then Cornet makes 5 lithograph prints, each one is colored differentl...

Woodblock etching of a Japanese village by Toshi Yoshido 11" x 15"

This beautiful intricate, hand colored silk screen print made using fine calligraphy pens to crate the black outline, then Cornet makes 10 lithograph prints, each one is colored diff...

GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...

Blue and gray toned abstract landscape digital print by Ohio artist Timothy O'Toole. This whimsical print depicts a reflective body of water along a horizon. This piece is edition 37...

"Centre Cross" etching that incorporates religious imagery by Charon Kopriva. Signed, Titled, and dated by the artist at the bottom of the print. Editioned 3/15. Dimensions Without ...

"Torre Blanca" by Rufino Tamayo is a Figurative Abstraction etching limited edition measuring 30x22 in. The piece is framed beautifully with a white matt and light silver frame. Rufi...

Soody Sharifi, Archival Inkjet Print, Middle Eastern Artist. Framed artwork in excellent condition. Edition of 3. Signed and numbered by artist on verso.

In front of this temple wall, the boundary stones (bai sema in Thai) indicate the sacredness of the space. This is a classic Preecha plays with texture and light. Artwork Details: Preecha Thaothong "Temple" 1998 Signed Limited Edition Lithograph...

Artwork Details: Preecha Thaothong "Emerald Buddha Temple II" 1998 Signed Limited Edition Lithograph Edition 90/100 19 x 23 Inches

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Jim Stoker was born in Nash, Texas, in 1935, and grew up in Atlanta, Texas. He graduated from The University of Texas at Austin with a BFA in Applied Art in 1957. His teaching career...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...